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Deriving Meaning
      Session 2
     Ms. Beka Ruíz
Deriving Meaning


Art and architecture have meaning,
but how do people understand the message?
    • Formal Analysis
    • Content Analysis
    • Influence of
           Historical Context,
           Physical Surroundings,
           and Method of Encounter
    • Writings about Art
Deriving Meaning

Every work of art was created within its own
historical, political, social or religious context.

                                                      EDWARD HOPPER.
                                                      Nighthawks, 1942.
Deriving Meaning


  Every work of art was created
  within its own historical,
  political, social or religious
  context.


SHEPARD FAIREY.
Obama Hope,
2008.
Deriving Meaning


   Every work of art was
   created within its own
   historical, political, social
   or religious context.



 SHIRIN NESHAT.
 Speechless, 1996.
Deriving Meaning


      Every work of art
      was created within
      its own historical,
      political, social or
      religious context.

    MICHELANGELO.
    Pieta, 1498-1499.
(integrated: combining with another to make a whole)
Deriving Meaning

Formal Elements:
Line, Light & Value, Color,
Texture & Pattern, Shape &
Volume, Space, Time & Motion

Principles of Composition:
Balance, Rhythm, Proportion
& Scale, Emphasis, Unity &
Variety



        VINCENT VAN
        GOGH.
        Starry Night, 1889.
(conveyed through: communicated through)
(symbolic: a symbol, represents or stands for something else)
               (iconographic: visual symbols)
Deriving Meaning




JAN VAN EYCK.
Arnolfini Wedding
Portrait, 1434.
Deriving Meaning

     Iconography
        Artists can use
        metaphors or symbols
        to convey content.
(metaphor: a figure of speech not
using “like” or “as”, not literal)
EXAMPLES:
          • heart of stone
          • heart of a lion
          • rolling in the dough
SHIRIN NESHAT.
Speechless, 1996.
OLAFUR ELIASSON.
The New York City
Waterfalls, 2008.
Art galleries
Museums
Newspapers, Internet
On the street
Religious sites
In malls
At festivals
Art Critics: describe works of art and evaluate their
significance (importance)
Art Historians and Academics: research art of the past
and of other cultures
Curators: write essays, wall labels, and educational
material for museum and gallery exhibitions
GERHARD RICHTER.
October 18, 1977,
1989.
Making Art
   Session 2
Making Art


Support for Art Making


    • Private Patronage
    • The Market
    • Tax-Supported Art
(commission: give an order to do or make something)
(monument: statue or a structure to commemorate [show respect for]
                  an important person or event)
Making Art

Famous Private Patron: Pope Julius II

                                            MICHELANGELO.
                                            Sistine Chapel, late
                                            15th century.
Making Art

Famous Private Patron: Louis XIV
(speculation: in hopes of gain but with the risk of loss)
(commission: give an order to do or make something)
OLAFUR ELIASSON.
The New York City
Waterfalls, 2008.
Talkback Time Introduction
           Session 2
          Ms. Beka Ruíz
Talkback Time Introduction


At least 30 minutes
Regarding material covered in the previous class
session (and/or assigned readings related)
Format can vary:
  Debate
  Q&A
  Game Show
  Relevant Art Creation! … BE CREATIVE! Enjoy it!
Talkback Time Introduction



GRADING RUBRIC:
     (1) all leading group members’ participation
     (2) engagement of other students
     (3) coverage of relevant material
     (4) completed team evaluation form
What should we do?
What interests you most about your topic from what we
                 talked about in class?
What does your particular Talkback Time have to do with
                 Western Art History?
 Now share your interest with your classmates, and give
them an opportunity to share in what you enjoy or learn.
Example TALKBACK TIME
       Ms. Beka Ruíz
• Linear
  Perspective
                                   • Review it (or)
• Making Art
                                     • Teach it
       What should we do?
   What interests your team most about your topic from
              what we talked about in class?
 What does your particular Talkback Time have to do with
                   Western Art History?
  Now share your interest with your classmates, and give
 them an opportunity to share in what you enjoy or learn.
Linear Perspective
in Western Art History
Linear Perspective
in Western Art History
Linear Perspective
in Western Art History
Linear Perspective
in Western Art History
Linear Perspective
in Western Art History
ACTIVITY 1: 3 Linear Perspectives

  Linear Perspective:
    1 Point
      Vertical, Horizontal, to Vanishing Point (VP)
    2 Point
      Vertical, to Vanishing Points (VPs)
    3 Point
      All major lines go to a VP.
1 Point Linear
Perspective
 1-Pt:
         Vertical, Horizontal, to VP
         Hallway
         Long Road
2 Point Linear
Perspective
 2-Pt:
         Vertical, to 2 VPs lines
         Corner of Building
         Inside corner of room
3 Point Linear Perspective

 3-Pt:
         All major lines go to a VP.
         From above, From below
ACTIVITY 2: Perspective at ISVNU

  Team __ and Team __ :
    1 Point
      Vertical, Horizontal, to Vanishing Point (VP)
  Team __ and Team __ :
    2 Point
      Vertical, to Vanishing Points (VPs)
  Any brave students:
    3 Point
      All major lines go to a VP.
  MEET BACK IN THE CLASSROOM in 15 minutes.
Let’s Wrap Up
                 Reading Assignment:
• Your Brain: The Right and Left of It by Betty Edwards
    The New Drawing on the Right Side of the Brain
      • Answer 1Q1-1Q5 before 13h00 of Session 3
   • Bring your 1 Point or 2 Point Linear Perspective
               drawing to class Session 3

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S2 Meaning _ S2 Making Art

  • 1. Deriving Meaning Session 2 Ms. Beka Ruíz
  • 2. Deriving Meaning Art and architecture have meaning, but how do people understand the message? • Formal Analysis • Content Analysis • Influence of Historical Context, Physical Surroundings, and Method of Encounter • Writings about Art
  • 3. Deriving Meaning Every work of art was created within its own historical, political, social or religious context. EDWARD HOPPER. Nighthawks, 1942.
  • 4. Deriving Meaning Every work of art was created within its own historical, political, social or religious context. SHEPARD FAIREY. Obama Hope, 2008.
  • 5. Deriving Meaning Every work of art was created within its own historical, political, social or religious context. SHIRIN NESHAT. Speechless, 1996.
  • 6. Deriving Meaning Every work of art was created within its own historical, political, social or religious context. MICHELANGELO. Pieta, 1498-1499.
  • 7. (integrated: combining with another to make a whole)
  • 8. Deriving Meaning Formal Elements: Line, Light & Value, Color, Texture & Pattern, Shape & Volume, Space, Time & Motion Principles of Composition: Balance, Rhythm, Proportion & Scale, Emphasis, Unity & Variety VINCENT VAN GOGH. Starry Night, 1889.
  • 9. (conveyed through: communicated through) (symbolic: a symbol, represents or stands for something else) (iconographic: visual symbols)
  • 10. Deriving Meaning JAN VAN EYCK. Arnolfini Wedding Portrait, 1434.
  • 11. Deriving Meaning Iconography Artists can use metaphors or symbols to convey content. (metaphor: a figure of speech not using “like” or “as”, not literal) EXAMPLES: • heart of stone • heart of a lion • rolling in the dough
  • 12.
  • 14. OLAFUR ELIASSON. The New York City Waterfalls, 2008.
  • 15.
  • 16. Art galleries Museums Newspapers, Internet On the street Religious sites In malls At festivals
  • 17. Art Critics: describe works of art and evaluate their significance (importance) Art Historians and Academics: research art of the past and of other cultures Curators: write essays, wall labels, and educational material for museum and gallery exhibitions
  • 19. Making Art Session 2
  • 20. Making Art Support for Art Making • Private Patronage • The Market • Tax-Supported Art
  • 21. (commission: give an order to do or make something) (monument: statue or a structure to commemorate [show respect for] an important person or event)
  • 22. Making Art Famous Private Patron: Pope Julius II MICHELANGELO. Sistine Chapel, late 15th century.
  • 23. Making Art Famous Private Patron: Louis XIV
  • 24. (speculation: in hopes of gain but with the risk of loss) (commission: give an order to do or make something)
  • 25. OLAFUR ELIASSON. The New York City Waterfalls, 2008.
  • 26. Talkback Time Introduction Session 2 Ms. Beka Ruíz
  • 27. Talkback Time Introduction At least 30 minutes Regarding material covered in the previous class session (and/or assigned readings related) Format can vary: Debate Q&A Game Show Relevant Art Creation! … BE CREATIVE! Enjoy it!
  • 28. Talkback Time Introduction GRADING RUBRIC: (1) all leading group members’ participation (2) engagement of other students (3) coverage of relevant material (4) completed team evaluation form
  • 29. What should we do? What interests you most about your topic from what we talked about in class? What does your particular Talkback Time have to do with Western Art History? Now share your interest with your classmates, and give them an opportunity to share in what you enjoy or learn.
  • 30. Example TALKBACK TIME Ms. Beka Ruíz
  • 31. • Linear Perspective • Review it (or) • Making Art • Teach it What should we do? What interests your team most about your topic from what we talked about in class? What does your particular Talkback Time have to do with Western Art History? Now share your interest with your classmates, and give them an opportunity to share in what you enjoy or learn.
  • 37. ACTIVITY 1: 3 Linear Perspectives Linear Perspective: 1 Point Vertical, Horizontal, to Vanishing Point (VP) 2 Point Vertical, to Vanishing Points (VPs) 3 Point All major lines go to a VP.
  • 38. 1 Point Linear Perspective 1-Pt: Vertical, Horizontal, to VP Hallway Long Road
  • 39. 2 Point Linear Perspective 2-Pt: Vertical, to 2 VPs lines Corner of Building Inside corner of room
  • 40. 3 Point Linear Perspective 3-Pt: All major lines go to a VP. From above, From below
  • 41. ACTIVITY 2: Perspective at ISVNU Team __ and Team __ : 1 Point Vertical, Horizontal, to Vanishing Point (VP) Team __ and Team __ : 2 Point Vertical, to Vanishing Points (VPs) Any brave students: 3 Point All major lines go to a VP. MEET BACK IN THE CLASSROOM in 15 minutes.
  • 42. Let’s Wrap Up Reading Assignment: • Your Brain: The Right and Left of It by Betty Edwards The New Drawing on the Right Side of the Brain • Answer 1Q1-1Q5 before 13h00 of Session 3 • Bring your 1 Point or 2 Point Linear Perspective drawing to class Session 3