Pop art emerged in the late 1950s and utilized imagery from mass media and consumer culture. Andy Warhol was a prominent pop artist known for works like Turquoise Marilyn and Navy Blue John. Arte povera developed in the late 1960s in response to pop art, using common materials like earth, rocks, and paper. Jannis Kounellis' works incorporated natural elements. Dadaism in the early 20th century ridiculed meaninglessness in modern society through works by Marcel Duchamp like The Fountain. Conceptual art from the 1960s focused on conveying ideas over traditional objects, as seen in Joseph Kosuth's One and Three Chairs.

1. CONTEMPORARY ART

2. POP ART
(End of 50 th’s)
Is a 20th century art movement that utilized the imagery and
techniques of consumerism and popular culture.
It often includes images of mass media, advertising, comics or
consumer products.

3. POP ART
Andy Warhol (1928-
1987)
“Everything is beautiful.
Pop is everything”
Turquoise Marilyn, 1964 Navy Blue John

4. ART POVERA
(End of the 1960s and the beginning of the 1970s)
Arte Povera - "poor art" or "impoverished art" - was the most
significant and influential avant-garde movement to emerge in
Europe in the 1960s. It grouped the work of around a dozen Italian
artists whose most distinctly recognizable trait was their use of
commonplace materials that might evoke a pre-industrial age, such
as earth, rocks, clothing, paper and rope..

5. ART POVERA
Jannis Kounellis (1936-
2017)
“Art is not ruled by any market”
Roses (1998)Untitled

6. DADAISM
(1916-1925)
Dadaism is an artistic movement in modern art that started around
World War I. Its purpose was to ridicule (poke fun at) the supposed
meaninglessness of the modern world. Its peak was 1916 to 1922,
and it influenced surrealism, pop art, and punk rock. It favored going
against normal social actions..

7. DADAISM
Marcel Duchamp (1887-
1968)
“Art is deeper than the aesthetic
of an era”
The Fountain, 1917 Roue the bicyclette, 1913

8. CONCEPTUAL ART
(middle 1960’s)
Art that is intended to convey an idea or concept to the perceiver and
need not involve the creation or appreciation of a traditional art
object such as a painting or sculpute.

9. CONCEPTUAL ART
Joseph Kosuth (1945)
“Art for which the idea behind
the work is more important than
finished art object”
One and Three chairs,
1965