The document summarizes an art exhibition for children called "Colour" that was held at an art gallery from March to June 2003. It featured contemporary artworks focused on different colors, with interactive elements to experience color properties. Children enjoyed interpreting the abstract works and found them interesting to look at. They provided creative interpretations and learned new things about color. Having opportunities for hands-on exploration and discussion helped children engage meaningfully with the contemporary art. Since the exhibition, children have shown interest in art forms using different mediums and technologies, as well as those with interactive elements. Activity books and information labels that promote child-adult interaction have also helped children connect art to their own lives.
There's all kinds of art out there, including drawing, painting, photography, mixed media, printmaking and sculpture. View examples of each and find other useful links and books to learn more.
Created and presented by Becky O'Neil, Teen Librarian at the Westerville Public Library.
There's all kinds of art out there, including drawing, painting, photography, mixed media, printmaking and sculpture. View examples of each and find other useful links and books to learn more.
Created and presented by Becky O'Neil, Teen Librarian at the Westerville Public Library.
art centre Saksala ArtRadius is showing a serious view on child art
artist and art teacher Marja de Jong is an authority in the field of art education
and cooperating with Etelä-Savon Taidetoimikunta and Mikkelin Kaupunki
This was an Art lesson plan that was implemented in my practicum. The lesson was designed in Developmentally Appropriate Curricula for Children Aged 3-5 (EDSE 7180) in Fall 2021.
Removing The Barriers Of Gallery One: ARTLENS Gallery, A New Approach to Inte...Phillip Tiongson
New ARTLENS Gallery Presentation at Museums and the Web April 29 2017 by Jane Alexander, CIO, Cleveland Museum of Art and Phillip Tiongson, Principal, Potion
Deb Sovinee and Lynn Baum. This was for a Pecha Kucha Night at the New England Museum Association conference: 20 slides for only 20 seconds each, slides advance automatically.
ARTLENS Gallery: Designing Meaningful, Barrier-Free Digital ExperiencesPhillip Tiongson
The Cleveland Museum of Art (CMA)––in its latest initiative to use game-changing technology to enhance its visitors’ experience and their connection to the museum’s world-renowned collection––has reimagined its award-winning Gallery One concept with the introduction of ARTLENS Gallery, composed of:
1) ARTLENS Exhibition, where masterworks are intertwined with touchscreen-free digital interactives,
2) ARTLENS Studio, an intergenerational space where movement and art creation connects visitors to the CMA’s collection,
3) ARTLENS Wall, a 40-foot interactive wall displaying all of the CMA’s works on view, and
4) ARTLENS App, connecting to both the Exhibition interactives and the Wall, and can be used throughout the museum with responsive wayfinding. Also, the ARTLENS Beacon, a monumental screen at the entrance to ARTLENS Gallery, displays visitor-generated content including tours, collages, portraits, and poses in real time.
The centerpiece of ARTLENS Gallery is the Exhibition, an immersive, experiential space that places visitors into conversation with masterpieces, encouraging engagement with the museum’s collection. To create the cutting-edge digital interactives, the CMA partnered with Potion, a firm based in New York City, to design an experience that communicates complex concepts in simple, intuitive ways. Potion leveraged its deep experience in technology, inventing unique ways to use gesture control, gaze tracking, and emotion detection to create delightful and instructive visitor experiences exclusively for the CMA. Using barrier-free and motion-activated projections to create a personal experience with the art, ARTLENS Exhibition puts the art in the foreground. Visitors approach and engage with the art, and then use the interactive games that augment visual literacy skills and provide an experience in which they can learn more about composition, purpose, and symbols.
Join Jane and Phillip as they walk through the process of creating ARTLENS Gallery and, in particular, ARTLENS Exhibition and its awe-inspiring and fun, innovative technology.
art centre Saksala ArtRadius is showing a serious view on child art
artist and art teacher Marja de Jong is an authority in the field of art education
and cooperating with Etelä-Savon Taidetoimikunta and Mikkelin Kaupunki
This was an Art lesson plan that was implemented in my practicum. The lesson was designed in Developmentally Appropriate Curricula for Children Aged 3-5 (EDSE 7180) in Fall 2021.
Removing The Barriers Of Gallery One: ARTLENS Gallery, A New Approach to Inte...Phillip Tiongson
New ARTLENS Gallery Presentation at Museums and the Web April 29 2017 by Jane Alexander, CIO, Cleveland Museum of Art and Phillip Tiongson, Principal, Potion
Deb Sovinee and Lynn Baum. This was for a Pecha Kucha Night at the New England Museum Association conference: 20 slides for only 20 seconds each, slides advance automatically.
ARTLENS Gallery: Designing Meaningful, Barrier-Free Digital ExperiencesPhillip Tiongson
The Cleveland Museum of Art (CMA)––in its latest initiative to use game-changing technology to enhance its visitors’ experience and their connection to the museum’s world-renowned collection––has reimagined its award-winning Gallery One concept with the introduction of ARTLENS Gallery, composed of:
1) ARTLENS Exhibition, where masterworks are intertwined with touchscreen-free digital interactives,
2) ARTLENS Studio, an intergenerational space where movement and art creation connects visitors to the CMA’s collection,
3) ARTLENS Wall, a 40-foot interactive wall displaying all of the CMA’s works on view, and
4) ARTLENS App, connecting to both the Exhibition interactives and the Wall, and can be used throughout the museum with responsive wayfinding. Also, the ARTLENS Beacon, a monumental screen at the entrance to ARTLENS Gallery, displays visitor-generated content including tours, collages, portraits, and poses in real time.
The centerpiece of ARTLENS Gallery is the Exhibition, an immersive, experiential space that places visitors into conversation with masterpieces, encouraging engagement with the museum’s collection. To create the cutting-edge digital interactives, the CMA partnered with Potion, a firm based in New York City, to design an experience that communicates complex concepts in simple, intuitive ways. Potion leveraged its deep experience in technology, inventing unique ways to use gesture control, gaze tracking, and emotion detection to create delightful and instructive visitor experiences exclusively for the CMA. Using barrier-free and motion-activated projections to create a personal experience with the art, ARTLENS Exhibition puts the art in the foreground. Visitors approach and engage with the art, and then use the interactive games that augment visual literacy skills and provide an experience in which they can learn more about composition, purpose, and symbols.
Join Jane and Phillip as they walk through the process of creating ARTLENS Gallery and, in particular, ARTLENS Exhibition and its awe-inspiring and fun, innovative technology.
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Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
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2. Colour facts
• featured contemporary art from
all areas of the Gallery’s
collection
• aimed to engage children with
colour meanings, cultural
associations, feelings and
optical effects (colour facts)
• designed as a ‘colour house’
–rooms were colour focused
• interactives to experience the
sensory properties of specific
colours
3.
4.
5. Colour findings
Children:
• showed enjoyment in
interpreting the abstract,
contemporary works
• found the art to be interesting
to look at – especially art that
was strange, scary, familiar,
funny, amazing and/or different
• provided all sorts of interesting
and creative interpretations
6. Children and contemporary art
What enabled meaningful engagement?
• high attracting and
holding power of the
works
• opportunities for
thinking and discussion:
how was it made?
• hands-on exploration to
discover something Drawing by Aiden, Year 4
new about colour
7. Lionel BAWDEN – Untitled
Discoveries: familiar object
used in an interesting way:
- Look, they’re pencils!
- That’s mad!
Asking questions:
- How deep would the pencils
be inside?
- How many days would it take
to do?
Commenting and theorising:
- They’re cut and stuck together.
- I think it would take forever to
make.
8. Insights : contemporary art
- This is art how you feel.
- Different from what you’d see in your house.
- It’s different. You usually think paintings, not
couches with spikes.
9. Colour findings
Many children reported learning something new as a result of
their experience in the Colour exhibition.
• most common response: how colours feel (temperature)
• colours can be mixed to make new colours
• colours have meaning
The interactives enhanced children’s experiences in Colour.
• teachers stated that interactive components added an important
sensory dimension to the experience
10. Since Colour …
Children are interested in
all art forms
• interesting textures
• which use technology
(film / computer)
• have an interactive
element (sound / light)
• scale – small / large
11. Activity books /
child-friendly information
labels
• promotes child-adult
interaction (shared
encounters)
• provide interesting facts
• questions and activities
encourage children to build
connections between their own
lives and the art on display
13. The Silver Factory:
Andy Warhol for Kids
• engage with processes and
ideas that Andy Warhol was
interested in
• appreciation for HOW and
WHY the artist made the type
of art that he did
• thrill of seeing yourself = the
reaction is immediate
‘15 seconds of fame’