8. She was trained as an artist and architect, and her sculptures, parks, monuments, and architectural projects are linked by her ideal of making a place for individuals within the landscape.
9. Lin, a Chinese-American, came from a cultivated and artistic home. Her father was the dean of fine arts at Ohio University; her mother is a professor of literature at Ohio University.
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12. “The Wave Field” 1995Shaped earth, 100 x 100 feet, University of Michigan, Ann Arbor, Michigan"With the 'Wave Field' in Michigan, it was for an aerospace engineering building and I had no idea what I was going to do. My site could have been in the building they were building or outside. And I just read up on aerospace and flight for three months and then came up with the idea of the 'Wave Field,' which is basically a book image of a natural occurring water wave that came about because flight requires resistance, and that led to turbulence studies, which led to fluid dynamics."- Maya Lin
13. Janine Antoni Janine Antoni’s work blurs the distinction between performance art and sculpture. Antoni transforms everyday activities such as eating, bathing, and sleeping into ways of making art, such as painting and sculpting. Themes in her work include mortality, desire and the body.
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15. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989.
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17. “Moor,” details "I asked my friends to give me materials to put into the rope. A lot of people gave me materials from friends who had passed away. Giving them to me to put into the rope is like giving them another life, another form. I wonder whether the viewer can uncover these stories through their experience of the object, whether these stories are somehow held in the material." - Janine Antoni "Moor" rope sculpture by Janine Antoni | PBSrope sculpture
18. Judy Pfaff A pioneer of installation art in the 1970s, Pfaff synthesizes sculpture, painting, and architecture into dynamic environments in which space seems to expand and collapse, fluctuating between the two- and three-dimensional. Pfaff’s site-specific installations pierce through walls and careen through the air, achieving lightness and explosive energy. Pfaff’s work is a complex ordering of visual information composed of steel, fiberglass, and plaster as well as salvaged signage and natural elements such as tree roots.
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20. She received a BFA from Washington University, Saint Louis (1971) and an MFA from Yale University (1973).
21. Balancing intense planning with improvisational decision-making, Pfaff creates exuberant, sprawling sculptures and installations that weave landscape, architecture, and color into a tense yet organic whole.
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23. “Buckets of Rain,” details "Last year it just seemed like everyone I knew died . . . my mother, Al Held (my former teacher), good friends. And I just wanted my 2006 show to be emotional. So I was basing this work on images of darkness and a kind of wilder characteristic than my other stuff. Before, the work was still chaotic but the last show was so pretty. And I thought, "This is not pretty, this is going to go to the other side." I was even looking at images in Dante’s 'Inferno'. So it was going to be a lot of dramatic, dark imagery."- Judy Pfaff Judy Pfaff, Installing "Buckets of Rain"
24. “Round Hole, Square Peg” 1997Mechanical steel tubing, plaster, pigment, tree stumps, wood, cast rubber, expanding urethane foam, and pencil; five galleries, main gallery approximately 10 x 10 x 25 feet. Installation view: Andre Emmerich Gallery, New York. Photo by: Rob van Erve. "The work has always had two components in it. There’s organization and finesse, which always sort of surprises me, and then this roughness in it and a sort of put-together aspect, too. But I think both of those things interest me. One is probably more who I am, and the other is who I would like to be."- Judy Pfaff
25. Martin Puryear Puryear’s objects and public installations—in wood, stone, tar, wire, and various metals—are a marriage of Minimalist logic with traditional ways of making. Puryear’s evocative, dreamlike explorations in abstract forms retain vestigial elements of utility from everyday objects found in the world.
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27. After earning his BA from Catholic University in Washington D.C., Puryear joined the Peace Corps in Sierra Leone, and later attended the Swedish Royal Academy of Art. He received an MFA in sculpture from Yale University in 1971.
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29. “Ladder for Booker T. Washington” Puryear’sLadder reflects handcraft techniques he honed abroad while studying in West Africa and in Scandinavia. The side rails, polished strands of wood, are fashioned from a golden ash sapling that once grew on Puryear’s upstate New York property; and the ladder’s now sinuous, now sharp, rails, connected by round, lattice-like rungs that swell in the middle, reflect the wood’s organic cycle of growth and change. Abstraction and "Ladder for Booker T. Washington"