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Plenary:  Changing Nature of Collections Hall A, MECC Chair: Lisa Jones Richard Gagnier Head of Conservation, Montreal Museum of Fine Arts, Canada The concept of integrity as the guiding framework to the preservation of time-based media art and installation Sponsored by:
DOCAM GUIDE FOR PRESERVATION ,[object Object],[object Object],The concept of integrity as guiding framework to the preservation of time-based media art
The main goal of the Research Alliance DOCAM is to implement new tools and methodologies adapted to the Conservation and Documentation of artistic practises involving media technologies.  During the five years tenure of this project, many case studies will address preservation issues of Time-based media art work as well as peculiarities of archival collection composed of technologically based information carrier materials.
 
 
 
 
 
 
 
 
[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],* Defenitions from the glossary of The Variable Media Approach
[object Object],[object Object],[object Object],[object Object],[object Object]
 
Dion_reperes_KX.jpg
Dion_reperes_KX.jpg
 
 
 
 
 
 
 
Installation schematic drawing, acquisition presentation, 1997
 
 
 

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Richard Gagnier

  • 1. Plenary: Changing Nature of Collections Hall A, MECC Chair: Lisa Jones Richard Gagnier Head of Conservation, Montreal Museum of Fine Arts, Canada The concept of integrity as the guiding framework to the preservation of time-based media art and installation Sponsored by:
  • 2.
  • 3. The main goal of the Research Alliance DOCAM is to implement new tools and methodologies adapted to the Conservation and Documentation of artistic practises involving media technologies. During the five years tenure of this project, many case studies will address preservation issues of Time-based media art work as well as peculiarities of archival collection composed of technologically based information carrier materials.
  • 4.  
  • 5.  
  • 6.  
  • 7.  
  • 8.  
  • 9.  
  • 10.  
  • 11.  
  • 12.
  • 13.
  • 14.
  • 15.  
  • 18.  
  • 19.  
  • 20.  
  • 21.  
  • 22.  
  • 23.  
  • 24.  
  • 25. Installation schematic drawing, acquisition presentation, 1997
  • 26.  
  • 27.  
  • 28.