Michelangelo’S David
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Michelangelo's David is a famous statue sculpted between 1501-1504 by Michelangelo. It was originally commissioned by the cathedral community in Florence as a symbol of republican pride and placed in the Piazza della Signoria. In 1873, the statue was moved indoors to the Galleria dell'Accademia for protection. David depicts the biblical hero before his famous battle with Goliath and emphasizes his cleverness over physical strength. Now over 500 years old, it remains one of Michelangelo's most famous works of Renaissance art.
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The Renaissance was a period between the Middle Ages and modern times where interest in classical antiquity from Greece and Rome grew. It began in Italy in the 14th century and later spread north. Both Northern and Italian Renaissance art moved away from solely religious themes and toward more realistic depictions of people and use of perspective, influenced by humanism and the idea that humans themselves were capable of achievement.
Renaissance powerpoint
The Renaissance was a period between the 14th and 17th centuries that saw a rebirth of interest in classical learning. Major Italian cities like Florence and Venice became centers of trade and patronage for artists. Humanism emphasized the abilities of humans and the importance of education. Artists began using techniques like perspective and realistic proportions. Famous Renaissance artists included Michelangelo, Leonardo da Vinci, and their works like the Pieta, Mona Lisa, and The Last Supper. Literature flourished with Shakespeare's plays. Johannes Gutenberg's printing press made books more widely available. Exploration and scientific discoveries increased European knowledge. The Protestant Reformation began as religious reforms but led to the establishment of new Christian denominations in Europe.
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Michelangelo David
overview of Michelangelo's David. All information provided thanks to http://www.accademia.org/. All information is for education proposes.
Italisan Renaissance: Donatello
Donatello was a leading Renaissance sculptor in Florence who drew inspiration from classical antiquity. His statue of Saint Mark for the city's Orsanmichele church marked a radical departure from medieval representations of saints. Depicting Saint Mark in a natural, weight-bearing pose and engaged with the world, it embodied the humanist ideals of civic virtue and the dignity of man. Donatello's later bronze David, commissioned by Cosimo de' Medici, celebrated the human body and human potential through its contrapposto pose and nudity inspired by classical Greek art. It became a symbol of Florence's civic pride and liberties.
High Renaissance: Michelangelo
The document discusses the rivalry between Michelangelo and Leonardo da Vinci during the High Renaissance period in Italy. It describes their differing views on painting versus sculpture, with Leonardo believing painting was superior as it allowed one to create entire worlds, while Michelangelo preferred sculpture as it focused on the human form. The document also analyzes Michelangelo's famous works, the Pieta and David, noting his emphasis on idealized and dynamic figures to represent inner states of being.
Art ART101 IP1NameClassDateProfess.docx
Art
ART101 IP1
Name
Class
Date
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Abstract
The paper will provide an overview of two peer reviewed definitions of art. Art is defined differently be different people and has changed overtime. The paper will also provide descriptions of different pieces of art and their artistic significance.
ART
Part One
Art is defined differently by different people. The traditional definition of art was proposed by George Dickie his book Art and the Aesthetic (Torres, 2000). The definition proposed by Dickie (1969) is “a work of art in the classificatory sense is (1) an artifact (2) a set of the aspects of which has had conferred upon it the status of candidate for appreciation by some person or persons acting on behalf of a certain social institution.” This definition is still true today. Art is an artifact and it is completely subjective. What some people find beautiful others do not. If the artifact is appreciated and admired then it can be counted as a piece of art.
The definition also finds the artifact is only art if it is presented to the art world. This is not always the case because art is created in many different conditions and does not always get presented to the art world. Monroe Beardsley's definition holds that an artwork: “either an arrangement of conditions intended to be capable of affording an experience with marked aesthetic character or (incidentally) an arrangement belonging to a class or type of arrangements that is typically intended to have this capacity” (Beardsley, 1982, p. 299). This functional definition basically finds art is an experience and its aesthetic properties.
Part Two
Painting:The painting located online is Vincent Van Gogh’s ‘A Starry Night”. This is an oil painting on canvas depicting a beautiful, starry night over a small city. In the painting the stars twinkle brightly in the sky and the half moon glows. This famous painting is breathtaking and eye catching. This amazing painting was created in 1889 from memory and is considered one of the most popular paintings in art. Van Gogh is an Impressionist painter who uses a bright palate to create this masterpiece. This painting exemplifies the meaning of art because it is an artifact when view causes a reaction by the person viewing the painting. While art is hard to define this painting is considered art by all and loved by many.
Sculpture: One of the most beautiful sculptures is the Bronze David created by Donatello in 1440. The sculpture is cast completely in bronze and depicts David after he defeats the giant, goliath. David is completely nude with one foot on Goliaths head and a smirk on his face. David is only wearing a hat and a pair of boots and is holding the sword of goliath in one of his hands. This sculpture is both masterful and beautiful and depicts an important story in the Bible. David has long hair and has his left hand on his hip. This sculpture is a historical piece of art but ...
Image analysis
The document provides an in-depth analysis of an image depicting the curator Cinzia Parnigoni maintaining Michelangelo's famous statue of David in Italy. It examines the levels of expertise on display, from the original biblical story, Michelangelo's sculpting abilities, and the curator's work to preserve the statue over centuries. The analysis challenges ideas about what constitutes expertise and its cultural definitions over time.
Michelangelo David Essay
Michelangelo's David is a famous 16-foot marble statue carved between 1501-1504. Originally intended for the Cathedral of Florence, the city council instead decided to place it in the Piazza della Signoria in the center of Florence. In 1873 it was moved indoors to the Galleria dell'Accademia to protect it. The statue depicts David before his famous battle with Goliath and was praised by artists and the public for its idealized portrayal of the human form. Michelangelo's interpretation of David was unique among previous sculptures which typically showed David victorious after the battle.
Saari keynote
Leonardo da Vinci was an Italian polymath born in 1452 in Vinci, Italy who died in 1519 in France. He is famous for being an artist, engineer, scientist, and musician. His most famous painting is the Mona Lisa, considered the most famous painting in the world. He also created designs for things like battleships and flying machines, and kept thousands of pages of journals documenting his ideas and observations.
Renaissance Art Project-6th per.
A presentation based on representative Renaissance art. This work is being used under the "Fair Use for Education" clause of the copyright law. It may only be used for my class, and will be deleted when the project is finished.
44 44 13 The Natural World” and The Urban Experience”.docx
44
44
13
“The Natural World” and “The Urban Experience”
Week 6 – “The Natural World” and “The Urban Experience”
Watch Programs 10 and 11.
Here's a link to the descriptions of the programs.
http://www.learner.org/resources/series211.html
Here's the description for Program 10 and 11.
10 )
The Natural World
http://www.learner.org/courses/globalart/theme/10/index.html
From the earliest times, people have found sustenance, solace, challenge, and mystery in the natural world. In representations of animals, landscapes, and earthworks, art has been a means through which humans have negotiated their relationship to nature as well as to each other. We view drawings of the natural world mirrored by a metaphysical concept of the same image in the work of Kay Walkingstick
11)
The Urban Experience
http://www.learner.org/courses/globalart/theme/11/index.html
For thousands of years cities have been hubs of activity, centers of industry, and places from which new aesthetic trends originate, evolve, and spread. The creative visions of planners, painters, architects, and sculptors have shaped the development of cities around the world. In turn, the urban experience has inspired the creation of art work depicting aspects of city life. With the New York City waterfalls, artist Olafur Eliasson offers his urban audience a new kind of experience with nature.
For the discussion board essay for this program - Describe what each program is about. Then, describe your reaction or opinion of what you saw in each the programs. Give at least 4 major topics from each program. Name 2 or 3 items in each show that you thought were interesting.
0
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Four Davids and Bernini
Part One
The biblical story of David and Goliath has been a long time favorite of sculptures.
I want you to compare and contrast each version of the subject. Make sure to read the artist’s biographies and any material that accompanies the sculptures.
Be sure to watch this video - It shows Donatello's David and many of the other Davids.
http://smarthistory.khanacademy.org/representations-of-david-in-the-florentine-renaissance.html
We, actually, have two Davids from Donatello.
http://www.wga.hu/art/d/donatell/1_early/david/1david_1.jpg
http://www.wga.hu/art/d/donatell/1_early/david/2david_1.jpg
Page of all of Donatello's David's if you need another view
http://www.wga.hu/frames-e.html?/html/d/donatell/1_early/david/index.html
Biographical Information about Donatello
http://smarthistory.khanacademy.org/Donatello.html
http://www.wga.hu/frames-e.html?/bio/d/donatell/biograph.html
This sculpture is from the Renaissance artists, MICHELANGELO Buonarroti (b. 1475, Caprese, d. 1564, Roma). There’s a nice essay at the bottom of the page that you will want to read.
http://www.wga.hu/frames-e.html?/html/m/michelan/1sculptu/david/david.html
http://smarthistory.khanacademy.org/Michelangelo-David.html
This version is by Andrea del VERROCCHIO, (b. 1435, Firenze, d. 1488, Venezia. Notice that this is ...
David in three views
The document discusses three statues of David created by different artists in different periods. Donatello's 15th century Early Renaissance statue depicted David as boastful and naked. Michelangelo's 16th century Italian Renaissance statue showed David as humble and perfect. Bernini's 17th century Baroque statue portrayed David as an energetic youth twisting his body. The statues represent the biblical hero David in varying styles reflective of the cultural and social influences of their time periods.
Patronage
The document discusses several artworks by Michelangelo and Leonardo da Vinci in the context of patronage during the High Renaissance period in Italy. It describes commissions the artists received from wealthy families and the Catholic Church to create works like Michelangelo's David and Pietà that came to symbolize ideas important to their patrons. Leonardo was commissioned to paint two versions of the Madonna of the Rocks for a chapel in Milan, but disputes arose. The works illustrated how art was used to promote the interests and ideals of powerful patrons in 15th-16th century Italy.
Arte Italia
This document summarizes key aspects of Renaissance art from the 15th-16th centuries. It discusses major artists like Michelangelo, Botticelli, and architects/engineers like Brunelleschi. Key works mentioned include Michelangelo's David and Pieta, Botticelli's Birth of Venus, and Brunelleschi's dome for the Florence Cathedral. The document also provides historical context on the rise of Renaissance art in Italy and how it spread influences across Europe.
The Influence of Anatomy on Renaissance Art
The document discusses how Renaissance artists were influenced by anatomy in their paintings and sculptures. It provides examples of works by Donatello, Leonardo Da Vinci, Michelangelo, and Raphael that demonstrate highly accurate anatomical depictions of the human body, which was new for the time. Leonardo in particular is noted for his detailed anatomical drawings from dissecting cadavers, including his famous Vitruvian Man drawing, which helped improve representations of the human form and movement in Renaissance art.
Italian Renaissance is a type of painting era
The Italian Renaissance spanned the 14th to 17th centuries and marked a transition from the Middle Ages to modernity. It began in Italy due to factors like the rediscovery of classical knowledge and the rise of wealthy city-states. Renaissance art moved away from abstract medieval styles toward realistic representations using techniques like perspective, sfumato, and chiaroscuro. Key figures included Leonardo da Vinci, Michelangelo, and Donatello, who created famous works like the Mona Lisa, David, and Feast of Herod that demonstrated mastery of the human form and innovative artistic techniques.
World Press
The Medici family in Florence supported many Renaissance artists through commissions and patronage in the 15th-16th centuries. This sparked the Italian Renaissance and allowed masterworks to be created. Michelangelo was one of the great artists supported by the Medici; he sculpted the Pieta and David for Florence. However, when the Medici became the ruling family, David took on political meaning as a symbol of republicanism against Medici rule. Later, when threats were made against the Medici monarchy, Cosimo I commissioned Cellini's statue of Perseus holding Medusa's head to send a message to the people of Florence. The legacy of the Italian Renaissance and the art it produced can still be seen in
The Language of Art #11. The Venus of Willendorf was a sculpture.docx
The Language of Art #1
1. The Venus of Willendorf was a sculpture of a
A. female fertility figure.
B. Buddha.
C. goddess.
D. shaman.
2. Why is the Vietnam Veterans Memorial in Washington, D.C., said to be the most moving war memorial
ever built?
A. It's a work of art that has the power to touch the emotions of the spectator.
B. It was designed by a young female architecture student and not a government committee.
C. It's highly abstract and unlike the realistic memorials that one sees in parks and town greens around the United States.
D. It's located not far from Frederick Hart's bronze Statue for Vietnam Veterans Memorial.
3. In which of the following paintings is the technique of sfumato lighting used?
A. Bonaventura's Saint Francis Preaching to the Birds
B. Leonardo da Vinci's Mona Lisa
C. Manet's Le Déjeuner sur l'herbe
D. Watteau's Return from Cythera
4. Which of the following is a component of every great work of art?
A. An original vision of the world
B. A realistic presentation of factual material
C. Brushstrokes that clearly define spatial limits
D. Images that are recognized as beautiful
5. Outside of Western culture, the _______ saw art as priceless during the Middle Ages.
A. Japanese
B. sub-Saharan Africans
C. Russians
D. Chinese
6. _______ creates movement in a piece.
A. Mass
B. Space
C. Light
D. Line
7. The Italian term sprezzatura refers to
A. strong angles with harsh colors.
B. soft light.
C. aloofness and aristocratic refinement and calm.
D. neutral color.
8. What significant compositional feature do Bramante's Tempietto and a Buddhist mandala have in
common?
A. Vanishing-point perspective unifies both.
B. Both are ordered around a central point.
C. They're both good example of artworks with figure-ground ambiguity.
D. Both feature rectilinear formal elements.
9. Representations of Leonardo da Vinci's Mona Lisa appear in several twentieth-century artworks,
including
A. Willem de Kooning's Woman and Bicycle.
B. Saar's The Liberation of Aunt Jemima.
C. Kahlo's The Little Deer.
D. Duchamp's L.H.O.O.Q.
10. Which of the following twentieth-century artists believed in a philosophy of art that stressed
expressiveness, used colors to communicate emotion, and maintained that art should hint rather than be
dogmatic?
A. Georgia O'Keeffe
B. Andy Warhol
C. Willem de Kooning
D. Jean Baptiste Camille Corot
11. Brunelleschi's experiments with a mirror and a painted copy of a mirror image of the Florence
baptistery led to his discovery of
A. the rule of divergence in perception.
B. a means of creating the illusion of the third dimension.
C. the principle of optic inversion.
D. multiple-viewpoint perspective.
12. Classical Greek artworks are not usually regarded as expressions of
A. athletic strength and physical beauty.
B. realism balanced with idealism.
C. a balance of surrealism and rationalism.
D. monumental vigor and spiritual growth.
13. The unique quality of folk art is that it's
A. an artist's quick impression of a subject.
B. more pri ...
Renaissance painters sculptors 2015
Michelangelo and Leonardo da Vinci were Renaissance Men because they excelled in multiple fields beyond their primary artistic medium. Michelangelo was a sculptor, painter, architect, and poet who is famous for works like David and the Sistine Chapel ceiling. Leonardo da Vinci was a painter, sculptor, inventor, and scientist with famous works including the Mona Lisa and The Last Supper, and he had a deep interest in science and how things work. Both artists expanded beyond their main artistic pursuits and made contributions across multiple disciplines.
How Murals Changed Over Time
Traditional murals have changed over time from being individually expressive works created for enjoyment to commissioned works created to meet client needs for income. Greek and Roman murals were originally created for religious sites depicting gods but are now rarely created and not focused on religion when they are. Graffiti murals have not changed much over time and continue to be personally expressive works, though some artists now create them for commercial brands. Society has influenced mural changes by shifting focus from deep thought to superficial aesthetics, creating motivational works addressing everyday issues like bullying, and depicting historical scenes rather than current events.
How Murals Changed Over Time
Traditional murals have changed over time from being individually expressive works created for enjoyment to commissioned works created to meet client needs for income. Greek and Roman murals were originally created for religious sites depicting gods but are now rarely created and not focused on religion when they are. Graffiti murals have not changed much over time and continue to be used for self-expression, though some artists now create them for commercial brands. Society has influenced mural themes, moving from capturing the present to educating on history, and murals are now also used to motivate and uplift viewers facing challenges like bullying.
15thitaly (Pp Tminimizer)
The document discusses the impact of the Black Plague on Florence in 1348 and how it led to political changes, with the Medici family rising to power. It then describes several important artworks and architectural works from the early Renaissance in Florence, including Filippo Brunelleschi's innovations in mathematics and perspective, his dome for the Florence Cathedral completed between 1420-1436, and the façade of the Ospedale degli Innocenti built between 1419-1424. It also discusses sculptures by Donatello and the gilded bronze doors of the Baptistry completed by Lorenzo Ghiberti between 1425-1452.
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- 1. Michelangelo’s David By Arthur Liu Period 1 11-7-09