Power And Pathos Of The Hellenistic Era

Power And Pathos Of The Hellenistic Era
Power and Pathos uses 50 absolute masterpieces to tell the story of the spectacular artistic
developments of the Hellenistic era (4th to 1st centuries B.C.), when new forms of expression began
to prevail throughout the Mediterranean basin and beyond. There was an extraordinary leap forward
in the development of techniques to form the first instance of globalization of the language of art in
the known world. Art was in effect, going international. This exhibit has gathered together some of
the most spectacular ancient bronze sculptures that still exists today. It displays monumental life
sized figures of Gods, Heroes, Athletes and rulers. Ancient cultures invented bronze. They
discovered that making an alloy of copper and tin produced a strong metal that could hold great
detail and objects cast with it can easily be reproduced. The ancient Greeks prized bronze for its
visual worth and they used it create statue of the human body. Unfortunately, because bronze is a
metal that can be cast and is expensive, it can also be melted down. Hence, large bronze statues have
rarely survived from antiquity, as most were melted down so that their valuable metal can be reused.
The ones that are still preserved today are mostly the same ones that were either lost at sea or buried
underground.
This paper in particular discusses two of the statues exhibited at the Power and Pathos exhibit at The
Getty Center in Los Angeles. It analyses and compares the statuette of Alexander the Great on
... Get more on HelpWriting.net ...

Famous Figurines Argumentative Analysis
In examining the famous figurines of the third millennium BCE, Richard Neer, David W. J. Gill and
Christopher Chippindale conclude that there are both material and intellectual consequences that
surround the looting of the 1,600 mysterious Cycladic antiquities. Through drifting, surfacing, illicit
excavation and "sinking" the illusory ways in which these now precious artifacts were found is
questioned in contemporary ethics. In summary, approximately 85 percent of the total figurines are
said to be found through the breaking into of secure tombs and robberies. Although these may be
corrupt, it is my contention that it is permissible in which the ways these findings were executed
originally. For without these illicit and undocumented loots,

Statues of David Essay
There have been many staues of David sculpted by famous artists like Donatello, Verrocchio, and
Michelangelo. Bernini's version of David and is about to begin his attack on Goliath, as he appears
posing. The statue seems to be moving through space and the action suggests that the action of
flinging the stone requires a lot of room around David. The statue forces the observer to look past
the actual subject and focus more on the surroundings. He seems to have very muscular legs, and
appears to be ready to turn and throw a stone from his sling. This is the most dramatic pose that
Bernini could have picked and was chosen because it shows a sudden burst of energy and a moment
of suspense as well. Bernini's David is different from that of ... Show more content on
Helpwriting.net ...
In addition, it is different from the narrative form that Bernini created. Verrocchio shows David
standing over the giant's head with pride. This bears resembles Donatello's David where David is
standing with a foot on top of his oppressor.
Michelangelo was another artisan who portrayed David in a unique matter. He didn't represent
David standing over a defeated Goliath, but instead made him look like he was patiently awaiting
his enemy. The body has a very classical form and is muscular and very tense. The form makes
David look powerful. Michelangelo made David very strong with well defined features, iand even
included enlarged hands to show the viewer of the strength that David had before attacking Goliath.
Unlike other versions at the time, Michelangelo didn't create a version of a prideful David, but
instead a David who was amongst or aware of his enemy.
Donatellos, Verrochio's, and Michelangelo's figures compare in the sense that none of them show
any physical activity and are shown as prideful as they stand over oppressors. Bernini's rendition of
David is unique in the sense that he creates a more narrative figure instead of one that is poised and
more classical in style. Protestants strongly believed that imagery presented in the church could
cause people to venerate figures in statues rather than focus all their attention on God during the

Summary Of The Colossal Statue Of King Lamassu
With studying and learning about two different cultures one recognizes the why the art is different.
The purposes and details of each figure are both important and allow the figures to stand out as a
whole. The Colossal Statue of King Lamassu and Tuthankhamun are both amazing sculptures. The
details in each piece are constructed in away that it makes the viewer study each aspect of the
figurine. The two statues share some common aspects but they differ from time period, era,
structural details, and purpose.
Although the two statues are from two different time era and places they share some body and facial
aspects. When it comes to the structure of the body of the figures, they both share the detail of being
very muscular. The muscles in the legs and knees of both are greatly shown. One can see why the
muscles are detailed; with the importance of each figure showing strength provides and portrays
power control and dominance. The feet of both sculptures are profound as well. Even though the
Lamassu is a winged, bull body figure it has a human head just like Tuthankhamun. They both wear
their headpiece and beard. The eye shapes of the statues are similar as well. Both statues are a relief
carving which is only carved on one side. The sizes of the statues are over 10ft tall. The Lamassu is
17ft while Tuthankhamun is 15ft tall
The two have a few things in common but more differences. The biggest difference that is
noticeable just by looking at both figures is that the Lamassu

Venus Mystery Research Paper
Giovanna Schelosky
Biological Anthropology
Professor Vogel
Saddleback College
The Venus Mystery
The Venus figurines are a collection of 144 known statuettes from the Paleolithic era representing
women. They have been found in many different places including Europe, Siberia and even the
Mediterranean outside of Italy. These figurines are mainly constructed from different medias such as
bone, steatite, calcite and limestone.
Those figurines are also considered one of the earliest known work of the Paleolithic era.
It's not exactly known what the cultural meaning or purpose behind the statuettes is. However, it's
frequently suggested that they might have been used during rituals or served as a symbolic function.
During my research for ... Show more content on Helpwriting.net ...
Delporte distinguished them in five different groups based in their geographic location.
Although they were originated in so many different areas, all the statuettes carry the same main
characteristics such as big hips and small heads and pointed feet. Some of them also carry big
breasts, hips, thighs and vulva. There's no face and in most of them arms and legs are absent.
Surprisingly the name "Venus" given to those statuettes has no connection with the Roman Goddess
Venus but since they carry such feminine traces and resemblance, they are considered a
representation of a female goddess by some.
I was very interesting to see how even with all the similarities they carry, some of them resemble a
pregnant women and some don't. The different sizes and measurements they can be found in
reminds me how each women is different from one another and if in the future they are indeed
rediscovered as the representation of the same goddess, it will be interesting to see and study how
every area pictured them

The Egyptian World
Throughout the Egyptian world, embalmers worked to preserve the inner life force that was thought
to reside within the body after death. It was common belief that by completing a seventy day process
known as mummification, the Ka, this spiritual entity, would be able to live on long after the person
died. Because of this, many people of the culture lived modest lives on Earth, saving immense
amounts of money and gold for intricate objects that could serve practical and decorative purposes
for their tombs. Every step of the preparations was handled with meticulous care as it was believed
that life on Earth was limited, while life in the afterlife was eternal. This cultural ideology of eternal
life after death is emulated by the statuary of the Egyptian world–especially by the granite pair
statue of Nefu and Khemet–setju from Giza, which was found in 1931 on the Harvard University–
Museum of Fine Arts Expedition. During the Old Kingdom, artists worked to form statues that could
accompany the body within the tomb, and if necessary, serve as alternative dwellings for the Ka.The
pair statue, which was created between 2455 BC and 2350 BC in the Fifth Dynasty of the Old
Kingdom, was likely created for this reason. One can identify the gender of the figures by
recognizing how Egyptian artists typically depicted males with darker skin than women. This
common practice along with the residual red paint on the body of the figure at the right, allows one
to conclude that the person on

Catalhuyuk Women Analysis
Part 1: During the 1960's an archeological dig conducted by James Mellaart took place in what is
now modern day Turkey. Mellaart was just one of many archeologists who wanted to understand the
civilizations of the Neolithic age, and Catalhuyuk (an early civilization which lived in what is now
modern day Turkey) in particular. The dig led to a discovery of multiple female figurines made from
baked clay called Venus figurines. These figurines were most likely created around 5,000 B.C.E.
Part 2: The Venus figurines could have been made to express the way the Catalhuyuk people viewed
women. Considering how plentiful the figurines are, historians can infer that women were most
likely worshipped. Women in the Catalhuyuk civilization could have been worshipped for many
reasons. They were capable of pregnancy which people may have thought connected them to the
earth. If they had a direct connection to the earth, they were goddesses or special beings which
would have be celebrated and praised. Because religion played such a huge part in their everyday
lives, perhaps the people created the figurines to call upon the earth goddesses for rain, crops, or
protection from illness. Looking ... Show more content on Helpwriting.net ...
This change could have been due to the rise of agriculture. The rise of agriculture meant that men
didn't have to hunt for food and women didn't have to gather food. Naturally the men decided that
women were too weak to participate in farming so the gender roles began to become imbalanced.
The women, not having to participate in food production were now viewed purely as tools for
expanding their population. Because the clock never ticked back in time, women still remain
unequal to men this day. If women could have played a part in the agricultural revolution, would
gender roles would be more

Essay on The Statues of Rahotep and Nefert
The Statues of Rahotep and Nefert
The first thing that strikes an observer of these two statues is the excellent condition they are in. The
paint on the two figures, Rahotep and Nefert, is extremely well preserved and there is only a
miniscule amount of perceptible damage. Rahotep, who is seated on the left, retains the air of
nobility and grandeur that a king's son and high priest would have undoubtedly enjoyed during his
lifetime. His wife, Nefert, sits adorned with an intricate wig and headband that match her bright
jewelry and indicate her elevated social status. Together, the figures complement each other
perfectly and provide a valuable glimpse into the world of non–royal funerary art of Ancient ...
Show more content on Helpwriting.net ...
Rahotep wears a very plain kilt and a small amulet around his neck. He has close–cropped hair and
his face is adorned with a thin mustache. He has broad shoulders and muscular arms and it is worth
noting that his right arm is held across his chest while his left rests on his thigh. In this respect he
resembles Djoser, but the horizontally held arm goes out of fashion later in the Fourth Dynasty. The
biggest contrast between Rahotep and his wife is the color of his skin, which is almost the color of
clay. In the majority of limestone statues, the husband is portrayed as having much darker skin than
his wife has. This is probably due to the fact that men spent more time outside and wore less than
women. A similar style is apparent in ancient wall paintings from Thera, Greece that are housed in
the Athens Archaeological Museum. In them, the men are portrayed as either red or brown while the
women are snow white.
Nefert wears a shoulder–length wig and ornate headband decorated with symmetrical designs. The
sculptor paid great attention to details, as her real hair and the straps from her dress can be told apart
from the wig and her robe. Nefert's nipples also protrude from her bosom and only one of her hands
is visible. The other hand, much like most of Nefert's body, seems to mold with the dress which
itself molds with the chair. Contrasting with the very

The Museum Of Fine Art
The Museum of Fine Art in Houston, Texas has a variety of art collections. To be precise, the
canopic jar is mounted on a large pedestal among other sculptures. This Canopic Jar was made in
Egypt during the dynasty XXVI, 664–525 B.C. It was made from limestone. The jar was masterfully
carved from stone and subsequently painted over. It is a historical masterpiece and it is relatively in
good condition. Such stone jars were used to house the organs of the deceased. Their organs were
put in these canopic jars during the mummification process. The lids of these stone jars have a
human face. The faces were carved to represent the four sons of the god Horus. The three–
dimensional jar is solid and quite large. It is well displayed in a spacious environment. The lid of the
jar is organic due to the life–like face that stares back at the viewer. The rest of the jar is cylindrical
with graceful proportions. The size of the jar interpenetrates with the surrounding space. It turns in
space and it was meant to be viewed from several points of view. Its cylindrical nature makes the
viewer's eye wander all around its form to take in its splendor. Contour lines have been used to make
the gentle outline of the jar, giving it a closed silhouette. The dominant linear elements have been
incised on the surface of the jar. Beautifully crafted hieroglyphic inscriptions can be seen on the
middle of the jar. The contour outline of the jar makes it have a volumetric presence. There are
traces of

Civil War Costumes Research Paper
Costumes are the perfect items for plays, Halloween, or even for playing dress–up. Choosing
historical costumes such as Civil war kid's costumes not only lets kids have fun, but it also teaches
them a little bit about history. Amazon has a variety of different costumes for children to enjoy. We
offer these selections at low everyday prices, so you can outfit your child in any costume in an
economical manner. For a more realistic and fun look add accessories to your child's Civil war
costume. A sword or saber would be a wonderful addition. A cap is the perfect choice to top off your
child's union officer costume. Accessories such as these help children, and adults as well truly get
into character. Let the child have some input into the costume

I Walked Up The Massive Stone Steps
I walked through Central Park and emerged to see an immense temple of art standing before me. As
I walked up the massive stone steps, to the Metropolitan Museum of Art, I was overwhelmed by
how enormous the building was and how small I was in comparison. I was overcome with a sense
that I was about to witness something much larger than myself. Once I walked inside, I stared up to
the large vaulted ceilings and to the long corridors full of masses of people admiring the history in
front of their eyes. There is an all–encompassing sense of cultural importance standing in the lobby.
The value of what I was about to experience was global and proven in the many languages available
for tours.
Dionysos Leaning on an Archaistic Female Figure is a representational marble sculpture. The
sculpture depicts Dionysos, the god of wine and divine intoxication. A smaller woman covered
drapery stands beneath his muscular arm. Dionysos Leaning on an Archaistic Female Figure was
restored by Vincenzo Pacetti. The sculpture is a Roman adaptation from 27 B.C.– A.D. 68. Of a
Greek original bronze work in the 4th century B.C. . The Mother and Child statue depicts an
abstracted woman holding her child in her lap. The Mother and Child sculpture was made by the
Bamana peoples in the 15th– early 20th century. The Mother and Child is a wooden statue from the
Mali, Bougouni or Dioїla area. The Great Sirens is an oil painting on Masonite created by Paul
Delvaux, a Belgian artist. The Great

Comparing The Chacmool With The Woman Of Willendorf
TAJH RAY
Art 150–501 Fall 2016
Research Paper
Prof. D Gaffney
mars and venus: comparing the chacmool with the woman of willendorf Modern figurines of art
stem directly from the hands of the ancient's. The organic forms of modernly sculpted artifacts can
most likely be directly referenced to the movements of prehistoric artworks. There seems to be an
ongoing transition on how cultures no matter how stretched apart through time, contrasted by
ethnicity or religious views; can all be somewhat related to each other by the methods or principles
portrayed through their artworks. In fact, I saw that very transition; within two works in which are
extremely different in meaning, craftsmanship, time, culture and so on. However, I was still able to
find similarities within the artifacts. In this paper I will examine Venus of Willendorf, a Paleolithic
carving in limestone; which can fit in the palm of one's hand. As well as, The Sacrifice of
Chacmool, which are a plethora of Mesoamerican statues emulating rituals of sacrifice. The
Chacmool figures are always portrayed with their heads looking at their sides and their backs to the
ground, upon their stomachs are bowls in which people would place offerings to the gods. The
Chacmool's primary function was to hold offerings for rituals; the offerings would range from
common foods to human organs. Archeologist suggests that the figures were found in ruins of the
ancient cities Teotihuacan and Tula. They suggest that the works

Braunstein Collection
The Braunstein collection located in the Barrick Museum at UNLV gives visitors a cultural outlook
at the prehispanic era that each of these figurines represents. Each figurine is a great example of how
a person could be triggered to a personal and mutual understanding of one's culture. The collection
involves figurines from Mesoamerica, South America, and Central America, bringing a variety of
cultures to the focus. Despite the lack of words, each figurine provides a background story
surrounding each culture.
Each figurine is placed in a section that depicts what the figurine is supposed to represent. There are
several different sections in the collection; young, marriage, pregnancy, family, and elders. Taking a
look at the section, Young, the figurines from Colima, Mexico shares the same long nose and face.
Each figure is assembled with jewelry around their neck and head. Already, one ... Show more
content on Helpwriting.net ...
The vast amount of figurines in the collection could imply just how important the term was to the
people of Colima, Maya, Michoacán, Jalisco, Nayarit, and Veracruz. Each figurine is beautifully
detailed and crafted that it speaks to the viewer. The figurine from Michoacan, Mexico dated back
BC 400–100 is one that caught my attention the most. Looking at the figurine, one can see that the
artist placed two heads onto the body and it is supposed to represent the growing life within. Going
further down the list, the figurines become a bit more childlike in how they were crafted, the ones
from Maya, El Salvador are examples of the childlike facial structures. The figures from
Guanacaste–Nicoya, Costa Rica look the least similar to the other figurines in the collection. Their
facial and body structure is different and they are more vivid in color than the other figures. Judging
by their work on the figurines, the people from Guanacaste–Nicoya were creative in

The Pair Statue Of Ikhui Analysis
Pair Statue of Ikhui and His Wife, Bebi Leshel Branch Art History I Tammy Vaz Pair Statue of Ikhui
and His Wife, Bebi Yale University Art Gallery The Pair Statue of Ikhui and HIs Wife, Bebi is a
statuette fairly small compared to life–size and is from the fifth and sixth dynasty of the Egyptian
Old Kingdom around 2465–2323 B.C. It was excavated from a tomb in in Giza. The statuette
displays a male and female standing side by side. It measures about less than two feet high. It
appears as a relief because of the space between the arms and waists of the figures and sculpted
from a block and chiseled away. They stood against a small wall no taller than the male figure but
slightly taller than the female figure only to cover a portion of their backs. They had somewhat of a
symmetric value. Each side mostly mirroring each other. ... Show more content on Helpwriting.net
...
The legs were mostly the only parts that had color, in addition to small specks of black on the hair.
They both stood on a surface that was painted black but had started to fade. The male figure stood
firm, almost at attention with both hands clinched, placed by his side. He body type appeared
athletic with broad shoulders. His right leg was planted back as his left leg was placed to the
forefront. His head was slightly tilted to the side. He wore the typical Egyptian official's attire, kilt
with an apron and bare chest. The female figure stood beside him, straight. She was shorter than
him, her chin reaching the height of his shoulder. Her head was also tilted to the side. Her right arm
was placed to give the illusion that her arm was around his back. Her fingers could be seen on the
right side of his waist. Her left arm hung down and crossed over her middle section, hands open,
lightly touching with the tips of her fingers the the male figure's left arm. They each had blank facial
expressions. No emotions could be

Carved Stone Balls Analysis
The reading provides three theories for the purpose of the carved stone balls found at a multiplicity
of locations in Scotland; however, the lecturer believes the passage's interpretation is open to
dispute. She tries to refute the author's opinion by using some cogent reasons. First, the first theory
argues that the carved stone balls used as weapons in hunting and fighting. On the other hand, the
lecturer cast doubt on this theory by stating that the weapons used in the Neolithic period showed
signs of wear; they are often found cracked and broken, but the carved stone balls are well
preserved. Furthermore, the second theory holds the view that since the carved stone balls have the
same radious, they may were a part of a primitive measure

How Has Religion Changed Art?
Daynah Grant
Ms. Anttila
Senior Workshop
Part 3 Paper: How has Religion Changed art?
What is art? It can be explained as a diverse building up of mortal activities. Art is the single thing
that can change people by the thousands, millions, and billions. If we were to use words to describe
exactly what art is we can say that it is: expression, beauty, different, love, technical, abstract,
creativity, always changing, convincing, emotion, free, diverse, innovative and inspiring.
Art has changed many people and gave humans what they need to morph into what they are now.
Most of us don't think of art as much, Most of us thinks that art has nothing to do with the world of
today. If we look at the most basic of things we can see how ... Show more content on
Helpwriting.net ...
The earliest recorded of art was around 25000 BCE and before this time. This art included pieces
like the Venus of Willendorf. The Venus of Willendorf is a figurine that was found in Austria
featuring a female carved from limestone. This is not the only Venus figurine found, others were
made with bone, ivory and clay. Also all of the Venus figurines have a diamond shaped. Many
prehistoric art involved sculptures. A lot of Neolithic as said before cannot be proven as religious
but this is starting off art we have today which we need to review over. Some prehistoric artwork
includes the Jiahu Carvings, the Jiahu carvings were dated back to 7000 BCE and are made out of
red crown crane bone. they are flutes with 5 to 8 holes these were supposedly used for rituals.
Another piece of artwork can be known as the Niola Doa. The Niola Doa was found in Africa and is
dated back to 3000 BCE.
Let's fast forward a couple thousand years, before the 1400s in the Middle Ages (also known as
medieval times) we observe the concept of religious art. Back then the art had very unrealistic looks
looking at the style of the art. This is when religious art really thrived. In medieval times the art style
was gothic and much of the gothic style was influenced in the cathedrals in Europe today. As we see
main focuses were on the church and there was nothing else. In This art, you can tell the major
differences from the renaissance and the

Roles Of Venus Figurines
Women have always had an important role in this planet, as a companion, worker, nurture and
child–bearing. By being a life–giver, women have a special and important role in the community,
not only in the 21st century but since the beginning of time. In the Prehistoric Period, more
specifically in the Paleolithic Era, people seem to acknowledge this because anthropologist have
found a great quantity of Venus Figurines form this period. Venus Figurines are small statuettes that
resembles the female body with slight differences. These statues have enlarged breasts, swollen
abdomen, and large buttocks, most of them or at least the Venus of Wialdfor had the face covered
and both arms and legs seem to be cut in half. Women from the Society from ... Show more content
on Helpwriting.net ...
This figurine gives the thinkage that its meant for them Sexuality and fertility. This statuette being
so small give the idea that it was portable and being portable meant that it would be easy also to pass
from a family member to another, almost like a heirloom. It could be part of a tradition to them give
this Venus to woman that were going to get married were some kind of a amulet that helped the
married women procreate the night of their wedding. Having a strong belief that something like that
would make your dreams of becoming a mother possible would gave to be very powerful and
helpful, because feeling like you have the future of your bloodline in your hands is quite stressful
and stress doesn't help getting pregnant. This would obviously help the village or society grow and
have generations to protect and work. Taking all this back to the 21st century, woman from modern
places would not use these kind of amulets trough the line of judgment that it would help them
procreate, but apart from appreciating the art, they would take in conscience other things that are our
very own traditions and rituals to have a good marriage and healthy happy

Art Vs Medieval Art
When looking at history and the art produced throughout history, it is interesting to learn how it all
started and how it changed throughout the centuries. Starting with Prehistoric art leading to the
periods of Early Medieval and the Romanesque. Then when looking deeper at the art pieces created
throughout the centuries, something that stood out to me was how people were depicted and
idealized. Starting with the prehistoric art period, where there is only a few miniature sculptures that
depict women and men of that time. Then when looking at the Romanesque and Medieval art pieces,
the human body is more stylized and depicted differently. When looking at these types of aspects, it
makes me think about today and how people are either admired or judged for their beauty and body
image. Within this paper, I will be focusing on the major art periods that we learned and explain
how people were physically depicted and idealized, and reflect on how it is still seen today, within
society and their standards.
Starting with the Prehistoric period, where some of the earliest art images were created, people were
depicted in miniature sculptures and ceramic pieces. They were usually created small enough where
people could hold them in their hands and carry them around from place to place. Then when
looking at pieces like these, they would generally give basic depictions of characteristics within
facial features, while the humanly shape was something they focused more on. When looking at

Compressions In Bringing Of Joy By Beatrice Achike
Bringing of Joy
The characterization of Beatrice Achike undergoes change throughout the novel. In the beginning of
the novel she is depicted as someone who could be considered as being weak and is portrayed as
Eugene's possession; someone who is quiet, submissive and obedient and who always speaks in
gentle, soothing and calm tones. Beatrice refuses to speak up against Eugene's violence, and even
though she does not condone nor accept the violence, she does not feel as though she can leave such
an affluent, socially influential and well respected man. All of this adds to the portrayal of Beatrice
as being weak and submissive. However, towards the end of the novel, after many beatings and a
number of miscarriages brought on by these beatings, Beatrice realises that she needs to stand up to
her husband to protect her children and to protect herself, and so she slowly starts to plan Eugene's
ultimate demise.
The novel starts off in a chaotic and violent scene and it is already clear that violence is no stranger
in the Achike household. Jaja refuses to attend Palm Sunday to take communion which so upsets
Eugene that he ... Show more content on Helpwriting.net ...
Jaja speaks out against his father but Eugene does not have the strength to punish him. This is
because the poison has started to take effect on Eugene and he is becoming weaker. The silence of
fear and politeness that once lingered over the Achike house has fallen away and has been replaced
by a newfound freedom. Beatrice appears to be transformed as she takes on this new freedom as
well, and she fights against Eugene in her own way. She no longer speaks in a calm, gentle and
measured voice, "... she did not lower her voice to whisper." (Purple Hibiscus 257). She does
continue to look after her children but she now does so in an open and candid manner, "She no
longer sneaks Jaja's food to him in his room, ... she took him his food on a white tray, with a
matching plate." (Purple Hibiscus 257 –

Carved Stone Balls Summary
The author states that there are three theories about the purpose of the carved stone balls and
provides three reasons. In contrast the professor states that none of the theory are convincing and
she opposes each of the author's reasons. First, the article states that one theory is that they were
used in hunting or fighting. However, the professor opposes this point by saying that the common
neolithic weapons are generally shown the sign of ware, so if the carved stone balls were used for
hunting, they should be cracked, but their surface was preserved without any damages, so they
unlikely were used for hunting or fighting purposes. Second, the reading claims that the second
theory was that they were used as part of a primitive system

Analysis: The Venus Of Willendorf
I am writing about The Woman of Willendorf from the Paleolithic Period. This female figurine was
named "Venus of Willendorf" by a archeologist in 1908. The statue was carved from limestone and
was colored with red orche. The sculptor is 4 and 3/8 inches in height but seems much larger due to
it's rounded forms. This statue is an important icon of prehistory. Archeologists have suggested
different ways of understanding the sifginicance from which it was made. One of the first
suggestions is that it was a "Venus figure" or "Goddess" used as a symbol of fertility. The statue has
an enlarged stomach and breasts, the pubic area is emphasized probably serving as a symbol of
procreation. The second suggestion is that the sculpute may have been

Does Morley Promote Laziness
Being lazy tends to have a negative connotation, but Morley takes a different stance and challenges
his readers to uphold laziness as one of the true means to become happy. Morley is similar to a
salesman, as he promotes his product, laziness, in hopes of gaining the attention and support of
others. Like many salesmen, Morley has a catch. By concealing his satirical viewpoint, he is able to
distract his audience and continue to promote laziness undetected. Masking this satire, Morley
diverts the attention of his audience by incorporating model figures and reinterpreting conventional
knowledge to promote laziness. Morley supports his claims under a foundation of satire and
exaggeration. At first glance, Morley's whole essay may seem conceivable. Strange, but
conceivable. His opening paragraph describes how he himself is a lazy individual and using this
observation, presents the rest of his essay in the same sluggish manner. He insists that, "he intended
to write an essay on laziness, but was too indolent to do so. The sort of thing we had in mind to
write would have been exceedingly persuasive. We intended to discourse a little in favour of a
greater appreciation of Indolence as a benign factor in human affairs." Morley can be seen as a
victim of the very thing he is presenting to his audience. He becomes a salesman ... Show more
content on Helpwriting.net ...
These model figures are theoretical figures, conceptualized by Morley to demonstrate to his
audience what a lazy individual looks like, and the benefits he gains. His most prominent model is
what he describes as the laziest man on earth, in which he states, "Finally the light broke upon him.
He stopped answering letters, buying lunches for casual friends and visitors from out of town, he
stopped lending money to old college pals...He sat down in a secluded cafe with his cheek against a
seidel of dark beer

Venus Figure Or Figurine: A Prehistoric Sculpture
A Venus figure or figurine is a prehistoric sculpture dating back as far as 35 thousand years ago.
These are the oldest known forms of figurative art known to exist. Created by numerous Paleolithic
cultures from the Gravettion period around 25,000 B.C, some researchers call this the first sign of
intelligent beings on earth. The sculptures were prone to many different crafting techniques that
included casting, the carving of softer rock material including limestone, calcite, ivory, and bone
that often depicted an exaggerated and disproportional body of a woman. A softer source material
helped the craftsmen sculpt the Venus figure more precisely. The sculptures are vastly skewed and
often have a relatively tiny, faceless head in contrast with

Egyptian Figure Research Paper
Research Paper 1 For countless years, figure has filled various parts in human life. The most timely
model was made to supply help to seekers. After the start of human culture, statues were used to
address divine creatures. Old rulers, conceivably in the trust of making themselves undying. The
Greeks made statues that depicted well formed men and women. Early Christians enhanced blessed
spots with fiendishness habitations and evil spirits, signs of the closeness of perniciousness for the
various churchgoers who could neither read nor make. From its beginnings until the present, the
shape has been, for the most part, breathtaking. From late primitive figure and from the few
surviving old pieces, we can judge that antiquated model was never ... Show more content on
Helpwriting.net ...
A social occasion of stone figures from Tell Asmar depicts divine beings , pastors, and admirers in a
way inside and out not quite the same as Egyptian model. These figures are cone–framed, with
flaring skirts, little heads, gigantic, beaklike noses, and colossal, looking eyes. A more imperative
delicacy and wonder can be found at a still later point of convergence of this district, Babylon. The
Babylonians used splendidly shaded tiles as a piece of their reliefs. Persian champs who included
Babylon in the 6th century B.C. conveyed with them a custom of fine craftsmanship. This
inclination hung on as they continued making prominent arrangements in bronze and gold. Now and
again the layouts are just dynamic ornamental illustrations; as a less than dependable rule, they are
animal casings wholeheartedly framed into smooth figures. Design from the impressive imperial
habitation of Darius at Persepolis (began around 520 B.C.) holds some Assyrian highlights. The
figures have heads with solidly wound hair and facial hair. Level regions constrained by distinctly
cut lines separate from sumptuously composed ones. The figures in this model are carefully twisted
and balanced; draperies are fine and

Examples Of Action Figure
An action figure is a pose able character figurine, made of plastic or other materials, and often based
upon characters from a film, comic book, video game, or television program–Wikipedia. Action
figures may also known as Super heroes. According to wikipedia.org Super hero is type of heroic
character possessing extraordinary talents, supernatural phenomena, or superhuman powers and is
dedicated to a moral goal or protecting the public. The term "Action Figure" was first coined in
1964.
G.I. Joe, Thundercats, Super Powers Collection, Transformers, Teenage Mutant Ninja Turtles action
figures, Batman, Toxic Crusaders and Swamp Thing are some of the famous Action figures of 80's.
Golden age for action figures characters was in 90's. Dazzler, ... Show more content on
Helpwriting.net ...
Content that is presented by the media is persuasive in nature hence affecting the thoughts and
ultimately behavior of the public. It also dominates in our lifestyle and controls our social beliefs
incidentally. Media has brought a great changeover in people's perception.
With the passage of time Electronic Media plays an important role in the life of people, and Movies
are also one of the categories of Media. Action Figures movies is one the genres of Action figure
movies. Now a day's some of famous action figure characters are; Terminator, Transporter (Frank
Martin), Expendables (Braney Ross), The Sixth Sense (Die Hard), Teenage Mutant Ninja, Big Hero
6 and Avengers. Other than that popular Action Figures are Ultimate Spider–Man, Iron Man, Ant–
Man, Avengers, Avatar, Ben Ten and Captain America.
With the growing trend of Action Figure Characters in the movies children are intentionally and
somehow unintentionally influenced by the Action Figures. They want to do actions like them and
also wished to play with them. Hence with the increasing demand of Action Figure Characters
Babytoys.pk introduces online shopping of remarkable collection regarding Action Figure

Essay On Disney Infinity
Disney has been using transmedia for many decades now, and after releasing their latest video game
platform Disney Infinity, they have proven once again that they are innovative players in the
transmedia field. Through Disney Infinity, Disney show how far the limits of transmedia reach. In
this essay I will be explaining what Disney Infinity is and what the Disney Infinity universe is and
how it works to complement the separate franchise canonically. After this i will be introducing the
reasons how and why Disney Infinity was a success and helped Disney to be a strong influencer in
the transmedia platform.
Disney Infinity is a video game that was released in august 2013. In the video game the players
roam through worlds that are based on franchises owned by Disney, ... Show more content on
Helpwriting.net ...
This also points to the fact that with transmedia, there is the idea that fans of franchise do not want
stories they love to be separated from each other but instead all of the stories should take place in
the exact same universe and should not contradict each other within the narrative. So how did
Disney make Disney Infinity have similar narrative relationships between the film's story and the
game's story? Well, Disney designed Disney infinity to not contradict the two storylines but instead
complement each other. This defines Disney Infinity's storytelling as part of the franchise's hard
transmedia storytelling, because of their successful efforts to make the universe fully canonical. This
"rule" so to speak, Is shown through the fact that the consumer cannot play one Play Set franchise
while using a character from a different Play Set. The amazing thing about Disney infinity is that it
allows several individual franchises to extend their transmedia storytelling product in one game.
Disney Infinity was

Venus Figurines: The Clovis Culture
1. Venus figurines: Figurines carved to depict a female's body. These figurines often exaggerated the
female's body parts such as the breast, buttocks, hips, and the stomach. The figurines were usually
carved from stone, antlers, mammoth tusks, or baked clay. These figurines have convinced some
scholars that Paleolithic thought had a strongly feminine dimension.
2. Dreamtime: Dreamtime is a elaborate and complex outlook on the world. Dreamtime was
revealed in countless stories, ceremonies, and in the rock art. Dreamtime was used to show us the
past events happened and how it links present–day life to timeless events in the past. In this outlook
of the world, everything happened in a natural order.
3. Clovis culture: The Clovis Culture was one ... Show more content on Helpwriting.net ...
The societies in the Paleolithic era differed from one another because each society had a different
governments, diets, social organizations, what tools they used, and how they adapted to their
environment. Some societies decided to move into a permanent settlement or village while others
decided to keep their way of hunting and gathering. The societies that decided to move into a
settlement started to become larger and complex. This allowed early humans to be able to
accumulate more goods which caused more inequality in these societies.
2. The agricultural revolution was a decisive turning point in human history because of many
reasons. Agriculture supported larger populations because it was possible to domesticate enough
food for everyone. Another bonus of the agricultural revolution was that it led into a explosion of
technological innovation which provided us with more technologies and techniques such as pottery
and weaving.
Hunter–gatherers were fine without agriculture, and they lived many years without it. Agriculture
may have provided a more effective way of more food, but along with it brought non–nutrient diets,
social inequality, and the risk of disease spreading easier because the population is

The Venus of Willendorf Formal Analysis Essay
The Venus of Willendorf is one of the oldest and most famous early images of a human. She
represents what use to be the "ideal woman" with her curvy figure and the emphasis on fertility seen
in the features of her sculpted body. This paper will analyze the Venus of Willendorf sculpture in
terms of its formal analysis. Most of the information about the Venus of Willendorf is based on
scientific research and theory because there is no actual documentation that dates back as far as the
sculpture. The Venus of Willendorf was sculpted long before any type of written language was
discovered. There are a few different dates as to when art historians believe she was sculpted
depending on the source, but typically it is believed that the Venus ... Show more content on
Helpwriting.net ...
The style of the Venus of Willendorf is appropriate for her time period because most early pre–
historic art consists of small figurines of nude women with little or no emphasis on facial features,
which are exactly the characteristics of the Venus of Willendorf. The Venus of Willendorf is a
sculpture that was sculpted out of limestone and stands to be 4 ½'' tall. The figurine was most likely
carved out of limestone because early pre–historic artists generally had to create art out of whatever
materials they had available. The figurine is only 4 ½" tall is because it was common for pre–
historic artists to carve small, hand held, portable figurines. The sculpture was found on the banks of
the Danube River, an area where pre–historic hunter–gatherers were thought to have lived and
traded goods with other civilians. The use of this piece of artwork is to portray the importance of
women and fertility in pre–historic times because these features are ones that ensured the survival
and future of mankind. The concern of this piece of artwork is the importance of fertility to
mankind. The artist was emphasizing the important fertility features woman have that lead to
procreation and ensure mankind's existence in the future. The emphasis on the breasts and pelvic
region are related to what

King Aspelta Analysis
The Colossal Statue of King Aspelta appears to be especially influenced by the statue design of Old
Kingdom Egypt, despite being a Kushite work from the Nubian region produced between the years
of 593 and 568 BC. Due to the larger than life size of Aspelta, the eye is initially drawn to the
pectoral and abdominal region of the body. This portion of the statue is especially idealized as the
pectorals are toned and the abdomen is similarly muscular. Furthermore, there is no indication of
any weakness or fat, which would be typical of the average human being. Even in the absence of the
work's title, this makes it evident that subject was in a position of power and wish to be seen as an
ideal and powerful portion.The arms are large, yet not well ... Show more content on
Helpwriting.net ...
Mentuemhet was a mayor and prophet from the city of Amen responsible for the reconstruction of
temples that had been destroyed by invading Assyrians. The statue itself is quite similar that of King
Aspelta in terms of form. For example, the Mentuemhet is also shown to have an idealized body yet
individualized face in the same way as King Aspelta. Furthermore, Mentuemhet is posed in the
characteristic left foot forward stance of Old Kingdom Egypt. Likewise, the respective statues wear
the same attire, a skirt with the same designs. This also appears to be a nod to the Old Kingdom
Egypt as the same piece of clothing can be viewed on statues of leaders from this period, like
Menkaure. Also, both are high reliefs in the sense that the figures are not liberated from the granite
stone, though their standing depiction gives the illusion that they are free–standing statues when
viewed from the front. However, the free–standing illusion provides both with a sense of
permanence and longevity of statue which hints toward the timeless aspect of Egyptian statues due
to their concept of the

Paleolithic Venuses Essay
Paleolithic Venuses
1.) Discuss the meaning of the Paleolithic Venuses. Identify Rice's position and explain it. Discuss
four other interpretations of these figurines mentioned in class or in the reading. Do any or all of
these interpretations support the views of the 19th century evolutionist Johann Jakob Bachofen?
Paleolithic Venuses are prehistoric sculptures that are traditionally thought, by experts to be images
that adore and glorify female fertility. There are three reasons why most historians who study the
Paleolithic era support this traditional idea. One, most analysts only use a sampling of the 188
figurines and most of them are pregnant. Secondly, the name Venus itself conjures up the notion of
fertility. Thirdly, ... Show more content on Helpwriting.net ...
And the result was that only 70% or 132 figurines were used to complete the study. Out of the 132
figurines used for the study, it was determined that 23% were of women under the age of 15. 17 %
were statuettes of pregnant women. 38% were of non–pregnant women in the reproductive stage,
and 22% were of , post reproductive women. It was then concluded by Rice that there is no evidence
to support the traditional view that the Paleolithic Venuses represent fertility since the largest group
of statues were of adult women while the smallest group were made up of pregnant females.
However, these results did not completely satisfy her. She then raised the question that since these
figurines were not sculptured for fertility purposes, then why were these sculptures made? Rice
believes that the answers to this question lie in the cultural aspects in the Paleolithic society. IN the
article she discusses the roles and status of women in the society. She talks about the various
responsibilities that women have in each stage of their lives. The three important jobs that women
had in the society are being the reliable source of food, providing a stable home including social and
sexual partnership, being the givers of life. Four other interpretations of these figurines include; the
association with a fertility cult, erotic art, calendar counting, and the theory these figures represent
the leaders of the Paleolithic era. These interpretations cannot answer for all of

Analysis Of 'Family Callers'
Background
"Family Callers" is a sculpture created by artist Robert Weibel. Weibel is a contemporary artist from
Illinois. His artistry consists of various contemporary pieces (Weibel, Contemporary Artist Robert
Weibel). The 1821 Gallery and Studios located in downtown Fresno is currently displaying much of
his work that consists of using various types of media. His collection that is currently on display
includes both two and three–dimensional works such as paintings and sculptures comprised wood
and other non–traditional materials, respectively. Weibel's work also includes igniting gunpowder
with paper and attempting to use other mediums to generate mythopoetic works of animals and
people, both real and imagined (1821 Gallery & Studios).
Review Purpose
For this Galley Review, two methods of evaluation of the artwork will be utilized. Pertaining to
"Family Callers," the two methods of critique that would be most appropriate would be Modernist
criticism. Psychoanalytic criticism is appropriate for works of art that deal with fantasy, dream
imagery, strong emotional content or intuition (Lazzari and Schlesier 98). Based on Weibel's
preference towards creating mythopoetic works of animal and people, real and imagined,
psychoanalytic criticism is fitting. Structuralism is another Modernist theory which applies to
Weibel's fantasy sculpture work as it is critique and exploration of the complex interrelationship of
the structure of the piece and all of its parts. His

Venus Of Willendorf Essay
Throughout history, cultures have created. Whether it was in the form of art, weapons, architecture,
or something else, it's always been present. By looking at art from prehistoric, near East, Egyptian,
Aegean and Roman times, we can see the progress we have come in creating. From starting out of
clay in prehistoric times, to creating with marble. In Ancient prehistoric times, the human body was
portrayed through a female figurine. These figurines represented fertility. A prime example of the
human body from this time, is through the piece, Venus of Willendorf. The Venus of Willendorf had
miniscule emphasis on proper anatomical accuracy. The artist of the creation emphasized her
breasts, paid deliberate attention to her pubic region, to ... Show more content on Helpwriting.net ...
Roman sculptors designed to impress. To invoke a feeling of power. The Roman sculptures often
showed influences from Etruscan sculpture and Greek sculptures. Etruscans influence Roman art in
the sense that they are the reason that Roman artists are familiar with contemporary Greek figures.
Their sculptures influence by them feature almond shaped eyes, a smiling mouth, elaborate locks of
hair, a robe with a zigzag edge, and mannerisms of archaic Greek sculpture. Greek influenced
sculptures are copies and imitations of the legitimate Greek statue or relief. Roman artists started to
make more art with the idea to express Roman ideas. By doing this rather than copying art from the
Greeks, is why the Roman sculpture is even a thing. An example of Roman sculpture that represents
the human body is the sculpture, Augustus of Prima Porta. In this sculpture Augustus is represented
as a military commander who is haranguing his troops. The details of the sculpture are thought to be
copied from life. Reliefs on the breastplate, fringes on the tunic folds and the folds of the military
cloak are carefully imitated from life. The bare feet and similarity in pose and proportions show how
much the sculptor was influenced by Greek

The Venus Willendorf and Laussel
The Venus
Willendorf and Laussel
During the Upper Paleolithic era artists created a wide range of small sculptures. These sculptures
were made from various materials, including ivory, bone, clay, and even stone. They represented
humans, as well as animals; they even combined them at times. Most of the sculptures from this
time show a high level of skill. From this time, there were two very influential sculptures, The
Venus of Willendorf and the Venus of Laussel. This paper will discuss both sculptures, in detail, as
well as, compare and contrast them.
The Venus of Willendorf, also known as the Woman of Willendorf, stands 11 cm. high and is
thought to have been carved from 22,000 to 21,000 B.C. It was discovered in 1908 by Josef ... Show
more content on Helpwriting.net ...
Sculptures in relief are typically more detailed than those in the round. This is because some of the
original material remains and forms the background plane. Like the Willendorf, Laussel also was
sculpted to have over exaggerated breasts, with large breasts and vulva. Unlike the Willendorf, the
Laussel has more detail in the rest of the body. There is still no face, but there is focus on the arms
and legs as well; where with the Willendorf, they weren't even carved into the figure at all. The
Laussel is shown holding a wisent horn, or possibly a cornucopia, in one hand, which has 13
notches. It is believed that the notches are carved to indicate the number of nights between the first
crescent and full moon, signifying a recognized relationship between a single menstrual and lunar
cycle. It was painted with red ochre, like Willendorf, that was also thought to represent the blood
from child birth. She also has her hand placed on her stomach (or womb). There is a "Y" on her
thigh and her faceless head is turned toward the horn.
I was drawn to this time period as well as these two sculptures. As I researched both sculptures I was
fascinated by how much respect the people of that time had for their women. Not only for what they
could do for them, but also for what they looked like. They didn't see the weight and size as a
grotesque thing; but more as a thing of beauty. In

Sculptures at Crosby Beach
Whilst visiting Crosby beach in October 2013 there was evidence of the public altering the statues
appearance. Somebody had knitted around the ankle of one, and also placed a hard hat on the head.
The statues being placed at Crosby beach had created a large tourist attraction and we see how the
public introduce their own enjoyment to the art.
With the sculptures being constantly moved to different locations, they were granted permission to
be permanently positioned at Crosby beach in 2005, despite some objections. Certain people
believed that the figures were offensive and pornographic due to them being naked with genitalia on
show. They also believed that they were a safety hazard due to it being difficult to differ between a
human and a sculpture in low lighting. Also, reaching the figures close to the sea was shown as a
hazard due to the sinking mud; a problem which I had encountered myself! The sculptures being
made out of Cast iron is also relevant to them being positioned in Crosby beach. The cast iron links
to the Liverpool's industrial origin as a major port. The figures stand watching as many ships pass
each day, as they are reaching their new destination. The sculptures are possibly standing, waiting to
travel to 'Another place.' This point is strengthened by the fact that some of the sculptures are half
buried in the sand, giving the impression of the statues walking into the sea.
The images above allow us to see the effects that the environment have on the

The Becket Diptch: A Case Study
Diptychs like the Becket Diptych would have been popular in private worship. Their small size
allowed them to be easily transported. The evidence of a hinge on the left side of the panel tells us it
could have been closed and then opened, making it even better for travel. The intricate carvings
invited close examination of the figures and thus inspired contemplation. The expensive material
meant that only someone of the elite could afford such an object. Diptychs like this would be used
for personal worship by its owner. Like many works from this period, we do not know its owner or
whether it was a commissioned work by a specific patron. It is important to recognize that the
Becket Diptych as we see it at the Walters Art Museum is not as

Ancient Greek Art And Its Impact On Ancient Greece
Ancient Greek art has been one of the most influential art forms in the past centuries. The Keros
sculptures predominantly stand out while referring to the ancient Greek scluptures and art. The
Keros sculptures were carved purely out of marble and were a form of Cycladic art that was created
in a small island called Cyclades in 2600–2400 B.C. The Cycladic Islands of Greece are set in the
Aegean Sea. The ancient Greeks called these islands the kyklades, a scattered kyklos, or circle, of
islands around the holy island and sanctuary of Apollo, Delos.
The very first Keros sculpture was founded in the year 1963 by Lord Renfrew. The only unfortunate
event that occurred during excavation was that almost none of these Keros sculptures were found in
their complete form. Only fragments of these sculptures remained. It has been noticed, that all
through history, the Keros scultpures have been incrediblly difficult to analyze and interpret due to
lack of background information and it's obvious missing parts. An abudance of myths surround these
sculptures since Ancient Greece is also known for its devotion to Greek mythology. The
significance, use, and meaning of the figures are unclear. There is even debate about whether the
figures were meant to lie flat or to stand against a wall––there is no definitive evidence either way.
Numerous explanations about the significance of the figurines have been proposed: the figurines
may have been apotropaic (i.e., to ward off evil) or served as

Essay Venus of Willendorf
The Venus of Willendorf
Ever since the beginning of the Stone Age around 25,000 B.C. and throughout the late classical
period in 400 B.C., we can infer and see that both men and women have been portrayed in many
ways when viewing particular cultures around the time period. The representation of the female
body can be seen through numerous pieces of Art. Ladies and Gentleman the figurine in front of you
is called "The Venus of Willendorf", and it is the oldest female figurine statuette. It most likely
symbolizes female fertility. Now some of you may be wondering why this figurine is half naked.
The reason for this again ties back to the cultures of Mesopotamia. Multiple Mespopotamian related
cultures seem to have made this ... Show more content on Helpwriting.net ...
I believe that the stomach was actually used to show pregnancy, and portrays the woman as a
maternal figure, or simply, "Mother Earth."
The Venus of Willendorf was found in 1908 by a workman named "Johann Veran" (Selen). It was
found by archeologists at a Paleolithic site. Here at the Naturhistorisches Museum in Vienna,
Austria, we have the only authentic Venus Figurine (Naturhistorisches Museum Wien). The artifact's
purpose is still being speculated by many. But from what I can infer, the figurine was used a a
maternal figure, and it shows the richness of female fertility.
It portrayed the woman as being the care giver of life, and it showed her as something everyone
looked up to, either for riturals or as a figurine of fertility. She may have been the Goddess of life; a
status similar to "Mother Earth.". However, I believe that the purpose of ti was to show woman what
their capabilities were, and it seemed to focus on the strengths that they possessed and what their
functions in society were. In this case, the large breasts, stomach, and hips (Selen). It potentially was
used to symbolize new life, or maybe even a new beginning. Now if you focus on this statuette you
will notice that it's roughly only about 4 inches long. The statuette is named the "Venus of
Willendorf" after Willendorf, Austria, where she was found, and the name "Venus" was named after
the ancient Roman Goddess of Love

The Art Of Sttatuary Art In Ancient Greece
Statuary art is the style of art consisting of three–dimensional figures created by artists to display a
person in the form of a statue as a symbol of honor or respect. Statues majorly evolved within
Classical Greece, between the years 479–323 BCE, and during the Roman Empire times. Although
during both eras they may have both been using the art of statuary and in which they exhibited
similarities, they were in fact, very different. It began with the Greeks, using the form of art to
display idealism, then the Romans continued to practice the art to display realism.
The Greeks and the Romans used the art of statuary similarly to represent their people in the form of
a permanent piece of art. Their similarities in their pieces include the materials they used, such as
bronze, as bronze, stone, metals and some marble. Unfortunately, they also have the similarity that
most of their remaining sculptures of those of stone and marble, due to the consistent need of metals
in the years to follow them. Another resemblance would be that they both used it to demonstrate
what is vital to them; fitness to the Greeks and leadership to the Romans. Even though they had
many common characteristics, they also had a variety of differences.
The Greeks created their statuary art using idealism techniques. Though it was the art of restraint,
the statues were fashioned with imagination, within a rulebook. The artists showed creativity by
altering details ever so slightly from what has been done

Venus Of Willendorf Essay
What is the significance of the Venus of Willendorf and the Catal Huyuk figures and what do they
demonstrate about the Paleolithic and Neolithic eras?
The Venus of Willendorf and the Catal Huyuk were, and still are exquisite pieces of art. Both of the
sculptures a many profound meanings behind them that are so interesting to learn about. While
looking at them and seeing their history and value you get a deep look inside the Paleolithic and
Neolithic era. The Venus of Willendorf and Catal Huyuk figures are significant because they
symbolize the leadership role of women, the maternal role of women, and the perception of beauty.
In the book Venus of Willendorf by Christopher L.C.E. Witcome I notice that he talks a lot about
this being one of the most famous art pieces in history. In terms of her popularity I can find more
information on Venus and its significance. For example she is considered to be the "first woman"
from a patriarchal point of view. Meaning that Venus was the first woman ever to be carved by a
man. Also she is thought to have been a fertility figure, the reason being of the way she was carved,
her big stomach, and her other voluptuous body features. On the other hand the Catal Huyuk figures
from, Catal Huyuk a place in Turkey aren't as famous. These statues aren't as iconic as the Venus of
Willendorf because ... Show more content on Helpwriting.net ...
A lot of the prehistoric art that was created in that period of time was of women, so all of those
paintings or sculptures show that women were worshiped. Back then it is shown that people honored
women and worshiped them. Women were looked at as more of art and goddesses rather than just
objects. Women had a purpose and that was to give and receive life. Women are still viewed as
people who give and receive life but, this has been going on for years and years now it's not
appreciated like it was back then. Today we are looked at as sexual

Power And Pathos Of The Hellenistic Era

Recommended

Recommended

More Related Content

More from Dani Cox

More from Dani Cox (20)

Recently uploaded

Recently uploaded (20)

Power And Pathos Of The Hellenistic Era