Project/Research Paper On Product Development & Re engineering

Research Paper Setting & Point Review 2014
1 Product DevelopmentGMM260
On
Prepared for…
Morshed Mohiuddin
Sr. Lecturer of
BUFT
Dept. : Fashion Designing Technology
Denim & Woven Division
Cell Number : 01711372202
E-mail:morshed.mohiuddin@stud.hn.de
Prepared by…
Levi’s Group
Batch: 111
Section: AMT_2
Dept.: AMT
Submission Date: 12.09.14
BGMEA University of Fashion & Technology (BUFT)
105 S.R. Tower, Uttara Commercial Area, sector-7,
Uttara, Dhaka-1230, Bangladesh.
Phone: 88-02-8919986,8950535
Fax: 88-02-8919987
Email: info@bift.info
Web: www.bift.info

SL Activities Page Number
01 CoverPage
02 Index
03 Introduction
04 ProjectMethodology
05 Brand Logo Development
06 Hangtag Development
07 Acknowledgementof Project
08 Importance of ProductdevelopmentinRMGSector (Latest2014)
09 ProjectSummeryReport
10 ProductMassage
11 InspirationBoard
12 Latesttrendreport of fashionclothing 2014
13 Sourcing about our development product
14 Design development sheet
15 Specification sheet or design details
16 Embellishment or surface ornamentation chart
17 Measurement Chart with details information
18 Pattern making & grading ,sewing
19 Cost or designer worker sheet plan
20 SMV calculation for final sample
21 Consumptions for shirt
22 Requisition Format
23 Model photography for fit test analysis
Behind the project (Should be add last portion of project)
24 Meeting minutes group work packages
25 Individual Work Packages
26 Bar Chart
27 Attendance Sheet for meeting and work
28 Citations Rules for project guide line

Work Package (Nasim)
Sl# Description Responsible Person Deadline
37 Project Methodology Nasim 10.09.14

Project Methodology
A methodology provides consistency for both project managers and team members
across the organization. Common tools, templates and other resources help the
project manager guide the project to success. By creating a common language and a
framework, individual team members don’t get mired down in creating custom tools
and templates and can better understand their roles and expected contributions.
In our project we mostly used sourcing method. First of all we find out the latest trend
report. Then according to that trend we have chosen “texture” as our theme. Then
we make a design with that theme for a basic shirt for men. According to guideline of
our honorable faculty then we developed that design. Then we search the fabric with
similar design.
Finally we manufactured a basic shirt for men.

Work Package (Jahid)
4 Brand Logo Development Jahid 10.09.14

Brand Logo Development
A logoismore than imagesandwords,a good logotellsastory aboutyour company--whoyouare,
whatyou do andwhat youstand for.That's a lot to ask of one piece of art, whichiswhyit's
importantthatyou take the time to do itright.Fortunately,youdon'thave todo it alone.The steps
belowwill take youthroughthe processof designingalogothat will successfullybrandyouinthe
marketplace.
Four Parts: BrainstormingTesting the DesignFinalizing the DesignSample Logos
Part 1 of 3: Brainstorming
Determine the primary function of your logo. A logo represents your brand
through the use of shape, fonts, color and images. Being clear on why you
need a logo can guide your design.
o Boost recognition. Is your company new or competing in a field with a
lot of other players? Having a strong logo can help clients recognize
your brand more readily.
o Create memorability. Consumers shop with their eyes and logos can
be easier to remember than names, products and services. Over time,
a customer comes to associate your logo with your company.
o Create trust. Part of bringing in and keeping clients is based on their
willingness to trust you. A solid logo that conveys your honesty and
integrity can help put clients at ease.

o Enhance admiration. If clients already have a good impression of your
business, you can build on that by creating a logo that is well-regarded
for its good looks, cleverness or effective simplicity.
1.
o Cleverness or effective simplicity.
Ad
2
Think about your target market. It's important to be clear on who your client is and
customize the look of your logo to appeal to those who will be using your services.
o A logo for a florist shop could incorporate a whimsical font and a bright color
scheme; this wouldn't work so well for an auto body repair garage

3
A logo for a law firm must communicate integrity and strength; not necessarily the
look that would work well for a catering company.
4
DECIDE WHETHER TO INCORPORATE YOUR COMPANY'S NAME INTO THE LOGO. OF
COURSE, YOU WANT TO BUILD NAME RECOGNITION FOR YOUR BUSINESS, BUT
MAKING THE NAME PART OF YOUR LOGO DESIGN MAY NOT ALWAYS BE A GOOD
IDEA.
O INCLUDE THE NAME IF IT IS REASONABLY DISTINCTIVE BUT NOT YET A
HOUSEHOLD WORD OR IF YOUR MARKETING FUNDS ARE LIMITED AND YOUR GOAL
IS TO BUILD NAME RECOGNITION. [1]
O DO NOT INCLUDE THE NAME IF IT IS TOO GENERIC, TOO LONG, DOESN’T
TRANSLATE WELL GLOBALLY (IF THAT'S A CONSIDERATION) OR LACKS
PERSONALITY. LEAVE THE NAME OUT, TOO, IF YOU MUST PUT YOUR LOGO ON A
PRODUCT, SUCH AS A SNEAKER OR A HANDBAG. [2]
O THINK OF ALL THE DIFFERENT WAYS YOU PLAN TO USE YOUR LOGO.
PICTURE THE SMALLEST SIZE YOU MAY NEED; IF THE COMPANY NAME WON'T BE
READABLE WHEN THE LOGO IS THE SIZE OF A THUMBNAIL, IT MAY BE BEST TO
LEAVE IT OUT OF THE DESIGN.

Follow the company's color scheme. If your company has already established the use of
certain colors in its signage, advertising and other materials, it's important that those colors
are reflected in the logo.
o Consistent use of colors builds familiarity. You want customers to be able to mentally
"link" your logo to the company.
o If your company has branded itself with specific colors, the public will have developed
a subconscious association with those colors.
o If you don't yet have an established color scheme for your business, do some
research on the psychology of colors so that you can choose appropriately. For example, red
signifies strength, passion, energy and confidence but it can also signal danger.
6

Be inspired by but don't copy successful logos. While it might be tempting to create
something that looks like your favorite corporate logo, it will communicate an unintended
message to your audience--that you're lazy and uninspired.
o Look at logos of other business similar to yours. Ask yourself what you like and don't
like about them. What works and what doesn't. Don't get overwhelmed by looking at too
many examples--10 or 12 should be more than enough to give you ideas of what to do and
what to avoid.
o A successful logo should be simple, memorable, timeless and appropriate. Keep
these as goals as you play around with ideas.
o If you're struggling for ideas, trying using different key word to conduct searches
online or use a thesaurus to move your thinking in some new directions.
7
Keep it simple. Designing a logo is an exercise in restraint. While it may be tempting to try
to convey a multitude of messages with your design, trying to do too much will sabotage the
success of your logo.
o Avoid too many colors, multiple fonts and layered images. A confusing or cluttered
logo won't convey a clear message.
o If there are too many visual elements in your logo, it will be difficult for the customer
to process. They won't know where to look or what it means.
o Practically speaking, a simple logo is easier and less expensive to reproduce. Since
your logo may appear on a variety of items--from letterhead to advertisements to tote bags--
simplicity could save you money in the long-run.

Part 2 of 3: Testing the Design
2.Draw a rough sketch of the design. Your better off putting pencil to paper in the initial
stages of your logo design process. Sketching is a quick and easy way to get the ideas out
of your head and on to paper where you can evaluate them more easily.
o Plain white paper or simple graph paper make good backgrounds for your pencil
sketches.
o Don't erase. Designing is not a linear process. Keep the pages with the designs that
you didn't like. They may spark an idea or, upon later examination, offer something of value.
o Large design companies will often sketch out dozens of pages of logo concepts
before they even touch a computer mouse. Take a tip from the pros and focus on your
sketches first.[3]
3.Show the design to a test market. It may be tempting to move forward once you've come
up with what seems to you to be a winning logo, but it's important to get feedback.

4. Get feedback from people in your target market. Show your design(s) to a sampling of
people who fit the profile of your ideal customer. You may show them multiple designs or
simply the one you feel to be the strongest candidate.
o Ask key questions that will reveal their reaction to the logo. Do they think it's boring
or exciting? Ugly or attractive? Generic or unique? Also check to see what image or
message the logo conveys to them, whether they find it easy to read/recognize and if it
seems consistent with what they know about your company or about your industry.
5. Be wary of relying too heavily on family and friends. While you may want to informally
get the opinion of those close to you, their comments may not offer the kind of feedback
you'll find to be most useful.
o You can use family and friends to test your logo's memorability. Let them look at the
design for a few seconds and then ask them to draw it. If they can remember most of it, then
it's memorable.
6.Make sure that the design is scalable. Consider all the different ways you may use your
logo--in newspaper ads, on signage, on your website. Your logo must function well whether
it's being reproduced in a large or a small format.
o If a logo has too much detail or lines that are too thin, those elements may get lost or
the logo may look too fussy at small sizes.
o If a logo is drawn to look good only at a business card size, it will tend to appear
clunky when reproduced larger.
o Graphic design programs such as Adobe Illustrator or Inkscape will allow you to test
the scalability of your design. If you're working by hand initially, try making copies of your
design at different size settings.

Part 3 of 3: Finalizing the Design
1.Create a final draft. Ultimately, you need to have your logo digitized. You can do this
yourself or hire a professional to make it happen for you.
o Learn a graphic design program. The most used program is Adobe Illustrator but
Inkscape is another offering, and it can be downloaded online for free.
There are a number of instructional books and websites that can help you learn
Illustrator. Community colleges and some continuing education programs offer classes in
this design program.
o Hire a professional graphic artist. If you already have a background in graphic arts,
computer-assisted design or you're a quick study, then you may be able to do it yourself;
otherwise, you're better off putting your work in the hands of a professional.
Visit designers' websites to see their portfolios. You want to choose someone who
has experience working with logo design.
Ask about turnaround time. Depending on what stage your design is in, you may go
through another revision with an artist or he or she may simply reproduce your idea as-is. In
any case, find out how long it will take from the time you give them your design until you see
a finished product.
Find out about costs. Again, where you are in your design process will impact the
cost of this service. If you need someone to go back to square one with you in your design,
that will be more expensive than if you are happy with the logo you've created and simply
want to have it professionally computerized.
Check online services. There are a number of online graphic design services that
allow you to pay a set fee and in return receive several logo designs from artists trying to win
the job. You choose the design you like best and work with that artist through the completion
of the project.

2.Keep listening. Once your logo is finished, it's important that you stay open to feedback
on the design.
o Use social media. If your company has an established online presence, run your logo
past those who are connected to you and listen to what they have to say.
 Try your logo out on your website first. If the response to your logo
isn't positive, it's easier and less expensive to revise and republish
it on your website that to redo printed materials.

Work Package (Alal)
13 Hang Tag Development Alal 7.06.14

Hangtag With Information

Hangtag Back Side with information

11 Acknowledgement of Project Nasim 07.06.14

Acknowledgement of Project
First of all we would like to give specialthanks to our honorable faculty
Mr. MORSHED MOHIUDDIN for make such a chance for us. Specially
this “Productdevelopment” projectis so much effective projectforus as
a student of ApparelManufacturing Technology.Although this is a new
system for us but really we are enjoying this system. In every stage of
this projectwe were in touch of our honorable faculty, That is an
effective method we think. We learned a lot about how to create a new
brand with logo and develop that brand’s product.Furthermore we would
also like to acknowledge with much appreciation to the stuff of our
university, who gave the permissionto use all required equipmentand
necessarymaterials to complete the project.

12 Importance of product development RMG
sector
Jahid 7.06.14

Importance of Product Development RMG sector:
Product development is most important for RMG sector and Specially for
Bangladesh RMG sector. Because it helps to increase’s our product quality,
production capacity, product reputation, industry reputation, product value,
international goodwill etc.
So, We should more care about our Product development. Should be give more
importance for a new product development. Because it’s totally new product in the
market. Should give attention on the Garments quality. Quality is the most
importance for a new product; if the quality is good then the product will be success
in market.
Importance of Product Development
The importance of new product development is a result of the necessity for
developing new products if a business is to survive. In other words, new product
development is tied to the ability of a business to remain competitive and also to the
longevity of such a business. Any business that does not realize the importance of
developing new products will not last very long as a consequence of the fact that
business is all about innovation and change, making it absolutely necessary for
businesses to adapt to those changes in order to remain relevant. New product
development may be geared toward the conceptualization of a new idea regarding a
completely new line of products currently not in the market, or it could be aimed
toward upgrading products that may be in the market already. Whatever the case,
the development of new products is an essential part of the application of business
strategies by companies. Source:- 1web address www.wisegeek.com ,link:- :
http://www.wisegeek.com/what-is-the-importance-of-new-product-development.htm
What Is New Product Development?
For a person coming up with an idea for a product on his or her own, the
development may be guided by instinct and availability of input from family and
friends. In the business world, however, each business that creates products usually
has a specific approach to new product development (NPD). When the company has
a Chief Technology Officer (CTO), this may well be his or her realm, and he or she
may bring a personal approach or use a somewhat standard new product
development process.
1. Source:- 1web address www.wisegeek.com ,link:- :
http://www.wisegeek.com/what-is-the-importance-of-new-product-
development.htm

There are several more or less standard models for new product development
consisting of a set of steps that many companies use or vary to suit their needs. In
one generic version of product development, the basic steps in this product can be
described as generating ideas; evaluating or screening the ideas; developing,
testing, and refining concepts; performing a business analysis; doing the product and
marketing mix development; market testing; and commercializing the product.
Source: - 2web address www.wisegeek.com , link:- : http://www.wisegeek.com/what-
is-new-product-development.htm
. Source:- 1web address www.wisegeek.com ,link:- :
http://www.wisegeek.com/what-is-the-importance-of-new-product-development.htm
Source: - 2web address www.wisegeek.com , link:- : http://www.wisegeek.com/what-
is-new-product-development.htm

10 Project Summery Report Nasim 7.6.14

Project Summary Report
This is a project with special method implemented by our honorable faculty of
product development and re-engineering. At the very beginning of this project
we got a over view on the whole project. It’s an important project for us as an
apparel manufacturing technology. Here we learn a lot about project from the
very beginning to the end. It’s an advance level system for product
development what is internationally recognized and implied. This continuous
assessment project system, so we are in touch of our faculty all time. Here
communication skill of our team mates gradually increased for the system of
mailing all the working details to our honorable faculty. Although this is a new
system for us but really we are enjoying this system. That is an effective
method we think. We learned a lot about how to create a new brand with logo
and develop that brand’s product. Last of all we can say that there is an
immense positive impact of this project in our professional life.

Work Package (Sayeed)
7 Product Massage Sayeed 7.6.14

Product Massage (Theme Details)
We the Levi’s group have got the product inspiration theme . Our inspiration theme is
“Texture of Concrete” . This is desert in different moments. So we have researched about
inspiration .From inspiration have made the inspiration board of men’s product. Then we
made Product mode Board.
We have got the men’s product of the desert effect. They are :-
> Solid color shirt
> strip color shirt
>Check shirt
>Shoes
>Bags
>Watch
>Glasses
We became more confident when at last moment of selection process by our faculty. When
he selected two inspirations among others inspiration, this inspiration was one between two.
After selection final selection by our professor then our group member discussed about that
which one should be accepted? Our group members decided to work with this inspiration.
We want to apply this inspiration on our garments that we are going to make in this project.
Hope that if we work with this inspiration then we could be make better creative design and
idea.
We want to make our Brand as a popular brand. We will try keep our product quality as well
we can. Try to keep the product quality 95% to 100 %.
We will work with the Brand name “Friend’z” and our product main theme will be quality first.

15 Inspiration Board Sayeed 28.6..14

Inspiration Board

Work Package (Saad)
19 Latest trend report for fashion clothing Saad 21.6.14

Latest trend report for fashion clothing 2014
The Men’s Wear Fashion Trend
Flower glower! It was a dark, albeit blossoming, season for menswear in London, Florence,
Milan, and Paris. Europe's designers kept the palette mostly dark (and, more often than not,
blue), the fabrics largely seasonless, and the sport references extreme at the Spring 2014
shows. And no, the floral patterns that emerged as one of the season's big trends did
nothing to lighten the mood. Still, even as Miuccia Prada chewed over the sinister
implications of vacation and Haider Ackermann revived a decadent, slightly menacing
romanticism, the collections this season were as strong as they were sinister. Here, the
season's top trends, as well as pieces to own.
1. Source :- 1 web address www.style.com/ Link. 1 :
www.style.com/trendsshopping/trendreport/071513_Menswear_Trends/
The Bold Statement Print
When looking to separate your outfit from the rest of the crowd, a bold, on trend print is a
great place to start. So, forget all about accent accessories and subtle detailing this summer
and instead opt for a patterned shirt, jumper, t-shirt or pair of trousers.
When it comes to putting together your own outfits, turn to the SS14 runways for inspiration.
The likes of Ami, Prada, Versace and DSquared2 featured a plethora of eye-catching
trousers, in-your-face shirts and statement-making sweaters – all paired with a wide variety
of pieces.
Yet, as always, the key is to keep the rest of your look fuss-free and neutral. By pairing your
printed item with classic wardrobe staples not only will you avoid creating a patterned mess,
but you will also allow your statement piece to take centre stage.
Just remember that trend-led prints often fall out of favour quickly and, as such, it would be
wise to limit the amount you spend on an item like this. Our recommendation would be a
printed tee from affordable high street stores such as Topman, River Island and H&M –
combine it with everything from shorts and chinos to linen trousers and indigo jeans, creating
a range of effortlessly cool off-duty looks.
Key motifs to consider for SS14 include floral, tropical, camouflage, ombre (gradient/dip-dye)
and Aztec-inspired designs.
Short Shorts
It can be good to step out of your comfort zone every once in a while. Liberating, one might
say. So with that in mind, consider ditching your mid-length shorts and opting for something
a little more cropped this summer. Yes, short shorts are officially in vogue and can help mark
you out as a stylish and confident gent, if you get them right.
Of course, it’s important to consider your body type and general demeanour before tackling
this daring trend. Those with muscular legs can look particularly great in this cut for obvious
reasons,

Likewise, men who ooze masculinity and self-assuredness are much more likely to be able
to pull off a pair (see Paul Newman and Steve McQueen below) as these type of shorts can
appear delicate and feminine by their very nature.
There’s an undeniable aura of effortlessness that accompanies a men’s look built in some
measure – or exclusively upon – neutral tones, particularly for spring & summer when a
more sophisticated aesthetic prevails. It’s all about a subtle interpretation of luxury, with key
pieces defined by unrivalled versatility, that speak of confidence and exclusivity.
Source :- 2 web address www.style.com/ Link. 2 : http://www.fashionising.com/trends/b--
mens-neautral-colored-clothing-75981.html
DENIM
Denim shopping for men can be a little overwhelming at times: you’re either lumped with
options that are so safe and traditional they feel dated, or so over the top you wouldn’t be
game to leave the house in them. When it comes to finding something both wearable and
fashionable, it’s the in-between space that’s often the best.
Whether you’re hunting for a new pair of classic blue jeans, want to inject a little colour into
your casual wardrobe for winter, or want to know how to layer up your denim in interesting
ways, read on: here’s a guide to some of the key denim trends for men this season that will
stay in fashion in 2014
Source :- 3 web address www.style.com/ Link.3 : http://www.fashionising.com/trends/b--
jeans-for-men-28656.html
The Oversized Tee Although well-cut t-shirts form the backbone of any successful capsule
wardrobe, this season why not consider adding an oversized option to your collection?
Loose and relaxed, they subtly stand out against ubiquitous slim-fit tees while
simultaneously keeping you cool in the heat.
Again, we question this trend’s longevity but it does offer a fresh and unique alternative to
the classic crew necks we often rely on at this time of the year.
There are two easy ways to achieve this effect: you can purchase a t-shirt featuring an
oversized cut (Topman and ASOS produce these) in your standard size, or stick with your
favourite brand and simply ‘size up’ – for example, if you are usually a size small try a
medium or even a large to get your desired look.
Our styling advice would be to keep it simple and classic. Opt for an oversized t-shirt in
timeless black, grey or white and combine with slim/skinny cut jeans, chinos or shorts. An
oversized tee makes a statement on its own, especially when you juxtapose it against a
fitted bottom half, so there is no need to go overboard here.Alternatively, try layering your t-
shirt underneath a crew neck jumper, open shirt or bomber jacket to emphasise the effect
while playing with the concept of silhouette.

Toronto, December 30, 2013 – Words can’t begin to express how much I hate winter.
There’s absolutely nothing positive about this freezing arctic hell and everything that comes
with it. Ice storms, damaged homes, car accident carnage, and that nagging bone-chilling
wind are all just too much to bear.
So while I hibernate over the next few months and retailers clear their FW13 stock to make
room for spring 2014, let’s think ahead to some Spring/Summer 2014 Trends. As with
every season, there are strong carryover fashion trends that build on the momentum of
seasons past. If you’ll recall, SS13 focused on the Gatsby revival, camo prints, and
punches of neon, bold colours and metallics – all still relevant in SS14.
SS14 introduces us to some exciting new menswear trends as well. Highlights from the
SS14 collections in London, Milan, and Paris can be found by clicking on their respective
hyperlinks. Although there are many SS14 trends that we are excited about, here in no
particular order is a list of our favourite, or Essentials. They include: Desperado (Mexican
Western), Floral Prints, Statement Trousers, Black & White, Varsity Jacket Redux, Polka
Dots, Baby Blues, Pleats, Dress-padrilles, and Coveralls.
Like or hate what you see? Something missing? We would love to hear from you in the
comments section below!
Source:- 5 web address www.itsallstyletome.com ,link:- : 5
http://itsallstyletome.com/2013/12/30/trend-report-mens-springsummer-2014-essentials/
 Source :- 4 web address www.style.com/ Link 4 :
http://www.fashionbeans.com/2014/5-daring-mens-fashion-trends-summer/
 Source:- 5 web address www.itsallstyletome.com ,link:- : 5
http://itsallstyletome.com/2013/12/30/trend-report-mens-springsummer-2014-
essentials/

Source:- 5 web address www.itsallstyletome.com ,link:- : 5

The undisputed kings of desperado for SS14 are Etro. Influenced by Zorro, but looking more like
Mexican Mariachis,Etro’s cowboy boot clad, sombrero toting models strutted the runway in Western themed
shirts,scarves,bandanas,and tooled leather.It was enough to impress ClintEastwood. Costume
National featured straw cowboy hats, which accessorized their futuristic cowboys. Topman Design offered a
toned-down version ofthe Western theme,focusing mainlyon the embroidered shirts with a cowboy glam twist.
We’re not saying to go full cowboy, but a touch of Western this summer would be pretty awesome.
For several seasons now,floral prints have been all over the runways in menswear.We first listed them in
our SS12 Essentials and even dedicated an entire postto prints. The love affair with florals continues in SS14
with Prada,Dries Van Noten and Gucci leading the charge.While many designers dabble in floral prints sticking
mainlyto accessories,others are daring enough to go all out creating floral printsuits.If you’ve been following
along,you’re probablyall setin the floral print department. If not, then next season is your chance to catch up.

More often than not, a guy will dabble in statement suits, shirts, accessories and maybe
even outwear. However, it takes a rare breed to pull off statement trousers. We’re not talking
about plaid, check or houndstooth printed pants. This trend is much louder than that. We’re
talking bombastic Michael Bastian pineapples-all-over-your-junk-turned-up-to-eleven loud. If
you’re going to try this, think party (not work) atmosphere. Also, you’ll want to keep every
other part of your outfit modest (see photo above).
It’s as simple any trend could be. Contrasting black and white for SS14, at the basic level, a
black shirt and white shorts/pants or vice versa. For contemporary fashion designers, it’s
clearly more advanced than that. Take Alexander McQueen for example, a entirely
monochromatic collection featuring Edwardian motifs on everything from shirting to suits.
Ann Demeulemeester played with black and white vine prints on outerwear and sports
jackets, as well as thick stripes. Then there’s Christopher Kane’s brilliant black and white
computer imaging on everything from shirts to shorts. Overall, is there a simpler trend to
exploit? It works on the most timid to the most daring of men. You can’t go wrong.

Varsity and bomber jackets are obviously not new. They’ve been experiencing a resurgence
in both men’s and women’s fashion these past few seasons. This is not the average
everyday letterman jacket and bomber. It’s a lot thinner, at times there’s bonding instead of
stitching, more luxurious leather is being used, elastic sleeves and collars are different,
natural and synthetic fabrics being mixed, etc. Fashion designers are tinkering with the
traditional varsity and bomber jacket, coming up with contemporary versions or a varsity
jacket redux. These jackets by Diesel Black Gold and Carven fit the bill nicely. You may want
to check out Louis Vuitton as well. Another great piece to incorporate into your personal style
for SS14.

Final Word
Whether you opt for printed trousers, an oversized tee or bold sunglasses, the five items
showcased today will ensure you don’t blend into the background this season.
But as always, we want to hear from you. Let us know whether you will be investing in any of
the pieces showcased today and tell us how you plan on standing out from the crowd this
season in the comments section below…
Source :- 4 web address www.style.com/ Link 4 : http://www.fashionbeans.com/2014/5-
daring-mens-fashion-trends-summer/
1. Source :- 4 web address www.style.com/ Link 4 :
http://www.fashionbeans.com/2014/5-daring-mens-fashion-trends-summer/
2. Source:- 5 web address www.itsallstyletome.com ,link:- : 5

Work Package (Jahid,Saad,Alal,Nasim)
23 Sourcing about our development product Jahid,Saad,Alal,Nasim NotFixed

Sourcing about our development product
1. International Fashion & Trends Sourcing
2. Fabric Sourcing
3. Velvet Fabric Sourcing
4. Snap Button Sourcing
5. Thread Sourcing
6. Butterfly, Collar stand, Clip Sourcing
7. Print Sourcing
8. EmbroiderySourcing
9. Label Sourcing
10. Poly Sourcing
11. Wash & Iron Sourcing
12. Twill Tape Sourcing
13. Interning Sourcing
14. Button Attachment
Above all those element we have found by sourcing in many places and many shop. Like
we have visited Mirpur For Snap Button, Thread, Butterfly, Twill Tape, Interlining, Velvet
Fabric, Embroidery and we have found many of those item from Mirpur. Our Work is
progressing .
Then we have visited a shop in Uttara , Sector 11. The Shop Name Was Top Ten. We have
visited their for our Fabric sourcing. But we didn’t found fabric like our design then we visited
Rajlokkhi and Finally we found our matching fabric.
Then We visited Tonggi Bazar For Button Attachment Sourcing then we easily found their .
And Our Pattern Making, Cutting, & Sewing Sourcing is Our Sewing Lab & CEPD. Where we
Sewed Our Shirt.

Work Package (Saad)
24 Design development sheet Saad NotFixed

Final Selection for the Project

26 Specification sheet or design details Jahid 23.8.14

Specification sheet or design details

Work Package (Saad)
27 Embellishment of surface ornamentation
chart
Saad 11.09.14

Surface ornamentation Chart
Velvet Fabric: We have used Shiny Black velvet on upper collar, lower placket, Upper Cuff,
Upper Back Yoke For the Designing Purpose.
Snap Button: We have used Snap button on placket and cuff.
Embroidery: We have used embroidery on Brand logo.
Label: We have used Size label, Brand label, Care Label.
Twill Tape: We have used Twill Tape in inside Collar for the decorative purpose .

28 Measurement Chart final sample/approval Sayeed NotFixed

Measurement Chart for final sample/approval

Work Package (Kawser)
29 Pattern making & grading ,sewing Kawser NotFixed

Grading 1:5 scale
Dress details: Men`s casual shirt Fabric: 100% cotton
Creation date: 24.08.2014 Color: Black
Ventor: Friendz collection Size: L
Buyer name: M&M Fashion Ltd Quantity: 1 Pcs
Style: Texture Season: Fall/Summer 2014/15
Style code: TEX111
Category: casual shirt.
S.L All Measurement in CM L/cm 1: 5
1 Body length from SHP 76 15.2
2 Body length from CF 69 13.8
3 Body length from CB 72 14.4
4 Chest 2 cm below arm hole 102 20.4
5 Neck with point to point 40 4
6 Across shoulder 44 8.8
7 Sleeve length 61 12.2
8 Back yoke height 11 2.2
9 Cuff height 8 1.6
10 Back yoke 44 8.8
11 Hem height 2 .4
12 Sleeve opening 28 5.6
13 Pocket length 17 3.4
14 Pocket width 14 2.8
15 Front neck drop 6 1.2

30 Cost or Designer worker sheet plan Nasim 11.09.14
36 Consumption of Shirt Nasim 11.09.14

Costing
Fabric costing
Sl Fabric Yards Price / yrds Amount
01 100% Cotton 3.0953 180 tk 557.154 tk
02 Velvet fabric 0.43 200 tk 86 tk
Total 3.0953 643.154 TK
Trims and Accessories costing
Sl Item QNTY Price / Rate Amount
01 Interlining 0.5 yrds 80 tk 40
02 Brand label 1 10
03 Size label 1 10
04 Care label 1 10
05 Snap button 10 3 tk 40
06 Hang tag 1 10
07 Twil tape 1 10
08 Clip 6 2tk 12
09 Butter fly 1 5
10 Thread 1 20
11 Poly 1 2
12 Neck band 1 2
Total 171 TK
Labor and others
Sl Description Amount
01 Marker and Grading 20
02 Cutting 100
03 Sewing 100
04 Pressing 20
05 Finishing and packing 50
06 Taxes 120 TK / PCS
Total 410 TK

Grand Total
(Fabric costing + Trims and Accessories costing + Labor and others) = 643.154+171+410 TK
= 1224.154 TK
= 1224.154/78
($1=78Tk)
= $ 15.69
Consumption of Shirt
Fabric consumption of shirt:
Here,
Body length=76cm Chest circumference=102cm
Across shoulder=44cm Back yoke height=11cm
Sleeve length=61cm Armhole=50cm
Sleeve opening=28 cm Cuff height=8cm
Collar length=40cm Collar height= 5cm
Pocket length=16cm Pocket width=13cm
Fabric width=156cm
Front part:
=(Full length + seam allowance)*(1/2 chest+ seam allowance)
=(76+5)*(51+5)
=4536 cm²
Back Part:
=(Full length –back yoke height +seam allowance)* *(1/2 chest+ seam allowance)
=(76-11+5)*(51+5)

=3920 cm²
Yoke:
=(yoke length +seam allowance)*( back yoke height +seam allowance)*2
=(44+5)*(11+5)*2
=1568 cm²
Collar:
=(collar length+ seam allowance)* (collar height+ seam allowance)*2
=(42+2)*(5+2)*2
=616 cm²
Sleeve (Except cuff)
= (Sleeve length+ seam allowance)* (Sleeve width+ seam allowance)*2
=(61+2)*(50+2)*2
=6552 cm²
Cuff
=(cuff length+ seam allowance) *(cuff width + seam allowance)*4
=(28+2)*(8+2)*4
=1200 cm²
Pocket:
=(Pocket length+ seam allowance)* (Pocket width+ seam allowance)
= (16+2)*(13+2)
= 270 cm²

Total body fabric = Front part +Back Part+ Yoke +Collar+ Sleeve +Cuff +Pocket
=4536+3920+1568+610+6552+1200+270
= 18656 cm²
Fabric consumption = {18656/ (fabric width*39.37)}+5%
={18925/(156*39.37)}+5%
=3.07+5%
=3.07+0.1535
=3.2235 mtr/pice
Velvet Fabric
Yoke part = 784 cm2 Cuff part = 600 cm2

31 SMV calculation for final sample Sayeed 11.09.14
38 Requisition Format Sayeed 11.09.14

Observe Time
Sl. Description
Handle
Time/Mi
n
Lead
Time/Min
Total Remarks
1 Pattern 15 68 83 Pattern making
2 Cutting 28 120 148 Cut & sew M/C
3 Cut & Sew 40 100 140 Single Needle M/C
4 Shoulder Join 10 50 60 Single Needle M/C
5 Shoulder to Front body join part 1 15 60 75 Single Needle M/C
6 Shoulder to Front body join part 2 20 50 70 Single Needle M/C
7 Shoulder top stitch 8 40 48 Single Needle M/C
8 Back body join with shoulder 15 65 80 Single Needle M/C
9 Size label join 5 25 30 Single Needle M/C
10 Brand label join 20 40 60 Single Needle M/C
11 Care label join 25 50 75 Single Needle M/C
12 Collar band join with body 20 70 90 Single Needle M/C
13 Collar stand join collar stand 15 75 90 Single Needle M/C
14 Collar top stitch 15 60 75 Single Needle M/C
15 Twill tape join 10 45 55
Chain stitch
M/C
17 Front yoke join 20 90 110 Single Needle M/C
18 Back yoke join 20 70 90 Single Needle M/C
19 Yoke top stitch 30 80 110 Single Needle M/C
20 Sleeve hemming 20 70 90 Single Needle M/C
21 Sleeve join 20 60 80 Single Needle M/C
23 Sleeve turn up join 10 55 65 Single Needle M/C
24 Side seam join 15 65 80
Multi thread chain
stitch M/C
25 Care label joint 10 50 60 Single Needle M/C
26 Cuff making 10 85 95 Single Needle M/C
27 Cuff top stitch 10 50 60 Single Needle M/C
28 Cuff joint to sleeve 10 44 54 Single Needle M/C
29 Bottom hemming 20 60 80 Single Needle M/C
30 Button attach 15 90 105
Button attachment
M/C
31 Embroiderystitch 40 90 130 Single Needle M/C
Total 511 1877 2388

Now,
Observe time per cycle (OT) = Cycle time/No of Cycle
= (2388*60)/31 sec
=4621.93 Sec
Observe Rating (OT)
Skill = 60
Effort = 85
Environment = 75
Consistency = 80
Total =300/4
=75
Basic Time (BT) = (OT * OR)/100
= (4621.93 *75)/100
=3466.45 Sec
Allowances = 20 % of BT
= (20/100)* 3466.45 sec
=693.29 sec
SMV = BT +Allowances
= (3466.45 +693.29
=4159.74 sec
=4159.74 /60
=60.32 min

32 Model photography for fit test analysis Jahid 10.09.14

32 Model photography for fit test analysis Sayeed NotFixed
work packages Sayeed NotFixed
Meeting minutes group Sayeed NotFixed
21 Individual Work Packages Sayeed NotFixed
Attendance Sheet for meeting and work Sayeed NotFixed
Citations Rules Sayeed NotFixed
20 Total individual WP count for final
assembling maintain
Sayeed NotFixed

Sl Description of WP Responsible Person Deadline
1 Brand Name Selection Kawser 31.05.14 ok
2 Brand Logo Design Jahid 31.05.14 ok
3 Inspiration of Levi’s Brand logo & Early History Jahid 31.05.14 ok
4 Brand Logo Develop Jahid 07.06.14 ok
5 Cover Page Sayeed 07.06.14 ok
6 Information page Sayeed 07.06.14
7 Product Massage Sayeed 07.06.14
8 Index Saad 07.06.14
9 Bar Chart Kawser 14.06.14
10 Project Summery Nasim 07.06.14
11 Acknowledgement Nasim 07.06.14
12 Importance of product development RMG sector Jahid 07.06.14
13 Hang tag Information Alal 07.06.14
14 Work Packages Maintain Sayeed Not Fixed
15 Inspiration Board Sayeed 28.06.14
16 Mode Board Sayeed 28.06.14
17 Mission Nasim 28.06.14
18 Vision Nasim 28.06.14
19 Latest trend report for fashion clothing Saad 21.06.14
20 Total individual WP count for final assembling maintain Sayeed Not Fixed
21 Individual WP Setting Maintain Sayeed Not Fixed
22 Power point presentation making & slide design Sayeed Not Fixed
23 Sourcing about our development product Jahid,Saad,Alal,Nasim Not Fixed
24 Design development sheet Saad Not Fixed
25 Approval design sheet Saad Not Fixed
26 Specification sheet or design details Jahid 23.8.14
27 Embellishment of surface ornamentation chart Saad 11.09.14
28 Measurement for final sample/approval Sayeed Not Fixed
29 Pattern making & grading ,sewing Kawser Not Fixed
30 Cost or Designer worker sheet plan Nasim 11.09.14
31 SMV calculation for final sample Sayeed 11.09.14
32 Model photography for fit test analysis Jahid 10.09.14
33 Raw materials submission for approval Saad,Kawser 19.08.14
34 Brand label Embroidery Alal 3.09.14
Group Work Packages

35 Research paper setting and point review 2014 Sayeed 11.09.14
36 Consumption of Shirt Nasim 11.09.14
37 Project methodology Nasim 11.09.14
38 Requisition Format Sayeed 11.09.14

Project/Research Paper On Product Development & Re engineering

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