The document provides a production log for creating various 3D models and animations using basic primitive shapes in 3Ds Max. It summarizes the process of: 1) Creating a basic bedroom using only cubes and cuboids to furnish, including adding details like an open wardrobe door and a messy bed. 2) Animating a walking loop for a cube-shaped character, including adding swaying body movements and arm swinging to make it more realistic. 3) Modeling a penguin character out of primitive shapes like pyramids and oiltanks, and animating it with wing flapping, beak opening, and waddling movements. 4) Attempting to model a proportionate

1. Primitive 3D model – Production log
We have been tasked with creating a 3D model using only basic primitive
shapes in 3Ds Max. I have done a very similar task a few years ago so I
know I can do it well.
I’ve decided I want to take the challenge a step further by using only
cubes and cuboids to make my model, instead of the whole range of shapes
available.
I have decided that I want to challenge myself a little further and will
create a basic room using only cubes and cuboids.
First I will gather a bit of secondary research:
Source 1
Source 2
I want it to be able to see it from this kind of angle. Ideally I would
want it to look like a top down view from “The Sims”.
I will start by making some walls and floor

2. Now that I have made this, I will start decorating it with furniture. I
have also decided to try and recreate a room from my flat since I am
familiar with it and can easily recreate it.
By quickly dragging out rectangles, I am creating furniture for this
bedroom. I have started with the larger objects first such as the bed
and wardrobe and also a spot where the wall juts out.
I added small details like the wardrobe door being open and the bed
being a mess to add a small amount of accuracy and realism.

3. I have added the bookshelf, door and picture above the bed. I wasn’t
able to add much detail to the bookshelf since we aren’t allowed to
bevel or extrude the shapes. To compensate for that, I added a couple of
books poking out of the shelves.
I created the desks and table tops from my room. Next ill add draws and
doors on them, as well as a few items littering the top.

4. This part was quite easy using the “Autogrid” tool. I added the doors
and draws, as well as a few electronics such as the radio and lamp.
I want to continue to add electronics so ill now add my computer, laptop
and accessories.
I have added my computers and the rest of the electronics and feel like
I can call this work done. I wasn’t able to get absolutely everything
perfect but for a quick challenge, I feel happy with it.

5. Sources:
http://imgkid.com/3-point-perspective-bedroom.shtml
http://imgbuddy.com/2-point-perspective-bedroom.asp

6. Mr. Cuboid Animation Production Log
I have animated people before in the past, so I decided to try something
more challenging for my animation by making an accurate walking loop.
Ive started by taking the original model, to get a feel of how the
animating works in 3ds Max, I moved one of the legs up.
Having done that I moved the arms and legs into their starting point.
I worked out that if I wanted a smooth looping animation then I would
need to have the first leg lower and the second one planted in 25
frames, this means a full cycle would take 50 frame. After that, I
copied the necessary frames to repeat the cycle.
The result is a perfectly looping walking animation, but it doesn’t look
realistic. That’s because only the legs are moving while in real life
the entire body moves while walking.

7. My solution to this was to add slight movements to the model as it
walks. It now sways slightly as he walks and made him look up once every
2 cycles. I also recoloured him to make him more visually appealing.
It’s beginning to look much more natural but his arms are still frozen
in place. Ill make them swing gently as he moves, remembering that the
opposite arm goes forward with the foot.
His arms seem a little robotic so Ive changed it slightly to make his
forearms move more realistically.

8. Now im happy to call this animation finished. I wouldn’t be able to
improve the animation further without erasing what I have already done
and I feel like I has been completed well.
Penguin Production Log
I wanted to something a little different for my animation but I wasn’t
sure what to make, I started just playing around with primitive shapes.
I liked the shape of the “Oiltank” primitive, it reminded me of the kind
of “cute, round animals”. I began putting together some of the shapes.

9. It began developing into a kind of bird-like shape. I decided I wanted
to go with this and create a penguin in this style. The beak could be
improved a lot so that’s what ill work on first
This is the new beak I built. I made it using 2 pyramids to make it easy
to animate later on.

10. I placed the beak and eyes on the body. It doesn’t look very cute yet
though.
I made his eyes bigger and a little closer together. I also remembered
to give him feet and a top hat.

11. I made a lot of changes since the last shot. Most notably the new colour
scheme to make him seem much more like a penguin. I also added a few
more “cute” features such as his tail, tufts of hair and cheeks. I also
made his eyes even bigger.
The model itself is now complete. I have parented the body and now I’ll
begin animating him.
I did all the animating in one screenshot so that I could focus on
getting it right. I made his wings flap several times quickly and made

12. his beak open and close a few times. He is also waddling a few times
too.
I feel like I have now completed the model and animated him well. I have
also “TurboSmoothed” him.
Male Proportion
Using the Extrusion tool, I am
going to create a 3D model of a
man. First I have placed the
reference images into the
viewport.

13. Starting from the leg, I create a single
tall rectangle with many segments and
then began moving the segments to align
with the reference image. I
“Turbosmoothed” the box so that I would
have a better idea of what it will look
like when it’s finished

14. Ive continued using this method to build the torso. Im
going to create half of the body here and mirror it when
enough is done.
I have built out his left arm. This
part was quite difficult since there
wasn’t much reference imagery to work
with, the hand was particularly
difficult.

15. I mirrored the body but it looked a little
broken. Ive reverted to having no smoothing to
fix it.
I tried building a head on the
model but it went a bit wrong, I
may try to fix it in the future
but for now ill be leaving it to
progress with other work

16. Camera Rigging Exercise – Production log
The mapping exercise starts with this model of
cereal box that was provided. I will need to
create a Target camera from the “Create” drop
down menu, and a directional or area light
from the “Create” Tab.
Ive Created the target camera and area light, the next thing I need to
do is add a background and a track for the camera to move on.
The best track I can use for this would be a ring so that the camera
will rotate around the box in a circle. To attach the camera to the
ring, all I need to do is go to “Animation; Constraints; Path
Constraints” and drag the camera to the ring
The final part of this task is to use. keyframes to record the video. I
had to expand the keyframe timeline in order to have a good quality
video.
[https://www.youtube.com/watch?v=05re7njpr1A]

17. My own work:
I used this method to record a short video of a model I made in my own
time, the camera is a little less centered in this video mainly because
of the unusual shape of the model.
Video:
[https://www.youtube.com/watch?v=skgdoc0L2ig]
UV Mapping tutorials – Production log:
We began this tutorial by creating some primitive shapes like cubes and
spheres. We then opened the Material Editor with the “M” key and applied
a bitmap, this let us chose textures to put on each object. This is the
most basic form of texturing and will likely never be used so we moved
onto the more
complex “UV
Unwrapping”.
UVW Unwrapping:

18. The benefit of UV unwrapping is that it provides
a much more accurate finish but also allows you
to edit the individual faces. The easiest way to
do that is by taking the UV map into Photoshop
and painting directly onto the surfaces.
I painted a dice texture onto the unwrapped map
of a cube and will now apply the texture onto
the cube.
This is what the finished cube looks like. It
would be acceptable for a game if this model was really small but the
texture is slightly broken around the edges.
I wanted to do something similar, but using
professional quality textures, I took this one
from online and created a new map for it.
I was more careful this time to not include any
broken textures but the texture I got had a seem
in each corner which carried over to the
finished box.

19. I tried to apply a similar texture to a sphere
but it turned out to be much harder than
expected. Ive left that for the time being.
This is the unused UV map. Ive been Told it
would be easier to apply it to a box and
turbosmooth it.
I have also taken an old model I built and
applied a bone texture to it, it dosent look
very good but that may be because of the amount
of polygons and how unorganised some are.