Scary movie
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The document discusses the Scary Movie film franchise. It provides the budgets and box office revenues for Scary Movie, Scary Movie 2, Scary Movie 3, and Scary Movie 4. Producers continue making the films because they are financial successes. Audiences demand more installments because of media saturation and their sophisticated understanding of parody and intertextuality in postmodern culture.
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British film
This document provides an overview of contemporary British film production, distribution, and consumption. It discusses what constitutes a British film and provides categories based on creative and financial contributions. It also examines two recent successful British films as case studies - The Last King of Scotland and This is England. The document outlines the current boom in British film due to television company co-funding and investment. It analyzes genres like social realism and the works of prominent British directors like Ken Loach and Mike Leigh.
3 Which Media Institute would distribute your product and why?
Our independent British film "Obsession" would likely be distributed by Working Title, a major British production company known for films appealing to both British and wider audiences. Alternatively, ScreenGems or Rainforest Films could distribute to reach broader audiences. Working Title has successfully distributed films with similar themes of relationships and emotions, while ScreenGems and Rainforest Films focus on genres aligned with our film and target audiences that could connect with its cast and themes. As an independent film, our lower budget also means lower risk if the film does not perform as well as hoped.
Evaluation
Universal Pictures would be a suitable distributor for the media product because they previously distributed similar gangster films through their acquisition of Polygram Filmed Entertainment. Columbia TriStar, formed by Columbia Pictures, could also distribute the film as they handled distribution of films like Lock Stock and Two Smoking Barrels and Snatch. Vertigo Films, a British production and distribution company, may also be a good fit given they have distributed films in the same genre, such as The Football Factory.
Lo2
The document discusses the target audience, genre, locations of exhibition, and marketing methods for the James Bond film Skyfall. It notes that the target audience is broad, including males, females, children and adults. The genres of James Bond films are identified as action, adventure, thriller, drama, romance and mystery. Various marketing techniques used for Skyfall and other films of similar genres are outlined, including posters, trailers, interviews and merchandise focusing on the 50th anniversary of James Bond.
Lo2
The document discusses the target audience, genre, locations of exhibition, and methods of marketing for the James Bond film Skyfall. It notes that the target audience is wide, including males, females, children and adults, and that the genre involves elements of action, adventure, thriller, drama, romance and mystery. Additionally, the document provides details on the production companies involved in Skyfall and how other films of similar genres such as Tinker Tailor Soldier Spy and Mission Impossible were previously marketed.
Institutional research
This document discusses research into film companies and their horror films. It focuses on 20th Century Fox, Hammer Films, and certification ratings. 20th Century Fox is a major Hollywood studio known for franchises like Star Wars but also distributed some horror films. Hammer Films was a UK company famous for Gothic horror films in the 1960s. Certification ratings aim to classify films by age groups to target appropriate audiences. The document also provides details about the production, distribution, credits and release date that would be researched for a hypothetical horror film called "The Black Forest."
British and american film
The document provides a historical overview of British and American cinema from the late 19th century to the 2000s. It notes that early silent films were short clips shown before 1910, and pioneers like the Lumiere Brothers experimented with techniques. Charlie Chaplin became the first Hollywood star in the 1910s. Sound was introduced in the late 1920s. Iconic directors from the 1930s-1960s included Alfred Hitchcock and influential actors included James Dean. Popular genres of the 1990s-2000s included action, comedy, animation, and superhero films from directors like Christopher Nolan and Quentin Tarantino.
British Film Distribution
The document discusses various film distribution methods in the UK, including cinema, which allows small budget films to find large audiences, as well as distributors like Icon, Sony, Film 4, and Fox Searchlight. It concludes that cinema is the best distribution method, followed by a DVD release later, as this approach has been shown to generate revenue and benefit distributors.
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British film
This document provides an overview of contemporary British film production, distribution, and consumption. It discusses what constitutes a British film and provides categories based on creative and financial contributions. It also examines two recent successful British films as case studies - The Last King of Scotland and This is England. The document outlines the current boom in British film due to television company co-funding and investment. It analyzes genres like social realism and the works of prominent British directors like Ken Loach and Mike Leigh.
3 Which Media Institute would distribute your product and why?
Our independent British film "Obsession" would likely be distributed by Working Title, a major British production company known for films appealing to both British and wider audiences. Alternatively, ScreenGems or Rainforest Films could distribute to reach broader audiences. Working Title has successfully distributed films with similar themes of relationships and emotions, while ScreenGems and Rainforest Films focus on genres aligned with our film and target audiences that could connect with its cast and themes. As an independent film, our lower budget also means lower risk if the film does not perform as well as hoped.
Evaluation
Universal Pictures would be a suitable distributor for the media product because they previously distributed similar gangster films through their acquisition of Polygram Filmed Entertainment. Columbia TriStar, formed by Columbia Pictures, could also distribute the film as they handled distribution of films like Lock Stock and Two Smoking Barrels and Snatch. Vertigo Films, a British production and distribution company, may also be a good fit given they have distributed films in the same genre, such as The Football Factory.
Lo2
The document discusses the target audience, genre, locations of exhibition, and marketing methods for the James Bond film Skyfall. It notes that the target audience is broad, including males, females, children and adults. The genres of James Bond films are identified as action, adventure, thriller, drama, romance and mystery. Various marketing techniques used for Skyfall and other films of similar genres are outlined, including posters, trailers, interviews and merchandise focusing on the 50th anniversary of James Bond.
Lo2
The document discusses the target audience, genre, locations of exhibition, and methods of marketing for the James Bond film Skyfall. It notes that the target audience is wide, including males, females, children and adults, and that the genre involves elements of action, adventure, thriller, drama, romance and mystery. Additionally, the document provides details on the production companies involved in Skyfall and how other films of similar genres such as Tinker Tailor Soldier Spy and Mission Impossible were previously marketed.
Institutional research
This document discusses research into film companies and their horror films. It focuses on 20th Century Fox, Hammer Films, and certification ratings. 20th Century Fox is a major Hollywood studio known for franchises like Star Wars but also distributed some horror films. Hammer Films was a UK company famous for Gothic horror films in the 1960s. Certification ratings aim to classify films by age groups to target appropriate audiences. The document also provides details about the production, distribution, credits and release date that would be researched for a hypothetical horror film called "The Black Forest."
British and american film
The document provides a historical overview of British and American cinema from the late 19th century to the 2000s. It notes that early silent films were short clips shown before 1910, and pioneers like the Lumiere Brothers experimented with techniques. Charlie Chaplin became the first Hollywood star in the 1910s. Sound was introduced in the late 1920s. Iconic directors from the 1930s-1960s included Alfred Hitchcock and influential actors included James Dean. Popular genres of the 1990s-2000s included action, comedy, animation, and superhero films from directors like Christopher Nolan and Quentin Tarantino.
British Film Distribution
The document discusses various film distribution methods in the UK, including cinema, which allows small budget films to find large audiences, as well as distributors like Icon, Sony, Film 4, and Fox Searchlight. It concludes that cinema is the best distribution method, followed by a DVD release later, as this approach has been shown to generate revenue and benefit distributors.
Lo3
The document discusses various marketing strategies for the James Bond film "Skyfall", including:
1. A press conference was held in London with media from newspapers, magazines, radio, TV, and websites from both the UK and abroad to promote the film.
2. Trailers for "Skyfall" will be shown before other 12-rated and action/thriller films due to the film likely receiving a 12 or 12A rating.
3. An informal survey found that most James Bond fans would see a movie poster on the internet, at bus stops, or billboards.
4. A viral marketing campaign could both help promote the film but also risk exposing younger audiences to inappropriate content.
Evaluation question three
This document discusses potential distributors for an independent horror film made on a low budget with local actors. It analyzes how two potential distributors, StudioCanalUK and Lions Gate Entertainment, would be suitable options. StudioCanalUK releases many independent British films and has distributed similar horror films. Lions Gate Entertainment is a successful North American independent film company that has distributed a wide variety of genres, including horror films. Both companies' experience with independent and genre films could help distribute and promote the film.
What kind of media institution might distribute your media product and why?
The document discusses film distribution and the factors a distributor considers when deciding how to distribute a film. It describes the film being summarized as a low-budget British mystery thriller targeting audiences aged 15-40 interested in the genre. As the film has a niche crime/thriller audience without major stars, it would be distributed by a small British company like Vertigo Films or Film 4 rather than a large Hollywood studio. These small independent distributors focus on low-budget, niche films without major star power.
British Film
This document provides an overview of the contemporary British film industry, including production, distribution, consumption and categorization of British films. It discusses the relationship between British and American films, and debates who holds the most power between audiences and film studios. The document also presents several case studies of specific British films as examples of production and funding models in the current film industry.
This is england case study more
This document provides information about the 2006 British film This is England directed by Shane Meadows. It was produced on a low budget of £1.2 million by Film4 and distributed by Optimum Releasing. Though it had limited distribution in the UK and US initially due to its small scale, the film went on to earn over £5 million at the box office, making it financially successful. It received critical acclaim and won 10 awards including a BAFTA, helping to promote the film through word-of-mouth.
Britsh Films vs American Films
British films: famous films, ideologies usually seen in British films, production companies and funding.
American films: famous films, ideologies usually seen in American films, production companies and funding.
Evaluation activity 3 (draft 2)
- A production company is responsible for organizing and distributing a film through tasks like scheduling, budgeting, scripting, and casting. They work with a distributor to market and promote the film.
- Possible distributors for the film include Film4, Lionsgate UK, and StudioCanal as they distribute smaller, UK-based films and have experience with the horror genre.
- Film4 would be the best choice as a distributor since they support emerging talent through lower-budget films and have successfully distributed independent horror films in the past.
Question 3 for evaluation
Hammer Film Productions would be a suitable media institution to distribute my media product. Hammer Films is a famous UK-based film production company known for producing successful horror films. Distributing through Hammer would leverage their experience and reputation in the horror genre to effectively promote the production to teenagers and young adults. Hammer also has a partnership with Warner Bros, which could provide access to A-list talent, equipment, and publicity that would increase the financial success and recognition of the production.
The british film industry 2 SECTION A
The document discusses the British film industry, including the organizations that oversee its production and promotion, major production companies, and how British films compete globally. It provides statistics on box office performance of various films in the UK and discusses how genres and movie stars are used to appeal to audiences and ensure box office success. It highlights the critical and commercial success of Slumdog Millionaire as an example of an internationally successful British film.
Working Title - Representing Britishness
This document discusses how the concept of "Britishness" is represented in films produced by Working Title from the 1980s to 2000s. It analyzes how their films portrayed Britishness through representations of minorities in the 1980s, exporting an image of Britishness through romantic comedies in the 1990s, and portraying heritage and history in period films of the 2000s. Specific films like My Beautiful Laundrette, Notting Hill, Four Weddings and a Funeral, Atonement, and Hot Fuzz are examined in terms of how they portrayed British identity, values, class, location, and history in relation to the social and political contexts of their eras.
The British Film Industry
The document discusses the British film industry, including its objectives to identify key issues and evaluate popularity with audiences. It then provides information on organizations within the British film industry and their roles. These include the BFI which supports and promotes film, the BBFC which classifies and censors films, the British Council which promotes British films internationally, and the UK Film Council which previously promoted the economic, cultural and educational aspects of film. It also lists some major British production companies and their recent films. Finally, it discusses reasons for having a British film industry, how British films attract audiences, and compares British films to Hollywood blockbusters.
British film vs american film
The document compares key differences between British and American films. It notes that British films often feature location shooting, wide shots, unknown actors, semi-improvised scripts, and explore social issues in a realistic way. They also have a combination of humor and seriousness. American films typically have higher budgets, use of studios over locations, feature professional actors, focus on romance and escapism, and employ special effects. It then provides details on major British and American film companies and funding sources for British films.
What kind of media institution might distribute your media product and why?
The document discusses film distribution and different film distribution companies. It examines the distributors of the films "Psycho," "Silence of the Lambs," and "Insidious" - Paramount Pictures, Orion Pictures, and FilmDistrict respectively. The document also discusses several British film distributors like Artificial Eye, Entertainment, and Lionsgate UK. It recommends that for a small, independent British film, Lionsgate UK would be the best distributor as they specialize in horror films similar to the proposed media product.
Evaluation Question 3
Film4 would be a suitable media institution to distribute the film because they produce low-budget, special effects-free films focused on social realism like This Is England and Slumdog Millionaire that address issues of gang violence, racism, poverty, and corruption. Revolver Entertainment would also be a good choice as they have distributed similar films dealing with the lives of young people from working-class backgrounds and issues of gang violence.
British vs American films
- British films tend to focus on reality and middle-class people while portraying different areas of the country, whereas American films portray an idealized "American Dream" and the entire British population as posh Londoners.
- British films receive government funding and support from smaller production companies to promote less mainstream films, while American films have larger budgets from major studios like Universal, Warner Bros, Disney, and Paramount to film in exotic locations with more CGI effects.
- Both British and American films are distributed by major companies, but British films also rely on smaller independent distributors to promote smaller films and get them into film festivals.
Lo2
The document discusses research methods and techniques for analyzing the target audience, genre, and methods of marketing for James Bond films. It provides details on how Skyfall specifically has been marketed through Empire magazine, posters in different countries, interviews with the film crew, and images from the film. It also notes how other films in the same genre like Mission Impossible and Tinker Tailor Soldier Spy have been similarly marketed through posters, trailers, reviews, and interviews.
Evaluation question 3
The document discusses potential options for distributing an independent film without major production backing. It suggests using free platforms like YouTube and social media to promote the film globally. It also proposes submitting the film to local and national film festivals to gain attention from potential distributors. Finally, it recommends looking to British film companies like DNA Films, Heyday Films, BBC Films, or Warp Films for potential distribution, as they have experience distributing similar genres to the proposed film.
Evaluation Question 3
The document discusses a British film project that follows conventions of films like Kidulthood, Adulthood, and Shank in terms of its ambience, themes of drugs and urban teenagers, and music from UK artists. Potential distributors mentioned include Revolver Entertainment, which distributed Kidulthood and Shank and has a UK and US base, and Pathé Pictures International, which distributed Adulthood and has a UK and French base allowing it to reach a more European audience.
Evaluation: Question 3
Vertigo Films and Revolver Entertainment are potential film distributors discussed in the document. Vertigo Films specializes in distributing smaller, independent films from the UK and has found box office success with low budget films. However, Revolver Entertainment's strategy of straight-to DVD or limited theatrical releases could cause a flop for a film without an existing audience like "Tarot". Ultimately, the document suggests self-distributing initially through local cinemas, film festivals, and online to build an audience before pursuing a larger distributor. However, this approach carries high financial risk if the film fails to gain traction and recoup its budget.
Research On Independent Cinemas
The document defines the key stages of film production, distribution, and exhibition. It distinguishes between independent and mainstream cinema. Independent films have lower budgets and distribution through film festivals and online platforms, while mainstream films are produced by major studios with larger budgets and nationwide theatrical releases. The document also provides examples of production companies, distributors, and how some popular mainstream films were produced, distributed, and exhibited.
The british film industry
The document discusses various topics related to the film industry including technological determinism, film festivals, the British film industry, and independent films. It explores the challenges facing the British film industry in competing with Hollywood films and surviving in its shadow. Options discussed for the British film industry include making more commercial films or adopting a model similar to Harry Potter for production, distribution, and exhibition. The relationship between film audiences and the industry is also examined.
The british film industry2
The document discusses the British film industry and its relationship with Hollywood. It notes that British films have traditionally been reliant on Hollywood for funding and distribution, forcing filmmakers to sell intellectual property rights. More recently, British television and digital technologies are playing a larger role in the production and distribution of British films. The rise of social media and digital exhibition may allow British films more independence and autonomy in the future.
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The document discusses various marketing strategies for the James Bond film "Skyfall", including:
1. A press conference was held in London with media from newspapers, magazines, radio, TV, and websites from both the UK and abroad to promote the film.
2. Trailers for "Skyfall" will be shown before other 12-rated and action/thriller films due to the film likely receiving a 12 or 12A rating.
3. An informal survey found that most James Bond fans would see a movie poster on the internet, at bus stops, or billboards.
4. A viral marketing campaign could both help promote the film but also risk exposing younger audiences to inappropriate content.
Evaluation question three
This document discusses potential distributors for an independent horror film made on a low budget with local actors. It analyzes how two potential distributors, StudioCanalUK and Lions Gate Entertainment, would be suitable options. StudioCanalUK releases many independent British films and has distributed similar horror films. Lions Gate Entertainment is a successful North American independent film company that has distributed a wide variety of genres, including horror films. Both companies' experience with independent and genre films could help distribute and promote the film.
What kind of media institution might distribute your media product and why?
The document discusses film distribution and the factors a distributor considers when deciding how to distribute a film. It describes the film being summarized as a low-budget British mystery thriller targeting audiences aged 15-40 interested in the genre. As the film has a niche crime/thriller audience without major stars, it would be distributed by a small British company like Vertigo Films or Film 4 rather than a large Hollywood studio. These small independent distributors focus on low-budget, niche films without major star power.
British Film
This document provides an overview of the contemporary British film industry, including production, distribution, consumption and categorization of British films. It discusses the relationship between British and American films, and debates who holds the most power between audiences and film studios. The document also presents several case studies of specific British films as examples of production and funding models in the current film industry.
This is england case study more
This document provides information about the 2006 British film This is England directed by Shane Meadows. It was produced on a low budget of £1.2 million by Film4 and distributed by Optimum Releasing. Though it had limited distribution in the UK and US initially due to its small scale, the film went on to earn over £5 million at the box office, making it financially successful. It received critical acclaim and won 10 awards including a BAFTA, helping to promote the film through word-of-mouth.
Britsh Films vs American Films
British films: famous films, ideologies usually seen in British films, production companies and funding.
American films: famous films, ideologies usually seen in American films, production companies and funding.
Evaluation activity 3 (draft 2)
- A production company is responsible for organizing and distributing a film through tasks like scheduling, budgeting, scripting, and casting. They work with a distributor to market and promote the film.
- Possible distributors for the film include Film4, Lionsgate UK, and StudioCanal as they distribute smaller, UK-based films and have experience with the horror genre.
- Film4 would be the best choice as a distributor since they support emerging talent through lower-budget films and have successfully distributed independent horror films in the past.
Question 3 for evaluation
Hammer Film Productions would be a suitable media institution to distribute my media product. Hammer Films is a famous UK-based film production company known for producing successful horror films. Distributing through Hammer would leverage their experience and reputation in the horror genre to effectively promote the production to teenagers and young adults. Hammer also has a partnership with Warner Bros, which could provide access to A-list talent, equipment, and publicity that would increase the financial success and recognition of the production.
The british film industry 2 SECTION A
The document discusses the British film industry, including the organizations that oversee its production and promotion, major production companies, and how British films compete globally. It provides statistics on box office performance of various films in the UK and discusses how genres and movie stars are used to appeal to audiences and ensure box office success. It highlights the critical and commercial success of Slumdog Millionaire as an example of an internationally successful British film.
Working Title - Representing Britishness
This document discusses how the concept of "Britishness" is represented in films produced by Working Title from the 1980s to 2000s. It analyzes how their films portrayed Britishness through representations of minorities in the 1980s, exporting an image of Britishness through romantic comedies in the 1990s, and portraying heritage and history in period films of the 2000s. Specific films like My Beautiful Laundrette, Notting Hill, Four Weddings and a Funeral, Atonement, and Hot Fuzz are examined in terms of how they portrayed British identity, values, class, location, and history in relation to the social and political contexts of their eras.
The British Film Industry
The document discusses the British film industry, including its objectives to identify key issues and evaluate popularity with audiences. It then provides information on organizations within the British film industry and their roles. These include the BFI which supports and promotes film, the BBFC which classifies and censors films, the British Council which promotes British films internationally, and the UK Film Council which previously promoted the economic, cultural and educational aspects of film. It also lists some major British production companies and their recent films. Finally, it discusses reasons for having a British film industry, how British films attract audiences, and compares British films to Hollywood blockbusters.
British film vs american film
The document compares key differences between British and American films. It notes that British films often feature location shooting, wide shots, unknown actors, semi-improvised scripts, and explore social issues in a realistic way. They also have a combination of humor and seriousness. American films typically have higher budgets, use of studios over locations, feature professional actors, focus on romance and escapism, and employ special effects. It then provides details on major British and American film companies and funding sources for British films.
What kind of media institution might distribute your media product and why?
The document discusses film distribution and different film distribution companies. It examines the distributors of the films "Psycho," "Silence of the Lambs," and "Insidious" - Paramount Pictures, Orion Pictures, and FilmDistrict respectively. The document also discusses several British film distributors like Artificial Eye, Entertainment, and Lionsgate UK. It recommends that for a small, independent British film, Lionsgate UK would be the best distributor as they specialize in horror films similar to the proposed media product.
Evaluation Question 3
Film4 would be a suitable media institution to distribute the film because they produce low-budget, special effects-free films focused on social realism like This Is England and Slumdog Millionaire that address issues of gang violence, racism, poverty, and corruption. Revolver Entertainment would also be a good choice as they have distributed similar films dealing with the lives of young people from working-class backgrounds and issues of gang violence.
British vs American films
- British films tend to focus on reality and middle-class people while portraying different areas of the country, whereas American films portray an idealized "American Dream" and the entire British population as posh Londoners.
- British films receive government funding and support from smaller production companies to promote less mainstream films, while American films have larger budgets from major studios like Universal, Warner Bros, Disney, and Paramount to film in exotic locations with more CGI effects.
- Both British and American films are distributed by major companies, but British films also rely on smaller independent distributors to promote smaller films and get them into film festivals.
Lo2
The document discusses research methods and techniques for analyzing the target audience, genre, and methods of marketing for James Bond films. It provides details on how Skyfall specifically has been marketed through Empire magazine, posters in different countries, interviews with the film crew, and images from the film. It also notes how other films in the same genre like Mission Impossible and Tinker Tailor Soldier Spy have been similarly marketed through posters, trailers, reviews, and interviews.
Evaluation question 3
The document discusses potential options for distributing an independent film without major production backing. It suggests using free platforms like YouTube and social media to promote the film globally. It also proposes submitting the film to local and national film festivals to gain attention from potential distributors. Finally, it recommends looking to British film companies like DNA Films, Heyday Films, BBC Films, or Warp Films for potential distribution, as they have experience distributing similar genres to the proposed film.
Evaluation Question 3
The document discusses a British film project that follows conventions of films like Kidulthood, Adulthood, and Shank in terms of its ambience, themes of drugs and urban teenagers, and music from UK artists. Potential distributors mentioned include Revolver Entertainment, which distributed Kidulthood and Shank and has a UK and US base, and Pathé Pictures International, which distributed Adulthood and has a UK and French base allowing it to reach a more European audience.
Evaluation: Question 3
Vertigo Films and Revolver Entertainment are potential film distributors discussed in the document. Vertigo Films specializes in distributing smaller, independent films from the UK and has found box office success with low budget films. However, Revolver Entertainment's strategy of straight-to DVD or limited theatrical releases could cause a flop for a film without an existing audience like "Tarot". Ultimately, the document suggests self-distributing initially through local cinemas, film festivals, and online to build an audience before pursuing a larger distributor. However, this approach carries high financial risk if the film fails to gain traction and recoup its budget.
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What kind of media institution might distribute your media product and why?
What kind of media institution might distribute your media product and why?
What kind of media institution might distribute your media product and why?
What kind of media institution might distribute your media product and why?
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The british film industry
The document discusses various topics related to the film industry including technological determinism, film festivals, the British film industry, and independent films. It explores the challenges facing the British film industry in competing with Hollywood films and surviving in its shadow. Options discussed for the British film industry include making more commercial films or adopting a model similar to Harry Potter for production, distribution, and exhibition. The relationship between film audiences and the industry is also examined.
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The document discusses the British film industry and its relationship with Hollywood. It notes that British films have traditionally been reliant on Hollywood for funding and distribution, forcing filmmakers to sell intellectual property rights. More recently, British television and digital technologies are playing a larger role in the production and distribution of British films. The rise of social media and digital exhibition may allow British films more independence and autonomy in the future.
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This is a complex question without a straightforward answer. A film's success is usually determined by both its appeal and the resources devoted to distributing and marketing it. Here are a few key points:
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Case study of the low budget UK film Shifty (2009) for use in Section B of the AS Media Studies exam - Institutions and Audiences.
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The document discusses which type of media institution would be best for distributing a low-budget horror film. It argues that a smaller, independent company like Warp Films would be more suitable than a major studio. Warp Films supports lower budget, culturally significant films. Examples like 28 Days Later were successful despite small budgets due to strong stories and characters. The summary also notes that the target audience for the film would be predominantly male ages 18-25, further supporting the choice of a smaller distributor suited for niche films within the mass market.
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Film distribution involves marketing films to audiences and exhibitors like movie theaters and television networks. A film distributor promotes and distributes films to maximize the number of viewers. For large studio films, the distributor is often affiliated with the studio. Independent films have a harder time finding distributors to help finance and promote their films. Distributors arrange for films to be shown in theaters, on television, and other platforms to generate revenue from ticket and disc sales.
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This document discusses film distribution. Distribution involves releasing films in cinemas, on DVD, and television to reach audiences. Major US studios like Paramount, Warner Bros., and Universal dominate global distribution through their large size and ability to distribute films internationally. Distribution involves producing film prints, marketing, deciding release dates and theaters. Independent British films have a harder time getting international distribution deals and theatrical screenings due to lack of funding compared to major Hollywood blockbusters. Film festivals help independent films get noticed and potentially picked up by distributors.
Evaluation activity 3
This document discusses potential film distribution companies for a small, low-budget horror film production. It analyzes Film4, Lionsgate UK, and Studio Canal UK as options. Film4 is identified as the preferred choice as it specializes in smaller, UK-based films and has a track record of distributing successful horror titles. Though Lionsgate and Studio Canal also have experience with the genre, they tend to focus on higher budgets than the production being considered. Film4 could provide national distribution through its Channel 4 and E4 platforms, targeting younger audiences, and may allow global reach through partnerships.
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This document discusses the key aspects of independent cinema production, distribution and exhibition. It provides details on the different stages of production including development, packaging, pre-production, principle photography and post-production. It also discusses distribution through DVD, online platforms and television, as well as exhibition in theaters. Independent cinema is defined as films receiving less than 50% funding from major studios and being lower budget with more artistic focus. Mainstream cinema refers to blockbuster films funded by major studios. Examples are provided of both independent and mainstream films and their production, distribution and exhibition pathways.
Presentation2
A smaller distribution company like Warp Films would be more suitable than a major studio for my low-budget horror film. Warp Films focuses on culturally significant, niche films instead of large blockbusters. They have successfully distributed modestly budgeted horror films like 28 Days Later that found audiences through compelling stories and characters. My film would appeal most to 18-25 year old males, a targeted demographic suited for a smaller company rather than a major studio seeking mass market hits. Warp Film's model of investing in low-budget cultural films makes them the best choice to distribute my project.
Presentation2
A smaller distribution company like Warp Films would be more suitable than a major studio for my low-budget horror film. Warp Films focuses on culturally significant, niche films instead of large blockbusters. They have successfully distributed modestly budgeted horror films like 28 Days Later that found audiences through compelling stories and characters. My film would appeal to a specific target age and gender demographic, as is common for the horror genre, making it a niche product rather than mass market. A smaller company is more likely to take on a low-budget, specialized film.
As section b revision booklet
The document discusses key aspects of film production, distribution, and marketing from an institutional and audience perspective. It covers:
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- The importance of cross-media convergence and synergies in production, distribution, and marketing across different platforms.
- The technologies introduced in recent years that have impacted production, distribution, marketing and audiences, such as streaming services, home cinema, and digital cameras.
- How proliferation of technology and content affects both institutions and audiences.
- The significance of technological convergence for institutions and audiences in accessing content.
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As film studies induction lesson 2012
Film Studies involves the study of filmmaking, film history, the film industry, and technological developments. At A-Level, it requires analyzing films contextually rather than just watching them. Students learn to "read" films by considering aspects like why certain elements are included, the producer's intentions, and intended audience. The AS Film Studies course consists of two units - a coursework analyzing two films and a creative project, and an exam involving early cinema and 21st century developments. It focuses on analyzing films as texts and issues influencing the film industry over time.
G325 exam questions – real and imaginary revised june 12
This document outlines sample exam questions for two sections - 1a and 1b - that assess a student's media production skills and conceptual understanding. For section 1a, questions evaluate a student's development over time in areas like research, planning, technology use, and conventions. Section 1b questions require analyzing a single production in relation to concepts like narrative, representation, genre, or audience. The document also provides examples of potential questions assessing understanding of postmodern media.
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The Advertising Standards Agency (ASA) is an independent organization that regulates advertisements in the UK to ensure they are truthful, decent, honest, and legal. They work with government departments and Ofcom to establish and enforce advertising regulations. The ASA handles complaints quickly and takes action against non-compliant companies. It is funded by a levy on advertising spending collected by external boards to maintain independence. The advertising codes aim to prevent offense and ensure ads are truthful, honest, and legal. The ASA will investigate based on a single complaint. Controversial ads in 2010 included one mocking disabled people and condoning animal cruelty, while others faced criticism for promoting abortion or climate change messages.
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This document summarizes audience research about superhero films. It discusses secondary research methods like using existing sources. It lists the top 5 most successful superhero films as The Dark Knight, Spiderman, Iron Man, X-Men, and Batman. These films made profits due to special effects and releasing DVDs soon after theaters. Superhero films are often successful because the unrealistic storylines let audiences imagine being superheroes. Popular actors also attract audiences. Early superhero comics like Superman attracted younger audiences who then wanted to see the films. Primary research involves direct methods like surveys. Research found audiences like attention-grabbing storylines and special effects but dislike unrealistic plots and predicting endings. Interviews on Spiderman and Superman showed preferences and why
Audience research
The group conducted a survey of 8 people to understand perspectives on superhero films. Most respondents enjoyed the thrilling action scenes and mysteries surrounding superheroes' dual identities. However, some felt films like "Thor" prolonged the action too much. Respondents also wanted future films to be less predictable by changing stereotypes such as the hero always defeating the villain. In general, the audience found superhero films entertaining despite a few aspects they would alter.
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The document discusses popular superhero films and their audiences. It notes that The Dark Knight, Spiderman 3, Iron Man, Spiderman, and X-Men: The Last Stand were among the most successful due to the popularity of their characters from cartoons and merchandise. Upcoming Marvel films like The Avengers and Iron Man 3 will target superhero fans and those who enjoy action and special effects. Star directors and actors can help attract audiences through their reputations and fame. Discussions with viewers found they enjoy storylines, action, effects but may lose interest if plots are too similar or unrealistic.
Nadine mapunza moyo audience research
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Scary movie
- 2. Scary Movie 4 In what ways can SM4 be considered to be a postmodern text? Intertextuality Bricolage Parody Active audience
- 3. Scary Movie – why bother? Budget Box office revenue Scary Movie $278,019,771 $19,000,000 Scary Movie 2 $141,220,678 $45,000,000 Scary Movie 3 $220,673,217 $48,000,000 Scary Movie 4 $178,710,620 $45,000,000
- 4. Scary Movie – why bother? Why do the producers keep making the films? What institutions do is inextricably linked to what audiences do E.g. 1 Batman Begins – produced, released, becomes a big financial success. Next is The Dark Knight – big success, so now comes The Dark Knight Rises E.g. 2 Robin Hood (TV version) – the series got cancelled because the viewing figures weren’t high enough
- 5. Scary Movie – why bother? Baudrillard – a postmodern era – because we have media saturated societies With media saturation comes an ever more sophisticated, active audience – who have acquired the cultural capital to make the SM series work Investing in a Scary Movie film becomes worth the risk in a postmodern world As Jameson argues, this is the cultural logic of late capitalism
- 6. Scary Movie 5 Released in US in April 2012 (no UK release date yet confirmed) Six years after SM4 released Why do SM5? Why now? Why not earlier?
- 7. “Postmodern texts lack originality”. Discuss. Johnny Cash – Hurt – music video Renault Clio advert Scary Movie 4 The Wire The Trip
- 8. Crystal ball gazing Mobile ‘phones’ – what could you first mobile phone do? What can your current mobile do? In 5 years time what might you use your mobile for? Will we still call them ‘mobile phones’? TV – what TV programmes do you regularly watch each week? For each programme consider how you watch it – at time of original broadcast / record / online catch up – what device(s) do you watch TV on? Newspapers – the shift to digital versions is here – how much longer will we have printed newspapers for?