Slide presentation by Dr Michael Paraskos of Imperial College London on how artists after the second world war used art to challenge society, including perceptions as to what art was, social injustice, the Vietnam war and the oppression of women.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
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The Legacy of Breton In A New Age by Master Terrance LindallBBaez1
Brave Destiny 2003 for the Future for Technocratic Surrealmageddon Destiny for Andre Breton Legacy in Agenda 21 Technocratic Great Reset for Prison Planet Earth Galactica! The Prophecy of the Surreal Blasphemous Desires from the Paradise Lost Governments!
thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
2. Rosalie Gascoigne 1917-1999
• Rosalie Gascoigne held her first exhibition in 1974 at
57 years old. In her career of 25 years she exhibited
nationally and internationally. Type and colour
featured heavily in her work until late intoher career
when earth tones were the predominant feature.
From 1949 until her death she lived quite an isolated
life with her astronomer husband in the countryside
in the Australian Capital Territory. This deeply
informed the characteristics of her art. She used
the objects she found around her immediate
environment-mostly found materials: feathers, wood,
iron, wire and reflective road signs. She also used old
drink crates and boxes. She often incorporated
domestic home wares into her work. Her art was the
reflection of the world around her. (Museum of
Contemporary Art, 2015)
3.
4.
5.
6.
7.
8.
9.
10. PATRICIA PICCININI-1972
• Born in Sierra Leone Piccinini moved to Australia in 1972.
She works in a variety of mediums including drawing,
painting, video, sound, digital images as well as
sculptures. It is her sculptures that she is probably most
well known for. They comprise of diverse materials such
as silicone, fibreglass, human hair, leather, wood,
clothing and polyurethane. She is inspired by a variety
of issues, but her interest in science-biotechnology and
bioethics and questioning its relationship and impact on
society is clearly evident in her work. In turn, these
issues also open up themes of ecology, biodiversity,
species and habitat loss, which she also reflects in her
art. Piccinini investigates the line between the natural
and the artificial world. She states her real interest lies
in, '…how the conceptual or ethical issues are
transformed by emotional realities', ( Orgaz, 2007)
11.
12.
13.
14.
15.
16. Jeff Koons 1955-
• Jeff Koons finds his subject matter in the
visual language of advertising, marketing and
the entertainment industry. He emerged during
the 80's alongside a generation of artists who
investigated the significance of art in a media
saturated era. He works in a variety of art
forms, from photographs, slick pop-art style
hyper-realistic painting, sculpture with the
intention to 'communicate with the masses'. His
artistic influences range from Dada, Duchamp
to Pop Art to Minimalism. His billboard style
paintings echo Rosenquist and he cleverly
references artists like Dali, Ernst and
Magritte. Like Warhol and Fairey, he has a
studio of artists working on his designs.
(Guggenheim, 2015)
17.
18.
19.
20.
21.
22. Yoshitomo Nara-1959-
• Yoshitomo Nara is a Japanese painter, sculptor
and draughtsman. Raised as a child in a rural
area with both parents working he spent large
periods of his childhood alone in the company of
comic books and his pets. He grew up in a period
where Japanese culture was influenced by
Western popular culture-like cartoons, these,
coupled with Japanese Manga and animated
television shows shaped the nature of his work.
With a distinctly Japanese pop aesthetic most of
his subject matter has been refined to simplified
child figures with menacing stares and ‘cute’
animals. His paintings have a muted, pastel like
palette, most often comprising of a single
subject.(Museum of Modern Art, 2015)
23.
24.
25.
26.
27.
28. Claes Oldenburg 1929-
• Claes Oldenburg is an American sculptor, printmaker,
performance artist, draughtsman and writer. He was
a prominent artist during the Pop Art movement. His
subject matter reflected the ever growing
consumerist culture of the period. His show, 'The
Store', featured brightly painted plaster reliefs and
sculptures of commercially manufactured objects.
This show was repeated in an actual shop front where
he sold plaster replicas of foodstuffs. He became
interested in exploring and extending the concept of
art and site and soon started creating monumental
artworks in external spaces and by the 1970's was
focusing on large scale commissioned installations in
public spaces. (MoMa, 2015)
29.
30.
31.
32.
33.
34. Henry Moore 1898-1986
• Moore was one of the most important British
sculptors of the 20th century His work was
primarily shaped by the human body and nature-in
the form of pebbles, shells and bones and although
influenced by European artists such as Picasso,
Arp, Brancusi and Giacometti he was also
influenced by non western art. Often his forms
incorporated 'holes', and during the 1930's he
became more interested in the Constructivist and
Surrealist art movements, his work reflecting a
more abstract aestheticism. At the heart of
Moore's approach was direct carving, a practice
derived not only from European art but from non -
Western art. He all but discarded the process of
modelling and casting preferring to work on
materials directly. (The Art Story, 2015)
35.
36.
37.
38.
39. The Aboriginal Memorial-Yolngu people of
Central and Eastern Arnhem Land
• The Aboriginal Memorial installation of 200 hollow log
coffins from Central Arnhem Land commemorates all
indigenous people who, since 1788, have lost their lives
defending their land. In such it is a war memorial and also
a historical statement. The path through the Memorial
represents the course of the Glyde River estuary which
winds through the Arafura Swamp to the sea. The hollow
log coffins are roughly positioned in relation to where the
artists' clans live along the river. The different painting
styles relate to the 9 different artists' social clans which
link people by or to a common ancestor, land, language and
strict social affiliations. Each clan’s designs are their
inheritance, use permitted only by those belonging to
that group. It is the artist’s copyright over imagery.
‘Yolngu’means human beings. The designs in the Memorial
are the same themes that these artists paint on bark and
on their bodies in ceremony. (National Gallery of
Australia, 2015)
40.
41. All these artists are inspired by their
environment, whether it be where they live,
their personal connection to their environment,
the issues of contemporary society, or a
reflection of the society they grew up in.
Their artworks reflect the individual artist’s
interests. They use a variety of materials from
found items, wood, papier mache, plaster,
metal to silicon, plastic, cloth and glass. Go to
Task 10 in the VCE blog and read about your
next task. Also, check out the Sculpture links
under ‘Interesting Links’
Museum of Contemporary Art, 2015, retrieved Febuary 2, 2015, <http://www.mca.com.au/collection/artist/gascoigne-rosalie/>
Tiger Tiger 1987, 1995, reflective material, wood, H 110.5 W 111.5 D 2cm, Museum of Contemporary Art (MCA), 2015, retrieved Febuary 2, 2015, <http://www.mca.com.au/collection/work/1995166a-b/>
Rosalie Gascoigne, Side Show Parrots 1981,weathered wood and paper, signed and dated 'R G 1981' on base and inscribed 'Side Show Parrots', 63.5 x 48 x 10 cm
Charles Nodrum Gallery, Stock by Rosalie Gascoigne, , retrieved Febuary 2, 2015, <http://www.charlesnodrumgallery.com.au/artwork.asp?id=45481>
Dandelion, 1990, Retro-reflective road signs on board, 990 x 910 mm, Signed and dated verso: Rosalie Gascoigne / Dandelion / 1990
John Leech Gallery, Annual Spring Catalogue Exhibition 2009 / 13 October - 7 November 2009, 2015, retrieved Febuary 2, <http://www.johnleechgallery.co.nz/exhibitions/pastexhibitions/2009/springcatalogueexhibition2009.asp?artwork=993>
The Crop ,1976, salsify (Tragopogon porrifolius), galvanised wire, corrugated iron,
Objects of Whimsy, Featured Artist : Rosalie Gascoigne, retrieved Febuary 2, <http://objectsofwhimsy.blogspot.it/2012/06/featured-artist-rosalie-gascoigne.html>
Monaro, 1989, synthetic polymer paint on sawn soft drink crates on plywood, 131 x 457cm
, Roslyn Noxley9 Gallery, Rosalie Gascoigne, retrieved Febuary 2, 2015, <http://www.roslynoxley9.com.au/artists/15/Rosalie_Gascoigne/770/42239/>
Rosalie Gascoigne, ‘Suddenly the Lake', 1995, tin, marine ply and wood4 panels: 129 x70cm, 129 x 79cm, 131 x 119cm, 130 x 194cm, Roslyn Noxley9 Gallery, Roslyn Noxley9 Gallery,’ Rosalie Gascoigne', retrieved Febuary 2, 2015, < http://www.roslynoxley9.com.au/artists/15/Rosalie_Gascoigne/547/>
Rosalie Gascoigne, Piece to Walk Around, 1981, saffron thistle sticks, H 80 W 80cm, H 1.5, W 380, D 480cm, , Museum of Contemporary Art (MCA), 2015, retrieved Febuary 2, 2015, <http://www.mca.com.au/collection/work/20117/>
Orgaz, L, F, Piccinini, P, 2007, ’Naturally Artificial World’, retrieved January 30, 2015< http://www.patriciapiccinini.net/writing/29/29/72>
Campbell, W, 2009, Art Fixx :‘Patricia Piccinini: Hyperrealism’, 2009, retrieved January 30, 2015<http://www.dailyartfixx.com/2009/08/19/patricia-piccinini-hyperrealism>
The Young Family, 2002, Silicone, polyurethane, leather, plywood, human hair 80 x 150 x 110cm
Mixtape, 2009, retrieved January 2, 2015, <http://artheat.net/mixtape/?paged=14>
Surrogate, 2005, Silicone, polyurethane, leather, plywood, human hair, 180 x 306 x 103cm, Photo: Guy Robinson
Haraway, D, Speculative Fabulations for Technoculture’s Generations: Taking Care of Unexpected CountryIssue 50, Australian Humanities Review May 2011, retrieved January 2, 2015, <http://www.australianhumanitiesreview.org/archive/Issue-May-2011/haraway.html>
Nest, 2006, fibreglass, automotive paint, leather, plastic, metal, rubber, mirror, 197 x 186cm x 104cm high (variable)
Haraway, D, Speculative Fabulations for Technoculture’s Generations: Taking Care of Unexpected CountryIssue 50, Australian Humanities Review May 2011, retrieved January 2, 2015, <http://www.australianhumanitiesreview.org/archive/Issue-May-2011/haraway.html>
Leather Landscape, 2003Silicone, fibreglass, leather, human hair, clothing, timber, 290 x 175 x 165cm (irreg.) Haraway, D, Speculative Fabulations for Technoculture’s Generations: Taking Care of Unexpected CountryIssue 50, Australian Humanities Review May 2011, retrieved January 2, 2015, <http://www.australianhumanitiesreview.org/archive/Issue-May-2011/haraway.html>
Aloft, 2010Fibreglass, stainless steel cable, felted human hair and wool, silicone, robotics, clothing
The Uncanny Patricia Piccinini’s World of Wonder Hujatnikajennong, A, ‘The Uncanny Patricia Piccinini’s World of Wonder', Asian Contemporary Art and Culture,2008, retrieved January 2, 2015, <http://www.c-artsmag.com/articles/detail.php?Title=The%20Uncanny%20Patricia%20Piccinini%E2%80%99s%20World%20of%20Wonder&articleID=132
Jeff Koons, retrieved February 4, 2015<http://www.guggenheim.org/new-york/collections/collection-online/artwork/48>
http://www.guggenheim.org/new-york/collections/collection-online/artwork/10733
Jeff Koons, ‘Puppy’, 1992, Stainless steel, soil and flowering plants, 12 meters 40 cm x 830 cm x 910 cm,New York,
Guggenheim 2015, Collection: Jeff Koon, retrieved January 30, 2015, <http://www.guggenheim.org/new-york/collections/collection-online/artwork/48>
Jeff Koons' "Stacked" foundation Beyeler, Stacked, 1988, polychrome wood, 154,9 x 134,6 x 78,7 cm, Private Collection,
Foundation Beyeler 2015, retrieved January 30, 2015, <http://www.fondationbeyeler.ch/fr/expositions/jeff-koons/introduction>
Jeff Koons, Balloon Dog (Red), mirror-polished stainless steel with transparent color coating, 307.3 x 363.2 x 114.3 cm, Executed in 1994-2000, Private Collection, Europe
Mousse Magazine 2015, retrieved January 30, 2015, <http://moussemagazine.it/jeff-koons-beyeler/>
Jeff Koons, Bear and Policeman, 1988, polychromed wood, 215.9 x 109.2 x 94 cm, Edition of 3 plus AP
Jeff Koons, 2015, retrieved January 30, 2015, < http://www.jeffkoons.com/artwork/banality/bear-and-policeman>
Jeff Koons, ‘New Shelton Wet/Dry Doubledecker’,1981Medium:Vacuum cleaners, plexiglass, and fluorescent lights, 245.4 x 71.1 x 71.1 cm
Museum of Modern Art (MoMa), The Collection, retrieved January 30, 2015, <http://www.moma.org/collection/object.php?object_id=81090>
Museum of Modern Art, The Collection,Yoshitomo Nara, (MoMa), 2015,retrieved January 30, 2015, <http://www.moma.org/collection/artist.php?artist_id=25523>
http://en.wikipedia.org/wiki/Yoshitomo_Nara
Light My Fire, 2001. acrylic, fabric, and wood, 186.7 x 67 x 113 cm.
Wikipedia 2015, retrieved January 30, 2015, <http://en.wikipedia.org/wiki/Yoshitomo_Nara>
Yoshitomo Nara,' Aomori-ken (Aomori dog)', 8.5 metres tall, Aomori Prefectural Museum of Art
Public Delivery,’ Large public sculptures by Yoshitomo Nara’, 2015, retrieved January 30, 2015, <http://publicdelivery.org/yoshitomo-nara-white-dog-aomori-ken/>
Yoshitomo Nara,’Sleepless Night Sitting', 2007, Mixed Media Flocked and hand painted polystone, wood bench, 27.94 x 13.97 x 16.51 cm, Unsigned, Print/Casting Year 2007, Edition 300, Foundry/Publisher How2work, Hong Kong,
Artnet Auctions 2015, Yoshitomo Nara, retrieved January 30, 2015, <https://www.artnet.com/auctions/artists/yoshitomo-nara/sleepless-night-sitting-3>
The Girl with the Knife in Her Side," by Yoshitomo Nara , 1993, acrylic on urethane foam, plastic, fabric, copper, glue and metal staples, 10½ x 7¾ x 11¼ inches, side view
Art/Auctions, Christies New York, retrieved January 30, 2015, <http://www.thecityreview.com/s11ccon3.html>
Yoshitomo Nara,’Fountain of Life', 2001/2013, Fiber reinforced plastic, lacquer, urethane, motor, water, 68 7/8 x 70 7/8 (diameter) inches, Edition of 3, 2AP
Adrian Tribe, retrieved January 30, 2015, <https://hi.co/moments/kd2fwf0o>
Museum of Modern Art, (MoMa), 2015, The Collection, Claes Oldenburg, retrieved January 30, 2015, <http://www.moma.org/collection/artist.php?artist_id=4397>
1976 Type Weathering Steel Dimensions 14 m × 3.73 m × 1.37 m (45 ft × 12 ft 3 in × 4 ft 6 in) Location Philadelphia, pennsylvania
Watson, T, Photoree, "Clothespin," Claes Oldenburg, 1976, retrieved January 30, 2015, <http://www.photoree.com/photos/permalink/9634971-73621375@N00>
Claes Oldenburg, ‘Floor Cake’,1962, Synthetic polymer paint and latex on canvas filled with foam rubber and cardboard boxes, 148.2 x 290.2 x 148.2 cm
Museum of Modern Art,(MoMa), The Collection, 2015, retrieved January 2, 2015, <http://www.moma.org/collection/object.php?object_id=81450>
Claes Oldenburg, ‘Pastry Case, 1’, 1961-62, Burlap and muslin soaked in plaster, painted with enamel, metal bowls, and ceramic plates in glass-and-metal case, 52.7 x 76.5 x 37.3 cm
Museum of Modern Art,(MoMa), The Collection, 2015, retrieved January 2, 2015, <http://www.moma.org/collection/object.php?object_id=81721>
Claes Oldenburg, ‘Lipstick Ascending on Caterpillar Tracks’, 1969 Type Weathering Steel Dimensions 740 cm × 760 cm × 330 cm (292 in × 299 in × 131 in) Location Yale University, Connecticut
Wikipedia 2015, retrieved January 2, 2015, <http://en.wikipedia.org/wiki/Lipstick_%28Ascending%29_on_Caterpillar_Tracks>
Claes Oldenburg and Coosje van BruggenSpoonbridge and Cherry, 1985-1988aluminum, stainless steel, paint354 x 618 x 162 in.
Artsconnected, Claes Oldenburg and Coosje van Bruggen, retrieved January 2, 2015, <http://www.artsconnected.org/artsnetmn/whatsart/oldenb5.html>
The Art Story, 2015, 'Henry Moore', retrieved Febuary 1, 2015, <http://www.theartstory.org/artist-moore-henry.htm>
Henry Moore, ‘ Reclining Figure’, 1939, Lead, 150 x 280 x 100
Wikipedia, 2015,Visual Art Encyclopedia: Reclining Figure’, retrieved January 30, 2015< http://www.wikiart.org/en/henry-moore/reclining-figure-1939>
Henry Moore, Reclining Figure’, 1951, painted plaster
Wikipedia, 2015,Visual Art Encyclopedia: Reclining Figure’, retrieved January 30, 2015<http://www.wikiart.org/en/henry-moore/reclining-figure-1951>
Henry Moore, 'Working Model for Three Way Piece No. 2. Archer’, 1964, Bronze, 30 1/2 × 31 × 25 5/8
Wikipedia, 2015,Visual Art Encyclopedia:'Working Model for Three Way Piece No. 2. Archer’, retrieved January 30, 2015<http://www.wikiart.org/en/henry-moore/working-model-for-three-way-piece-no-2-archer-1964>
Henry Moore, ‘Three forms Vertebrae’, 1969, Bronze, 234 cm
Wikipedia, 2015,Visual Art Encyclopedia: ‘Three forms Vertebrae’, 1969, Israel Museum, Jerusalem, Israel, retrieved January 30, 2015<http://www.wikiart.org/en/henry-moore/three-forms-vertebrae-1969>
National Gallery of Australia (NGA),The Aboriginal Memorial, 2015, retrieved January 2, 2015, < http://nga.gov.au/AboriginalMemorial/home.cfm>
National Gallery of Australia (NGA),The Aboriginal Memorial, 2015, retrieved January 2, 2015, <http://nga.gov.au/AboriginalMemorial/home.cfm>