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This document provides information on three different TV dramas: EastEnders, My Wife and Kids, and Top Gear. It summarizes the stereotypes portrayed, target audiences, successes and failures, production details, popularity, and settings for each show. EastEnders is a drama about everyday life in London that attracts a wide audience. My Wife and Kids focuses on family life and was most popular in its first three seasons. Top Gear appeals to petrolheads and young males with its entertaining car reviews filmed around the world.
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![Abdul Farid Freddy Media Studies Aug2010
2
TV drama: My wife and kids
Stereotypes: this drama specifically focuses on family life
Target Audience: having a
specific stereotype is seems the
programme has a certain target
audience of people with
families but having the aspect of
everyday life this would be
aimed at people between the
ages 12-50, reason for this
decision is that 12 is the age the
comedy of the programme
would be understandable and past 50 would be considered a time when these family
problems are not so evidential as this phase of life has passed.
Successes: The success factor of this TV drama was that people could relate their lives with
this family as they showed the different problems a family could face and how to deal with
them in an efficient and effective way. Another success factor was that episodes are still
broadcasted on Virgin 1 in 2010 after 5 years of stopping the series.
Failures: After the first three season of increased viewers, the 4 season the viewers seemed
to decrease and the ranking of the programme went down to 60 from 42 so the programme
was stopped after only five years broadcasting.
Production: Executive producers: Don Reo, Damon Wayans, David Himelfarb (seasons 1–4),
Andy Cadiff (season 3), Dean Lorey (seasons 4–5)
Camera setup: Film; Multi-camera
Popularity: Season ratings
Season TV Season Ratings Rank
Viewers
(in millions)
1 2001 #43[2] 8.0[2]
2 2001–2002 #41[3] 11.0[3]
3 2002–2003 #42[4] 11.27[4]
4 2003–2004 #60[5] 9.95[5]
5 2004–2005 #79[6] 7.2
Setting: the suburbs of Stamford, Connecticut, The most likely reason for the setting is
because it is an American sitcom aimed at the American society as this program was first
broadcasted on channel ABC.
Context: This is another programme based in the present everyday life of the seasons it was
broadcasted.](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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For more presentations and content like this, visit http://strategylab.ca
Love,
Jeph
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Reality Tv Speech
Reality television has become very popular, but it also raises ethical concerns about how it portrays and influences people. While reality shows claim to authentically depict real life, they often manipulate situations and edit footage to craft compelling narratives and reinforce stereotypes. This can negatively impact viewers' perceptions of gender, race, and social issues. While reality television is meant for entertainment, it is important to recognize how its depictions of reality are constructed for profit rather than being truly authentic representations of real world experiences and interactions.
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The document discusses several Idol singing competition shows including American Idol, which began in 2002 and became very popular in the US, and Vietnam Idol, which first aired in 2007 and is part of the Idol franchise created in the UK. It provides the years that different seasons of the shows took place and notes that the Idol format has been hugely successful globally and has had local versions in many countries since first airing in the UK in 2001.
Evaluation question 3
The document discusses potential media institutions for distributing a new psychological thriller film called "Molly". It analyzes movie theaters like the Odeon and independent cinemas, as well as film festivals such as Sundance. While large chains mainly show popular mainstream blockbusters, independent cinemas and specialized festivals provide opportunities for new films and genres. The document concludes that an independent cinema or film festival showing a variety of genres would be best to attract the target audience for a new psychological thriller.
Evaluation question
This document analyzes different potential media institutions for distributing a psychological thriller film, including cinemas, film festivals, and TV. It examines the typical audiences and genres presented at a large cinema (Odeon), independent cinemas, the Cannes film festival, and TV channel Film4. It determines that an independent cinema or film festival focused on thrillers would best suit the film's genre and ability to attract an audience as an unknown production, rather than the mainstream audiences at the Odeon or broad genres at Cannes.
Drama report
The document provides an overview of different types of media productions including adverts, drama genres (comedy, crime, period, documentary), entertainment (music videos, films, short films), and the author's proposed short crime drama "Deadly Friendship." It discusses key elements of each type such as purpose, narrative structure, budget considerations, and examples. The author proposes a 3-episode crime drama exploring how revenge can make people do horrific things to those close to them. Finance would come from television companies if there is a proven audience for the drama's style and content.
Zee
This document provides a case study and SWOT analysis of Zee TV. It summarizes the channel's background and target audience. Strengths include being India's first private Hindi channel and having a global presence. Weaknesses are a lack of innovative content and shows appealing to modern audiences. Opportunities exist in producing contemporary, thought-provoking shows. Threats include similar content across channels and competition for viewers. Research found audiences want realistic stories and characters they can relate to. The analysis provides insights and recommendations for Zee TV such as developing modern content, acquiring movie rights, retaining talent, and leveraging social media and contests.
Unit 27 task 1 factual programming essay
The document discusses several issues surrounding factual programming, including accuracy, balance, impartiality, objectivity, and representation. It analyzes the reality show Keeping Up with the Kardashians and nature documentary Frozen Planet to explore these issues. While both shows have received criticism about their accuracy and objectivity, the document argues that their dramatization or agenda-setting is not problematic as viewers understand they are meant for entertainment and education.
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Reality shows
Reality shows have existed since the 1940s when radio shows used hidden microphones to catch people's candid reactions. This evolved into shows with hidden cameras like Candid Camera in the 1960s. Reality television exploded in popularity in the late 1990s and early 2000s with the success of shows like Big Brother and Survivor. Reality shows present unscripted situations involving ordinary people and can include contests with prizes. Common subgenres include talk shows, elimination shows, docu-soaps, and living sitcoms that follow real families. While popular for showcasing real people's lives, reality TV has also faced criticism for potentially humiliating participants and blurring the line between reality and entertainment.
Violence in reality show
1) Watching reality television shows can lead to unrealistic expectations about life being filled with dramatic ups and downs like seen on shows. Reality television claims to depict real life which can influence viewers to believe their own lives should be more dramatic.
2) Reality television viewing has been linked to an increased desire for status and prestige, as shows allow viewers to fantasize about gaining fame and becoming celebrities. This reflects society's growing obsession with celebrity culture.
3) Escapism is a central theme of many reality shows, allowing viewers to escape from their everyday lives through watching contestants try to achieve their dreams and win large sums of money. This appeals to audiences in a time of economic recession.
P5 feedback
Thank you for providing this additional feedback. It's clear you took the time to thoughtfully consider the producer's perspectives and suggestions to further strengthen your pitch. Incorporating real-world insights is an important part of developing a compelling proposal. I'm glad you were open to discussing opportunities to enhance the program's appeal and potential for funding, while also maintaining your creative vision where appropriate. Continuing this type of constructive dialogue will serve you well as you work to bring this project to life.
Evaluation question 3
The document discusses potential distribution outlets for an independently produced student film called "The Last Task". It analyzes the genres shown at various cinemas, festivals, and TV channels to determine where the film might best be distributed. It concludes that smaller, less mainstream venues like The Electric Cinema, Film4, young filmmaker competitions, or a YouTube channel would be more suitable options than larger chains like Odeon or more prominent channels like BBC due to the independent nature and lack of funding/promotion for the student film.
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The document discusses potential media institutions that could distribute a psychological thriller film produced by media students. It analyzes that independent cinemas and film festivals like Sundance and BFI would be most suitable since they showcase new and aspiring filmmakers. Local cinemas and television channels like BBC and Film4 would not likely distribute the film due to it being a small student production without publicity or popular actors. The document concludes that film festivals are the most probable distribution avenue to gain support, publicity and recognition for the new filmmakers.
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The document proposes a game show called "YouPlay" targeted at teenage geography students. It would feature teams of three competing on geography-themed challenges for prize money and a European trip. The host would have a great sense of humor to keep the tone light. The show would air at 4:30pm on Wednesdays to catch students after school. Interaction would be encouraged through social media where the audience could ask questions, and an app where they could play disaster rescue games to test their challenge skills. A website would provide interviews and behind-the-scenes content to better connect viewers with the people involved in the show.
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This document discusses different genres of television programming, focusing on drama and reality TV genres. It provides examples of specific TV shows like Hollyoaks, Downton Abbey, and Casualty to illustrate how different drama shows aim their content at different audiences based on factors like the channel and demographic of viewers. Reality TV genres like docusoaps and lifestyle programs are also examined in terms of their conventions and how they portray people and stereotypes.
Miptv thewit 100113
The document discusses 10 trends for social TV in 2013 based on an analysis of the most social TV premieres from September to December 2012. Some of the key trends mentioned include:
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The show 500 Questions pits two contestants against each other as they each answer 50 general knowledge questions. For every correct answer, they earn £500, but getting three questions wrong eliminates them from the game and gives their money to the other player. The winner of each episode keeps the money they earned, wins £25,000, and receives a trophy. The show is hosted by Giles Coren on ITV and has been successful with audiences since its introduction in 2016.
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Preliminary
- 1. Abdul Farid Freddy Media Studies Aug2010 1 TV drama: EastEnders Stereotypes: This drama is set on the topic of everyday life so does not include specific stereotypes but genres which effect all people such as homosexuality, rape, unemployment, racial prejudice Target Audience: This TV drama does not have a specific target audience this statement is backed by all the different varieties of topics which are exposed in the series which all different age groups can relate to. Successes: ‘EastEnders won best soap in 2002 and best storyline for the gripping scenes of Zoe Slater discovering Kat is not her sister but is in fact her mother.’ ‘EastEnders has celebrated its 25th anniversary in style by sweeping the board at the annual British Soap Awards.’ Failures: Production: http://en.wikipedia.org/wiki/List_of_EastEnders_crew_members, this link holds all the crew members in the Eastenders production team Popularity: ‘repeat showing on BBC three attracts an average of 500,000 viewers, whilst the Sunday omnibus generally attracts 3 million. Eastenders is one of the more popular drama on British television and regularly attracts between 7 and 12 million viewers’ Setting: ‘EastEnders is filmed at the BBC Elstree Centre in Borehamwood, Hertfordshire’ Context: the Drama is set with the present time, this is evidential when the programme is viewed as this is an everyday life drama which includes up to date topics surround our world.
- 2. Abdul Farid Freddy Media Studies Aug2010 2 TV drama: My wife and kids Stereotypes: this drama specifically focuses on family life Target Audience: having a specific stereotype is seems the programme has a certain target audience of people with families but having the aspect of everyday life this would be aimed at people between the ages 12-50, reason for this decision is that 12 is the age the comedy of the programme would be understandable and past 50 would be considered a time when these family problems are not so evidential as this phase of life has passed. Successes: The success factor of this TV drama was that people could relate their lives with this family as they showed the different problems a family could face and how to deal with them in an efficient and effective way. Another success factor was that episodes are still broadcasted on Virgin 1 in 2010 after 5 years of stopping the series. Failures: After the first three season of increased viewers, the 4 season the viewers seemed to decrease and the ranking of the programme went down to 60 from 42 so the programme was stopped after only five years broadcasting. Production: Executive producers: Don Reo, Damon Wayans, David Himelfarb (seasons 1–4), Andy Cadiff (season 3), Dean Lorey (seasons 4–5) Camera setup: Film; Multi-camera Popularity: Season ratings Season TV Season Ratings Rank Viewers (in millions) 1 2001 #43[2] 8.0[2] 2 2001–2002 #41[3] 11.0[3] 3 2002–2003 #42[4] 11.27[4] 4 2003–2004 #60[5] 9.95[5] 5 2004–2005 #79[6] 7.2 Setting: the suburbs of Stamford, Connecticut, The most likely reason for the setting is because it is an American sitcom aimed at the American society as this program was first broadcasted on channel ABC. Context: This is another programme based in the present everyday life of the seasons it was broadcasted.
- 3. Abdul Farid Freddy Media Studies Aug2010 3 TV drama: Top Gear Stereotypes: ‘Petrol heads’ the term used to describe people who are obsessed by cars Target Audience: the young male generation, those who are fuelled by petrol Successes: This is an interesting show, with three presenters with different personalities which collide and combined to make a brilliantly unique show, also the use of dramatic music and the tone of voice engage viewers to the screen. Also regardless whether a person is a ‘petrol head’ or not, people know that when they are looking to purchase a car, Top Gear is a brilliant show which reviews all cars giving them a rating which helps viewers make an informed decision. Failures: It is clear to see that they show bias views on ford cars, always praising them against other every day cars, which is quiet obvious in the show yet the presenters seem to continue this ignorant behaviour. Production: executive producer Andy Wilman, Popularity: Estimated around 8 million viewers every episode: sourced from the guardian. Top Gear is screened in more than 100 countries worldwide. 42 percent of viewers are now women! Stated by the guardian. Setting: In a BBC studio in London is the main scene and all the other footage is taken all over the world, where the three presenters travel. Context: this is a programme up to date with the latest cars, so its episodes are to do with the present time.