P4K Narrative and Core Mechanic
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This is a presentation to help facilitators in the Playing 4 Keeps program explore the ways video games convey ideas through narrative and core mechanics.
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The document outlines initial plans for developing a video game. It discusses ideas for centering the game around a familiar sport like football to make it easy to understand. It also notes the game should catch the audience's attention through interactivity, loud noises and flashing images to entertain them. A mind map further develops a horror game idea that will intrigue and engage the intended audience through research on what they like. It plans to use dark colors, eerie music, sudden sound effects, a main character and side characters to create an atmospheric horror experience for the audience. A mood board analysis finds repetition in dark colors and pixel art styles that will influence the final product's art style and setting to achieve the desired horror tone.
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1. initial plans
Benjamin Wincup has initial plans for four turn-based shoot and loot mobile games inspired by Hotline Miami. The first game is called Loot and Chute, where players steal from a plane and jump out with the loot. The second is a puzzle maze called Crypt Assailant set in a desert tomb. The third is called Trench Siege where players run through no man's land into the enemy trench. The mood board shows imagery of planes, money, guns, and masks to represent stealing loot from a plane, aimed at a male audience aged 18-30 from a lower middle class.
3. research
The document analyzes several existing video game products and their use of lighting, sound, and character/story elements to create atmosphere and engage audiences. It notes that the games use high-key and low-key lighting to create contrasting atmospheres and shadows that make the worlds feel realistic. The games also aim to attach audiences to characters by giving them storylines and making them feel important to players. The analysis concludes that it will incorporate concepts like time rewind from Life is Strange and the use of black and white from Limbo to create mystery in its own project.
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The document analyzes several existing video game products and their use of lighting, sound, and character/story elements to create atmosphere and engage audiences. It notes that the games use high-key and low-key lighting to create contrasting atmospheres and shadows that make the worlds feel realistic. The games also aim to attach audiences to characters by giving them storylines and making them feel important to players. The analysis concludes that it will incorporate concepts like time rewind from Life is Strange and the use of black and white from Limbo to create mystery in its own project.
6. production reflection
Chelsea Kierans created a Photoshop file to develop the background for her game, drawing clouds on separate layers for consistency. She then drew identical men that her alien character would kill, placing each on its own layer to allow for flashing and disappearing at different times. Finally, she drew her alien character and brought the game to life by adding animation through moving frames and characters, choosing background music to add through Premier before exporting the completed game.
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This document discusses different types of computer game graphics, including pixel art, concept art, texture art, background graphics, and print media art. Pixel art uses raster graphics to edit images at the pixel level and was commonly used in older and limited games. Concept art conveys visual designs before a product is finalized. Texture art simulates or creates actual surface textures. Background graphics integrate sprites, or 2D images, into larger game scenes. Print media art, like box covers and packaging, aims to attract customers through eye-catching and concept artwork related to the game.
Artistic styles in computer games
The document discusses four different artistic styles used in computer games: photorealism, cel shading, abstraction, and exaggeration. Photorealism aims to make games look as realistic as possible, while cel shading mimics comics and cartoons. Abstraction uses minimal elements that are not meant to represent anything specific, like Tetris. Exaggeration is used in anime and manga games to make characters and scenes more over-the-top for a fun effect.
Sabido_H_wk11_Final_Protfolio
A presentation of all the work I've done while attending my Advance Illustration for Production. At the art institute of san Diego Ca
Unit 1 activity 3 game research
The document provides research on three video games: Dragon Age, Age of Empires II, and Dante's Inferno. For each game, it describes the title, publisher, system, genre, release date, graphical style, and includes an evaluation, collage, and review section. The evaluations describe how the graphical styles support each game's genre. The collages and reviews explain how aspects of the games could inform the design of the student's own cel-shaded game.
Initial plans
The document outlines Georgina Whiteley's initial plans for a 2D side-scrolling game. It includes ideas for characters (e.g. 4 main characters in unique colors), settings (e.g. castle, forest, field), and actions (e.g. running, jumping, puzzles). Georgina maps out the game's progression over multiple levels and considers gameplay elements like enemies, obstacles, and lives. She shares mood board research featuring inspiration for the forest, cave, and field settings as well as monster and character designs. Finally, Georgina outlines a 5-week schedule to develop animations, environments, the title screen, and evaluate her final product.
3. research
The document summarizes and analyzes research on existing side-scrolling and top-down video games. It describes common features across multiple games such as simple colors with little shading, side or top-down viewing angles, and an absence of complex shadows due to the simplistic designs. The research will inform the development of the author's own game, which will be played from the side view, use simple textures, and omit shadows to match the retro, low-fidelity style of the analyzed reference games.
LAFS PREPRO Session 6 - Concept Art
The document discusses color palettes and schemes that can be used in game design. It explains that a color palette consists of a predefined set of colors based on specific rules, though traditionally there are five colors. There are four main color schemes: analogous uses adjacent colors on the color wheel, complementary uses opposite colors, monochromatic uses shades of a single color, and custom restricts colors to a specific ring. The document advises choosing color schemes based on the game's theme to convey mood, like using dark colors for a horror game. It also mentions mood boards and concept art help define the artistic vision and allow revising assets before creating them in-game. Students are instructed to create pages in a PowerPoint for mood boards
Initial plans
The document outlines Daniel Firth's initial plans for a video game project based on the musical "We Will Rock You". It includes ideas for the game such as a side-scrolling or above-view style, cutscenes that are affected by player choices, and playable characters from the musical. Mind maps show additional ideas for the gameplay, aesthetics using dark colors, and a skill tree. A mood board analyzes repeated elements that will influence the final product. A schedule outlines the production process over 5 weeks, and a bibliography lists 7 sources for audience research, inspiration and planning.
MAAA363 Digital Illlustration and Production
Salvador Hernandez Jr's digital illustration and production works include:
1) A faux commercial storyboard for Google depicting a poor man helped by an angel using Google.
2) Color and greyscale storyboards for the Google commercial depicting the visual style and lighting.
3) A midterm artwork depicting the inner workings of the artist's head, ideals, and fears through symbols.
3. research (1)
The document analyzes trailers and gameplay for existing video games including Portal 2, Little Nightmares, Tetris, and Heartbound. It notes several common design features across the products: characters are brighter than darkened backgrounds to make them easily visible, there is a noticeable difference or contrast, and the games provide detailed backgrounds to show players their location. The research indicates these elements will be included in the author's own work, specifically bright character design, color differences, and detailed backgrounds.
Sonic adventure 2 battle
The document provides an analysis of the soundtrack from the game Sonic Adventure 2 Battle. It describes the setting, mood, genre, narrative, and specific soundtrack elements from time stamps in the audio. Production techniques used include a typewriting sound, upbeat keyboard and trumpet music, footsteps sounds, and suggestions to add echo and distance effects to improve immersion.
Q cards
The document discusses the development of a video game called "Contrast" that will explore multiple genres by having each level showcase a different genre through gameplay, music, and visuals. It will have a wide target demographic and will be challenging to develop due to its ambitious scope. The development team consists of 6 people with different roles and skills who will use various programs like Game Maker, Reaper, and Photoshop to create the game's code, sounds, sprites, and cutscenes.
1. initial plans(2)
The document provides details on the initial plans and mood boards for an animation project to create a video game environment. Key influences discussed include Undertale for its compelling narrative and characters, The Witcher 3 for its skill in visually representing environments, and Pixels for its creative idea of having video game characters spawn into the real world. The mood boards focus on outdoor landscapes and will be used to inspire unique environments for the game world.
Unit 78 digital graphics for computer games
Pixel art is created pixel by pixel, making it time-consuming but allowing for high quality works. Concept art illustrates visual ideas to show what the final product will look like. Texture art conveys what surfaces may feel like to make the work more realistic. Background graphics set the environment for game levels or add depth to interfaces. Print media art packages the game and merchandise like posters to effectively promote titles.
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P4K Narrative and Core Mechanic
- 1. Narrative, Core Mechanics and Meaning An Introduction to Game Storytelling
- 2. The Age of Radio Communication with: • Sound Effects • Music • Dialogue • Tone of Voice
- 3. October 30, 1938 - Broadcast send hundreds of thousands of people into panic
- 4. Film Communication with: • Sound Effects • Music • Tone of Voice • Dialogue • Actors’ Gestures • Actors’ Facial Expressions • Camera Angles • Etc.
- 5. The Matrix: (Neo vs. Agent Smith Final Scene)
- 6. Video Games Communication with: • Sound Effects • Music • Tone of Voice • Dialogue • Characters’ Gestures • Characters’ Facial Expressions • Camera Angles • CORE MECHANICS
- 10. Now You Try •Log in to Gamestar Mechanic •Go to the Toolbox •Either Make or Modify a game to express an idea - Save the Game •Then change the game so it expresses a different idea
- 11. If you need examples, take a look at: • http://www.playing4keeps.org/page/multimedia-1 • Find the heading: Workshop 7 • Click on: • Time = Money • Glass Ceiling