This document provides biographical information on several architects important to Shreveport's architectural history, including Edward Fairfax Neild Sr., Theodore A. Flaxman, William B. Wiener Jr., William B. Wiener, Samuel G. Wiener, Richard Joseph Neutra, John F. Staub, and William B. Wiener. It describes their educational backgrounds, key architectural works, and influences. It highlights Shreveport buildings designed by these architects as well as some of their broader contributions to architecture.
This portfolio contains my architecture, historic preservation, art, and logo design work as of 2018. The work in this portfolio was executed during my time at the University of Maryland's architecture program, Columbia University's Historic Preservation program, and while working professionally.
Compiled and written by Karin Eaton, Executive Director, Mural Routes, and presented at 12th National Mural Symposium, Canada, in October 2009. A overview of the contemporary usage of mural and wall art, as submitted by the international mural art community and members of Mural Routes.
This portfolio contains my architecture, historic preservation, art, and logo design work as of 2018. The work in this portfolio was executed during my time at the University of Maryland's architecture program, Columbia University's Historic Preservation program, and while working professionally.
Compiled and written by Karin Eaton, Executive Director, Mural Routes, and presented at 12th National Mural Symposium, Canada, in October 2009. A overview of the contemporary usage of mural and wall art, as submitted by the international mural art community and members of Mural Routes.
THE HISTORY OF ARCHITECTURE IS EXPLAINED IN A BRIEF FORMAT THROUGH THE SLIDES THAT RUN THROUGH THE ARTS MOVEMENT FOLLOWED BY THE PRAIRIE STYLE OF ARCHITECTURE.
Lecture in KKP002: Imagining the Creative Future - one of a series of 'thought world' or 'paradigm' lectures designed to problematise a contemporary 'creative industries' practice.
Photo story of the work of Lewis Hines, sociologist and photographer who helped with the passing of child labor laws. He photographed work on the Empire State Building, new immigrants coming into the US, living conditions and tenements and WPA work.
The music is from The Verve, "Bittersweet Symphony", 2004.
Touch the Past - Embrace The Future - Comely Bank the Home of Paul HarrisChris Offer
The campaign to renovate the home of the founder of Rotary International – Paul Harris. Comely Bank was the home in Chicago of Paul and Jean Harris from 1912 to 1947. Funds are being raised to preserve the home and establish it as a meeting place and museum.
ΕΣΠΑ 2015 | Αναβάθμιση πολύ μικρών & μικρών υφιστάμενων επιχειρήσεωνAgrosimvoulos
Πρόγραμμα που έχει στόχο την αναβάθμιση του επιπέδου επιχειρηματικής οργάνωσης και λειτουργίας των ΜΜΕ στους οχτώ στρατηγικούς τομείς της χώρας: Αγροδιατροφή/Βιομηχανία Τροφίμων, Πολιτιστικές και Δημιουργικές Βιομηχανίες, Υλικά/Κατασκευές, Εφοδιαστική Αλυσίδα, Ενέργεια, Περιβάλλον, Τεχνολογίες Πληροφορικής και Επικοινωνίας ΤΠΕ, Υγεία.
THE HISTORY OF ARCHITECTURE IS EXPLAINED IN A BRIEF FORMAT THROUGH THE SLIDES THAT RUN THROUGH THE ARTS MOVEMENT FOLLOWED BY THE PRAIRIE STYLE OF ARCHITECTURE.
Lecture in KKP002: Imagining the Creative Future - one of a series of 'thought world' or 'paradigm' lectures designed to problematise a contemporary 'creative industries' practice.
Photo story of the work of Lewis Hines, sociologist and photographer who helped with the passing of child labor laws. He photographed work on the Empire State Building, new immigrants coming into the US, living conditions and tenements and WPA work.
The music is from The Verve, "Bittersweet Symphony", 2004.
Touch the Past - Embrace The Future - Comely Bank the Home of Paul HarrisChris Offer
The campaign to renovate the home of the founder of Rotary International – Paul Harris. Comely Bank was the home in Chicago of Paul and Jean Harris from 1912 to 1947. Funds are being raised to preserve the home and establish it as a meeting place and museum.
ΕΣΠΑ 2015 | Αναβάθμιση πολύ μικρών & μικρών υφιστάμενων επιχειρήσεωνAgrosimvoulos
Πρόγραμμα που έχει στόχο την αναβάθμιση του επιπέδου επιχειρηματικής οργάνωσης και λειτουργίας των ΜΜΕ στους οχτώ στρατηγικούς τομείς της χώρας: Αγροδιατροφή/Βιομηχανία Τροφίμων, Πολιτιστικές και Δημιουργικές Βιομηχανίες, Υλικά/Κατασκευές, Εφοδιαστική Αλυσίδα, Ενέργεια, Περιβάλλον, Τεχνολογίες Πληροφορικής και Επικοινωνίας ΤΠΕ, Υγεία.
Maatalousalan ammatillisten tutkintojen kehittäminenMTK ry
OKM:n tutkintojen kehittämisen linjausten mukaisesti tutkintoja kootaan suurempiin kokonaisuuksiin. Samalla muodostetaan uusi maatalousalan erikoisammattitutkinto. Muutos antaa mahdollisuuden reagoida nopeammin työelämän muutostarpeisiin.
Post-Modern Architecture and the architects involoved in it.Rohit Arora
Contains the comparison between modern architecture and post-modern architecture. The reasons that led to post-modern architecture. The architects who made important buildings with post-modern architecture.
planning in the United States. He also designed original and innovative offices, churches, schools, skyscrapers, hotels, museums, and other commercial projects. Wright-designed interior elements (including leaded glass windows, floors, furniture and even tableware) were integrated into these structures. He wrote several books and numerous articles and was a popular lecturer in the United States and in Europe. Wright was recognized in 1991 by the American Institute of Architects as "the greatest American architect of all time".[3] In 2019, a selection of his work became a listed World Heritage Site as The 20th-Century Architecture of Frank Lloyd Wright.
Raised in rural Wisconsin, Wright studied civil engineering at the University of Wisconsin and then apprenticed in Chicago, briefly with Joseph Lyman Silsbee, and then with Louis Sullivan at Adler & Sullivan. Wright opened his own successful Chicago practice in 1893 and established a studio in his Oak Park, Illinois home in 1898. His fame increased and his personal life sometimes made headlines: leaving his first wife Catherine Tobin for Mamah Cheney in 1909; the murder of Mamah and her children and others at his Taliesin estate by a staff member in 1914; his tempestuous marriage with second wife Miriam Noel (m. 1923–1927); and his courtship and marriage with Olgivanna Lazović (m. 1928–1959).
Following the 2008 "Re-imaging Cities: Urban Design After the Age of Oil symposium, Penn IUR solicited manuscripts on environmental and energy challenges and their effect on the redesign of urban environments.
Architecture
and
Folk Architecture
Dr. Jacqueline Marn
Chronology of Styles in American Architecture
The Seventeenth Century:
17th Century Colonial
Term applies to both New England and Virginia
architecture.
Note: regional differences, however.
The Eighteenth Century:
Georgian (1714-1776)
English-inspired colonial architecture. Marked by a greater
concern for style and higher standards of comfort. Fairly
homogeneous in both New England and Southern colonies.
Neoclassicism (c.1780-1820)
There are several variations:
Federalist: Especially common in New England; a
traditionalist approach to classicism, heavily influenced by
English models. Charles Bulfinch, Samuel MacIntyre.
Idealist: An intellectual and moral approach to classicism,
at first linked to Roman models. Symbolic and
associational values stressed.
Best example: Thomas Jefferson.
Rationalist: Emphasized structure and classical building
techniques, such as stone vaulting and domes. Benjamin
Latrobe.
Source: http://www.bc.edu/bc_org/avp/cas/fnart/fa267/amstyles.html
Chronology of Styles in American Architecture
The Nineteenth Century:
The period is characterized by Romantic revivals and eclecticism.
Greek Revival (1818-1850)
The first truly national style in the United States. Strong associational
values. Permeated all levels of building.
Gothic Revival (c. 1820-1860)
Strong associational values of religion and nature. Found in both
ecclesiastical and residential architecture. A wide range of archaeological
accuracy, from Richard Upjohn's urban churches to "Carpenter's Gothic"
cottages.
The "Corporate Style" (c.1800-1900)
Practical architecture for engineering and commercial purposes; especially
early factories. In its time thought to be a "style-less style."
Egyptian Revival (1820-1850)
Used primarily for memorials, cemeteries, prisons, and later, warehouses.
Italianate, or Italian Villa Mode (1840-1860)
A residential style used by A.J. Downing and others; a Renaissance revival.
Second Empire Baroque (1860-1880)
French origin; used for public and residential architecture.
High Victorian Gothic (1860-1880)
English origin; used for ecclesiastical, public, and residential architecture.
Richardsonian Romanesque (1870-1895)
Shingle Style (1879-1900)
Used for residential architecture.
Chicago School (1885-1915)
Commercial architecture; skyscrapers.
New York Style Skyscrapers (1875-1910)
Typically use a historical style; block and tower format.
Source: http://www.bc.edu/bc_org/avp/cas/fnart/fa267/amstyles.html
Chronology of Styles in American Architecture
Classical Revival (1885-1920)
Also called Academic Classicism, or Beaux-Arts Classicism.
Related revivals: Rena.
The first large-scale elaboration of the City Beautiful occurred in Chicago at the 1893 World's Columbian Exposition. The planning of the exposition was directed by architect Daniel Burnham, who hired architects from the eastern United States, as well as the sculptor Augustus Saint-Gaudens, to build large-scale Beaux-Arts monuments that were vaguely classical with uniform cornice height. The exposition displayed a model city of grand scale, known as the "White City", with modern transport systems and no poverty visible. The exposition is credited with resulting in the large-scale adoption of monumentalism for American architecture for the next 15 years. Richmond, Virginia's Monument Avenue is one expression of this initial phase.
The famous American architect, Frank Lloyd Wright changed the way we build and the way we live. As an architect, Frank Lloyd Wright was known for many things, but perhaps his most famed characteristic was his exceptional attention to detail – in many of his projects, each furniture piece was designed specifically for its intended location.
Forces that shaped Frank Lloyd Wright, coming directly from the root.Shimon Mily
All the influences, or forces, affected everything Wright learned during his years of apprenticeship and formed the philosophical basis for his vision of merging his architecture with nature, the developed landscape, the visual and fine arts, and the large environment of community as he conceived, defined and refined continuously his principles for organic architecture during the 70 years of professional life.
Ludwig Mies van der Rohe born Maria Ludwig Michael Mies; March 27, (1886 – August 17, 1969) was a German-American architect. He was commonly referred to as Mies, his surname. Along with Alvar Aalto, Le Corbusier, Walter Gropius and Frank Lloyd Wright, he is regarded as one of the pioneers of modernist architecture. Mies was the last director of the Bauhaus, a seminal school in modern architecture. After Nazism's rise to power, with its strong opposition to modernism (leading to the closing of the Bauhaus itself), Mies emigrated to the United States. He accepted the position to head the architecture school at the Armour Institute of Technology (later the Illinois Institute of Technology), in Chicago
He worked in his father's stone carving shop and at several local design firms before he moved to Berlin, where he joined the office of interior designer Bruno Paul. He began his architectural career as an apprentice at the studio of Peter Behrens from 1908 to 1912, where he was exposed to the current design theories and to progressive German culture. He worked alongside Le Corbusier and Walter Gropius, who was later also involved in the development of the Bauhaus. Mies served as construction manager of the Embassy of the German Empire in Saint Petersburg under Behrens.
Ludwig Mies renamed himself as part of his transformation from a tradesman's son to an architect working with Berlin's cultural elite, adding "van der" and his mother's maiden name "Rohe" (the word mies means "lousy" in German and using the Dutch "van der", because the German form "von" was a nobiliary particle legally restricted to those of genuine aristocratic lineage. He began his independent professional career designing upper-class homes.
sought to establish his own particular architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created his own twentieth-century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces, as also conducted by other modernist architects in the 1920s and 1930s such as Richard Neutra. Mies strove toward an architecture with a minimal framework of structural order balanced against the implied freedom of unobstructed free-flowing open space. He called his buildings "skin and bones" architecture. He sought an objective approach that would guide the creative process of architectural design, but was always concerned with expressing the spirit of the modern era. He is often associated with his fondness for the aphorisms, "less is more" and "God is in the details".
MRS PUNE 2024 - WINNER AMRUTHAA UTTAM JAGDHANEDK PAGEANT
Amruthaa Uttam Jagdhane, a stunning woman from Pune, has won the esteemed title of Mrs. India 2024, which is given out by the Dk Exhibition. Her journey to this prestigious accomplishment is a confirmation of her faithful assurance, extraordinary gifts, and profound commitment to enabling women.
The Fascinating World of Bats: Unveiling the Secrets of the Nightthomasard1122
The Fascinating World of Bats: Unveiling the Secrets of the Night
Bats, the mysterious creatures of the night, have long been a source of fascination and fear for humans. With their eerie squeaks and fluttering wings, they have captured our imagination and sparked our curiosity. Yet, beyond the myths and legends, bats are fascinating creatures that play a vital role in our ecosystem.
There are over 1,300 species of bats, ranging from the tiny Kitti's hog-nosed bat to the majestic flying foxes. These winged mammals are found in almost every corner of the globe, from the scorching deserts to the lush rainforests. Their diversity is a testament to their adaptability and resilience.
Bats are insectivores, feeding on a vast array of insects, from mosquitoes to beetles. A single bat can consume up to 1,200 insects in an hour, making them a crucial part of our pest control system. By preying on insects that damage crops, bats save the agricultural industry billions of dollars each year.
But bats are not just useful; they are also fascinating creatures. Their ability to fly in complete darkness, using echolocation to navigate and hunt, is a remarkable feat of evolution. They are also social animals, living in colonies and communicating with each other through a complex system of calls and body language.
Despite their importance, bats face numerous threats, from habitat destruction to climate change. Many species are endangered, and conservation efforts are necessary to protect these magnificent creatures.
In conclusion, bats are more than just creatures of the night; they are a vital part of our ecosystem, playing a crucial role in maintaining the balance of nature. By learning more about these fascinating animals, we can appreciate their importance and work to protect them for generations to come. So, let us embrace the beauty and mystery of bats, and celebrate their unique place in our world.
Johnny Depp Long Hair: A Signature Look Through the Yearsgreendigital
Johnny Depp, synonymous with eclectic roles and unparalleled acting prowess. has also been a significant figure in fashion and style. Johnny Depp long hair is a distinctive trademark among the various elements that define his unique persona. This article delves into the evolution, impact. and cultural significance of Johnny Depp long hair. exploring how it has contributed to his iconic status.
Follow us on: Pinterest
Introduction
Johnny Depp is an actor known for his chameleon-like ability to transform into a wide range of characters. from the eccentric Captain Jack Sparrow in "Pirates of the Caribbean" to the introspective Edward Scissorhands. His long hair is one constant throughout his evolving roles and public appearances. Johnny Depp long hair is not a style choice but a significant aspect of his identity. contributing to his allure and mystique. This article explores the journey and significance of Johnny Depp long hair. highlighting how it has become integral to his brand.
The Early Years: A Budding Star with Signature Locks
1980s: The Rise of a Young Heartthrob
Johnny Depp's journey in Hollywood began in the 1980s. with his breakout role in the television series "21 Jump Street." During this time, his hair was short, but it was already clear that Depp had a penchant for unique and edgy styles. By the decade's end, Depp started experimenting with longer hair. setting the stage for a lifelong signature.
1990s: From Heartthrob to Icon
The 1990s were transformative for Johnny Depp his career and personal style. Films like "Edward Scissorhands" (1990) and "Benny & Joon" (1993) saw Depp sporting various hair lengths and styles. But, his long, unkempt hair in "What's Eating Gilbert Grape" (1993) began to draw significant attention. This period marked the beginning of Johnny Depp long hair. which became a defining feature of his image.
The Iconic Roles: Hair as a Character Element
Edward Scissorhands (1990)
In "Edward Scissorhands," Johnny Depp's character had a wild and mane that complemented his ethereal and misunderstood persona. This role showcased how long hair Johnny Depp could enhance a character's depth and mystery.
Captain Jack Sparrow: The Pirate with Flowing Locks
One of Johnny Depp's iconic roles is Captain Jack Sparrow from the "Pirates of the Caribbean" series. Sparrow's long, dreadlocked hair symbolised his rebellious and unpredictable nature. The character's look, complete with beads and trinkets woven into his hair. was a collaboration between Depp and the film's costume designers. This style became iconic and influenced fashion trends and Halloween costumes worldwide.
Other Memorable Characters
Depp's long hair has also been featured in other roles, such as Ichabod Crane in "Sleepy Hollow" (1999). and Roux in "Chocolat" (2000). In these films, his hair added a layer of authenticity and depth to his characters. proving that Johnny Depp with long hair is more than a style—it's a storytelling tool.
Off-Screen Influenc
At Affordable Garage Door Repair, we specialize in both residential and commercial garage door services, ensuring your property is secure and your doors are running smoothly.
Understanding the Mahadasha of Shukra (Venus): Effects and RemediesAstro Pathshala
The Mahadasha of Shukra (Venus) is one of the most significant periods in Vedic astrology. Shukra is known as the planet of love, beauty, wealth, and luxury. Its Mahadasha can bring about profound changes in an individual's life, both positive and negative, depending on its placement and condition in the natal chart.
What is Shukra Mahadasha?
Mahadasha is a planetary period in Vedic astrology that affects various aspects of an individual's life for a specific number of years. The Mahadasha of Shukra lasts for 20 years and is known to bring a period of significant transformation. Shukra is associated with pleasures, creativity, relationships, and material comforts. During its Mahadasha, these areas of life tend to get highlighted.
Care Instructions for Activewear & Swim Suits.pdfsundazesurf80
SunDaze Surf offers top swimwear tips: choose high-quality, UV-protective fabrics to shield your skin. Opt for secure fits that withstand waves and active movement. Bright colors enhance visibility, while adjustable straps ensure comfort. Prioritize styles with good support, like racerbacks or underwire tops, for active beach days. Always rinse swimwear after use to maintain fabric integrity.
La transidentité, un sujet qui fractionne les FrançaisIpsos France
Ipsos, l’une des principales sociétés mondiales d’études de marché dévoile les résultats de son étude Ipsos Global Advisor “Pride 2024”. De ses débuts aux Etats-Unis et désormais dans de très nombreux pays, le mois de juin est traditionnellement consacré aux « Marches des Fiertés » et à des événements festifs autour du concept de Pride. A cette occasion, Ipsos a réalisé une enquête dans vingt-six pays dressant plusieurs constats. Les clivages des opinions entre générations s’accentuent tandis que le soutien à des mesures sociétales et d’inclusion en faveur des LGBT+ notamment transgenres continue de s’effriter.
La transidentité, un sujet qui fractionne les Français
LTHP - Fall 2015 Ramble Brochure
1. “Architectural historian, Vincent Scully, has said that architecture is a
conversation between generations, carried out across time, and while you could
say that this is true of all forms of art and culture, in architecture the conversation
is the most conspicuous, the most obvious, and the most impossible to tune out”
-- PAUL GOLDBERGER IN WHY ARCHITECTURE MATTERS.
2. Edward Fairfax Neild, Sr. 1884-1955
Graduated from Tulane, traveled
and studied extensively in Europe
before returning to Shreveport. He
worked alone until 1934 when he
was joined by Dewey A. Somdal, and
his son Edward F. Neild Jr. Somdal
and Associates is a descendant of the
Neild firm. Neild was the consulting
architect for the rehabilitation of the
White House during the Truman years
as well as the lead architect for the
Truman Presidential Library. Other
buildings include Louisiana State
Exhibit Bldg. in Shreveport, Caddo
Parish Courthouse, The old B’Nai
Zion Temple, Baton Rouge Jr. High,
C.E. Byrd High School, Capital City
Press Bldg.in B.R., Heidelberg Hotel,
Hotel King in B.R., and several bldg.
in historic district of Lake Charles,
Auditorium and Library on La. Tech.
Campus, Shreveport Municipal Bldg.
Scottish Rite Cathedral, A.C. Steere
Elementary School, Wray Dickinson
Bldg. and in Alexandria the U.S.
Courthouse and Post Office.
2745 Fairfield
Theodore A. Flaxman 1901-1986
Studied at Rice Univ., B. of
Architecture 1923, studied at Columbia
Univ. His architectural practice was
in Shreveport from 1926. He went
to Europe in 1931 with the Wiener
brothers to study the International
Style and meet the architects who
were the leaders of the style. He was
greatly influenced by the work of
Eric Mendelsohn. Flaxman designed
the Masonic Temple 1936-37. It
reflects a blend of modernism with
expressionistic forms. Other structures
which he contributed design are
Long–Allen Bridge 1934, Booker T.
Washington High School, Selber Bros.,
Shreve Memorial Library branches,
Huey P. Long Hospital in Pineville, Eden
Garden School.
666 Slattery
William B. Wiener, Jr. 1936 -
641 Longleaf
Studied both physics and architecture at
Cornell Univ. Upon graduation joined the Univ.
of Pennsylvania and National Geographic
under water archeological exploration, off
coast of Turkey. After returning to the states,
he practiced architecture for over 40 years at
his father’s firm of: Wiener Morgan & O’Neal
Architects. While there his role was that of
concept designer to analyze the program and
site to develop the solution. Among his most
notable concepts were: Northwood Jr-Sr High
School which was the first AC school for
Caddo Parish. Then the “H” concept for the
Shreveport Airport that was shown to other
cities by Delta Airlines as an example of how
an airport should function. He was also the
designer for several branch banks and the
Southfield high school addition. The Gulf
States Region of the American Institute of
Architects gave his first house design their
highest award. Concurrently he served as
Chairman of the Secretary of Interior’s
Advisory Board on National Parks and
Monuments under both Presidents Carter and
Reagan. Upon Retiring from architecture he
took up sculpture incorporating his design
philosophy developed during the practice of
architecture. You will see some of his sculpture
as you walk along Longleaf Rd. Also while
practicing architecture he was the impetuous to
save many of Shreveport’s historic buildings
and guided the effort to designate the McNeil
Pump State as a National Landmark
3. 1050 Ontario
William B. Wiener 1907-1981
B. S. Univ. of Michigan and graduate
work at Columbia Univ. In 1933 he
established an architectural firm in
Shreveport. He and his brother Sam, were
responsible for some of the most innovative
work in America in the rather revolutionary
International Style. They were both Fellows
of the American Institute of Architects. His
home on Longleaf Lane was a publishes
award winning design. Throughout his
career he has an unquenchable intellectual
curiosity. His firm became Wiener Morgan
& O’neal, which was noted for both its
functional style and passive environmental
design, which he demonstrated to the
Caddo Parish School Board to illustrate the
need for proper site orientation fro schools.
This approach can be seen at J.S. Clark
and Woodlawn.
Most notable was his concept for a
logical house design for our local climate.
This modular environmental sensitive “T”
approach can be seen around town.
He and his brother Sam, designed many
of the early shopping centers with the Big
Chain as the anchor. The Kroger Co invited
him to Cincinnati to show them how to
design a better and more profitable center.
This home was built in 1925 by
Mrs. N. M. Hancock, president of
Omega Oil and Frederick Oil. The
original architect is unknown. It was
purchased by J. Pat Beaird in 1934. A
series of three additions were made by
Somdal & Assoc. to the original house
in 1930’s, 40’s, and 50’s.
4290 Richmond
Samuel G. Wiener 1896-1977
Born in Monroe and received Bachelor of
Architecture from Univ. of Michigan, Studied
city planning under Eliel Saarinen in Finland
and attended Atelier Gromont, Paris in
1922-1923. From 1923 to 1940 he was a
partner in the N.O. firm of Jones, Roessle,
Olschner andWiener.His work was exhibited
in the Paris International Exposition in 1937
and at the Architectural League in New York.
Early work in Shreveport includes the
First Presbyterian Church, Commercial
National Bank, Frost Memorial School,
American Bank in N.O., Team leader for the
LSU Medical Center, Municipal Auditorium,
Bossier City Hall, Kings Hwy. Christian
Church,United Gas Corp.Bldg.,and schools.
Most famous was the city of Shreveport’s
incinerator which was chosen as one of
the 25 best architectural designs East of
the Rocky Mountains, and was the model
for many incinerators world wide. He and
his brother, Wm. B. Wiener were pioneers in
contemporary architecture. They along with
Theodore Flaxman went to Europe in the
late twenties. Then he returned in 1931 to
study and meet the architects: Le Corbusier,
Walter Gropius, Mies van der Rohe.
615 Longleaf
4. Richard Joseph Neutra 1892-1970
4740 Richmond 415 Sherwood
William B. Wiener 1907-1981 John F. Staub 1892-1981
6007 East Ridge
This project has been financed in part with federal funds from the National Park Service, Department of the Interior through the Louisiana Department of Culture, Recreation and Tourism, Office
of Cultural Development, Division of Historic Preservation. However, the contents and opinions do not necessarily reflect the views or policies of the Department of the Interior, Louisiana
Department of Culture, Recreation and Tourism, Office of Cultural Development, Division of Historic Preservation, nor does the mention of trade names or commercial products constitute
endorsement or recommendation by the Department of the Interior, Louisiana Department of Culture, Recreation and Tourism, Office of Cultural Development, Division of Historic Preservation.
And: “This program received federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act of 1964 and Section 504 of the
Rehabilitation Act of 1973, and the Age Discrimination Act of 1975, as amended, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, national origin,
disability, age, sex or sexual orientation in its federally assisted programs. If you believe you have been discriminated against in any program, activity, or facility as described above, or if you
desire further information, please write to: Office of Equal Opportunity, National Park Service 1849 C Street, NW, Washington, DC 20240
Native of Knoxville, Tennessee received a
masters degree in architecture from MIT in
1916. He was principally a residential
architect who designed traditional style
homes with an eclectic influence. Upon
graduation, he worked for Harrie T.
Lindeberg in New York. Country Houses
were the specialty of Lindeberg and his
style, tradition, had a great influence on
Staub. It was Lindeberg who suggested he
locate in Houston. In Houston the Shady
Side and River Oaks developments
provided Staub with many projects. He
was commissioned to design three homes
in Shreveport, A. C. Glassel 1938, Ray J.
O’Brien in 1939, J.L. Hargrove in 1955.
Amongotherprojectshedesignedmanyof
the Buildings on the Rice campus and the
M.D.Anderson Memorial Library on the
Univ. of Houston campus. Staub was
noted for his integration of the house with
the environment. He defined the role of
space, structure, and decoration in
domestic architecture from the 20’s until
his death.
Born in Vienna, Austria, worked briefly
with Eric Mendelsohn in Berlin. Came to
the United States met Frank Lloyd Wright
in1924andworkedwithhimonTaliesinin
Wisconsin, worked with Schindler in
California. Participated in MoMA in 1932
which was curated by Phillip Johnson.
Commissioned by U.S. State Department
to design the Embassy in Karachi. Famous
for defining the real needs of his clients in
contrast tootherarchitects eagertoimpose
their vision on a client. His domestic
architecture was a blend of art, landscape,
and practical comfort.
His watercolors and drawings recently on
exhibit in Los Angeles showed influences
fromsuchartistsasGustavKlimtandEgon
Schiele. Awarded AIA Gold Medal in 1977
posthumously.
B. S. Univ. of Michigan and graduate work at
Columbia Univ. In 1933 he established an
architectural firm in Shreveport. He and his
brotherSam,wereresponsibleforsomeofthe
most innovative work in America in the rather
revolutionary International Style. They were
both Fellows of the American Institute of
Architects. His home on Longleaf Lane was a
publishes award winning design. Throughout
hiscareerhehasanunquenchableintellectual
curiosity. His firm became Wiener Morgan &
O’neal, which was noted for both its functional
style and passive environmental design,
which he demonstrated to the Caddo Parish
School Board to illustrate the need for proper
site orientation fro schools. This approach
can be seen at J.S. Clark and Woodlawn.
Most notable was his concept for a logical
house design for our local climate. This
modular environmental sensitive “T”
approach can be seen around town.
He and his brother Sam, designed many of
the early shopping centers with the Big Chain
as the anchor. The Kroger Co invited him to
Cincinnati to show them how to design a
better and more profitable center.