NEOMODERN
ARCHITECTURE
HAMID HUSSAIN
NEOMODERN ARCHITECTURE
2
Neo modern architecture started in
Toronto, Canada
TIMELINE
1980- The Bay Adelaine
Centre in Toronto, Canada
1996- Fred and Ginger in
Czech Republic
2012- Gates Vascular
Institute in Buffalo, New
York
NEOMODERN ARCHITECTURE
3
 Neomodernism is a reaction to the complexity
simplicity.
 Neo modern architecture shares many of the basic
characteristics of modernism.
 Both reject classical ornamentation,
decorations, and deliberate ambitions to
continue pre-modernist traditions.
 Neomodernist buildings, like modernist ones, are
designed to be largely monolithic and functional.
 Neo modern architecture is inspired by futuristic
and modern types of architecture
NEOMODERN ARCHITECTURE
4
Flow Neo-Modern emerge during the year 1980 in line
with the changing times since declared the death of
modern architecture (1975) and then marked the
emergence of a new postmodern buildings. Neo-Modern
is also growing along with the flow of deconstruction in
which the architects of the day such as Frank Gehry,
Peter Eisenman, Rem Koolhaas, Bernard Tschumi, Zaha
Hadid, Fumihiko Maki, Kazuo Shinoara and others who
produce works of Modern and Neo deconstruction. The
works of Neo-Modern architecture is in sharp contrast
with the classical properties (clasissism).
NEOMODERN ARCHITECTURE
5
Uniformity and harmony in the building facade are
preferred to the use of materials and color sometimes
monotonous, yet innovative.
Blending elements memorable as possible and the
impossible.
The characteristics above are the common traits that can
be seen visually from Neomodern building. To reveal it,
the architects Neomodern utilize form, use of materials
and colors as well as the structures and technologies that
make Neomodern also developed into several streams
like Plastism, Suprematism, High-tech and others.
These characteristics are fundamental to buildings
Neo-Modern namely:
NEOMODERN ARCHITECTURE
6
In Plastism flow, widely used formations are
memorable flexible with lots of curves and
arches. This flexible formation makes the
building more dynamic and has character.
Notching is not necessarily structural, often
decorative, but together with the building and not
just a "patch" both facade and interior of the
building, how to use color and innovative building
materials. The point is trying to put forward ideas
Plastism flow through formations are not
common of a building
NEOMODERN ARCHITECTURE
7
Suprematism flow prioritize engineering common form
of formation. From the meaning of the word "suprematis"
itself is against the things that are past and natural, this
flow into the building trying mengiterpretasikannya with
reverse everything that is common in buildings. Such as
walls, columns and even a sloping floor. The term
disposition is natural in the flow of Suprematism in
expressing ideas and concepts. However, this flow
focuses on the building in terms of concept formation that
leads to the character of the building without considering
the function of depth. Sense of art is very evident in the
work of school buildings Neomodern-suprematism.
NEOMODERN ARCHITECTURE
8
High-tech flow typically use extreme structure to
"impose" a form consistent with the concept / idea.
But in this case also considered the science that
supports the function of human comfort users.
Neomodern streams in real-flop because every
architect in expressing their ideas differ, but the
goal and the basic ideas can be categorized in
Neomodern.
NEOMODERN ARCHITECTURE
9
SIMPLE
Tour Total, La Défense, Paris
NEOMODERN ARCHITECTURE
10
ABNORMAL
HEYDAR ALIYEV CENTER
NEOMODERN ARCHITECTURE
11
FUTURISTIC
GUGGENHEIM MUSEUM
MATERIALS
 glass
 concrete
 steel
 wood
ELEMENTS
 - horizontal lines
 - cool colours
 -form (3d)
 -smooth texture
 - asymmetrical
 - Vertical balance
 - rhythm
 - Emphasis
NEOMODERN ARCHITECTURE
13
CASE EXAMPLE OF NEO-MODERN BUILDINGS ARE :
Categorized in suprematism flow due to an
enhancement of the simple formation for no
apparent reason. The use of building
materials shows like a boulder formations but
that might not happen with the use of stone,
uniform color, structure not shown. There is no
scientific terms and functions are considered,
only the character of the building which shows
that the building is an old building "history" with
the form of the "future" of innovative and
unusual. The method is by Hermetic coding,
seen here The architect wanted to propose the
idea of a museum building from time to time
from the prehistoric period to the present and
even the future.
1. AMERICAN FOLK
ART MUSEUM
NEOMODERN ARCHITECTURE
14
St.John villa building can be categorized in the
building Neomodern suprematism flow. This is
evident from the formation of which is the
development, integration and engineering of simple
formations to give the character of the building, but
by considering the function of science such as
shadowing and air circulation.
The nature of the disposition of the exterior walls,
tilting and stacking formations without definite rules
is characteristic of suprematism. Methods used as
disjunctive complexcity, even slightly comic look at
the formation of destructive outside of the building.
But the interior of this building has seen that the
spatial arrangements in accordance with the method
of explosive space and is continuous through the
boundary and relate to one another.
2. VILLA ST. JOHN –
St. John Island,
by Hariri & Hariri
architects
NEOMODERN ARCHITECTURE
15
This building can be categorized in the flow-
high tech Neomodern where extreme use of
structures that also support his science such as
lighting and shadowing.
With the initial concept of a screen like the
concept of building the Sydney Opera House,
Aurora Place building designed with a strategy
perspective approach between the buildings
surrounding skyscrapers. This building gives a
good impression to the idea, the beauty in detail
and harmony with the environment. The
building is also designed with a very deep
consideration to the scale of the human body,
the use of science for comfort and innovative
structures.
3.AURORA PLACE –
Sydney Australia,
by Renzo Piano
NEOMODERN ARCHITECTURE
16
Architect designer, Renzo Piano found
not only combines architecture, cut, add
or change formations into a new form,
but the architecture should provide a
special contribution in the spirit of a
building in particular and in general on
the surrounding environment.
The building is categorized into
Neomodern building because it has a
specific concept, also consider science
and its structure and shape that is
happening is also a merger between
geometric elements and nongeometris.AURORA PLACE – Sydney
Australia, by Renzo Piano
NEOMODERN ARCHITECTURE
17
Proxies in the form of high-rise tower
formations adopted the legendary Thames
sailing vessels combined with a church
spire. Façade is distorted by the presence
of areas of different plate light but massive
impression material, because of the use of
glass on the façade. The impression was
so strong geometric formations seen from
the simple proxies games rely on the
formation of three-dimensional facade
seems a projection of the plan. A spire
height of 100 meters is a radiator that uses
35 mph winds to cool the building.
4.LONDON BRIDGE TOWER
–Livingstone London, By
Renzo Piano
NEOMODERN ARCHITECTURE
18
THANK YOU

Neomodern architecture

  • 1.
  • 2.
    NEOMODERN ARCHITECTURE 2 Neo modernarchitecture started in Toronto, Canada TIMELINE 1980- The Bay Adelaine Centre in Toronto, Canada 1996- Fred and Ginger in Czech Republic 2012- Gates Vascular Institute in Buffalo, New York
  • 3.
    NEOMODERN ARCHITECTURE 3  Neomodernismis a reaction to the complexity simplicity.  Neo modern architecture shares many of the basic characteristics of modernism.  Both reject classical ornamentation, decorations, and deliberate ambitions to continue pre-modernist traditions.  Neomodernist buildings, like modernist ones, are designed to be largely monolithic and functional.  Neo modern architecture is inspired by futuristic and modern types of architecture
  • 4.
    NEOMODERN ARCHITECTURE 4 Flow Neo-Modernemerge during the year 1980 in line with the changing times since declared the death of modern architecture (1975) and then marked the emergence of a new postmodern buildings. Neo-Modern is also growing along with the flow of deconstruction in which the architects of the day such as Frank Gehry, Peter Eisenman, Rem Koolhaas, Bernard Tschumi, Zaha Hadid, Fumihiko Maki, Kazuo Shinoara and others who produce works of Modern and Neo deconstruction. The works of Neo-Modern architecture is in sharp contrast with the classical properties (clasissism).
  • 5.
    NEOMODERN ARCHITECTURE 5 Uniformity andharmony in the building facade are preferred to the use of materials and color sometimes monotonous, yet innovative. Blending elements memorable as possible and the impossible. The characteristics above are the common traits that can be seen visually from Neomodern building. To reveal it, the architects Neomodern utilize form, use of materials and colors as well as the structures and technologies that make Neomodern also developed into several streams like Plastism, Suprematism, High-tech and others. These characteristics are fundamental to buildings Neo-Modern namely:
  • 6.
    NEOMODERN ARCHITECTURE 6 In Plastismflow, widely used formations are memorable flexible with lots of curves and arches. This flexible formation makes the building more dynamic and has character. Notching is not necessarily structural, often decorative, but together with the building and not just a "patch" both facade and interior of the building, how to use color and innovative building materials. The point is trying to put forward ideas Plastism flow through formations are not common of a building
  • 7.
    NEOMODERN ARCHITECTURE 7 Suprematism flowprioritize engineering common form of formation. From the meaning of the word "suprematis" itself is against the things that are past and natural, this flow into the building trying mengiterpretasikannya with reverse everything that is common in buildings. Such as walls, columns and even a sloping floor. The term disposition is natural in the flow of Suprematism in expressing ideas and concepts. However, this flow focuses on the building in terms of concept formation that leads to the character of the building without considering the function of depth. Sense of art is very evident in the work of school buildings Neomodern-suprematism.
  • 8.
    NEOMODERN ARCHITECTURE 8 High-tech flowtypically use extreme structure to "impose" a form consistent with the concept / idea. But in this case also considered the science that supports the function of human comfort users. Neomodern streams in real-flop because every architect in expressing their ideas differ, but the goal and the basic ideas can be categorized in Neomodern.
  • 9.
  • 10.
  • 11.
  • 12.
    MATERIALS  glass  concrete steel  wood ELEMENTS  - horizontal lines  - cool colours  -form (3d)  -smooth texture  - asymmetrical  - Vertical balance  - rhythm  - Emphasis
  • 13.
    NEOMODERN ARCHITECTURE 13 CASE EXAMPLEOF NEO-MODERN BUILDINGS ARE : Categorized in suprematism flow due to an enhancement of the simple formation for no apparent reason. The use of building materials shows like a boulder formations but that might not happen with the use of stone, uniform color, structure not shown. There is no scientific terms and functions are considered, only the character of the building which shows that the building is an old building "history" with the form of the "future" of innovative and unusual. The method is by Hermetic coding, seen here The architect wanted to propose the idea of a museum building from time to time from the prehistoric period to the present and even the future. 1. AMERICAN FOLK ART MUSEUM
  • 14.
    NEOMODERN ARCHITECTURE 14 St.John villabuilding can be categorized in the building Neomodern suprematism flow. This is evident from the formation of which is the development, integration and engineering of simple formations to give the character of the building, but by considering the function of science such as shadowing and air circulation. The nature of the disposition of the exterior walls, tilting and stacking formations without definite rules is characteristic of suprematism. Methods used as disjunctive complexcity, even slightly comic look at the formation of destructive outside of the building. But the interior of this building has seen that the spatial arrangements in accordance with the method of explosive space and is continuous through the boundary and relate to one another. 2. VILLA ST. JOHN – St. John Island, by Hariri & Hariri architects
  • 15.
    NEOMODERN ARCHITECTURE 15 This buildingcan be categorized in the flow- high tech Neomodern where extreme use of structures that also support his science such as lighting and shadowing. With the initial concept of a screen like the concept of building the Sydney Opera House, Aurora Place building designed with a strategy perspective approach between the buildings surrounding skyscrapers. This building gives a good impression to the idea, the beauty in detail and harmony with the environment. The building is also designed with a very deep consideration to the scale of the human body, the use of science for comfort and innovative structures. 3.AURORA PLACE – Sydney Australia, by Renzo Piano
  • 16.
    NEOMODERN ARCHITECTURE 16 Architect designer,Renzo Piano found not only combines architecture, cut, add or change formations into a new form, but the architecture should provide a special contribution in the spirit of a building in particular and in general on the surrounding environment. The building is categorized into Neomodern building because it has a specific concept, also consider science and its structure and shape that is happening is also a merger between geometric elements and nongeometris.AURORA PLACE – Sydney Australia, by Renzo Piano
  • 17.
    NEOMODERN ARCHITECTURE 17 Proxies inthe form of high-rise tower formations adopted the legendary Thames sailing vessels combined with a church spire. Façade is distorted by the presence of areas of different plate light but massive impression material, because of the use of glass on the façade. The impression was so strong geometric formations seen from the simple proxies games rely on the formation of three-dimensional facade seems a projection of the plan. A spire height of 100 meters is a radiator that uses 35 mph winds to cool the building. 4.LONDON BRIDGE TOWER –Livingstone London, By Renzo Piano
  • 18.