Plenary:  Build it… reconceptualising museum and gallery spaces Hall A, MECC Chair: John Walsh Deborah Tranter Director Cobb+Co Museum and Regional Services, Queensland Museum Museums and Communities: Changing Dynamics: An analysis of the Cobb+Co Museum in Toowoomba
Museums and Communities:  Changing Dynamics Case study Cobb+Co Museum Deborah Tranter
Reconceptualising  the Cobb+Co  Museum  as a  pivotal agent   in its  community’s  social ,  cultural  and  economic development
Stage 1  1987-2001  traditional museum model Stage 2   2001-2010  social enterprise model Stage 3  2010-  creative-cultural industry model
Stage 1  1987-2001  Traditional museum model   internal collection-focused institution horse-drawn vehicles curriculum learning programs shared site with TAFE college
 
 
Stage 2   2001-2010  Social enterprise model   community resource centre  dedicated to lifelong learning and  inclusivity broader exhibition themes and  associated public programs.
 
 
 
National Carriage Factory project History is in Your Hands   Community leadership Inreach not outreach Gave the community permission to speak on behalf of the Museum $2million commitment
 
Walkway of Honour
Stage 3   2010 - Creative-cultural industry model safeguarding heritage trades innovation, creativity and design hub for  Hand Made in Country social, cultural and economic  benefits for the community
 
 
Binangar Centre
Little Cobbers
Reminiscence Program - Volunteer
 
 
Cobbs Coffee Shop
Dinner Function
 
  Uses capital heritage assets - natural, built, moveable and intangible  to foster economic prosperity,  social cohesion,  sustainable practices and  function as important patterns and symbols promoting a distinctive community identity
For a tree to grow well,  the seed can be international  but the soil must be local Su Donghai, Professor National Museum of China
International models Creative Industry network model Convention for Safeguarding Intangible Heritage (UNESCO) Ecomuseum Economuseum HandMade in America
National Carriage Factory
 
 
Heritage Trade Workshops
Daily Have A Go
Thomas Weir – Heritage Trade Apprentice
Artisans earning a living from involvement in education and training  production and promotion of quality hand-made merchandise  participation in tourism trails and significant events
 
 
 
 
 
 
Handmade items
 
From the last stop before the dump  to a place marker  immersed in its community  through shared values
 
 
 
 
Museums and Communities:  Changing Dynamics Case study Cobb+Co Museum Deborah Tranter

Deborah Tranter

  • 1.
    Plenary: Buildit… reconceptualising museum and gallery spaces Hall A, MECC Chair: John Walsh Deborah Tranter Director Cobb+Co Museum and Regional Services, Queensland Museum Museums and Communities: Changing Dynamics: An analysis of the Cobb+Co Museum in Toowoomba
  • 2.
    Museums and Communities: Changing Dynamics Case study Cobb+Co Museum Deborah Tranter
  • 3.
    Reconceptualising theCobb+Co Museum as a pivotal agent in its community’s social , cultural and economic development
  • 4.
    Stage 1 1987-2001 traditional museum model Stage 2 2001-2010 social enterprise model Stage 3 2010- creative-cultural industry model
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    Stage 1 1987-2001 Traditional museum model internal collection-focused institution horse-drawn vehicles curriculum learning programs shared site with TAFE college
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    Stage 2 2001-2010 Social enterprise model community resource centre dedicated to lifelong learning and inclusivity broader exhibition themes and associated public programs.
  • 9.
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    National Carriage Factoryproject History is in Your Hands Community leadership Inreach not outreach Gave the community permission to speak on behalf of the Museum $2million commitment
  • 13.
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  • 15.
    Stage 3 2010 - Creative-cultural industry model safeguarding heritage trades innovation, creativity and design hub for Hand Made in Country social, cultural and economic benefits for the community
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    Usescapital heritage assets - natural, built, moveable and intangible to foster economic prosperity, social cohesion, sustainable practices and function as important patterns and symbols promoting a distinctive community identity
  • 27.
    For a treeto grow well, the seed can be international but the soil must be local Su Donghai, Professor National Museum of China
  • 28.
    International models CreativeIndustry network model Convention for Safeguarding Intangible Heritage (UNESCO) Ecomuseum Economuseum HandMade in America
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    Thomas Weir –Heritage Trade Apprentice
  • 35.
    Artisans earning aliving from involvement in education and training production and promotion of quality hand-made merchandise participation in tourism trails and significant events
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    From the laststop before the dump to a place marker immersed in its community through shared values
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    Museums and Communities: Changing Dynamics Case study Cobb+Co Museum Deborah Tranter