Progress report
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The document discusses plans for a new magazine aimed at an underground music audience. Initially, the target income bracket was C1-D, but it was expanded to B-E to broaden content options and allow a simpler, more sophisticated design. The front cover will keep writing to a minimum and feature a close-up photo. Sample magazine covers demonstrating simple, sleek styles that portray sophistication are provided for inspiration. The chosen font will be sans serif, bold, and condensed to make long titles impactful while taking up little space.
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Progress report
The document discusses plans for a new magazine aimed at audiences in income brackets B-E who appreciate underground and niche music. The creator wants a simple, sophisticated layout and minimal text on the cover. Inspiration is taken from other magazines' covers that are clean and striking without being messy. The chosen font style will be a bold, condensed sans-serif to reflect confidence while keeping the long title impactful yet not taking up much space. Bauer Media Group is selected as the publisher to assist with initial production and problems due to their experience with other indie magazines.
Flat plan
This document provides flat plan designs for the front cover, contents page, and double page spread for a magazine on Neo Soul music. The front cover design takes inspiration from an Iggy Azalea magazine cover with a vertical masthead. The contents page design combines layouts from other magazines that have clear, uncluttered text spaced out with minimal color. The double page spread design improves on plain conventional designs by adding more color and positioning the title horizontally to align with text. Test photos will be taken and integrated to demonstrate the tone of article text. Feedback from a tutor suggested testing different masthead positions, and designs will continue to be refined.
Looking into layouts for my guide
The document discusses different layout options for the pages of a guide being created. It examines 4 sample layouts, noting pros and cons of each. Key points made include:
Layout 1 allows for a lot of information but may have too much writing.
Layout 2 has many images but little text, so may not provide enough information.
Layout 3 has a good balance of images and text, but the dark colors could be improved.
Layout 4 also balances images and text, but could use more color and organization of images.
The author concludes they will take elements from each layout discussed and modify colors to create engaging layouts suitable for their teenage audience.
Looking into layouts for my guide
The document discusses different layout options for the pages of a guide being created. It examines 4 sample layouts, noting pros and cons of each. Key points made include:
Layout 1 allows for a lot of information but may have too much writing.
Layout 2 has many images but little text, so may not provide enough information.
Layout 3 has a good balance of images and text, but the dark colors could be improved.
Layout 4 also balances images and text, but could use more color and organization of images.
The author concludes they will take elements from each layout discussed to create varied, colorful layouts for each page of their guide.
Looking into layouts for my guide
The document discusses different layout options for the pages of a guide being created for teenagers. It analyzes the pros and cons of 4 different layout examples found online. For each layout, it considers how well the layout balances images and text, uses color, and would appeal to teenage readers. The document concludes that elements from all the layouts could be combined to create ideal layouts for the guide that incorporate both information and visual appeal for its target audience.
Looking into layouts for my guide
The document discusses different layout options for the pages of a guide being created for teenagers. It analyzes the pros and cons of 4 different layout examples found online, focusing on the balance of images, text, colors and readability for the target audience. The creator plans to combine elements from all the layouts, and vary the layouts across pages, to make the guide visually interesting while remaining informative for teenagers.
Looking into layouts for my guide
The document discusses different layout options for the pages of a guide being created for teenagers. It analyzes the pros and cons of 4 different layout examples found online. For each layout, it considers how well it balances images and text, uses color, and would appeal to teenagers. The document concludes that elements from all the layouts could be combined to create ideal layouts for the guide that vary across pages.
Creative Critical Reflection
Michael Savoca created a magazine called "SuperCharged" about sports cars and higher-end vehicles. He developed his production skills in Photoshop and InDesign while designing the cover, table of contents, and double page spread for the magazine. The cover features a Ferrari with coverlines in different fonts and colors to attract readers. The table of contents is on page 5 and lists the magazine's articles. The double page spread compares two cars with a large headline, pull quote, and photo to engage audiences.
Recommended
Progress report
The document discusses plans for a new magazine aimed at audiences in income brackets B-E who appreciate underground and niche music. The creator wants a simple, sophisticated layout and minimal text on the cover. Inspiration is taken from other magazines' covers that are clean and striking without being messy. The chosen font style will be a bold, condensed sans-serif to reflect confidence while keeping the long title impactful yet not taking up much space. Bauer Media Group is selected as the publisher to assist with initial production and problems due to their experience with other indie magazines.
Flat plan
This document provides flat plan designs for the front cover, contents page, and double page spread for a magazine on Neo Soul music. The front cover design takes inspiration from an Iggy Azalea magazine cover with a vertical masthead. The contents page design combines layouts from other magazines that have clear, uncluttered text spaced out with minimal color. The double page spread design improves on plain conventional designs by adding more color and positioning the title horizontally to align with text. Test photos will be taken and integrated to demonstrate the tone of article text. Feedback from a tutor suggested testing different masthead positions, and designs will continue to be refined.
Looking into layouts for my guide
The document discusses different layout options for the pages of a guide being created. It examines 4 sample layouts, noting pros and cons of each. Key points made include:
Layout 1 allows for a lot of information but may have too much writing.
Layout 2 has many images but little text, so may not provide enough information.
Layout 3 has a good balance of images and text, but the dark colors could be improved.
Layout 4 also balances images and text, but could use more color and organization of images.
The author concludes they will take elements from each layout discussed and modify colors to create engaging layouts suitable for their teenage audience.
Looking into layouts for my guide
The document discusses different layout options for the pages of a guide being created. It examines 4 sample layouts, noting pros and cons of each. Key points made include:
Layout 1 allows for a lot of information but may have too much writing.
Layout 2 has many images but little text, so may not provide enough information.
Layout 3 has a good balance of images and text, but the dark colors could be improved.
Layout 4 also balances images and text, but could use more color and organization of images.
The author concludes they will take elements from each layout discussed to create varied, colorful layouts for each page of their guide.
Looking into layouts for my guide
The document discusses different layout options for the pages of a guide being created for teenagers. It analyzes the pros and cons of 4 different layout examples found online. For each layout, it considers how well the layout balances images and text, uses color, and would appeal to teenage readers. The document concludes that elements from all the layouts could be combined to create ideal layouts for the guide that incorporate both information and visual appeal for its target audience.
Looking into layouts for my guide
The document discusses different layout options for the pages of a guide being created for teenagers. It analyzes the pros and cons of 4 different layout examples found online, focusing on the balance of images, text, colors and readability for the target audience. The creator plans to combine elements from all the layouts, and vary the layouts across pages, to make the guide visually interesting while remaining informative for teenagers.
Looking into layouts for my guide
The document discusses different layout options for the pages of a guide being created for teenagers. It analyzes the pros and cons of 4 different layout examples found online. For each layout, it considers how well it balances images and text, uses color, and would appeal to teenagers. The document concludes that elements from all the layouts could be combined to create ideal layouts for the guide that vary across pages.
Creative Critical Reflection
Michael Savoca created a magazine called "SuperCharged" about sports cars and higher-end vehicles. He developed his production skills in Photoshop and InDesign while designing the cover, table of contents, and double page spread for the magazine. The cover features a Ferrari with coverlines in different fonts and colors to attract readers. The table of contents is on page 5 and lists the magazine's articles. The double page spread compares two cars with a large headline, pull quote, and photo to engage audiences.
Form research
The document provides guidance on formatting magazine columns and layout. It recommends using different column widths and numbers of columns for different stories to avoid rigidity and encourage creativity. While columns can provide order, the document advises mixing up the formatting to make the magazine more visually interesting and engaging for readers. It also emphasizes treating each story as a separate unit and focusing on readability.
Creative Critical Reflection
Michael Savoca created a magazine called "SuperCharged" about sports cars and higher-end vehicles for his AICE Media Studies coursework. He developed his production skills in Photoshop and InDesign throughout the project. The final drafts of his magazine cover, table of contents, and double page spread effectively engaged audiences through attractive photography, colors, and layout while representing the car enthusiast social group. The magazine would be distributed monthly by the publishing company Time Inc. and found in high-end automotive dealerships to attract potential new buyers.
Double page spread: Working Progress
Here is my double page spread of my music magazines and what I have done step by step I have MWSnapped the images.
MOJO DPS
The document summarizes the design elements of a magazine double page spread. It describes the use of a drop cap to indicate the beginning of an article, a large black and white photo of an indie artist to illustrate the article, and main text in sans serif columns to segment and ease reading. It also mentions a pull quote in red to entice readers to the article, a red, white, and black color scheme for cohesion across pages, and bottom left page numbers and the magazine name for navigation and branding.
Magazine Inspiration
The document discusses various sources of inspiration for magazine design elements, including:
- Using the vertical title layout of "Dazed & Confused" magazine.
- Mimicking the font width and border style of "Loud and Quiet" for a professional look.
- Choosing a square format similar to "Juxtapoz" for better cover photo presentation.
- Drawing inspiration from "i-D" magazine's pattern of covering one eye of models.
- Creating mock contents pages inspired by the styles of "DIY," "Under the Radar," and "Loud and Quiet."
- Incorporating the use of color rays over photos, seen in "DIY," for double
Q1
The magazine cover challenges conventions by not having the model directly address the viewer and look down instead to attract attention for being diverse. It also leaves a sense of mystery with the title "NO FACE NO CASE" which references grime music. However, an faint image of the model was added for communication.
The contents page is more conventional by anchoring page numbers and using multiple images and line of sight, but it only announces 3 of many storylines to look modern.
The double page spread construction is the most pleasing page with consistent color, effective columns, and an in-depth Q&A interview suited for the target audience and genre. Transparency is used with layered leg images and faces blended into the background
Draft double page spread process
The document summarizes the creative process and decisions made in developing a double page magazine spread. Key points include: setting up the double page spread dimensions to fit into the spine; using white background and consistent margins; cropping and editing images slightly to make them stand out; choosing a bold font for the title; laying out the article in three columns with spacing between; including an image in the article to break up text; adding a pull quote to intrigue readers; using lines to separate elements cleanly; and being happy that the final spread looks appealing and engaging for the target audience.
Page layout
This document discusses various magazine and newspaper page layout designs. It provides examples and evaluations of designs for a tabloid newspaper with a three column layout, a magazine spread set to a 5x5 grid, and a less traditional magazine page from Men's Health with image annotations. The document examines design elements like columns, pull quotes, white space, symmetry, and reverse printing. It provides feedback on the designs and ways they could be improved, such as using less negative space or making supplemental design elements more interesting.
Magazine Inspiration
The document discusses magazine design inspiration that the author found from existing magazines. It describes specific elements that were mimicked from magazines like "Dazed & Confused", "Loud and Quiet", "Juxtapoz", and "i-D". This includes the title layout, borders, dimensions, cover stars with one eye closed, contents pages, and double page spreads. Mock-ups were created applying these inspirations. The author realized the "Juxtapoz" dimensions and a square format worked best, and they aim to incorporate consistent colors and visual elements throughout the magazine.
Magazine Inspiration
The document discusses magazine design inspiration that the author found from existing magazines. It describes specific elements that were mimicked from magazines like "Dazed & Confused", "Loud and Quiet", "Juxtapoz", and "i-D". This includes the title layout, borders, dimensions, cover stars with one eye closed, contents pages, and double page spreads. Mock-ups were created applying these inspirations. The author realized the "Juxtapoz" dimensions and a square format worked best, and they aim to incorporate consistent colors and visual elements throughout the magazine.
Magazine Inspiration
The document discusses various inspirations the author found from existing magazines for designing their own music magazine. They were inspired by:
- The vertical title layout of "Dazed & Confused" magazine.
- The font size and style of "Loud and Quiet" magazine.
- The use of borders in "Loud and Quiet" magazine to minimize the intensity of cover photos.
- The square dimensions of "Juxtapoz" magazine rather than a rectangular shape.
- The pattern of covering one eye of models in "i-D" magazine covers.
- Visual elements and styles of contents pages from various music magazines.
- The use of color rays
Magazine Inspiration
The document discusses various sources of inspiration for magazine design elements, including:
- The title style of "Dazed & Confused" magazine, which uses vertically arranged fonts.
- The font size and border used in "Loud and Quiet" magazine, which makes the cover look professional while de-emphasizing the cover photo.
- The square dimensions of "Juxtapoz" magazine, which better suit the design than rectangular magazines.
- The partial cover star portraits in i-D magazine, which could create a recognizable pattern across issues.
- Contents page styles and color schemes from different music magazines that influence the design mockups.
- The use of color rays in a DI
Magazine Inspiration
The document discusses various inspirations the author found from existing magazines for designing their own music magazine. They were inspired by:
1) The vertical title layout of "Dazed & Confused" magazine.
2) The border used in "Loud and Quiet" magazine that makes the cover look professional while minimizing the intensity of the cover photo.
3) The square dimensions of "Juxtapoz" magazine, choosing those over the rectangular size of "Dazed & Confused".
4) The pattern in i-D magazine of cover stars having one eye closed or hidden.
5) The visual style and pleasant reading experience of DIY music magazine for the contents page.
Style sheets (1)
The document discusses font and color scheme options for a magazine. For fonts, the author considered "Depressionist 3 Revisited", "Underworld", "Channel Tuning", and "Shank Font" but ultimately selected "By The Way" for the masthead and cover lines and "Primer Print" for headlines and subheadings as they have an aged, distressed look that fits the alternative theme. For the color scheme, the author chose a mainly monochrome scheme with red accents as it looks professional, makes the red stand out, and is a popular style for similar magazines. Other considered schemes, an analogous blue scheme and a monochrome black and white scheme, were rejected for not fitting the target audience or
Evaluation question 1
The document summarizes how the student's media product uses and is influenced by conventions from Kerrang magazine. The student refers to elements of Kerrang's layout, design choices and content organization when creating their magazine cover, masthead, sell lines, skyline, contents page and double page spread. The student aims to make their magazine look professional by replicating techniques from Kerrang, but also makes some original design decisions. Overall, the student feels their magazine resembles a real publication but could be improved with some additional images and design elements.
Contents
The document provides an analysis of the contents page of a magazine called Vibe. It discusses various design elements of the contents page including the use of color, images of celebrities, layout of text, and stylistic elements like the masthead. Overall, the reviewer provides both positive and negative feedback on how effectively the design draws attention, engages readers, and ties the contents page to the magazine's overall brand and themes. Room for improvement is noted regarding font choices and consistency in style between pages.
Magazine Inspiration
The document discusses various sources of inspiration for designing a music magazine. It describes taking inspiration from the titles and layouts of magazines like "Dazed and Confused" and "Loud and Quiet." Specific elements that were inspired include the use of borders, dimensions that are closer to square than rectangle, and cover styles that feature one eye closed. Contents pages and double page spreads from magazines like DIY and Under the Radar were also analyzed for visual elements and organization. The document considers different design options and chooses aspects that will work best for the intended magazine.
Print screens
The document discusses the design process for a magazine contents page. Key design elements included flipping an image inward to face the page, adding a header with a circle saying "world exclusive" and information banner, choosing black text for readability, resizing an image to be more prominent, and structuring page numbers and the magazine name at the bottom as is standard for magazines.
Focus Group - Mock Ups
The document summarizes feedback from a focus group on magazine mock-ups. For the first mock-up, the focus group liked the fonts and central model with clean space. For the second mock-up, they thought the side title was interesting but may not grab attention, and liked the bold fonts but wanted a more interesting color. For the third mock-up, they preferred seeing the full model and thought the vertical "The" fitting with "Rise" was eye-catching, but didn't like the bottom writing. Most preferred the name "The Rise" and layout with the masthead fitting at the top. Therefore, the final magazine cover will be called "The Rise" with a mid-shot model and
My Music Magazine - Plan
I had to get a front cover, contents page and a double page spread and pick out the conventions I intend to use in my magazine. Write why I liked it and that I would include it in my magazine.
Evaluation q1 a2
- The document discusses the author's process in developing the conventions for their magazine constructions, including a masthead featuring the magazine name "Haway" which references their North East hometown, as well as including issue numbers, barcodes, prices and other small conventions on the front cover.
- For the contents page, the author included a masthead, issue month, consistent color scheme, page numbers, and a variety of images to represent the broad magazine genre while modernizing traditional fonts.
- Research into regional and national magazines uncovered that regionals use a more traditional style than glossy nationals and focus content specifically on their region rather than broader national topics.
Final ideas
The document summarizes the key elements the author plans to include in their magazine project. For the front cover, they will have the model looking at the camera and include the model's name as the main sell line. The contents page will include an editor's letter, categories to easily find articles, and images to make it visually appealing. The double page spread will feature an interview with an artist, with a large image on one side and pull quote headline to draw readers in.
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Form research
The document provides guidance on formatting magazine columns and layout. It recommends using different column widths and numbers of columns for different stories to avoid rigidity and encourage creativity. While columns can provide order, the document advises mixing up the formatting to make the magazine more visually interesting and engaging for readers. It also emphasizes treating each story as a separate unit and focusing on readability.
Creative Critical Reflection
Michael Savoca created a magazine called "SuperCharged" about sports cars and higher-end vehicles for his AICE Media Studies coursework. He developed his production skills in Photoshop and InDesign throughout the project. The final drafts of his magazine cover, table of contents, and double page spread effectively engaged audiences through attractive photography, colors, and layout while representing the car enthusiast social group. The magazine would be distributed monthly by the publishing company Time Inc. and found in high-end automotive dealerships to attract potential new buyers.
Double page spread: Working Progress
Here is my double page spread of my music magazines and what I have done step by step I have MWSnapped the images.
MOJO DPS
The document summarizes the design elements of a magazine double page spread. It describes the use of a drop cap to indicate the beginning of an article, a large black and white photo of an indie artist to illustrate the article, and main text in sans serif columns to segment and ease reading. It also mentions a pull quote in red to entice readers to the article, a red, white, and black color scheme for cohesion across pages, and bottom left page numbers and the magazine name for navigation and branding.
Magazine Inspiration
The document discusses various sources of inspiration for magazine design elements, including:
- Using the vertical title layout of "Dazed & Confused" magazine.
- Mimicking the font width and border style of "Loud and Quiet" for a professional look.
- Choosing a square format similar to "Juxtapoz" for better cover photo presentation.
- Drawing inspiration from "i-D" magazine's pattern of covering one eye of models.
- Creating mock contents pages inspired by the styles of "DIY," "Under the Radar," and "Loud and Quiet."
- Incorporating the use of color rays over photos, seen in "DIY," for double
Q1
The magazine cover challenges conventions by not having the model directly address the viewer and look down instead to attract attention for being diverse. It also leaves a sense of mystery with the title "NO FACE NO CASE" which references grime music. However, an faint image of the model was added for communication.
The contents page is more conventional by anchoring page numbers and using multiple images and line of sight, but it only announces 3 of many storylines to look modern.
The double page spread construction is the most pleasing page with consistent color, effective columns, and an in-depth Q&A interview suited for the target audience and genre. Transparency is used with layered leg images and faces blended into the background
Draft double page spread process
The document summarizes the creative process and decisions made in developing a double page magazine spread. Key points include: setting up the double page spread dimensions to fit into the spine; using white background and consistent margins; cropping and editing images slightly to make them stand out; choosing a bold font for the title; laying out the article in three columns with spacing between; including an image in the article to break up text; adding a pull quote to intrigue readers; using lines to separate elements cleanly; and being happy that the final spread looks appealing and engaging for the target audience.
Page layout
This document discusses various magazine and newspaper page layout designs. It provides examples and evaluations of designs for a tabloid newspaper with a three column layout, a magazine spread set to a 5x5 grid, and a less traditional magazine page from Men's Health with image annotations. The document examines design elements like columns, pull quotes, white space, symmetry, and reverse printing. It provides feedback on the designs and ways they could be improved, such as using less negative space or making supplemental design elements more interesting.
Magazine Inspiration
The document discusses magazine design inspiration that the author found from existing magazines. It describes specific elements that were mimicked from magazines like "Dazed & Confused", "Loud and Quiet", "Juxtapoz", and "i-D". This includes the title layout, borders, dimensions, cover stars with one eye closed, contents pages, and double page spreads. Mock-ups were created applying these inspirations. The author realized the "Juxtapoz" dimensions and a square format worked best, and they aim to incorporate consistent colors and visual elements throughout the magazine.
Magazine Inspiration
The document discusses magazine design inspiration that the author found from existing magazines. It describes specific elements that were mimicked from magazines like "Dazed & Confused", "Loud and Quiet", "Juxtapoz", and "i-D". This includes the title layout, borders, dimensions, cover stars with one eye closed, contents pages, and double page spreads. Mock-ups were created applying these inspirations. The author realized the "Juxtapoz" dimensions and a square format worked best, and they aim to incorporate consistent colors and visual elements throughout the magazine.
Magazine Inspiration
The document discusses various inspirations the author found from existing magazines for designing their own music magazine. They were inspired by:
- The vertical title layout of "Dazed & Confused" magazine.
- The font size and style of "Loud and Quiet" magazine.
- The use of borders in "Loud and Quiet" magazine to minimize the intensity of cover photos.
- The square dimensions of "Juxtapoz" magazine rather than a rectangular shape.
- The pattern of covering one eye of models in "i-D" magazine covers.
- Visual elements and styles of contents pages from various music magazines.
- The use of color rays
Magazine Inspiration
The document discusses various sources of inspiration for magazine design elements, including:
- The title style of "Dazed & Confused" magazine, which uses vertically arranged fonts.
- The font size and border used in "Loud and Quiet" magazine, which makes the cover look professional while de-emphasizing the cover photo.
- The square dimensions of "Juxtapoz" magazine, which better suit the design than rectangular magazines.
- The partial cover star portraits in i-D magazine, which could create a recognizable pattern across issues.
- Contents page styles and color schemes from different music magazines that influence the design mockups.
- The use of color rays in a DI
Magazine Inspiration
The document discusses various inspirations the author found from existing magazines for designing their own music magazine. They were inspired by:
1) The vertical title layout of "Dazed & Confused" magazine.
2) The border used in "Loud and Quiet" magazine that makes the cover look professional while minimizing the intensity of the cover photo.
3) The square dimensions of "Juxtapoz" magazine, choosing those over the rectangular size of "Dazed & Confused".
4) The pattern in i-D magazine of cover stars having one eye closed or hidden.
5) The visual style and pleasant reading experience of DIY music magazine for the contents page.
Style sheets (1)
The document discusses font and color scheme options for a magazine. For fonts, the author considered "Depressionist 3 Revisited", "Underworld", "Channel Tuning", and "Shank Font" but ultimately selected "By The Way" for the masthead and cover lines and "Primer Print" for headlines and subheadings as they have an aged, distressed look that fits the alternative theme. For the color scheme, the author chose a mainly monochrome scheme with red accents as it looks professional, makes the red stand out, and is a popular style for similar magazines. Other considered schemes, an analogous blue scheme and a monochrome black and white scheme, were rejected for not fitting the target audience or
Evaluation question 1
The document summarizes how the student's media product uses and is influenced by conventions from Kerrang magazine. The student refers to elements of Kerrang's layout, design choices and content organization when creating their magazine cover, masthead, sell lines, skyline, contents page and double page spread. The student aims to make their magazine look professional by replicating techniques from Kerrang, but also makes some original design decisions. Overall, the student feels their magazine resembles a real publication but could be improved with some additional images and design elements.
Contents
The document provides an analysis of the contents page of a magazine called Vibe. It discusses various design elements of the contents page including the use of color, images of celebrities, layout of text, and stylistic elements like the masthead. Overall, the reviewer provides both positive and negative feedback on how effectively the design draws attention, engages readers, and ties the contents page to the magazine's overall brand and themes. Room for improvement is noted regarding font choices and consistency in style between pages.
Magazine Inspiration
The document discusses various sources of inspiration for designing a music magazine. It describes taking inspiration from the titles and layouts of magazines like "Dazed and Confused" and "Loud and Quiet." Specific elements that were inspired include the use of borders, dimensions that are closer to square than rectangle, and cover styles that feature one eye closed. Contents pages and double page spreads from magazines like DIY and Under the Radar were also analyzed for visual elements and organization. The document considers different design options and chooses aspects that will work best for the intended magazine.
Print screens
The document discusses the design process for a magazine contents page. Key design elements included flipping an image inward to face the page, adding a header with a circle saying "world exclusive" and information banner, choosing black text for readability, resizing an image to be more prominent, and structuring page numbers and the magazine name at the bottom as is standard for magazines.
Focus Group - Mock Ups
The document summarizes feedback from a focus group on magazine mock-ups. For the first mock-up, the focus group liked the fonts and central model with clean space. For the second mock-up, they thought the side title was interesting but may not grab attention, and liked the bold fonts but wanted a more interesting color. For the third mock-up, they preferred seeing the full model and thought the vertical "The" fitting with "Rise" was eye-catching, but didn't like the bottom writing. Most preferred the name "The Rise" and layout with the masthead fitting at the top. Therefore, the final magazine cover will be called "The Rise" with a mid-shot model and
My Music Magazine - Plan
I had to get a front cover, contents page and a double page spread and pick out the conventions I intend to use in my magazine. Write why I liked it and that I would include it in my magazine.
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Evaluation q1 a2
- The document discusses the author's process in developing the conventions for their magazine constructions, including a masthead featuring the magazine name "Haway" which references their North East hometown, as well as including issue numbers, barcodes, prices and other small conventions on the front cover.
- For the contents page, the author included a masthead, issue month, consistent color scheme, page numbers, and a variety of images to represent the broad magazine genre while modernizing traditional fonts.
- Research into regional and national magazines uncovered that regionals use a more traditional style than glossy nationals and focus content specifically on their region rather than broader national topics.
Final ideas
The document summarizes the key elements the author plans to include in their magazine project. For the front cover, they will have the model looking at the camera and include the model's name as the main sell line. The contents page will include an editor's letter, categories to easily find articles, and images to make it visually appealing. The double page spread will feature an interview with an artist, with a large image on one side and pull quote headline to draw readers in.
SAMPLE MATERIALS
The document provides details on the mood boards, flat plans, visualisation diagrams, and thumbnails Sinead Bidwell created to plan their music website and magazine. The mood boards show layout examples from other publications and different title fonts, styles, and color palettes considered. The flat plans showcase cover design options. The visualisation diagram outlines typical magazine elements like the title, branding, barcode, and central artist profile. The thumbnails present potential cover and spread concepts, with the artist page layout deemed clearest. An artist facing away during a performance is favored for the bold central cover image.
Peer feedback
The document contains peer feedback on designs for different types of publications. The feedback includes what is liked about each design and areas for improvement. For a broadsheet design, the feedback praised the professional layout and use of grids/margins. For a tabloid design, the feedback highlighted the clear headline and supporting photo. For a fanzine design, the feedback commended the high-quality minimalist cover and use of white text but suggested softening the cut-out edges on the inside photo. The designer agreed with most feedback but disagreed with left-aligning the fanzine body copy.
7. evaluation(3) magazine final
This document summarizes Amy Foster's evaluation of a fashion magazine production project. Some strengths identified in the research stage were replicating layouts from magazines like Vogue and choosing color schemes. Planning strengths included experimenting with layouts and photo selection. Weaknesses included the difficulty recreating professional photos. Time management was identified as an area for improvement, as rushing led to lower quality. Peer feedback noted both appealing and cluttered aspects of the cover design, and suggested simplifying colors and reducing subtitle text size. The author agreed more simplicity was needed in the design and color scheme to better target teenagers.
Evaluation question 1
The document discusses the design choices made for the magazine's front cover. It follows conventions like having the main image fill the front cover and including a barcode. However, it also challenges conventions by having additional text under the cover lines and using one font color instead of multiple colors. The main image uses a medium long shot to show the subject in their environment but could be interpreted as showing them as isolated. Overall, the cover aims to look professional while also making the magazine stand out.
Magazine deconstruction
The document summarizes the deconstruction of two magazines, Spark and Indie, to help inform the creation of a new regional culture magazine. Spark is analyzed for its relevant content and appealing design for a young audience. Indie is praised for its bold masthead, creative layout, and use of color and images. Through deconstructing elements like cover designs, contents pages, and spreads, the document aims to identify specific inspirations for a magazine with a quirky, contemporary style that appeals to both local and older readers.
Pr11 Production Commentary
The document summarizes the design process for a music magazine created by the author using Adobe Photoshop and Microsoft Word. Photoshop was used to edit and manipulate photos as well as add design elements like the masthead, cover lines, and barcode. Word was used to write the article appearing in the double page spread. The author analyzed existing magazines like GQ and Billboard for inspiration on layout, design conventions, and writing style. The finished magazine uses design principles like the Guttenberg layout to draw readers in and features a simplistic blue and white color scheme and basic font suited to the target audience of 16-25 year olds interested in house and EDM music.
Task 7
This document discusses the process of designing a newspaper layout in InDesign. It describes three different layout concepts tried, analyzing the effectiveness of each. The final concept is inspired by real newspapers and uses a grid of rows and columns. Techniques like drop caps and minimal white space are used to make the design clean, readable and attractive. Overall, the third concept works best by neatly spreading out the text and images around the margins in a presentable format.
7. evaluation unit 5
This document provides an evaluation of an FMP project on magazine production. It summarizes the strengths and weaknesses of the producer's research, planning, time management, and technical qualities. It also discusses the audience appeal and includes feedback from peers. The feedback praised the professional front cover but suggested adding more images. Improvements to the double page spread layout were also noted, such as using outlines instead of solid colors to distinguish articles. The producer agreed some aspects could be improved and would change the double page spread layout and add space to the front cover for a barcode in the future.
Question 7
Through developing skills in Photoshop and research on magazine design, the author improved their final magazine cover from the preliminary version. For the final cover, they used a medium shot of the model with controlled lighting and plain background. They included a logo rather than graphic for the model credit. The layout followed principles like including advertising in the strong fallow area. The color scheme and inclusion of a website link made it more professional. For future improvements, the author could make interviews longer with smaller images, adjust font colors and sizes, and add more pages/promotional features.
Fonts
The document discusses font choices for different elements of a regional magazine product. It considers several creative, bold fonts for the masthead to make it distinctive. The author selects a font with a creative texture for the masthead that will help the magazine stand out. They also choose a casual yet professional font called Nimbus Sans for the website to maintain consistency with the look and feel already established. The same fonts used previously will be applied to the billboard to promote the brand and connect all of the products visually.
Evaluation one
This is an Evaluation point for my AS Media coursework. I have picked out small sections and analysed what I have done well and what could be improved.
Masthead and Subheading fonts.docx
This document discusses potential masthead and subheading font designs for a new regional magazine focused on Hertfordshire, England. Four potential masthead titles are considered: "InsideHearts", "BehindTheScenes", "Scene", and "Scenic". The author decides that "InsideHearts" and "BehindTheScenes" best convey the magazine's focus on local people rather than picturesque scenery. Several masthead font designs are tested for these titles, with "Bebas Neue" selected for its formal, memorable style. Four subheading fonts are also briefly analyzed for pros and cons in terms of audience appeal, readability and visual impact.
Presentation1 question 1
The student created a magazine that drew upon conventions from existing music magazine Q. For the front cover, the student used a similar pose and layout as Q, with the main picture and writing around it. For interior pages, the student included interviews and a contents page similar to Q's layout and use of photos, colors, and sections. The student chose the magazine's name "SWAGGA" to match the RnB music genre covered and made the title stand out like other magazines through font size, color, and placement behind the cover model.
Music magazine evaluation
The document provides details about the design and content choices made for a music magazine project. Key points include:
- The cover uses a single dominant image, simple color scheme, and includes promotional text and the price to attract readers.
- The contents page lists only main article headlines in a simple, easy to read layout.
- A double-page article spread features a large single image, consistent font choices, and separates text from images for readability.
- Throughout the magazine, consistency of design is emphasized to create a clean, professional style that appeals to the target teenage female audience.
Evaluation q1)
The magazine uses, develops, and challenges some conventions of real magazines. It uses conventions like including a barcode, masthead, model on the cover, splash on the cover, and consistent color scheme and typeface. However, it challenges conventions by having the model not on top of the masthead, slanted layout on the contents page with multiple images, and editors note with a picture of the editor. The double page spread challenges conventions by having multiple images on one page and varied image sizes, while keeping the title, pull quotes, and columns as conventions. Overall, the magazine borrows both conventional and unconventional designs from real magazines.
Print evaluation
- The document discusses the process of planning, creating, and evaluating a magazine front cover, double page spread, and website for a vintage fashion magazine.
- Some initial intentions, like using only red, black, and white, had to be changed due to the model's red outfit overwhelming the cover. Font choices also proved difficult.
- Creating the double page spread in InDesign was challenging as the author was unfamiliar with the program. The layout and amount of text had to be adjusted.
- The website was created on WIX and featured galleries, social media links, and a subscription to make it engaging and realistic.
- Overall the author learned from challenges like choosing ideas, fonts, and resolving color clashes
Q5
The document discusses how the author addressed their audience through color scheme, page layout, photographs, and typography in their magazine coursework. For color scheme, the author uses purple, black, white, and grey which appeal to a broad audience. Page layout is minimalistic on the cover, orderly on the contents page, and uses an unconventional running title on the double page spread. Photographs are styled to be visually pleasing, with casual photos to engage readers. Typography includes an abstract masthead font to be recognizable, contrasting fonts to prioritize information, and complementary yet varied fonts on the double page spread. Overall, the author aimed to attract a broad audience through clean, casual, and visually appealing design elements
A2 Evaluation Question 1
The document discusses how the media product uses, develops, and challenges conventions of real magazines.
It summarizes how the front cover follows conventions like central title placement but challenges conventions like overlapping the title and location. The contents page columns and contact information follow conventions while the editor's note challenges conventions.
The features page challenges conventions by using a full-page image and short article, and develops conventions like adding social media icons to the billboard. The website follows conventions like the navigation bar but develops conventions by adding options like contact to get the audience involved.
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Theoretical research
This document discusses postmodern theory and its application to a student poster project. Some key points:
- Postmodernism rejects hierarchies and suggests that reality is constructed through images and representations rather than existing independently.
- The poster project represents creativity and the creative industries in a postmodern style by using a chainsaw, an unconventional symbol that requires more thought than typical representations.
- Applying effects to documentary-style photographs in the poster differentiates it from reality, reflecting postmodern ideas about the relationship between media and reality.
Music update
The document discusses music choices for a production. It received two song options - "Spark" by Maxwell Young and "Grape Choice" by Tajima hal. Although "Spark" was the first song approved, the committee feels it is too relaxed compared to their preferred song "Glendale La Roma", which has a jumpy bass that would provide more impact. "Tajima hal" has the right qualities but also lacks the jumpy quality of "Glendale La Roma" that they feel is necessary for their production.
Changes to design - Posters
Small changes were made to the poster designs from the original concepts to the final products. For the Chainsaw poster, review quotes and awards were moved to improve layout and focus on the title. The title was also adjusted for visibility. Names were removed from all posters.
For the Lego poster, elements were reorganized to focus on the enlarged title after zooming in on the Lego models.
Minor adjustments were made to the phone and second Lego posters for improved attention on elements. Overall, the changes improved focus and design despite being small adjustments from the original concepts.
Conventions
Short films typically have 2-3 main characters to keep the plot understandable given their shorter length of 5-35 minutes. Documentaries also tend to focus on a limited number of characters to provide depth within their shorter format. The filmmakers plan to interview multiple professionals in the creative industries to challenge views of creativity. Their documentary will combine observational and expository styles to prove creativity means different things to different people while maintaining a cinematic feel. Conventions like voiceovers, sound effects, and documentary clips will be followed for the radio advertisement, while the film poster will challenge some conventions but maintain others like institutional information and taglines.
Summary of radio adverts
The document analyzes and summarizes three radio advertisements - Lipton green tea, Sprite, and Mr T Snickers. It finds that the Sprite ad is the most effective as it uses engaging foley sounds to advertise the product without immediately revealing the brand, intriguing the listener. The document concludes that the production team wants to take influences from the Sprite ad, using foley sounds at the beginning and minimal voiceover to keep listeners engaged.
Reasons for locations
The document discusses the locations chosen to film interviews for a documentary. It begins by explaining that the director Jeff's cluttered office, filled with his influences, represents his creative and nonlinear thinking. It then explains that the workshop of Checkland Kindleysides will be used for montage footage to show the collaboration of multiple skills. David Gauntlet will be interviewed at Westminster University to represent his academic and impersonal approach to media theory. Paul Bennett will be interviewed at a comic book café to match his similar creative interests. Paul's workshop will also be used for footage as it shows his personal influences. A busker will be filmed in Trafalgar Square to show how their work must appeal to tourists over maintaining a personal touch.
Conventions finished
This document discusses conventions for documentaries, film posters, and radio advertisements. It analyzes conventions for length, characters, budgets, plots, genres (observational, expository, reflexive), and techniques used in radio ads (voiceovers, sound effects). It also discusses how institutions can influence conventions. For their project, the authors plan to incorporate conventions like quick cuts and sound clips in their radio ad while challenging some poster conventions to target their intended audience. Overall, the document focuses on understanding various media conventions and how the authors can apply and adapt them for their documentary.
Why we have chosen them
The document provides information about the cast members that have been chosen for a documentary about the creative industries. It introduces David Gauntlet, a media theorist; Toby Moores, an entrepreneur in the digital media space; Jeff Kindleysides, founder of a design firm; Paul Bennett, a digital artist; and an unnamed busker. It explains that each member offers a different perspective and experience within the creative industries to give the audience a well-rounded view of various areas. Their backgrounds range from theory to business to personal artistic pursuits.
Reasons for locations
The document discusses the locations chosen to film interviews for a documentary. It begins by explaining that Checkland Kindleysides head office was selected to film Jeff due to the clutter representing his creative and nonlinear thinking. It then explains that the workshop will be used for montage footage to show the collaboration of multiple skills. David Gauntlet will be interviewed at Westminster University to represent his academic background in media theory. Paul Bennett will be interviewed at a comic book café to match his similar creative interests. Paul's workshop will also be used for montage footage as it shows his personal influences. Finally, a busker will be filmed in Trafalgar Square to represent having to appeal to tourists over a personal artistic vision.
Equipment
This document lists and describes the equipment that will be used to produce a documentary film and accompanying poster campaign. It includes several cameras, microphones, tripods, lights, and editing software. The Panasonic HC-X900M and Canon 100d cameras will be used for interviews and photography respectively. Microphones include the Rode, NTG-2 shotgun, and lapel microphones for capturing audio. Final Cut and Audacity will edit video and audio, while InDesign and Photoshop will be used to design the posters. The school has a photography studio and most of this equipment for the project.
Conventions
This document discusses conventions for documentaries and film posters. It provides details on typical lengths, characters, budgets, and plots for short documentaries. It also outlines common elements of film posters, such as an eye-catching focal image, title, release date/time, production company, genre labeling, and theme-tied colors. The document notes that the filmmakers' project will take some conventions into consideration for their documentary and promotional materials, but also depart from conventions in ways suited to their target audience and vision.
poster mock-2
The document discusses two design options for a poster - one with Lego on a wooden chair against a white background, and the other with a Lego model hanging from string. While the first option does not fit the style of other house designs, the document states they will still pursue it but won't include it if it doesn't match the other final poster pieces.
Poster mock-1
The poster design features a chainsaw to represent the creative industries and Jeff's creative workshop. The chainsaw poster was drawn on A5 but will be printed at A4 size. Additional notes provide context for the poster contents and production details.
Equipment
This document lists and describes the equipment that will be used to produce a documentary film and accompanying poster campaign. It includes details on cameras, lenses, microphones, tripods and other camera supports, lighting, editing software, and where the equipment can be accessed. The Panasonic HC-X900M and Canon 100d cameras, Rode microphones, Zoom h4n recorder, tripod, dolly, slider, external lights, white backdrop, Photoshop, InDesign and Final Cut Pro will all be utilized. Most equipment can be accessed through the school media department.
Pilot questionnaire
The document describes the results of a pilot questionnaire given to a small group to help improve a documentary project. Key findings include:
- Respondents preferred a balance of interviews and cinematography.
- A majority voted for an open ending over a conclusive one.
- Industry professionals should be interviewed more than casual people.
- Respondents voted against including narration in the presentation style.
- Suggestions are made to provide more context for questions in future questionnaires to make them less confusing.
Topic research
Our documentary examines different people's perspectives on creativity. We have interviewed media theorist David Gauntlett and Jeff Kindleysides of the design company Checkland Kindleysides. Gauntlett's book Creative Explorations looks at how people express their identity creatively, such as through drawings. It discusses findings on how individuals perceive themselves creatively. We hope to discuss these findings with Gauntlett for the documentary. Kindleysides will provide a practical perspective on creativity from the creative industries, which are an important part of the UK economy, comprising 5% of GDP.
Qu 2 vid edit
The document discusses representations of different social groups in underground music culture magazines. It addresses stereotypes around drugs, class, race, age and gender. For class, it focuses on an audience of B-E income brackets. For race, it acknowledges the genre's multicultural roots but faced modelling limitations. Most models were 18-26 years old to match the club-going demographic. Gender representation focused on masculinity while avoiding sexualization of women given the current lack of prominent female artists. The producer discusses applying constructionist theory in how they combined facts about the genre with their own beliefs and the social context to create a sophisticated representation that challenges some conventions.
Evaluation qu2
The document discusses representations of different social groups within underground music culture and the author's media group. It addresses stereotypes around drug use, masculinity, and class within the underground scene. The author aims to challenge these stereotypes by taking a more sophisticated approach in their magazine. They target an audience of classes B-E and include models from ages 18-26 of various races to represent the diversity of the underground genre. Through their magazine's design, photoshoots, and writing, the author attempts to portray underground music culture in a more nuanced, pluralistic way that steps away from mainstream representations and conventions.
Evaluation 1
The document discusses conventions and techniques used in magazine design for genres like house, garage and dubstep music. It notes that magazines in these male-dominated genres often sexualize women. The author's magazine takes a gender-neutral approach. Common conventions for magazine elements like the front cover, contents page, and double-page spreads are outlined, along with how the author incorporated or adapted these conventions for an "underground" magazine focused on these genres. Theoretical perspectives on star construction and postmodernism in relation to the magazine's design are also discussed.
Q 5 audience feedback
- The feedback from Rick showed that visual elements attracted him more than written content, suggesting the target audience prioritizes style over substance. Blocks of text may deter some readers.
- Rick also provided feedback that sophisticated readers would be interested in learning about the creativity of the musicians rather than just their image.
- The document discusses several audience theories and how they may apply to different segments of the target audience, such as the upper/working classes and their levels of activity and independence in interpreting media.
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Mr. Brainwash Beautiful Girl / Mixed Media / signed / Unique
Year: 2023
Format: 96,5 x 127 cm / 37.8 x 50 inch
Material: Fine Art Paper with hand-torn edges.
Method: Mixed Media, Stencil, Spray Paint.
Edition: Unique
Other: handsigned by Mr. Brainwash front and verso.
Beautiful Girl by Mr. Brainwash is a mixed media artwork on paper done in 2023. It is unique and of course signed by Mr. Brainwash. The picture is a tribute to his own most successful work of art, the Balloon Girl. In this new creation, however, the theme of the little girl is slightly modified.
In Mr. Brainwash’s mixed media artwork titled “Beautiful Girl,” we are presented with a captivating depiction of a little girl adorned in a summer dress, with two playful pigtails framing her face. The artwork exudes a sense of innocence and whimsy, as the girl is shown in a dreamy state, lifting one end of her skirt and looking down as if she were about to dance. Through the use of mixed media, Mr. Brainwash skillfully combines different artistic elements to create a visually striking composition. The vibrant colors and bold brushstrokes bring the artwork to life, evoking a sense of joy and happiness. The attention to detail in the girl’s expression and body language adds depth and character to the piece, allowing viewers to connect with the young protagonist on a personal and emotional level. “Beautiful Girl” is a testament to Mr. Brainwash’s unique artistic style, blending elements of street art, pop art, and contemporary art to create a visually captivating and emotionally resonant artwork.
The use of mixed media in “Beautiful Girl” adds an additional layer of complexity to the artwork. By combining different artistic techniques and materials, such as stencils, spray paint, and collage, Mr. Brainwash creates a dynamic and textured composition that grabs the viewer’s attention. The juxtaposition of different textures and patterns adds depth and visual interest to the piece, while also emphasizing the artist’s eclectic and experimental approach to art-making. The inclusion of collage elements, such as newspaper clippings and torn posters, further enhances the artwork’s urban and contemporary feel. Overall, “Beautiful Girl” is a visually captivating and thought-provoking artwork that showcases Mr. Brainwash’s talent for blending different artistic elements to create a truly unique and engaging piece.
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Femmely-ACP-how to use social media to drive engagement
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Progress report
- 2. My initial thoughts where to create a magazine aimed at the class of C1- D as the underground scene is associated with clubbers however after further analysis of other magazines I realised that due to the genre being a niche product the people that follow the underground scene will be an active audience adding a level of sophistication to the magazine. The sleek design I want to recreate would also portray a level of sophistication.
- 3. I have now decided to change the income bracket of what audience I want to aim my magazine at to B-E. Giving the magazine a wider stance broadens how I can design the magazine and what content I can use. As for magazine design I would like a simple sophisticated layout
- 4. With the front cover I want to keep it simple having as less writing on it as possible. At the moment I am thinking of a close of someone. Below are covers of magazines I have found that I am using to influence my work
- 5. These are cover design that I do not like and feel as though they are for the less sophisticated due to the messiness
- 6. Cover work I would like to base my font styles on a sans condensed font. Bold and striking and instantly recognisable. The font title will be in a condensed style so I can use a long title that does not take up a lot of space on the cover but is still impactful. I have chosen a simple font so I have the option to cover up some parts of the letters yet the name will still be legible