Music of Mindanao (LUMAD).pptx
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The document discusses the music traditions of indigenous groups in Mindanao, Philippines. It describes six tribes - the Manobo, T'boli, Tiruray, Mansaka, B'laan, and Bagobo tribes. Each tribe has its own musical traditions, with different songs and instruments used for occasions like weddings, fishing, times of joy, sadness, and debates. The tribes inhabit various provinces in core and southern areas of Mindanao and each have developed unique musical cultures.
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- The main Islamic communities in the Philippines are found in Mindanao, including the Mindanao of Cotabato, the Maranao of Lanao and Cotabato, the Samal and Jama Mapun of the Sulu Islands, the Tausug of the Sulu Islands, and the Yakan of Basilan and Zamboanga.
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This document provides information on several indigenous groups in Mindanao in the precolonial period, including their religious beliefs, dances, and origins. The Bagobo, Manobo, T'boli, and other groups practiced animism and ancestor worship. Their dances often involved mimicry of nature and used drums, gongs, and other instruments. The document traces the origins and subgroups of several peoples and discusses some of their cultural practices and traditions before the colonial period.
Music 7 3rd Quarter Music of Mindanao pptx
This document provides information about traditional music from Mindanao, Philippines. It discusses ancient Muslim folk songs from the region like the Estijaro and Uruyan, which are accompanied by drums, gongs, and other percussion instruments. It also describes the Maguindanao Kulintang ensemble, known as the "Palabunibunyan," which features instruments like the Kulintang Agung, Dabakan Babandil, and Gandingan. The document further explains different types of traditional Mindanao musical instruments, dividing them into categories of chordophones, aerophones, and idiophones.
non - islamic music of mindanao third quarter lesson 3
Monsignor Rudy Villanueva, Narcissa Fernandez, and Fr. Jose Maghinay have greatly contributed Christian liturgical music used in Mindanao. Fr. Lem Naval's compositions are influenced by the Jesuits and also used in Mindanao. Chavacano music in Christian Zamboanga has also flourished over the years. There are over 2.1 million Lumads, or indigenous people, living in Mindanao, including subgroups like the Subanen, Mandaya, and Higaonon.
CPAR contemporary arts and techniques and performance in mindanao.pptx
Here are the answers to your questions:
1. This tribal group are excellent in maritime activity as they are traditionally sailors and pirates.
- "Iranun"
2. this tribal group is known as the Sea Gypsies
- 'badjao'
3. Jama Mapun is from the word “Jama” meaning “people”, and Mapun which means
- 'you forgive'
4. 'kalagan'
- the are a subgroup of the Mandaya- Mansaka people who speak the Kalagan Language
The Music of Mindanao Q3 G7 (1).pptx
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The Music of Mindanao Q3 G7 (1).pptx
The document discusses the vocal and instrumental music of Mindanao. It describes the diverse indigenous groups of Mindanao and their musical traditions, including the Tausug lullaby "Langan Bata Bata" and the Maranao epic "Darangen". It also examines the kulintang instrumental ensemble, which features gongs played with sticks. The kulintang is an important part of the oral musical traditions of Mindanao and is often played together with other instruments like the dabakan and gandingan.
Music 7- Islamic Vocal Music- Mindanao Music ppt.pptx
Here are the answers to the formative assessment questions:
1. Islamic music originated from Arab traders from Malaysia and Indonesia who came in contact with the natives in Mindanao and brought their culture and religion, Islam, around the 13th century.
2. The characteristic of Islamic vocal music that produces a musical effect resembling a shaky sound of notes is called tremolo.
3. Some forms of Islamic music include lullabies, chants used in the Qur'an, serenading love songs, and epic songs like the Maranao Darangen.
4. The style of singing wherein the singer uses his/her speaking voice is called free rhythm style.
5. In a
Early philippine music
Philippines is a lively country, full of country and tradition. Even before the coming of the Spanish, they already have their own music
cparts10.pptx
The Tboli are an indigenous group in southern Mindanao who practice slash-and-burn agriculture and believe in a pantheon of deities. They have a rich oral tradition embodied in the epic poem "Tud Bulol" and a variety of musical instruments. Both men and women tattoo designs on their skin and file their teeth to black points, believing it will light their way in the afterlife. They also adorn themselves with gold teeth displays of wealth. Nearby groups like the B'laans and Bagobo also have unique customs, beliefs, and crafts traditions.
Musical Characteristics of Cordillera, Mindoro, and Palawan in Relation to t...
As a recently-defined administrative region, the Cordillera is composed of the six provinces of Apayao, Kalinga, Abra, Mountain Province, Ifugao, and Benguet, plus the chartered city of Baguio.
Musical Characteristics:
Music is very much part of life and living.
Have a rich variety of songs and music performed on instruments.
Indigenous Tribe-MANDAYA, MANSAKA, TIRURAY.pptx
The document provides information on several indigenous tribes in the Philippines, including their origins, locations, cultures, religions, and traditions. The Mandaya tribe derives its name from words meaning "first" and "upper portion of a river" and are located in eastern Mindanao. They have retained their social and political organizations. The Mansaka tribe gets its name from the word for "farming fields" and are mainly found in Davao provinces. They practice slash and burn farming and have kinship-based social structures. The Tiruray tribe, also called Teduray, lives in mountainous areas of Cotabato and have dispersed settlements organized by families. They believe in deities like Magbabaya and Minaden
Concept of Peace in the Philippines
This document contains information about several indigenous groups in the Philippines, including their traditions, beliefs, and practices. It discusses the Maranao people and their history of resisting colonization. It also provides details about the Yakan people's Dayak and Sama origins, and their practice of an imam combining religious and political leadership. The document mentions Ifugao traditions like their rice terraces and the "Hidit" peace pact ritual.
BED11 MUSIC PPTX.pptx
Indigenous folk songs in Mindanao, Philippines are influenced by rituals and traditions and are performed in various contexts like weddings, courtship, and harvests. Vocal music of the Tausug people can be divided into narrative songs that tell stories and lyric songs that express ideas and feelings. Some common folk song types include lullabies, melancholic songs, and songs sung after work. Festivals in Mindanao celebrate the region's diverse cultures and harvests through music, dance, and activities showcasing local customs, including the Kaamulan Festival, Higalaay Festival, and Kadayawan Festival.
Ethnic Groups
The document provides information on several indigenous peoples groups in the Philippines, including their locations, languages, beliefs, practices, and traditions. It discusses the Igorots who live in the highlands of Luzon, and describes some specific groups like the Bontoc, Ibaloi, Isnag, Kalinga, Kankana-ey, and Lumad. It also covers Negrito groups such as the Aeta and Ati, providing details on their ways of life, religions, and arts.
Mindoromusic 131111083814-phpapp02
The document discusses the indigenous Mangyan people of Mindoro island in the Philippines. It describes the eight Mangyan ethnic groups, their traditional practices including housing, languages, musical instruments and genres. The Hanunuo Mangyans in particular are known for their centuries-old pre-Spanish syllabic writing system and poetic oral tradition called ambahan, which is performed through chanting. Music plays an important role in Mangyan rituals and celebrations.
Lesson 2 Music of mindoro (2nd Quarter)
This document provides information about the traditional music of Mindoro province in the Philippines. It discusses the geographical and cultural background of Mindoro and its division into Occidental and Oriental Mindoro. It then focuses on the preservation of Mangyan culture and the marginalization of their traditions. The document describes several genres of Mangyan vocal and instrumental music used for rituals, celebrations, courtship and work. It provides examples of traditional Mangyan instruments like the kudlong lute, gitgit, kalutang and others. The agung ensemble consisting of gongs is also mentioned.
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- 2. LUMAD Lumad, a Bisayan word for “native” or “indigenous,” refers to Non-Christian and Non-Muslim indigenous groups in Mindanao.
- 4. Manobo Tribe The Manobo (Manuvu, Minuvu) inhabit core areas from Sarangani Island and the provinces of Agusan del Sur, Davao Provinces, Bukidnon, and North and SouthCotabato.
- 5. T’boli Tribe The T’boli, the indigenous people of South Cotabato, perform various songs for different occasions and sentiments, like weddings and fishing, and when they are joyful or sad.
- 6. Tiruray Tribe The Tiruray, the traditional hill people of southwestern Mindanao, also have a wide range of songs like the balikata (melodic pattern for debates or converstions)
- 7. Mansaka Tribe The Mansaka from the provinces of Davao del Norte and Compostella Valley, are among the most dominant ethnic group in Compostella Valley province.
- 8. B’laan Tribe The B’laan (Bilaan) of Davao del Sur also have a wide range of instruments such as idiophones (percussions), zithers (bamboo tubes with strings), chordophones(wooden lutes), and aerophones (flutes and reeds).
- 9. Bagobo Tribe The Bagobo are among the largest groups of indigenous peoples of Southern Mindanao, inhabiting areas from the west coast of Davao Gulf to Davao’s well- known mountain ranges of Mt. Apo.