Activist Art
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The document discusses various artists and art movements from the 20th century that challenged traditional forms of art and culture. It mentions Dadaists like Hugo Ball and Tristan Tzara who created cut-up poems to protest bourgeois values. Surrealists like Man Ray incorporated found objects and photography to express political ideas. Contemporary artists like JR, Dan Witz, and Seed Bombers use public spaces and guerrilla tactics to raise awareness of social issues. Feminist artist Judy Chicago highlighted women's history. Fluxus embraced multi-disciplinary works and Yoko Ono created participatory sculptures.
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Satellite television, the internet, and colonialism helped drive the evolution of globalism. Several key figures and events influenced changes in racial equality, gender equality, and other social movements in the latter half of the 20th century, including Martin Luther King Jr., the women's movement, and the gay rights movement. Abstract Expressionism emerged as the dominant art movement in the 1940s-1960s in New York, pioneered by artists like Jackson Pollock, Willem de Kooning, and Franz Kline who experimented with action painting and color field techniques.
Abstract Express Intro New
This document provides an overview of Abstract Expressionism, a major American art movement that developed in New York City during the 1940s and 1950s. It notes that many European artists immigrated to New York during World War 2, influencing the development of innovative artworks through cross-pollination of ideas. Key Abstract Expressionist artists mentioned include Pollock, de Kooning, Rothko, and Kline. The movement is described as the first truly American school of art that was internationally influential until the rise of Pop Art in the 1960s.
2020finalexamreview 190509190439
This document provides a review for an art history final exam, listing 15 artists. It includes brief biographies and descriptions of key works for each artist. The artists span different eras and styles including Georgia O'Keeffe, Frida Kahlo, Diego Rivera, Pablo Picasso, Edvard Munch, Jackson Pollock, Claude Monet, Keith Haring, Michelangelo, Leonardo da Vinci, Vincent van Gogh, Jacob Lawrence, Norman Rockwell, Andy Warhol, Tyree Guyton, Chuck Close, Yayoi Kusama, Jeff Koons, and Kara Walker. Key details are provided for each artist to help with exam preparation.
KCC Art 211 Ch 23 Postwar Modern Movements In The West
The document summarizes several modern art movements that emerged in the West after World War II, including Abstract Expressionism, Pop Art, Minimalism, Earth Art, Installations, and Performance Art. It provides background on influential artists such as Pollock, Rothko, Warhol, Oldenburg, Judd, Smithson, and Chicago and describes characteristics of their works.
Dadaism man ray
Dada was an early 20th century avant-garde art movement begun in 1916 in Zurich as a reaction against World War I. It spread to many cities and produced diverse works ranging from performance art to poetry to sculpture. Dadaists like Jean Arp and Marcel Duchamp used chance in their creative processes to defy rational cultural norms blamed for the war. A leading figure, American artist Man Ray spent most of his career in Paris contributing to both Dada and Surrealist movements through works like his 1921 readymade "The Gift" and innovative darkroom photography techniques.
Dadaism architecture
Dadaism was an early 20th century avant-garde art movement founded in Zurich that rejected reason and logic in favor of irrationality, chaos and nonsense. It began as a reaction to World War I and the nationalism and rationalism that had led to the war. Key figures included Hugo Ball, Richard Huelsenbeck, Tristan Tzara, Marcel Duchamp, Max Ernst, Francis Picabia and Raoul Hausmann. Their works featured found objects, collage, photomontage and absurdist performances designed to shock audiences. Dadaist art rejected cultural norms and emphasized anti-art, chance, nonsense and irrationality through provocative works that undermined traditional notions of art.
Chapter 15 american art before world war ii
This document provides an overview of American art before World War II. It summarizes key artistic movements and artists of the time period. The 1920s saw the rise of regionalism in response to a search for national identity. The Great Depression of the 1930s dominated the arts and saw government support for art projects. Photographers like Riis, Hine, Stieglitz documented social issues. Modernist painters like Dove, Hartley, and O'Keeffe experimented with abstraction. Regionalists like Benton and Wood captured American scenes and culture.
Modern Art Powerpoint pdf
The document discusses several art movements that emerged in the post-World War 1 years between 1919 and 1939, including Dadaism, Bauhaus, Art Deco, and early Surrealism. It provides background information on the founding principles and key figures of each movement, and highlights representative artworks produced during these periods that helped define the stylistic innovations of modernism. The art movements reflected a rejection of tradition in favor of individual expression and incorporated new techniques like collage that emerged as responses to the turmoil of the war and changing social values.
Chapter 10 picturing the waste land - western europe during world war i
The Cabaret Voltaire opened in Zurich in 1916, launching the art movement known as Dada. Founded by Hugo Ball and Emmy Hennings, it attracted diverse artists and hosted performances of works rejecting logic and rationality in response to World War I. Dada soon spread to other cities and focused on nonsensical happenings and works incorporating chance to subvert artistic norms. Figures like Marcel Duchamp, Hans Arp, and Francis Picabia created readymades and works embracing happenstance that challenged definitions of art. Dada marked a revolutionary beginning of conceptual art and influence on subsequent avant-garde movements.
2013 final exam review pinconning hs
The document provides an overview of several famous artists from different eras and locations including Leonardo da Vinci, Michelangelo, Claude Monet, Edgar Degas, Vincent van Gogh, Georgia O'Keefe, Frida Kahlo, Jacob Lawrence, Pablo Picasso, Andy Warhol, Tyree Guyton, Keith Haring, Diego Rivera, Gustav Klimt, Edvard Munch, Jasper Johns, Paul Klee, and Henry Moore. For each artist, it lists their name, dates of birth and death, country of origin, key artworks or styles they are known for developing.
arts10.pptx
Modern art began in the 1860s and lasted until the 1970s. It rejected traditional approaches and embraced new ways of seeing and new media like photography. Many new movements emerged during this time in response to world events and social changes. Artists experimented with color, form, abstraction, symbolism and incorporating new materials. Nearly every new movement was initially met with ridicule but eventually settled into history and influenced future generations of artists.
modernartreporting-160127104623 (1).pptx
Modern art began around 1860 and lasted until around 1970, sparked by artists throwing out old styles and embracing experimentation. This led to movements like Impressionism, which painted outdoors and focused on light, color, and everyday subjects. Later, Symbolism, Fauvism, Expressionism, Cubism, Dada, Constructivism, Surrealism, and Abstract Expressionism emerged, each rejecting realistic styles and exploring new approaches to form, color, and subject matter. Pop Art of the 1960s celebrated popular culture, while Optical and Photorealism engaged with new technologies. Throughout, modern art reflected the changing world and new ways of seeing.
Illustration Techniques One: Collage | From Picasso through Dada and Pop Art ...
Slide presentation about Collage as artistic technique, including the history of collage, important artists such as Picasso, Braque and artists from the Dada movement, and later artists involved in Pop-Art. The slides also include contemporary artists working with Collage.
AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docx
AGNY Study Pack # 1
Tenth Street Studios,
51 West 10th 1857-1956
2
The Heart of the Andes, 1859 Frederic Edwin Church
3
William Merritt Chase, Interior of the Artist’s Studio, 1882
4
James Abbott McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket, ca. 1875
5
Cassatt, Little Girl in a Blue Armchair, 1878
6
Tanner, View of the Seine Looking Toward Nôtre Dame, 1896
7
Romaine Brooks,
Self-Portrait, 1922
8
Hopper, Steps in Paris, 1906
9
Edward Hopper: The Paris YearsFebruary 22 - June 1, 2003ﾊEdward Hopper was the J.D. Salinger of American painters, an extremely private man who granted few interviews. Much of what scholars know about his work comes from his wife Jo Nivison-Hopper's journals. Edward Hopper: The Paris Years, organized by the Whitney Museum of American Art of New York, provides a tantalizing look at the early work of one of America's best known figurative painters. The exhibition of 45 paintings and 10 works on paper opens at Charlotte, NC's Mint Museum of Art on February 22 and runs through June 1, 2003. (left: Edward Hopper (1882-1967), Steps in Paris, 1906, oil on wood, 13 x 9 3/16 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Hopper said little about even his most accomplished paintings, believing the work should speak for itself. Scholars have been left to speculate on influences on his career, from his realist art instructors Robert Henri, William Merritt Chase andKenneth Hayes Miller at the New York School of Art to the psychological reaction of a young man raised in a small town coming to grips with isolation and loss of community in the urban modern age that was New York City at the turn of the century. The answer may be found in Paris, in verse rather than on canvas. (right: Edward Hopper (1882-1967), Notre Dame, No. 2, 1907, oil on canvas, 23 1/2 x 28 3/4 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Edward Hopper's early talent for drawing and painting was encouraged by his mother Elizabeth. The family's middle class concern for his future financial security influenced Edward to attend The New York School of Illustrating before transferring to the New York School of Art. Hopper would work more than fifteen years as a commercial illustrator, work that he despised. His skill at painting watercolors, however, is attributed to the years spent as an illustrator. He was able to master strokes with the brush and had a remarkable eye for being able to adjust a composition to where it would have the most immediate anddramatic impact on the viewer.After six years of study at the New York School of Art, Hopper left for France in October, 1906. His Paris studies coincided with an exciting era in the history of the Modern movement. Hopper, however, was untouched by Fauvist and Cubist art popular at the time, continuing instead to follow.
AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docx
AGNY Study Pack # 1
Tenth Street Studios,
51 West 10th 1857-1956
2
The Heart of the Andes, 1859 Frederic Edwin Church
3
William Merritt Chase, Interior of the Artist’s Studio, 1882
4
James Abbott McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket, ca. 1875
5
Cassatt, Little Girl in a Blue Armchair, 1878
6
Tanner, View of the Seine Looking Toward Nôtre Dame, 1896
7
Romaine Brooks,
Self-Portrait, 1922
8
Hopper, Steps in Paris, 1906
9
Edward Hopper: The Paris YearsFebruary 22 - June 1, 2003ﾊEdward Hopper was the J.D. Salinger of American painters, an extremely private man who granted few interviews. Much of what scholars know about his work comes from his wife Jo Nivison-Hopper's journals. Edward Hopper: The Paris Years, organized by the Whitney Museum of American Art of New York, provides a tantalizing look at the early work of one of America's best known figurative painters. The exhibition of 45 paintings and 10 works on paper opens at Charlotte, NC's Mint Museum of Art on February 22 and runs through June 1, 2003. (left: Edward Hopper (1882-1967), Steps in Paris, 1906, oil on wood, 13 x 9 3/16 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Hopper said little about even his most accomplished paintings, believing the work should speak for itself. Scholars have been left to speculate on influences on his career, from his realist art instructors Robert Henri, William Merritt Chase andKenneth Hayes Miller at the New York School of Art to the psychological reaction of a young man raised in a small town coming to grips with isolation and loss of community in the urban modern age that was New York City at the turn of the century. The answer may be found in Paris, in verse rather than on canvas. (right: Edward Hopper (1882-1967), Notre Dame, No. 2, 1907, oil on canvas, 23 1/2 x 28 3/4 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Edward Hopper's early talent for drawing and painting was encouraged by his mother Elizabeth. The family's middle class concern for his future financial security influenced Edward to attend The New York School of Illustrating before transferring to the New York School of Art. Hopper would work more than fifteen years as a commercial illustrator, work that he despised. His skill at painting watercolors, however, is attributed to the years spent as an illustrator. He was able to master strokes with the brush and had a remarkable eye for being able to adjust a composition to where it would have the most immediate anddramatic impact on the viewer.After six years of study at the New York School of Art, Hopper left for France in October, 1906. His Paris studies coincided with an exciting era in the history of the Modern movement. Hopper, however, was untouched by Fauvist and Cubist art popular at the time, continuing instead to follow.
modernartreporting-160127104623.pdf
Modern art began in the 1860s and lasted until the 1970s, sparked by a rejection of traditional styles and an embrace of new experimentation. Artists focused on their direct experiences and emotions over academic conventions. Many new movements emerged, from Impressionism's loose brushwork to Cubism's fragmentation of form to Surrealism's exploration of the unconscious mind. Most new styles were initially met with ridicule but went on to influence generations of artists as they settled into art history. The 20th century saw unprecedented technological and social changes that modern art both reflected and helped people process.
Modern Arts
Modern art began around 1860 and lasted until around 1970, sparked by artists throwing out old conventions and embracing experimentation. This led to new ways of seeing and representing the world directly through the artist's experiences. Many new styles emerged like Impressionism, Symbolism, Art Nouveau, Fauvism, Expressionism, Cubism, Dada, Constructivism, Surrealism, Abstract Expressionism, Pop Art, Optical Art, Photorealism and other avant-garde styles. Nearly every new style was initially met with ridicule but eventually settled into history, influencing future generations of artists.
AS Art exam 2016_ Transformation
This document discusses various types of transformation in art, including transformation of the body through aging and decay, transformation of the natural environment through human occupation, transformation of materials and the environment in sculpture, and transformation of the city through art interventions. Specific artists mentioned include Stanley Spencer, who documented his own aging in self-portraits; Edward Burtynsky, who explores nature transformed by industry; Christo and Jeanne-Claude, known for large-scale environmental artwork; and Anish Kapoor, who uses vivid pigments to transform natural materials like stone in his sculptures. Several homework assignments are proposed involving transforming found objects, reworking famous artworks, self-portraits combining the surface and underneath of skin, and using bleach
Chap31
The document provides an overview of major artistic movements in Europe and America between 1900-1945. It discusses the evolution of modernism through Fauvism, German Expressionism, Cubism, Futurism, Dada and Surrealism in Europe. In America, it covers the impact of the 1913 Armory Show, various styles in the early 20th century, art of the Depression era depicting social issues, and Regionalism. Key artists and works from the period are also mentioned.
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KCC Art 211 Ch 23 Postwar Modern Movements In The West
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Illustration Techniques One: Collage | From Picasso through Dada and Pop Art ...
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AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docx
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Activist Art
- 1. activist art ms talisa salmon
- 6. Fiona Hall An installation called ‘Tender’ was made by the artist mimicking a variety of actual nests using American dollar bills, raising questions about the value of profit over wildness and diversity.
- 12. Surrealism Developed out of Dada in the 1920’s in Paris, artists and writers expressed the Surrealist philosophy or manifesto. Art as protest was political and experimental. IMAGE: Le Violon d’Ingres by Man Ray
- 13. Man Ray Indestructible Object 1923, is an assisted readymade.
- 14. LHOOQ Marcel Duchamp painted a moustache on the Mona Lisa in 1919, poking fun at the world’s most famous painting.
- 15. Marcel Duchamp Readymade art was revolutionary in the early 20 th century. Bicycle Wheel was assembled in 1913.
- 19. Hugo Ball Writer of the dada manifesto performs a cut-up poem.