This document provides instructions for creating various visual effects in Photoshop, including creating the appearance of fire, wood, water, brushed metal, and glass. It outlines the steps to take common Photoshop tools and filters to manipulate layers and selections to achieve these realistic material simulations. The steps are broken down in detail with explanatory text and screenshots to clearly illustrate the process. Optional additional steps are also included to refine or enhance the results.
This document provides instructions for posterizing a photo in 7 steps:
1. Open a photo and duplicate the background layer, adjusting the brightness of the copy.
2. Duplicate the adjusted layer and modify the contrast and brightness, creating a "Contrast" layer.
3. Duplicate the "Contrast" layer and apply a posterize effect with 4 levels, creating a "Posterize" layer.
4. Save and open the photo in Illustrator, converting layers to objects.
5. Create a new "Front" layer and lock other layers.
6. Select a new calligraphic brush and trace over the image, following shapes and blocks of color.
7.
This document provides instructions for posterizing a photo in 7 steps:
1. Open a photo and duplicate the background layer, adjusting the brightness of the copy.
2. Duplicate the adjusted layer and modify the contrast and brightness, creating a "Contrast" layer.
3. Duplicate the "Contrast" layer and apply a posterize effect with 4 levels, creating a "Posterize" layer.
4. Save the photo as a PSD and open it in Illustrator, converting the layers to objects.
5. Create a new "Front" layer and lock the other layers.
6. Select a brush and trace over the image, following shapes and blocks of color.
1. The document provides instructions for using Photoshop to convert photographs into digital silkscreens based on Andy Warhol's techniques. It describes how to manipulate images, add layers and effects, and save work.
2. Key steps include using filters, modes, and adjustments to break continuous-tone images into high-contrast "line art" by applying effects like threshold, unsharp mask, and mezzotint.
3. Techniques for converting images to halftones and dithering patterns are described to simulate tones through patterns of dots for screenprinting. Testing printouts is advised to refine the effects.
A layer style is one or more effects applied to a layer or layer group. You can apply one of the preset styles provided with Photoshop or create a custom style using the Layer Style dialog box. The layer effects icon appears to the right of the layer's name in the Layers panel.
This document provides instructions for editing a stock photo using Photoshop. The steps include duplicating layers and adjusting their blending modes, using selective color to darken blacks, selecting skin areas and adding curves and hue/saturation adjustments, adding color to lips, using burn tools to darken dark areas and soft brushes to lighten bright areas, adding photo filters and adjustments layers to warm the tone, and using dodge and burn tools to refine shading. The goal is to produce a final edited photo from the original stock image.
This document provides an overview of digital photography editing and summarizes the basic functions and tools available in Photoshop. It discusses how to load, open, and save images, and covers selection tools, layers, adjustments for tone and color, and basic manipulation techniques like cropping, cloning, and adding text. The goal is to demonstrate minimum post-production skills to improve photographs, including adjusting exposure, removing distractions, and making creative enhancements.
How to Create a Digital Collage Using PicMonkeyJasmine Dy
PicMonkey is an online photo editing tool that is popular for its wide range of effects and features. It makes creating posters, banners, and thumbnail photos for Youtube convenient as it allows you to easily create collages and add in text, stickers, and other elements.
In this tutorial, I made a digital collage, which is an art form that's currently gaining popularity. It uses different images and textures layered and pieced together digitally.
Rendering the MugTree with AutoDesk Inventorkrysia
This is a short presentation/booklet that covers the basic tools you find in Inventor Studio. I feel that letting pupils play with the software is much better than prescribing them with a 'correct' way. Anyway, why not have a MugTree that has a 'brick' like surface - at least it stands out!
This document provides instructions for posterizing a photo in 7 steps:
1. Open a photo and duplicate the background layer, adjusting the brightness of the copy.
2. Duplicate the adjusted layer and modify the contrast and brightness, creating a "Contrast" layer.
3. Duplicate the "Contrast" layer and apply a posterize effect with 4 levels, creating a "Posterize" layer.
4. Save and open the photo in Illustrator, converting layers to objects.
5. Create a new "Front" layer and lock other layers.
6. Select a new calligraphic brush and trace over the image, following shapes and blocks of color.
7.
This document provides instructions for posterizing a photo in 7 steps:
1. Open a photo and duplicate the background layer, adjusting the brightness of the copy.
2. Duplicate the adjusted layer and modify the contrast and brightness, creating a "Contrast" layer.
3. Duplicate the "Contrast" layer and apply a posterize effect with 4 levels, creating a "Posterize" layer.
4. Save the photo as a PSD and open it in Illustrator, converting the layers to objects.
5. Create a new "Front" layer and lock the other layers.
6. Select a brush and trace over the image, following shapes and blocks of color.
1. The document provides instructions for using Photoshop to convert photographs into digital silkscreens based on Andy Warhol's techniques. It describes how to manipulate images, add layers and effects, and save work.
2. Key steps include using filters, modes, and adjustments to break continuous-tone images into high-contrast "line art" by applying effects like threshold, unsharp mask, and mezzotint.
3. Techniques for converting images to halftones and dithering patterns are described to simulate tones through patterns of dots for screenprinting. Testing printouts is advised to refine the effects.
A layer style is one or more effects applied to a layer or layer group. You can apply one of the preset styles provided with Photoshop or create a custom style using the Layer Style dialog box. The layer effects icon appears to the right of the layer's name in the Layers panel.
This document provides instructions for editing a stock photo using Photoshop. The steps include duplicating layers and adjusting their blending modes, using selective color to darken blacks, selecting skin areas and adding curves and hue/saturation adjustments, adding color to lips, using burn tools to darken dark areas and soft brushes to lighten bright areas, adding photo filters and adjustments layers to warm the tone, and using dodge and burn tools to refine shading. The goal is to produce a final edited photo from the original stock image.
This document provides an overview of digital photography editing and summarizes the basic functions and tools available in Photoshop. It discusses how to load, open, and save images, and covers selection tools, layers, adjustments for tone and color, and basic manipulation techniques like cropping, cloning, and adding text. The goal is to demonstrate minimum post-production skills to improve photographs, including adjusting exposure, removing distractions, and making creative enhancements.
How to Create a Digital Collage Using PicMonkeyJasmine Dy
PicMonkey is an online photo editing tool that is popular for its wide range of effects and features. It makes creating posters, banners, and thumbnail photos for Youtube convenient as it allows you to easily create collages and add in text, stickers, and other elements.
In this tutorial, I made a digital collage, which is an art form that's currently gaining popularity. It uses different images and textures layered and pieced together digitally.
Rendering the MugTree with AutoDesk Inventorkrysia
This is a short presentation/booklet that covers the basic tools you find in Inventor Studio. I feel that letting pupils play with the software is much better than prescribing them with a 'correct' way. Anyway, why not have a MugTree that has a 'brick' like surface - at least it stands out!
P 5 Watercolor Text Painted On Folded Papersumidahilo
The document provides a tutorial for creating a watercolor text effect in Photoshop. It describes steps such as typing text, adding effects like clouds and watercolor, and incorporating a paper texture background layer. Additional details like adding bumps and shadows are included to make the text appear raised off the paper.
This document provides instructions for creating a photorealistic image of hands on fire in Photoshop using layers, brushes, and adjustments. The tutorial guides the user to darken an image of hands, create orange dots to represent fireballs using different sized brushes, use the smudge tool to make tongues of fire, add light effects with masks and adjustments, create sparks with a custom brush, and finish with highlights to make the image more realistic.
The document describes three photo editing experiments using Photoshop:
1) The "spherize" experiment which involves using the eclipse tool to create a circle, duplicating and filtering the background layer to give it a rounded look within the circle. This works well for landscapes.
2) A glowing effect experiment created by duplicating and blurring object layers with increasing radius to produce a glow, then colorizing the group.
3) A glowing line experiment where the pen tool is used to outline an object, the outline is filled with a brush, and additional brush strokes are added over the line to create a glow.
The author concludes the spherize experiment would work best for their video project which
Masks in Photoshop allow users to selectively hide or reveal areas of an image or layer. There are several types of masks including quick masks, clipping groups, layer masks, and vector masks. Quick masks are temporary selections, clipping groups use one layer to mask other grouped layers, layer masks can be edited non-destructively over time, and vector masks use resolution-independent shapes. Masks provide flexibility and control over adjustments by hiding or revealing parts of layers without altering the original image data.
Graphics Experts Ltd is the right solution for all of your graphic design needs. We offer affordable, professional services that encompass everything from image masking, shadow creation, web image optimization, and clipping path to image manipulation, image retouching, color adjustments, photo editing, vehicle enhancement, and even illustration.
Photo retouching tips and tricks in photoshopRemon Mia
If you want to redefine the foreground and background colors, use the Eyedropper tool to select the foreground color, and then switch the position with the background color, maybe by using the shortcut X, and pick up the next color. But there is an easier way. First, define the foreground color just as you’re accustomed to, but then define the background color by holding the Alt/Option key. Instead of changing the foreground color, you’ll redefine the background color with just one click.
https://goo.gl/pwqYM7
Adobe Photoshop is a graphics editing program developed by Adobe Systems. It was created in 1987 by Thomas Knoll as a program called Display to view grayscale images on a monochrome display. His brother John recommended turning it into a full image editing program. The document then provides a 6 step tutorial for turning a photograph into a cartoon style picture using layers and filters in Photoshop.
The document provides an overview of the Photoshop workspace and basic tools. It describes the five main components of the Photoshop workspace: the Application Bar, Tools Panel, Options Bar, Document Window, and Panel Dock. It also summarizes key tools like the Type Tool for adding text, the drawing tools for creating shapes and paths, and the various painting tools for editing images. Finally, it outlines the concept of layers, how to view and manipulate layers in the Layers Panel, and how layers allow for building up an image through overlapping elements.
The document provides 10 steps to create a light effect in Photoshop using layer styles, filters, and brushes. It instructs the user to add gradient and pattern overlays on the background layer, create an elliptical shape and apply Gaussian blur, add sparks using brushes inside a "Light Effects" folder blended with Color Dodge, add outer glow to sparks and clouds using the Render filter to a "Smoke" layer blended with Color Dodge, add text with layer style effects, and place a logo with additional effects. The conclusion states that with knowledge of layer styles and brushes, Photoshop users can create amazing effects limited only by their imagination.
The document provides instructions for creating a zoom blur effect in Photoshop. It involves selecting an area with the elliptical marquee tool, feathering the selection, inverting the selection, and applying a radial blur filter to create the zoom blur effect. Adjusting the feather amount and blur amount can change the effect.
Create a multi-color screen print using three paper stencils. Simple way to teach screen printing to Middle or High School students. As presented at Asia Regional Art Educators Workshop, 2015.
Photoshop is unlike other common software interfaces which emulate virtual typewriters or graphing paper. Photoshop creates an artist's virtual studio/darkroom. When you open the program you see a toolbox on the left with tools you will use to manipulate your images, and on the right, a white square which is your "canvas" or work area. The gray area surrounding the canvas is not part of your image, but only defines its edges.
Christine rose nd. tipones [gr. 11 abm, caritas]Virgilio Galemba
This document provides instructions for basic image editing and manipulation in GIMP. It includes steps to:
- Create a new black image canvas and add text
- Apply a Gaussian blur to a text layer
- Add a new color layer and change its blend mode
- Use paths and hue/saturation to change the color of hair in an image
- Open multiple images as layers and add a gradient layer mask to blend them together.
Creating a Timer Bar on PowerPoint to Count Down TimeKarl Kapp
This document provides instructions for creating a timer bar in PowerPoint. It describes how to create two rectangles, one with no fill and one with a gradient fill within the first. It then explains how to add an animation to the gradient rectangle to wipe from left to right over a specified duration. The animation is triggered by clicking a separate shape labeled "Timer" to start the countdown.
The document describes processes for creating various visual effects in Photoshop, including a lightning effect, star field effect, dispersion splatter effect, and banana bonfire effect. For each effect, the document outlines the steps taken such as using filters, layers, blending modes, and tools to manipulate and combine images to achieve the final visual result.
This document provides a quick guide to fundamental Photoshop tools and techniques for modifying images, including opening and resizing images, applying adjustments, working with layers and history, using selection tools, and saving images. Key steps outlined are resizing an image using the Image Size option, applying adjustments from the Adjustments panel, using the Lasso and Quick Mask tools to extract an image subject, and saving images in formats like PNG that maintain transparency.
The document provides a tutorial for blending a photo into a background image using layer masks and the gradient tool in Photoshop. The key steps include: opening the background image and photo layers; adding the photo as a layer and applying a layer mask; using the gradient tool to fade the edges of the photo layer mask from opaque to transparent; and refining the blend using brushes on the layer mask. Layer masks allow precisely blending a photo into a background or manipulating its opacity in selected areas.
The document is a presentation on Photoshop that discusses its meaning, features, system requirements, and various tools. It provides descriptions and examples of how to use many of Photoshop's selection, editing, and manipulation tools, including the marquee, lasso, crop, magic wand, move, healing brush, eraser, blur, slice, history brush, clone stamp, eyedropper, dodge, burn, and sponge tools. Requirements for running Photoshop include at least a 1GB RAM, 1GB hard disk space, and 1024x768 display.
This document provides instructions for 16 exercises to practice basic skills in Photoshop. The exercises involve using selection tools, copying and pasting images, adjusting layers, adding and editing text, and using tools like the paint bucket, clone stamp, and dodge and burn tools to manipulate images. Completing the exercises will help become familiar with Photoshop's basic functions and tools.
The document discusses layer management in Photoshop. It describes the layers pane and how to add, select, arrange, and perform actions on layers. Key points include: the layers pane lets you control how artwork is displayed and edited; you can add new layers to build up an image; layers can be arranged and merged; and common actions like duplicating, rasterizing, and clearing layer styles are described.
This document discusses key concepts in quantitative techniques related to population, sample, sampling, and sample size calculation. It defines population as the total set of measurements of interest, and sample as a subset of the population. Probability and non-probability sampling methods are described. Probability sampling allows results to be generalized to the population, while non-probability sampling does not. Several probability sampling techniques are explained, including simple random sampling, systematic sampling, stratified sampling, cluster sampling, and multi-stage sampling. The document also covers concepts like sampling error, confidence level, statistical power, and formulas for calculating minimum sample sizes. Sample size determination depends on factors like confidence level, power, expected difference, and standard deviation. Formulas presented can be used
This document provides an overview of using Google Hangouts for business purposes. It lists 10 videos that cover topics like the introduction to Hangouts, ways it can increase traffic and conversions, and features like chat, screen sharing, apps, and security controls. It also outlines the process for setting up Hangouts, which involves installing the software, setting up technical aspects, learning effective usage, finding people to interact with, and using related Google apps. Finally, it identifies the key tools needed like Hangouts, a microphone, webcam, internet connection, and a professional manner.
P 5 Watercolor Text Painted On Folded Papersumidahilo
The document provides a tutorial for creating a watercolor text effect in Photoshop. It describes steps such as typing text, adding effects like clouds and watercolor, and incorporating a paper texture background layer. Additional details like adding bumps and shadows are included to make the text appear raised off the paper.
This document provides instructions for creating a photorealistic image of hands on fire in Photoshop using layers, brushes, and adjustments. The tutorial guides the user to darken an image of hands, create orange dots to represent fireballs using different sized brushes, use the smudge tool to make tongues of fire, add light effects with masks and adjustments, create sparks with a custom brush, and finish with highlights to make the image more realistic.
The document describes three photo editing experiments using Photoshop:
1) The "spherize" experiment which involves using the eclipse tool to create a circle, duplicating and filtering the background layer to give it a rounded look within the circle. This works well for landscapes.
2) A glowing effect experiment created by duplicating and blurring object layers with increasing radius to produce a glow, then colorizing the group.
3) A glowing line experiment where the pen tool is used to outline an object, the outline is filled with a brush, and additional brush strokes are added over the line to create a glow.
The author concludes the spherize experiment would work best for their video project which
Masks in Photoshop allow users to selectively hide or reveal areas of an image or layer. There are several types of masks including quick masks, clipping groups, layer masks, and vector masks. Quick masks are temporary selections, clipping groups use one layer to mask other grouped layers, layer masks can be edited non-destructively over time, and vector masks use resolution-independent shapes. Masks provide flexibility and control over adjustments by hiding or revealing parts of layers without altering the original image data.
Graphics Experts Ltd is the right solution for all of your graphic design needs. We offer affordable, professional services that encompass everything from image masking, shadow creation, web image optimization, and clipping path to image manipulation, image retouching, color adjustments, photo editing, vehicle enhancement, and even illustration.
Photo retouching tips and tricks in photoshopRemon Mia
If you want to redefine the foreground and background colors, use the Eyedropper tool to select the foreground color, and then switch the position with the background color, maybe by using the shortcut X, and pick up the next color. But there is an easier way. First, define the foreground color just as you’re accustomed to, but then define the background color by holding the Alt/Option key. Instead of changing the foreground color, you’ll redefine the background color with just one click.
https://goo.gl/pwqYM7
Adobe Photoshop is a graphics editing program developed by Adobe Systems. It was created in 1987 by Thomas Knoll as a program called Display to view grayscale images on a monochrome display. His brother John recommended turning it into a full image editing program. The document then provides a 6 step tutorial for turning a photograph into a cartoon style picture using layers and filters in Photoshop.
The document provides an overview of the Photoshop workspace and basic tools. It describes the five main components of the Photoshop workspace: the Application Bar, Tools Panel, Options Bar, Document Window, and Panel Dock. It also summarizes key tools like the Type Tool for adding text, the drawing tools for creating shapes and paths, and the various painting tools for editing images. Finally, it outlines the concept of layers, how to view and manipulate layers in the Layers Panel, and how layers allow for building up an image through overlapping elements.
The document provides 10 steps to create a light effect in Photoshop using layer styles, filters, and brushes. It instructs the user to add gradient and pattern overlays on the background layer, create an elliptical shape and apply Gaussian blur, add sparks using brushes inside a "Light Effects" folder blended with Color Dodge, add outer glow to sparks and clouds using the Render filter to a "Smoke" layer blended with Color Dodge, add text with layer style effects, and place a logo with additional effects. The conclusion states that with knowledge of layer styles and brushes, Photoshop users can create amazing effects limited only by their imagination.
The document provides instructions for creating a zoom blur effect in Photoshop. It involves selecting an area with the elliptical marquee tool, feathering the selection, inverting the selection, and applying a radial blur filter to create the zoom blur effect. Adjusting the feather amount and blur amount can change the effect.
Create a multi-color screen print using three paper stencils. Simple way to teach screen printing to Middle or High School students. As presented at Asia Regional Art Educators Workshop, 2015.
Photoshop is unlike other common software interfaces which emulate virtual typewriters or graphing paper. Photoshop creates an artist's virtual studio/darkroom. When you open the program you see a toolbox on the left with tools you will use to manipulate your images, and on the right, a white square which is your "canvas" or work area. The gray area surrounding the canvas is not part of your image, but only defines its edges.
Christine rose nd. tipones [gr. 11 abm, caritas]Virgilio Galemba
This document provides instructions for basic image editing and manipulation in GIMP. It includes steps to:
- Create a new black image canvas and add text
- Apply a Gaussian blur to a text layer
- Add a new color layer and change its blend mode
- Use paths and hue/saturation to change the color of hair in an image
- Open multiple images as layers and add a gradient layer mask to blend them together.
Creating a Timer Bar on PowerPoint to Count Down TimeKarl Kapp
This document provides instructions for creating a timer bar in PowerPoint. It describes how to create two rectangles, one with no fill and one with a gradient fill within the first. It then explains how to add an animation to the gradient rectangle to wipe from left to right over a specified duration. The animation is triggered by clicking a separate shape labeled "Timer" to start the countdown.
The document describes processes for creating various visual effects in Photoshop, including a lightning effect, star field effect, dispersion splatter effect, and banana bonfire effect. For each effect, the document outlines the steps taken such as using filters, layers, blending modes, and tools to manipulate and combine images to achieve the final visual result.
This document provides a quick guide to fundamental Photoshop tools and techniques for modifying images, including opening and resizing images, applying adjustments, working with layers and history, using selection tools, and saving images. Key steps outlined are resizing an image using the Image Size option, applying adjustments from the Adjustments panel, using the Lasso and Quick Mask tools to extract an image subject, and saving images in formats like PNG that maintain transparency.
The document provides a tutorial for blending a photo into a background image using layer masks and the gradient tool in Photoshop. The key steps include: opening the background image and photo layers; adding the photo as a layer and applying a layer mask; using the gradient tool to fade the edges of the photo layer mask from opaque to transparent; and refining the blend using brushes on the layer mask. Layer masks allow precisely blending a photo into a background or manipulating its opacity in selected areas.
The document is a presentation on Photoshop that discusses its meaning, features, system requirements, and various tools. It provides descriptions and examples of how to use many of Photoshop's selection, editing, and manipulation tools, including the marquee, lasso, crop, magic wand, move, healing brush, eraser, blur, slice, history brush, clone stamp, eyedropper, dodge, burn, and sponge tools. Requirements for running Photoshop include at least a 1GB RAM, 1GB hard disk space, and 1024x768 display.
This document provides instructions for 16 exercises to practice basic skills in Photoshop. The exercises involve using selection tools, copying and pasting images, adjusting layers, adding and editing text, and using tools like the paint bucket, clone stamp, and dodge and burn tools to manipulate images. Completing the exercises will help become familiar with Photoshop's basic functions and tools.
The document discusses layer management in Photoshop. It describes the layers pane and how to add, select, arrange, and perform actions on layers. Key points include: the layers pane lets you control how artwork is displayed and edited; you can add new layers to build up an image; layers can be arranged and merged; and common actions like duplicating, rasterizing, and clearing layer styles are described.
This document discusses key concepts in quantitative techniques related to population, sample, sampling, and sample size calculation. It defines population as the total set of measurements of interest, and sample as a subset of the population. Probability and non-probability sampling methods are described. Probability sampling allows results to be generalized to the population, while non-probability sampling does not. Several probability sampling techniques are explained, including simple random sampling, systematic sampling, stratified sampling, cluster sampling, and multi-stage sampling. The document also covers concepts like sampling error, confidence level, statistical power, and formulas for calculating minimum sample sizes. Sample size determination depends on factors like confidence level, power, expected difference, and standard deviation. Formulas presented can be used
This document provides an overview of using Google Hangouts for business purposes. It lists 10 videos that cover topics like the introduction to Hangouts, ways it can increase traffic and conversions, and features like chat, screen sharing, apps, and security controls. It also outlines the process for setting up Hangouts, which involves installing the software, setting up technical aspects, learning effective usage, finding people to interact with, and using related Google apps. Finally, it identifies the key tools needed like Hangouts, a microphone, webcam, internet connection, and a professional manner.
El documento clasifica el software en tres tipos: software de sistema, software de programación y software de aplicación. El software de sistema incluye sistemas operativos y controladores de dispositivos que aíslan al usuario de los detalles del hardware. El software de programación son herramientas como compiladores e IDEs que permiten a los programadores desarrollar software. El software de aplicación permite a los usuarios realizar tareas específicas en diferentes campos como ofimática, negocios, educación y más.
The document summarizes EA-18G Growler sea trials conducted on USS Dwight D. Eisenhower (CVN 69). Over 2,400 test points were conducted over 5 days involving 420 approaches and 63 traps, testing the aircraft in various configurations and conditions. Key results included full certification of the EA-18G for precision approaches and carrier operations. Lessons learned included the need for improved planning and coordination for future developmental tests conducted in an operational carrier environment.
Edgar perez, the speed traders workshop 2012, featured in the new york times ...goldennetworkingcorp
Edgar Perez, author of The Speed Traders and expert on high-frequency trading, was featured in the New York Times arguing for real-time regulation of high-frequency trades, not an outright ban. Perez believes wrongdoing has always existed in markets and regulation needs to keep pace with technology. He concluded that analyzing real-time trade data would allow effective policing for malfeasance while providing confidence for all market participants. Perez is currently presenting workshops on high-frequency trading strategies around the world.
Founder and cultural entrepreneur Kitchell Samuel came up with the idea to set up an inspiring artists platform dedicated to multidisciplinary storytellers such as himself with a clear vision
Este documento presenta información sobre Google Drive, navegadores web como Internet Explorer, Firefox, Safari y Chrome, y técnicas para realizar búsquedas de información en la web de manera efectiva, incluyendo el uso de operadores booleanos. Explica cómo crear y compartir documentos en Google Drive y los roles de propietario, colaborador y lector. Además, describe diferentes tipos de motores de búsqueda como FTP, directorios indexados, metabuscadores y buscadores temáticos.
The document is a series of photos credited to Robert S. Donovan. There are no captions or accompanying text to provide context for the photos. The only information given is the repeated credit line "Photo by Robert S. Donovan" under each image.
Перспективи впровадження Універсального дизайну в УкраїніVitalii Pcholkin
У презентації проводиться аналіз ситуації з дотриманням умов Конвенції ООН про права людей з інвалідністю та відповідність житлового фонду України до норм Універсального дизайну. Даються визначення таких понять як Універсальний дизайн, розумне пристосування, адаптація, доступні будинки та споруди, а також приклади відповідності чи не відповідності житлового фонду цим поняттям.
The Great Lakes consist of Lakes Superior, Michigan, Huron, Erie, and Ontario, which are located along the Canada-US border. They are the largest surface freshwater system on Earth and provide water for consumption, transportation, power, recreation and other uses. Lake Superior is the largest and deepest of the lakes, while Lake Erie is the smallest and warms more quickly than the others. The Great Lakes are an important part of the environment and economy of both Canada and the United States.
The document discusses a city council workshop about proposed water and wastewater impact fees. It provides an overview of the impact fee schedule, calculations for determining the maximum allowable fees, benchmark fees from other cities, comments from an advisory committee, and the staff's recommended fees. The staff recommends lower fees than the maximums to avoid hindering development and leave room for future road impact fees, and they believe the impact fees will help fund needed infrastructure improvements and potentially stimulate growth.
This tutorial provides steps to create a 3D Polaroid effect in Photoshop using layer masking and transformations. The steps include selecting a photo with elements extending beyond the frame, setting up layers, adding masks, drawing and transforming a white frame, and precisely masking the photo and adding a shadow to the extending element and frame. Completing the masking and shadowing steps provides realistic 3D perspective to the Polaroid frame effect.
This tutorial provides steps to create a 3D Polaroid effect in Photoshop using layer masking and transformations. The steps include selecting a photo with elements extending beyond the frame, setting up layers, adding masks, drawing and transforming a white frame, and precisely masking the photo and adding a shadow to the extending element and frame. Completing the detailed masking of the photo and frame elements is important to achieve a realistic 3D Polaroid effect.
This document provides instructions for creating a 3D emboss effect in Photoshop. It is a tutorial with 9 steps: 1) Create a new document and shape layer, 2) Skew the shape, 3) Push and scrunch the shape, 4) Emboss the shape layer, 5) Duplicate and move the layer to add depth, 6) Merge duplicate layers, 7) Add a gradient overlay, 8) Add a color overlay, and 9) Add a stroke. Following these steps results in a 3D embossed effect that can be applied to logos or other objects.
In photography, Blur refers to an image (or sections of an image) that are not sharp. This is frequently brought about by camera shake, and it’s a mix-up that you ordinarily need to stay away from.
The document provides step-by-step instructions for creating a customized Coke can design in Photoshop. It describes 28 steps for designing the can shape, adding textures and shadows, modifying the color scheme, and including details like logos and nutrition information. The goal is to create a minimalist design that differs from the original Coke can appearance through changes to the color palette and font while keeping the basic cylindrical shape. Screenshots accompany each step to demonstrate the design process and results.
1. This tutorial teaches how to create a photo caricature in Adobe Photoshop by exaggerating facial features through transforming, warping, and liquifying layers extracted from a portrait photo.
2. Key steps include isolating facial features like the head, chin, mouth, and nose into individual layers, transforming layers to exaggerate proportions, using the liquify filter to further distort features, and applying artistic effects to make it look like a painted caricature.
3. Techniques like enlarging the head, elongating the chin, expanding the mouth and nose, and warping the eyes and forehead through liquifying are used to comically exaggerate the facial features into a caricatured representation of the
This document provides a 11 step tutorial for creating a canvas eyelet banner in Photoshop. The steps include setting up a new document, placing an image, duplicating layers, adding texture effects to make it look like canvas, adding photo filters, creating shiny beveled eyelets using shapes and layer styles, and cutting holes through the banner layer for the eyelets. Ruler guides are used to evenly space multiple duplicated eyelet layers across the top of the banner.
This document provides instructions for a lesson in Adobe Photoshop on manipulating layers and shapes. It teaches how to create and work with layers, including making new layers, duplicating layers, merging layers, and deleting layers. It also teaches how to use shape tools like rectangles, change color of shapes, rasterize shape layers, hide layers, and adjust layer opacity. The goal is to help the reader work more efficiently in Photoshop using layers and shapes.
Learn how to create Sticky Note effect using photoshop. Please visit our website to learn more in tips our blog, and also to find cheap photography supplies.
This tutorial provides instructions for using Photoshop to make objects appear to pop out of images in 3 steps:
1. Cut the selected object from the background layer and place it on its own layer.
2. Apply layer styles like strokes and drop shadows to the object layer to make it stand out.
3. Edit the drop shadow layer separately to ensure shadows only appear outside the image area.
This tutorial teaches how to remove image backgrounds in GIMP. It takes the reader through 5 steps: 1) Select the background using the Fuzzy Select Tool, 2) Add an alpha channel for transparency, 3) Delete the selected background, 4) Fix any jagged edges, and 5) Save the image, choosing "Export" if saving as a JPG. Additional tips are provided for making accurate background selections. A second document demonstrates how to blend two images by opening them as layers, resizing the canvas, arranging the images, adding a layer mask to the top image, and using the Blend Tool to blend the overlap area.
The document provides tips and tricks for using digital cameras and Photoshop. It discusses how to capture action shots with a digital camera by adjusting shutter speed, turning off the flash, and using zoom. It also covers using Photoshop actions to efficiently edit multiple photos, creating selections and clipping paths, adding shadows, and retouching photos. Layer features like opacity and visibility are explained for compositing elements.
How To Make A Lineart And Color It In PhotoshopSonia Campos
This document provides instructions for creating a lineart and coloring it in Photoshop. It outlines the main steps as making the lineart, coloring the lineart, and adding a background. For making the lineart, it describes selecting the lines, inverting the selection, and filling layers with black and white. For coloring, it explains creating clipping mask layers for different colors like skin, hair, and eyes and using tools like the smudge and dodge tools to blend colors. Finally, it notes that a background color can be filled or a gradient used.
This Photoshop tutorial teaches intermediate composition techniques including color balancing, hue/saturation, and blending modes. Over the course of 11 steps, the tutorial guides the user in combining various stock images to create a Halloween-themed composite scene. Key steps include adding images like a witch, pumpkins, and clouds; adjusting colors of elements using tools like hue/saturation and color balance; and refining the composition by erasing certain image areas and overlapping elements. The final result is intended to enhance the user's skills in professional image composition and combining multiple assets into a cohesive design.
The document provides a tutorial on using the GIMP software to edit and manipulate images. It outlines several steps to take a plain text layer and transform it into an image with added colors, textures and effects. These steps include blurring the image, adding new layers, using plugins to add colors and textures, adjusting levels to sharpen edges, creating a duplicate layer for a drop shadow, and more. The overall tutorial guides the reader through a full process of designing an image starting from simple text.
The document provides a tutorial on using the G'MIC water color filter to create watercolor effects in both G'MIC and GIMP. It explains how the G'MIC filter works by creating cyan, magenta, and yellow channels and mixing them. It then provides step-by-step instructions for recreating a similar effect in GIMP, including reducing detail, enhancing edges, moving to CMY color space, creating color layers, adding line art, and painting with watercolor brushes. The tutorial is intended to help new users learn how to produce results with the G'MIC filter and create watercolor styles in GIMP.
The document provides instructions for creating a composite image using paths, layer masks, and blend modes in Photoshop. The 11 step process involves: 1) selecting a high resolution photo, 2) using the pen tool to create a path around the photo, 3) refining the edge selection, 4) creating a layer mask filled with black, 5) adding a gradient overlay to create a fading backlight effect, 6) blending additional images using blend modes and opacity adjustments, and 7) fine tuning the blend using curves adjustments.
This is a step-by-step guide to producing a magazine cover with a variety of effects designed to give students an overview of filters and blending options. All the assets are included and there is also a link to the completed .psd file. Please also see my Simple Magazine Cover Photoshop tutorial. Adapted from a tutorial I found online.
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
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Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
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2. How this tutorial series hangs together
This booklet is very easy to navigate and work through. The contents page lists all there is in it and it’s
clickable. There are two ways you can work through the content. Simply recreate the steps. This is for
advanced pxl_shfters who want to get to mains without starters. For the rest of us there’s a description of
each step with pretty screengrabs to boot.
There are many ways to acheive the results you want in Ps. Try these and be sure to experiment. I do make
the assumption that you know how to work Photoshop though and if you’re very new to the software, I’d
recommend starting with more basic exercises to hone your skills.
Save trees. Don’t print this if you don’t have to. I am working on a video tutorial series which will be on
sale soon. Ping me if you’d like a DVD.
Enjoy!
Mohammed Jogie
Founder
Creative Week:: Pxl_shft
mo@creativeweek.pro
May 2010
Contents
3. Step 7 – Create a snapshot
When your happy with your smudging, create a snapshot from the history
panel. It’s a safety net because the next step is destructive.
Step 8 – Go greyscale
Choose Image > Mode > Greyscale
Step 9 – Go Index Colour
Choose Image > Mode > Index Colour
Step 10 – Change your colour table
Choose Image> Mode > Colour Table > Black Body.
Step 11 – Congrats! You’re Done.
Optional Steps
If you find that you need to bring in more flame into the text body, do the
following.
Step 12 – Choose your channel
Convert to RGB. Choose the channel with the most contrast (blue) and make a
selection of it. Apple/Control Click it.
Step 13 – Create a new layer
Click on the new layer icon
Step 14 – Soften the edges
Choose feather and smooth from Refine Edge
Starting a Photoshop Fire.
They say we’re hairless because of our mastery of fire!
Well, what are you waiting for? Strike a match!
Step 1 – New Doc
Create a new document. Choose File > New. Fill with black. Fire works best on
dark backgrounds.
Step 2 – Place your copy
Type your copy with the type tool. Pretty obvious right? Fill with white.
Rename the layer“Textotius”.
Step 3 – Glow
Apply an outer glow. Make the outer glow white from the sickly default yellow
in the dialogue.
Step 4 – Duplicate that layer
Duplicate the layer and delete the out glow on the duplicate layer. Rename the
layer“le blur de gaussian”. Grow a tiny French moustache.
Step 5 – Gaussian blur the duplicate
Use Gaussian Blur to feather the“le blur de gaussian”layer. Photoshop will
warn you about it rasterising the layer. Apply the three–second rule, click ok.
Step 6 – Smudge
Select the Smudge Tool (pointy finger) off the toolbox and smudge upwards in
circular strokes. Be sure to toggle between black and white so you have good
inflections of tone in your smudging endeavour.
Step 3 - Outer Glow
Step 6 - Smudge
Step 5 - Gaussian Blur
Step 10 - Black body colour
table
Step 7 - Create a snapshot
4. Step 15 – Render Clouds
Choose your flame colours and choose Filter > Render > Clouds
Step 16 – Gaussian Blur
Gaussian blur till you feel a happy thud in your ribcage.
Step 17 – Create a reflection if you wish
Choose the content on the Background Layer by holding Apple/Control on
your keyboard
Step 18 – Flip it!
Choose Edit > Transform > Flip Vertical. Then move it into position.
Step 19 - Transform it
Hold down Apple/Control + Alt + Shift And pick up a corner to create a
perspective distort. Pick up the midpoint with no keys selected and make it
way shorter
Step 19 – Fade it.
Choose black as your foregorund colour, choose the gradient tool, choose
foreground to transparent as the gradient option. Create a layer mask on
flipper. Click and drag upward with the gradient tool.
Step 20 – Take the rest of the day off and watch some sport.
Step 15 - Render some clouds
Step 19 - Use layer masks for
fading the reflection
Step 16 - Increase contrast
5. Step 8 - Slap yourself on the back
We’re done, now for some lighting (optional)
Step 9 - Let there be light
Create a new layer and fill it with white
Step 10 - Apply some light
Choose Filter > Render > Lighting. NB: Not available in CS5 64-bit. You have to
run PS in 32-bit mode to get access to this filter.
Step 11 - Change the layer blend options
Don’t confuse this with the layer blending mode found at the top of the layers
panel. Cruise down to the bottom of the layers panel instead. Choose the fx
icon off the bottom > Blending options.
Step 12 - Blend‘em layers agin
Back to the layers panel and swing it to Multiply. Then adjust the opacity till you
feel a happy blanket embrace you. Done.
Environmentally friendly wood-making
The trick to woodmaking in Photoshop is creating the
grain and knots. You get this right, you got wood!
Step1 – New doc with black
Create new document and fill it with black
Step 2 – Gradient tool and radial gradients
Choose the Gradient tool. Choose foreground to Transparent from the
Gradient Selector and place a few random gradients on the canvas. Your FG
should be white
Step 3 – Apply the Fibers (sic, American spelling y’all) Filter
Choose Filter > Render > Fibres. Hit Randomise till you get one that you dig.
Step 4 – Fade back the Fibres filter
Choose Edit > Fade and pull back the Fibres filter you applied quite drastically.
Between 5 and 10%. Blending should be normal.
Step 5 – Run a High Pass Filter
Choose Filter > Other > High Pass. Default settings does it nicely.
Step 6 – Transform big time
Transform the wood layer on the vertical axis only. Around 300-400%.
Step 7 - Lay down a colour adjustment layer
Place a brownish colour solid colour layer on top of your wood grain to colour
it. Change the layer blend mode. Overlay, darken, soft light are good options.
Step 2 - Gradient universe Step 5 - High Pass
Step 4 - Fade Step 10 - Render some lightingStep 11 - Adjust layer blending
Step 3 - Fibres Step 6 - Solid Colour Layer
6. aich-too-oh
Water is all about layer effects.
Step1 – Place your text
Use the Horizontal Type Mask Tool.
Step 2 - Round out your type
Click ok and run a smooth to round out your type corners. Choose Select
> Modify > Smooth. I find the Refine Edge option applies an undesirable
softening as well, so I prefer the blind Smooth option.
Step 3 - Apply Torn Edges and Stamp filters
Roughen out the edges by applying Torn Edges followed by Stamp. Choose
Filter > Filter Gallery > Sketch.
Step 4 - Fill selection with colour
Fill your selection with colour. Then choose Blending Options from the Layers
Panel. Take the Fill Opacity slider to 0% under Advanced Blending.
Step 5 - Go bos with effects
Apply inner shadow, inner glow, drop shadow and bevel and emboss.
Remember to disable the“Use Global Light”option when adjustng the
individual effects. Be sure to move your lights to around 90⁰. It’s 85⁰ in my case.
Step 6 - Create water droplets [ Optional]
Create a new layer, fill with white, then add noise. Set your options at full value
(400), Gaussian and Monochromatic.
Step 7 - Make it blurry
Choose Filter > Blur > Gaussian Blur. Blur till you can make out clumps of darker
areas.
Step 8 - Run Threshold
Choose Image > Adjustments > Threshold. Move the slider till you get the
droplet pattern you like.
Step 9 - Remove the highlights then make da pixel bigger
Choose Select > Colour Range > Highlights. Delete these. Then Scale up to
around 300%. Be sure to deselect. It will look hectically pixelated.
Step 10 - Smooth your selection
Hold down Apple / Ctrl and click on the droplets layer, choose Select > Modify
> Smooth. I used a setting of 5 in the example.
Step 11 - Delete your droplets layer
Seems ridiculous but it’s safe to do so. You can hid it from view if you’re nervous.
Step 12 - Fill with colour on Type layer
Fill the droplets with colour on the type layer. It will pick up the type style and
have all of the layer properties.
Step 13 - Refine your result
Clean up your artwork by alternately painting and erasing as you deem
appropriate. Awesumness!
Step 14 - Duplicate
Duplicate the layer if you want a stronger result. Be sure to pull back the
transparency slider. I brought it down to 17% in our example.
Step 1 - Type select tool Step 6 - Make noise
Step 5 - Going effects mad Step 14 - Duplicate if needed
Step 3 - Torn Edges & Stamp Step 8 - Crossing the theshold
7. Step 12 - Blend‘em layers agin
Back to the layers panel and swing it to Multiply. Then adjust the opacity till you
feel a happy blanket embrace you. The metal’s now done.
Step 7 - Place your type
Use the Type Mask tool and lay down something intelligible. Reason being we
want to round off the edges per our previous example.
Step 8 - Be smooth
Choose Select > Modify > Smooth. I used around 3 pixels in the example.
Step 9 - Fill your text
Create a new layer and fill your rounded type selection with white.
Step 10 - Choose Glass from the Styles Panel
If you’re using CS5, here’s another disappointment. They killed it in the default
install! Not to worry though. Follow the settings in the screengrab alongside to
get the result we looked at during Pxl_shft or mail me and I’ll send you the PSD.
I’ve included individual screengrabs of my settings over the next page too.
Step 11 - Apply some refraction
Inverse your selection so you have everything but the type selcted. Create a
new layer, choose a soft brush and paint along the edge opposite to the light
direction with a colour sampled from the glass.
Step 12 - Apply Gaussian Blur
With your selection still active, hide the edges. Choose Filter > Blur > Gaussian
Blur and soften your strokes till you feel happiness. Done. Coffee break.
Brushed metal and glass type
Like our previous example, we’re going to create two
effects simultaneously
Step1 – Making metal
Create a new document. Then choose your Gradient tool.
Step 2 - Apply a copper grad from top to bottom
Choose Copper from the default list of grads and the Linear option.
Step 3 - Make some noise
Apply some noise. A lot less then the last example. Around 10ish
Step 4 - Apply Motion Blur
Run a motion blur. Set the direction to 0. Scale horizontally to remove
repeated pixels on the edges. Hold in Alt to go both ways simultaneously.
Step 5 - Hue/Saturation
Nuff said. Swing the hue slider to a blueisn tinge, yank down the saturation
slider and lighten if necessary
Step 6 - Lighting [Optional but advised]
Choose Filter > Render > Lighting. NB: Not available in CS5 64-bit. You have to
run PS in 32-bit mode to get access to this filter.
Step 11 - Change the layer blend options
Don’t confuse this with the layer blending mode found at the top of the layers
panel. Cruise down to the bottom of the layers panel instead. Choose the fx
icon off the bottom > Blending options.
Step 2 - Grad from the top Step 8 - Smooth around 3 pxls
Step 5 - Hue/Saturation Step 12 - Gaussian blur
Step 4 - Noise and motion blur Step 9 - Choose the glass style
8. How to make your glass style from scratch
Here are the screengrabs as promised for your glass style if you are on CS5.
Finally,chooseabrightturquoiseycolour
foryourcolouroverlay
ChooseRingforyourSatinContour
ChooseGaussianfromContour
PayattentiontoSizeandSfoten
ChooseCoveDeepforyourOuterGlow
ApplylotsofchoketoyourInnerShadow
Changedropshadowcolourtodarkbluey
Dropfillopacitytoaround10%
9. Step 7 - Smudge your strokes
Choose your Smudge tool (pointy finger), enable finger painting on your
control palette and soften out your smoke tendrils.
Step 8 - Toggle between Liquify and smudging
You’ll have to do this a couple of times, so be patient. It’s actually loads of fun.
Not so much when you have the client breathing down your neck.
Step 9 - Lock and Load
Load your saved selection from the Channels panel, create a new layer and fill
it with white. Then choose Layer blending options off the bottom of the Layers
panel. Take your Fill opacity to 0%. This will eliminate your fill colour.
Step 10 - Now Glow
Then choose Inner glow. Change the colouring to white and up the softening
by changing the Size slider. I used 5 in the case of our example.
Step 10 - Smudge some more
Gently smudge back the lines so they soften and fall back a little.
Step 11 - Mask it
Apply a layer mask. Delicately paint in areas around the top of the type so they
appear softer.
Step 12 - Hue/Saturation Adjustment Layer
Place a Hue/Sat adjustment layer and choose Colorize. Then move the slider to
a bluish tint. Pull back the Saturation and Lightness. Voila! Ve are how du yoo
say in eeengleesh, dun.
Nicotine-free smoke
There are many crappy smoke tutorials out in the ether.
This one requires a bit of PT, but it’s worth the OT.
Step1 – Create a new doc
Dark backgrounds work best for this stuff
Step 2 - Place your type
I’ve used the Type Mask Tool so that we can warp it without worrying about
fills at this point.
Step 3 - Warp it!
Choose Edit > Transform > Warp. Distort your type using the handles and
points so that it appears to drift.
Step 4 - Save your selection as a channel
Go to your Channels Panel and choose the Save Selection as Channel icon.
You’ll need it for later.
Step 5 - Paint some strokes
Paint some random strokes from the top to bottom of your text. Set your
opacity low so that the strokes are able to build on top of one another.
Step 6 - Liquify
Deselect, and choose Filter Liquify. Pull your strokes in an upward direction so
you get wisps coming off your strokes.
Step 3 - Warping in action Step 8 - Pro toggling
Step 7 - The Liquify Dialog Step 12 - Hue/Sat completed
Step 5 - Stroke painting Step 9 - Selection with white
10. Step 7 - Excentuate the metal with airbrush
We will get the metal to take on a more realistic feel by paint selectively on the
selfsame layer with black. A fat, soft brush is recommended. I applied a 3 pixel
outer glow to give it extra oomph.
Step 8 - The reflection [Optional]
Create a new layer that is a copy of the two type layers. Do this by selecting
both layers, the holding down Alt and choosing Merge Layers from the Layers
panel pop-up menu.
Step 9 - Just flip it
Give it a vertical flip from the Edit Menu. Because the Type is slanted , we’ll have
to transform it so that it looks correct visually.
Step 10 - Mask it to hide it
Add a Layer mask. Then choose a linear gradient, make sure Black is the
Foreground colour, then choose foreground to transparent from the Gradient
Selector. This done, Apply your gradient on the Layer mask as many times as
you need to. Cut opacity and you good to go.
In conclusion
I hope you enjoy this tutorial set as much as I’ve enjoyed putting it together. I
am working on books and a video series which will be available in the coming
months. Be sure to look out for those.
Happy pixel shifting.
Mohammed Jogie
Founder, Creative Week
mo@creativeweek.pro
Making mad metal type
“But MJ, I love you, I don’t love you, I love you, I uh,
who are you again? You guessed it, some Spiderman
type is in the offing.
Step1 – A new doc, Doc
Dark backgrounds work best for this stuff too. We’ll create a gradient for this
one as we’re going to create a highly glossy Apple-style reflection.
Step 2 - Throw down some type
Using the Type tool for this artwork. Fill with white.
Step 3 - Apply a gradient overlay
Remember to kern. Then Choose the FX icon off the bottom of the Layers
panel. Apply a Gradient overlay. Dark grey at the top and a lighter grey
towards the bottom. Sort of imitating the background but lighter.
Step 4 - Glow inwardly
Apply an Inner glow, make sure you go to white from the sickly yellow default
and tighten up the Choke and Spread. I used 9 and 8 respectively.
Step 5 - Select and expand your type
Select your type on the type layer (Apple/Ctrl + Click) then choose Select >
Modify > Expand. I chose 5 pixels in our example.
Step 6 - Fill and emboss
Create a new layer, move it below your text layer and fill the expanded type
selection with white, then apply an Emboss. Choose Ring from the Gloss
Contour option to get your emboss to pop.