Media analysis
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The document analyzes the lighting and shadows in photographs that could imply meanings about a kidnapper's intentions and personality. Specifically, the brighter light on the kidnapper's front foot suggests their plan was hastily conceived, while darker lighting on the back foot shows a lack of care for consequences. Shadows over shoe areas and behind the person bring a sense of danger and gloom. The natural lighting could symbolize approaching danger and something being suffocated. Unclear shadows create a sense of the unknown, implying an unclear plan and unseen watchers.
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Media analysis
The document analyzes the lighting and shadows in photographs that could imply meanings. It suggests that brighter lighting on one foot of a kidnapped person means the kidnapper's initial plan was careless, while darker lighting on the other foot means they don't care about consequences. Shadows around shoe areas are said to signal the kidnapper is dark and dangerous. The document also discusses how natural lighting in other photos could foreshadow danger and suffocation, and how shadows create a sense of the unknown, which is good for thrillers.
The gift
The document analyzes images from a thriller film poster to interpret their symbolic meanings. The central image shows a man holding a gift in low lighting, suggesting he is lonely and trying to attract affection. His face is half-lit and half-dark, implying he used to be happy but is becoming evil. The wrapped gift's blue color symbolizes calmness but contradicts the red title's symbolism of violence and danger. The title's slit suggests that someone will be hurt, creating suspense over who the victim will be.
The sixth sense
The poster for The Sixth Sense effectively conveys the film's supernatural thriller genre. Bruce Willis' shadowed facial expression evokes fear and anxiety, reflecting the main emotions of the film. The orange lighting suggests entering another world, reinforcing the psychological storyline. The lighting is arranged as a number "6", resembling the title and supernatural theme. The black background emphasizes the lighting and creates a supernatural sense, reflecting the genre as a thriller. The gothic white title draws attention and contrasts with the black, centered in line with Bruce Willis' image. The tagline evokes mystery and intrigue, enticing audiences to learn more.
9 shot analysis - The Sixth Sense
This document analyzes 9 different shots from a film and discusses the purpose and meaning conveyed by different camera angles, lighting techniques, settings, and character positioning in each shot. The shots include a close up of a character's face using light and shadow to convey emotion, an over the shoulder shot that makes the audience feel like they are eavesdropping on a conversation, and a wide establishing shot that zooms in to show characters and set the scene.
The Sixth Sense by M.Night Shyamalan
The Sixth Sense was directed by M. Night Shyamalan and released in 1999. It uses conventions of traditional thrillers but also subverts expectations. In the opening scene, an isolated cellar is used rather than an abandoned house, and the female victim is revealed to live with her partner. Strange characters are introduced that have psychological problems. The opening credits use black and white colors and fading text to seem ghostly. Visual elements like a lighting light bulb and mirrored frame are used to suggest characters that can see things others cannot. Mysterious music in the credits mirrors the fading text and changes in tone to set a creepy tone. Sound of doors and footsteps add authenticity. Camera work with close-ups emphasizes important visual clues
How is lighting and colour used for effect in the extract of dead again
Lighting and color are used in various ways to add tension and effect in the extract. High key lighting on the criminal's face obscures the background, creating mystery. Low key lighting on the reporter allows viewers to see the background and feel secure. Black and white film stock creates a murky world representing a dream or flashback. Strong overhead lighting on the criminal creates deep shadows on his face, making him mysterious, while the reporter is mostly lit, comparing the "good guy" to the "bad guy." Flashing cameras during a walk create a silhouette of an important unknown woman, building tension. Light and dark are used symbolically, with darkness for the villain and light for the good guy, helping set an overall
IST FINAL.
The document provides descriptions of various camera shots used in a film, including long shots, mid shots, close ups, and low angle shots. The shots are used to introduce characters, emphasize their importance, create suspense, show characters looking around an empty area, depict characters walking and looking for people, capture a fall, and show characters deciding to enter a passageway.
Schindler's list
The document discusses and analyzes several shots from the film Schindler's List directed by Steven Spielberg. It summarizes the establishing shot at the beginning of the film where Oscar Schindler is shown talking privately to a waiter in a restaurant, establishing Schindler as powerful and methodical. It then analyzes another shot showing Schindler in his office which reveals differences in his and another character's organization and roles. Finally, it discusses a long shot showing Jews in a field as isolated and vulnerable, foreshadowing their potential extinction.
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Media analysis
The document analyzes the lighting and shadows in photographs that could imply meanings. It suggests that brighter lighting on one foot of a kidnapped person means the kidnapper's initial plan was careless, while darker lighting on the other foot means they don't care about consequences. Shadows around shoe areas are said to signal the kidnapper is dark and dangerous. The document also discusses how natural lighting in other photos could foreshadow danger and suffocation, and how shadows create a sense of the unknown, which is good for thrillers.
The gift
The document analyzes images from a thriller film poster to interpret their symbolic meanings. The central image shows a man holding a gift in low lighting, suggesting he is lonely and trying to attract affection. His face is half-lit and half-dark, implying he used to be happy but is becoming evil. The wrapped gift's blue color symbolizes calmness but contradicts the red title's symbolism of violence and danger. The title's slit suggests that someone will be hurt, creating suspense over who the victim will be.
The sixth sense
The poster for The Sixth Sense effectively conveys the film's supernatural thriller genre. Bruce Willis' shadowed facial expression evokes fear and anxiety, reflecting the main emotions of the film. The orange lighting suggests entering another world, reinforcing the psychological storyline. The lighting is arranged as a number "6", resembling the title and supernatural theme. The black background emphasizes the lighting and creates a supernatural sense, reflecting the genre as a thriller. The gothic white title draws attention and contrasts with the black, centered in line with Bruce Willis' image. The tagline evokes mystery and intrigue, enticing audiences to learn more.
9 shot analysis - The Sixth Sense
This document analyzes 9 different shots from a film and discusses the purpose and meaning conveyed by different camera angles, lighting techniques, settings, and character positioning in each shot. The shots include a close up of a character's face using light and shadow to convey emotion, an over the shoulder shot that makes the audience feel like they are eavesdropping on a conversation, and a wide establishing shot that zooms in to show characters and set the scene.
The Sixth Sense by M.Night Shyamalan
The Sixth Sense was directed by M. Night Shyamalan and released in 1999. It uses conventions of traditional thrillers but also subverts expectations. In the opening scene, an isolated cellar is used rather than an abandoned house, and the female victim is revealed to live with her partner. Strange characters are introduced that have psychological problems. The opening credits use black and white colors and fading text to seem ghostly. Visual elements like a lighting light bulb and mirrored frame are used to suggest characters that can see things others cannot. Mysterious music in the credits mirrors the fading text and changes in tone to set a creepy tone. Sound of doors and footsteps add authenticity. Camera work with close-ups emphasizes important visual clues
How is lighting and colour used for effect in the extract of dead again
Lighting and color are used in various ways to add tension and effect in the extract. High key lighting on the criminal's face obscures the background, creating mystery. Low key lighting on the reporter allows viewers to see the background and feel secure. Black and white film stock creates a murky world representing a dream or flashback. Strong overhead lighting on the criminal creates deep shadows on his face, making him mysterious, while the reporter is mostly lit, comparing the "good guy" to the "bad guy." Flashing cameras during a walk create a silhouette of an important unknown woman, building tension. Light and dark are used symbolically, with darkness for the villain and light for the good guy, helping set an overall
IST FINAL.
The document provides descriptions of various camera shots used in a film, including long shots, mid shots, close ups, and low angle shots. The shots are used to introduce characters, emphasize their importance, create suspense, show characters looking around an empty area, depict characters walking and looking for people, capture a fall, and show characters deciding to enter a passageway.
Schindler's list
The document discusses and analyzes several shots from the film Schindler's List directed by Steven Spielberg. It summarizes the establishing shot at the beginning of the film where Oscar Schindler is shown talking privately to a waiter in a restaurant, establishing Schindler as powerful and methodical. It then analyzes another shot showing Schindler in his office which reveals differences in his and another character's organization and roles. Finally, it discusses a long shot showing Jews in a field as isolated and vulnerable, foreshadowing their potential extinction.
Media still images
This document discusses several film techniques used in a thriller genre film. It describes a fade in and out editing feature that enhances mystery and suspense. An extreme close-up of blood indicates it is a thriller. Shot of a white, unknown location establishes it as bleak and isolated, with black and white colors suggesting muted, sparse surroundings. An over the shoulder shot and reflection in a mirror create a sense of mystery and question reality. An extreme close-up shows characterization and gives a sense of worry or panic, with the main focus being on the character's eyes.
Mise en scene notes sheet
Mise-en-scene refers to everything within the frame of a shot that can be arranged, including props, costumes, lighting, color, location/set, and blocking/performance. There are six key areas of mise-en-scene. Dark colors are often used to portray evil while lighter colors represent innocence. Costumes provide cultural clues about a character's personality and social status. Props for a tense police interview may include a notepad, pen, mobile, while a romantic first date could use plates, cutlery, glasses, food, and wine. Lighting can be used to set mood, with low-key lighting conveying evening and possible fear, and high-key lighting representing daytime
Textual analysis editors
The video begins with a close-up shot of a man sprinting down a deserted road, showing his look of determination through heavy breathing and body movements. A high angle shot then depicts the man as small against the large city backdrop, making him seem weak and alone. The focus then shifts to two other people joining him, alleviating his solitude. A medium shot shows the man now accompanied by the two others from behind, signaling he has allies. Finally, a high shot displays their group has grown to ten people sprinting together, indicating their increased strength and dominance, before returning to a solo shot of the main character appearing small and lonely against the cityscape.
Jelly baby task
The document summarizes scenes from a short thriller story titled "Thriller - A Ghost Story". In the first scene, characters Boomby and Tilly have a meal in a grand old house, setting the scene. In the second scene, all the lights turn off, creating suspense and fear. The next scene shows Boomby's decapitated head on the table. In the fourth scene, the ghost appears flying above Tilly under the chandelier in the dark. The final scene shows both characters decapitated with the ghost facing Tilly above the table.
Every secret thing poster analysis
The movie poster depicts a lone female character surrounded by empty space, appearing vulnerable and lonely. Her face is obscured, creating distance from the audience and a sense of mystery. In the background are dark clouds, a police car, and an overturned baby stroller without a baby, implying danger, crime, and something mysterious has occurred. These elements, along with the character's vulnerable depiction and obscured face, intrigue viewers and make them curious to learn more about the unknown events of the film.
Mise en - scene
The mise-en-scene in the shot effectively uses symbolism. The spotlight on the standing man portrays his significance and power, with its circular shape symbolizing imprisonment. Lines breaking the circle suggest the victim's fragmentation and feeling trapped. The room's frame-within-a-frame adds to the sense of entrapment. The transparency of the other character through dull colors shows he is less important. The standing man's shadow on the floor reflects multiple similar figures, portraying existing or upcoming power.
02. mise en scene notes sheet
Mise-en-scene refers to everything visible within the frame of a film including colors, costumes, blocking/performing, set design, props, and lighting. These elements are used to convey meaning and provide context. Color can be used to signify personality traits or moral characteristics in characters. Costumes can reveal social status or occupation. Props for a romantic first date might include flowers, a candlelit table setting while an intense police interrogation would use props like files or handcuffs. Location and lighting also set the mood and influence the audience's interpretation. Mise-en-scene allows filmmakers to subtly direct the audience's understanding through intentional manipulation of the visual elements.
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The document outlines a student's final major project proposal to create a photo documentary on the theme of isolation and feelings. The project will involve taking photographs representing a range of emotions such as anger, loneliness, depression and love. Props will be used to relate to or contrast the feelings shown. Research will include studying how feelings affect people physically and conducting a public survey. The goal is to help people understand their true feelings and resolve emotional issues through the visual representation of emotions. Lighting techniques will be used to convey the models' feelings. Inspiration comes from songs and films with similar emotional themes. Primary research will also include public surveys and visiting historical locations.
Bourne supremacy Opening 2 minutes analysis
The document provides an analysis of the opening scenes of the film The Bourne Supremacy. It summarizes that the opening titles create a sense of mystery through scrambled letters and unsettling music. Rapid flashbacks shown in dark tones suggest the main character's memories are unclear and fragmented. Universal Pictures' credibility builds anticipation for the film. The character awakens from dreams of gunshots and a woman's muffled cries, reflecting his lack of understanding of the traumatic memories. While with his girlfriend, he remains troubled, keeping details of his dreams private as he isolates himself in the darkness.
Royal Tenenbaums
This document contains analysis of several scenes from the film The Royal Tenenbaums. It summarizes shots from the opening scene including a bird's eye view of the object in the center of the scene. It also discusses establishing shots of the Tenenbaum family home that shows how they stand out in their neighborhood. The analysis then covers shots of the characters in their rooms that are framed to show both their unity and distance from one another.
01 mise en scene notes sheet
Mise-en-scene refers to everything that appears on screen and includes 6 key areas: colour, costume, props, set/location, blocking/performance, and lighting. The document provides examples of how these elements are used to convey meaning and create mood through characters' clothing, backgrounds, objects, and lighting techniques like high key and low key. Costumes, for instance, can suggest a character's social class and personality, while lighting can make an image appear more dramatic with shadows or lighter for comedy genres. Mise-en-scene allows filmmakers to visually tell stories through intentional design of what appears on screen.
Vertigo analysis
The document analyzes the opening title sequence of the film Vertigo. It describes 7 shots that zoom in on a woman's face and eyes, showing no emotion at first but then fear as her eyes dart around. The sixth shot turns red and shows the movie title "Vertigo" emerging from her eye. The seventh shot features a spiral illusion emerging from her eye, suggesting hallucinations. The remaining shots continue illusory spirals that may represent eyes.
Analysis of thrillers 2
This document analyzes techniques used in thriller films. It discusses how lighting, camera angles, facial expressions, and scene setting are used to build suspense and mystery. Bright lighting on a character's face indicates their importance, while dark lighting shows a sinister or evil side. A woman being wrapped in cling film by her killer shows their obsession with cleanliness. Minimal lighting in a nighttime killing scene draws the audience in. Props like glass objects on a table foreshadow that someone may be killed with them.
Lighting and shot analysis
The document analyzes the lighting and shots used in the movie Shutter Island. It discusses how the director uses low key lighting in the first aerial shot and corridor shot to set a mysterious tone and hide details. An extreme close-up on a hand is then brightly lit to draw attention to its potential importance. Later shots contrast high and low key lighting to confuse the viewer and emphasize mystery around corners of a room being in total darkness. The overall low key lighting and dull colors establish the gloomy, mysterious atmosphere of the film.
Photography heroes presentation
Francesca Woodman's photographs explore issues of gender and self through unconventional self-portraits that often depict her partially hidden or blurred figure. Satoki Nagata captures nightlife in Chicago through double exposures that create surreal overlays of faces and outlines in flashes of light. Jerry Uelsmann combines multiple negatives to create complex composite images that portray dreamlike or fantastical scenes with biblical references.
Dimension mental
El documento describe una autoevaluación de la dimensión mental de una persona. Identifica tres áreas que le gustaría desarrollar: mejorar su escritura, redacción y capacidad de expresión. Reconoce que no mejorar estas áreas podría limitar su progreso personal y profesional. Su sueño es desarrollar buenos hábitos mentales con una mente abierta y capacitada para lograr cualquier objetivo, sin limitaciones, para así poder guiar a sus alumnos en el futuro.
Fight club femininity
The document discusses the character of Marla from the film. It notes that Marla is the only female character in the film and analyzes why the filmmakers chose to only include one female. The document suggests it was to keep the focus on the male relationships and how they respond to each other. It also notes that the complicated way the male character Tyler reacts to Marla can be highlighted by only having her as the sole female character.
Osisisisis
La mini empresa Osiris está conformada por 10 estudiantes que ofrecen una variedad de cosméticos naturales como labiales, esmaltes y maquillaje. Además, promueven el turismo religioso en la Gruta de la Paz, un lugar cercano a Tulcán conocido por su belleza natural y por albergar una imagen de la Virgen de la Paz. La mini empresa busca comercializar sus productos y servicios a través de ferias y redes sociales.
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Este documento discute la configuración de experiencias pedagógicas en el aula desde la perspectiva del maestro. Argumenta que tradicionalmente, los maestros han sido vistos como meros operarios del sistema educativo, enfocados en transmitir contenidos de manera disciplinada. Esto ha llevado a la despedagogización del maestro y a menospreciar su experiencia única y particular en el aula.
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Media still images
This document discusses several film techniques used in a thriller genre film. It describes a fade in and out editing feature that enhances mystery and suspense. An extreme close-up of blood indicates it is a thriller. Shot of a white, unknown location establishes it as bleak and isolated, with black and white colors suggesting muted, sparse surroundings. An over the shoulder shot and reflection in a mirror create a sense of mystery and question reality. An extreme close-up shows characterization and gives a sense of worry or panic, with the main focus being on the character's eyes.
Mise en scene notes sheet
Mise-en-scene refers to everything within the frame of a shot that can be arranged, including props, costumes, lighting, color, location/set, and blocking/performance. There are six key areas of mise-en-scene. Dark colors are often used to portray evil while lighter colors represent innocence. Costumes provide cultural clues about a character's personality and social status. Props for a tense police interview may include a notepad, pen, mobile, while a romantic first date could use plates, cutlery, glasses, food, and wine. Lighting can be used to set mood, with low-key lighting conveying evening and possible fear, and high-key lighting representing daytime
Textual analysis editors
The video begins with a close-up shot of a man sprinting down a deserted road, showing his look of determination through heavy breathing and body movements. A high angle shot then depicts the man as small against the large city backdrop, making him seem weak and alone. The focus then shifts to two other people joining him, alleviating his solitude. A medium shot shows the man now accompanied by the two others from behind, signaling he has allies. Finally, a high shot displays their group has grown to ten people sprinting together, indicating their increased strength and dominance, before returning to a solo shot of the main character appearing small and lonely against the cityscape.
Jelly baby task
The document summarizes scenes from a short thriller story titled "Thriller - A Ghost Story". In the first scene, characters Boomby and Tilly have a meal in a grand old house, setting the scene. In the second scene, all the lights turn off, creating suspense and fear. The next scene shows Boomby's decapitated head on the table. In the fourth scene, the ghost appears flying above Tilly under the chandelier in the dark. The final scene shows both characters decapitated with the ghost facing Tilly above the table.
Every secret thing poster analysis
The movie poster depicts a lone female character surrounded by empty space, appearing vulnerable and lonely. Her face is obscured, creating distance from the audience and a sense of mystery. In the background are dark clouds, a police car, and an overturned baby stroller without a baby, implying danger, crime, and something mysterious has occurred. These elements, along with the character's vulnerable depiction and obscured face, intrigue viewers and make them curious to learn more about the unknown events of the film.
Mise en - scene
The mise-en-scene in the shot effectively uses symbolism. The spotlight on the standing man portrays his significance and power, with its circular shape symbolizing imprisonment. Lines breaking the circle suggest the victim's fragmentation and feeling trapped. The room's frame-within-a-frame adds to the sense of entrapment. The transparency of the other character through dull colors shows he is less important. The standing man's shadow on the floor reflects multiple similar figures, portraying existing or upcoming power.
02. mise en scene notes sheet
Mise-en-scene refers to everything visible within the frame of a film including colors, costumes, blocking/performing, set design, props, and lighting. These elements are used to convey meaning and provide context. Color can be used to signify personality traits or moral characteristics in characters. Costumes can reveal social status or occupation. Props for a romantic first date might include flowers, a candlelit table setting while an intense police interrogation would use props like files or handcuffs. Location and lighting also set the mood and influence the audience's interpretation. Mise-en-scene allows filmmakers to subtly direct the audience's understanding through intentional manipulation of the visual elements.
S2 PRES
The document outlines a student's final major project proposal to create a photo documentary on the theme of isolation and feelings. The project will involve taking photographs representing a range of emotions such as anger, loneliness, depression and love. Props will be used to relate to or contrast the feelings shown. Research will include studying how feelings affect people physically and conducting a public survey. The goal is to help people understand their true feelings and resolve emotional issues through the visual representation of emotions. Lighting techniques will be used to convey the models' feelings. Inspiration comes from songs and films with similar emotional themes. Primary research will also include public surveys and visiting historical locations.
Bourne supremacy Opening 2 minutes analysis
The document provides an analysis of the opening scenes of the film The Bourne Supremacy. It summarizes that the opening titles create a sense of mystery through scrambled letters and unsettling music. Rapid flashbacks shown in dark tones suggest the main character's memories are unclear and fragmented. Universal Pictures' credibility builds anticipation for the film. The character awakens from dreams of gunshots and a woman's muffled cries, reflecting his lack of understanding of the traumatic memories. While with his girlfriend, he remains troubled, keeping details of his dreams private as he isolates himself in the darkness.
Royal Tenenbaums
This document contains analysis of several scenes from the film The Royal Tenenbaums. It summarizes shots from the opening scene including a bird's eye view of the object in the center of the scene. It also discusses establishing shots of the Tenenbaum family home that shows how they stand out in their neighborhood. The analysis then covers shots of the characters in their rooms that are framed to show both their unity and distance from one another.
01 mise en scene notes sheet
Mise-en-scene refers to everything that appears on screen and includes 6 key areas: colour, costume, props, set/location, blocking/performance, and lighting. The document provides examples of how these elements are used to convey meaning and create mood through characters' clothing, backgrounds, objects, and lighting techniques like high key and low key. Costumes, for instance, can suggest a character's social class and personality, while lighting can make an image appear more dramatic with shadows or lighter for comedy genres. Mise-en-scene allows filmmakers to visually tell stories through intentional design of what appears on screen.
Vertigo analysis
The document analyzes the opening title sequence of the film Vertigo. It describes 7 shots that zoom in on a woman's face and eyes, showing no emotion at first but then fear as her eyes dart around. The sixth shot turns red and shows the movie title "Vertigo" emerging from her eye. The seventh shot features a spiral illusion emerging from her eye, suggesting hallucinations. The remaining shots continue illusory spirals that may represent eyes.
Analysis of thrillers 2
This document analyzes techniques used in thriller films. It discusses how lighting, camera angles, facial expressions, and scene setting are used to build suspense and mystery. Bright lighting on a character's face indicates their importance, while dark lighting shows a sinister or evil side. A woman being wrapped in cling film by her killer shows their obsession with cleanliness. Minimal lighting in a nighttime killing scene draws the audience in. Props like glass objects on a table foreshadow that someone may be killed with them.
Lighting and shot analysis
The document analyzes the lighting and shots used in the movie Shutter Island. It discusses how the director uses low key lighting in the first aerial shot and corridor shot to set a mysterious tone and hide details. An extreme close-up on a hand is then brightly lit to draw attention to its potential importance. Later shots contrast high and low key lighting to confuse the viewer and emphasize mystery around corners of a room being in total darkness. The overall low key lighting and dull colors establish the gloomy, mysterious atmosphere of the film.
Photography heroes presentation
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The unborn opening analysis
The sequence establishes the dark, mysterious setting of a city at night. An aerial shot introduces a woman running alone in a park, followed by a tracking shot that seems to follow her from behind. She notices a glove on the ground and picks it up. A pull focus then reveals a small, darkly dressed child nearby that the woman does not seem to recognize. A tilt shows the child is missing one glove, linking it to the one the woman picked up. A cross cut between the woman and where the child was standing now shows a dog wearing a mask, increasing the mysterious elements and uncertainty around what is happening.
02. mise en scene notes sheet
Mise-en-scene refers to everything presented in a scene that helps manipulate the audience's feelings, including props, costumes, lighting, sets/locations, and blocking/performance. There are six key areas of mise-en-scene: color, costume, props, set/location, blocking, and lighting. Color, costume, lighting, and location/setting are used in films and theater to help establish mood and provide meaning. For example, a sinister character may wear darker colors and be lit in a low, shadowy manner to suggest evilness. Props, blocking, and actors' performances also contribute to the intended tone and messages of a scene.
Mise-en Scene and Sound (Cave)
The document provides context about the film The Descent by discussing various elements of its setting, costumes, props, lighting, and acting. The cave setting provides isolation with limited escape routes and visibility. Costumes are utilitarian to explore the caves, while prosthetics make the crawlers inhuman. Props like bones and lighting equipment establish danger and create fear. Shadows and limited light further disorient the audience. Acting conveys emotions like fear and worry as the characters encounter unknown threats in the cave.
Camera shots:Exorcist+Final Destanation
This document provides descriptions and analyses of various camera shots and lighting techniques used in filmmaking to convey meaning and elicit emotional responses from audiences. Medium close-ups are used to show a character's reaction and create mystery for viewers. Extreme close-ups intensify viewers' focus on a subject's facial expression, such as demonstrating possession through a character's wide eyes. Backlighting, low angles, and lighting techniques like silhouettes are employed to make characters or situations seem ominous or foreboding by playing with shadows and perspective. Transitional devices like dissolves create ghostly feelings when fading between scenes.
Time
The document contains 12 analyses of photographs relating to various themes such as light, movement, time of day, clocks, and nature. Each analysis is 3-4 paragraphs long and provides details about visual elements in each photo such as colors, composition, lighting, and possible symbolic meanings or interpretations that can be derived. The analyses examine subjects like sparklers, a running dog, sunrise clouds, vintage watches, and plant leaves to draw conclusions about emotion, character, and nature.
Photography
The document contains descriptions of 10 images related to various themes including light, movement, time of day/weather, clocks, and nature. Each image is analyzed and interpreted based on visual elements like colors, composition, lighting, and subjects. For example, one image of sparklers at night is said to possibly represent uncontrolled emotions through the frantic movement and clashing colors. Another daylight photo of a dog in water is interpreted as capturing an everyday moment showing the animal's playful nature. The analyses note what details cause certain connotations and symbolism within each photograph.
Ideas for psychological thriller
Idea 2 is the best opening sequence for a psychological thriller. It begins with an establishing shot of a house on a sunny day, then a tracking shot through the house to a family photo. The parents tell their son they are having a baby. The diegetic sound fades as a high-pitched static increases. Idea 2 creates mystery through unclear visuals and an unknown figure. Flashbacks generate tension and suspense. Idea 1 gives away the plot, while Idea 3 does not clearly illustrate the genre through lighting and shots used. Idea 2 best meets conventions through its cinematography, narrative tension, and ambiguity about characters and their motives.
Autumn Term Project Word Doc
Nathan Lear proposes a photo story for a teenage magazine on the theme of "Teenage Issues". The story is about a young girl experiencing "stranger danger" and the fear of being in an unsafe situation with a stranger. Nathan plans to use dark lighting and locations like alleys to convey the seriousness of the issue. The story follows the girl being stalked by a stranger and shows how she deals with the problem by hiding and then running to a friend's house to call the police. The photos aim to raise awareness of safety risks while traveling alone without scaring readers.
Mise en - scene
The mise-en-scene in the shot effectively uses symbolism. The spotlight on the standing man portrays his significance and power, with its circular shape symbolizing imprisonment. Lines breaking the circle suggest the victim's fragmentation and feeling trapped. The framing within the room adds to the sense of entrapment. The transparency of the other character through dull colors shows he is less important. The standing man's shadow on the floor may represent other similar figures in his field.
The mise-en-scene creates a feeling of horror. Dark blue fading to light blue represents the expansion of terror and possible character transformation. Religious symbols like the cross among bushes evoke thoughts of exorcism. The possessed character
Short film pitch
A short film pitch proposes a horror/mystery film about a girl who receives creepy messages on her phone from an unknown stalker as she makes her way home. Upon arriving home, she discovers a body and realizes the stalker has been following her movements. However, a twist ending reveals that the girl is actually the stalker who enjoys recreating her victims' experiences and manipulating their fears. The film is aimed at a 16-24 year old audience and uses realistic yet unsettling cinematography and music to surprise viewers with the reveal that the seemingly innocent girl is the true villain.
9 shot analysis psycho
The 9 shot analysis summarizes key shots from the film Psycho:
1) The opening title sequence contrasts white letters on a black background to immediately create impact and set up opposing themes.
2) An establishing shot of a crowded city is unusual for a thriller and leads us to anticipate where the "psycho" may appear.
3) A high angle shot reveals Marion stealing money in a bathroom, making the audience feel like intruders in her vulnerable situation.
4) A medium close up shows Marion's worried expression as her boss suspects her theft, showing her apprehension and concern about being caught.
5) A nighttime shot of an isolated house in the rain establishes the
Media research donnie darko analysis
This document provides a summary and analysis of the trailer for the film Donnie Darko. It analyzes various shots from the trailer, noting how elements like camera angles, facial expressions, and iconography help establish the paranormal and thriller genre elements. It discusses how shots set the school setting, draw attention to the mysterious protagonist, portray supernatural abilities, and create intrigue, mystery, and a building sense of tension through the trailer. Feminist perspectives on portrayals of vulnerable women are also briefly addressed.
Question 2
This document discusses how the media product represents particular social groups. Specifically, it focuses on representing young teenage girls associated with fashion culture as the victim in a thriller opening. Locations like an abandoned wood and dark estate were chosen to suggest tension and lower social class. Dark lighting was used to metaphorically suggest the victim's feelings. The victim wears everyday dark clothes to appear vulnerable yet match the low financial status of residents. In contrast, the killer subverts expectations by also being a young female, challenging the male killer stereotype.
Question 1 Drft
The document discusses the location and themes used in the film "The Horror in the Woods". The film is set in a forest to create a sense of isolation and vulnerability for the characters. Forests are seen as places where people can be murdered without witnesses. The forest setting remains the same throughout, adding to the characters' growing sense of being lost. Psychological horror elements include building tension as the characters feel they are being chased by an unseen threat. The film aims to create a similar atmosphere of tension and unease as the classic film "The Blair Witch Project" through an isolated setting and unknown threat.
Question 1 Draft
The document discusses the location and themes used in the film "The Horror in the Woods". The film is set in a forest to create a sense of isolation and vulnerability for the characters. Forests are seen as places where people can be killed without witnesses. The forest setting remains the same throughout, adding to the characters' growing sense of being lost. Psychological horror elements include building tension as the characters feel they are being chased by an unseen threat. The film aims to create a similar atmosphere of tension and unease as the classic film "The Blair Witch Project" through an isolated setting and unknown threat.
Question 1
The document discusses the location and themes used in the film "The Horror in the Woods". The film is set in a forest to create a sense of isolation and vulnerability for the characters. Forests are seen as places where people can be murdered without witnesses. The forest setting remains the same throughout, adding to the characters' growing sense of being lost. Psychological horror elements include building tension as the characters feel they are being chased by an unseen threat. The film aims to create a similar atmosphere of tension and unease as the classic film "The Blair Witch Project" through an isolated setting and unknown threat.
Digital Photography sketchbook [
This document discusses photographs taken by various photographers to capture environments and places. It focuses on three photographers - Florian Ritter, who photographed villages to show atmospheres; Frank Fournier, who photographed Omayra Sanchez trapped after a volcanic eruption; and Susan Lipper, whose work features mysterious, ghost town settings. The document also discusses the author's photography project plans to portray everyday Muslim life in a positive light through subtle cultural influences in photographs of activities like praying, cooking, and dancing.
02. mise en scene notes sheet
Mise-en-scene refers to everything visible within the frame of a shot including color, costume, props, location, blocking/performance, and lighting. It provides context and reveals information about characters and their relationships. Color, costume, and lighting can be used to convey mood and symbolism. Blocking positions characters in the frame to show their importance. Props provide context and clues about characters. Location can be purpose-built sets or real world places. Together, these elements of mise-en-scene help tell the story on screen.
Similar to Media analysis (20)
More from KirstyAllen1998
Photo analysis
The document discusses various tools used to edit an image in order to make the artist stand out more harshly. These tools include adjusting curve levels, choosing font colors and styles using the color palette and text tools, organizing layers for different fonts, precisely positioning text using the grab tool, zooming in for precise placement using the zoom tool, and warping text by rasterizing layers and using the warp tool.
Warp
The document describes experimenting with Photoshop's warp tool to distort text. It explains that the user right clicked on a text layer to rasterize the type and enable the warp tool. They then accessed the transform menu in the options bar to bring up a 3x3 grid, allowing them to warp the text in different ways. Clicking the checkmark above confirmed the changes and removed the grid, leaving the final warped text.
Shooting schedule
The shooting schedule spans September, October, and November. Key dates include:
- November 2nd: Filming airport shots at Luton airport, including departures area and close-up lip syncing shots.
- November 4th: Filming at Elmers End graveyard to find old graves and create a mysterious atmosphere. Most lip-syncing shots will be filmed under a willow tree.
- November 8th: Two hours booked at a studio in Beckenham for controlled lighting and establishing shots such as close ups, birds eye views, and point of view shots.
analysis
The document analyzes a music video created to raise awareness about mental illness. It discusses how the video uses cinematography, lighting, editing techniques and symbolism to tell the story of a young girl dealing with deteriorating mental health issues like loneliness, insanity and depression due to a lack of knowledge about mental illness. It aims to convey the message that mental illness is common and seeking help is important by allowing viewers to experience what it might feel like in the girl's mind and showing her overcoming her struggles through determination.
Social media
The document summarizes the artist's use of social media platforms like Instagram, Facebook, and Twitter to promote their music video and engage with audiences. They posted photos and videos throughout the production process on these sites to build intrigue and gain feedback. Facebook proved most responsive, likely due to targeting an older demographic. The posts provided behind-the-scenes content, storyboards, and opportunities for audiences to provide input on lighting choices to make them feel involved in the creation. Responses helped guide decisions to appeal to target audiences.
Treatment
The document summarizes the treatment for a music video that aims to raise awareness about mental illness. The video tells the story of a young girl dealing with deteriorating mental health issues alone due to a lack of knowledge about mental illnesses. Various filming and editing techniques are used to convey themes of loneliness, insanity, and depression and give viewers insight into what it may feel like inside the character's mind. The video ends with the character overcoming her struggles by facing them head on, paralleling the message that confronting issues is important for treatment.
Magazine advart analysis
This magazine advert promotes artist Jessie J and her upcoming album. The dominant colors of black, white, and gold are used to represent dominance, purity, and power. Jessie J is pictured looking directly at the camera with piercing blue eyes to convey passion and confidence. Her pose with hands by her head implies she is breaking free from her past fears and conventions to become her true self. Additional details promote Jessie J's talent, message of self-worth, and how fans can engage with her on social media.
Digi pak
Katy Perry's 2010 album "Teenage Dream" was commercially successful, reaching number one on the Billboard charts. The album's digipak features bright colors and imagery relating to candy and sweets, representing Perry's playful personality and appeal to younger audiences. It also draws similarities to the 2010 film "Alice in Wonderland" through references to the Mad Hatter's tea party and Queen of Hearts. Overall, the digipak is meant to give audiences a sense of being part of Perry's magical world of fame and success through its whimsical theme and depictions of sweets.
Research into lyrics
This song analyzes past relationships and suggests the singer is in control. She had a boy who she turned into a man and taught things to sexually. Now exes curse her name but still want attention. She finds new lovers in other places to make exes jealous. The exes will come running back to her because she is the best lover they will ever have, though the relationships never last. The song references past lovers in New Orleans and how seasons change relationships.
Target audiece response
The survey responses from the target audience of 16-25 year olds indicated that the song originally chosen ("What Now" by Rhianna) was not favored as it was described as an upbeat pop song with a distorted meaning. Option C from the survey was selected most frequently so the creator will look for a song fitting that description. To get further feedback, both the current song and a song like Option C will be presented to the target audience to see which they prefer. Most of the target audience enjoys staying active and socializing with friends, so a lighthearted song that can be represented in many ways would be suitable. The survey also showed that young males prefer dubstep and house music more so than the type of song represented
Story board
This 3 sentence summary provides the high level information from the document:
The document is a story board for the song "Ex's and Oh's" created by Kirsty, Shannon and Oliver to outline the plot and scenes of a music video for the song. It details the key events and characters that will be depicted in the music video to bring the song to life visually. The story board helps the creative team plan out how to film the music video to match the lyrics and tone of the song.
Media proposal a2
This proposal outlines a music video for the song "Ex's and Oh's" by Elle King. It will tell the story of a woman feeling trapped by her insecurities and past relationships. There will be three locations: a studio for performance shots, a cemetery to represent her past haunting her, and an airport to show her desire to escape her problems by running away. A variety of camera angles, quick editing, and changes between low key, high key, and natural lighting will be used. Props like beer bottles, candles, pictures, and a suitcase will help convey the story and message of the song.
Mood boardx2
This mood board aims to convey the feelings of being trapped in one's thoughts and perceived differently than reality. The outside of the brain depicts happy colors representing society, while the inside shows dark colors for the character's melancholy thoughts. Images on the bottom of the brain, like shadowed faceless people and a girl in a red coat, portray feelings of being trapped and insecurities. The top part includes location ideas like an abandoned warehouse to create a chilling atmosphere, and close-up shots of the character are included to be crucial.
Costumes
The document discusses costume choices for a music video. It describes the first eight outfits as being mainly used in studio scenes to create a sense of time passing and show the character regularly performing. Dark colors like black, grey, and green were chosen to make the character seem mysterious. A white top and blue jeans represent a generic outfit used for airport and London scenes to portray wanting to be like others. The costumes aim to give an illusion the character has been performing for a long time to support the mini storyline about performing having both positive and negative impacts.
Target audience questionnaire
This document contains a questionnaire that aims to better understand the target audience for a project. The questionnaire asks respondents about their age, occupation or education, hobbies, aspirations, interests, music preferences, shopping habits, fashion, what they look for in music videos, and their favorite artist. The questionnaire will be distributed publicly and to personal contacts to make the target audience research fair and reliable.
Email
I contacted Elle King's record label to ask permission to use her song in my group's music video for a class project. If I had not contacted the label, using the song without permission would have been illegal as it would have been against their wishes. The label gave me approval to use the song in our video.
Audience profile x2
- The document profiles the target audience for a music video as 16-25 year olds, both female and male, from all classes and religions.
- Research methods like questionnaires and interviews found they prefer artists like Sam Smith, Ed Sheeran, and Rihanna.
- Likely to wear skinny or baggy jeans, hoodies, trainers and parkas. Shop at stores like Topshop, River Island, Zara and Primark.
- Examples profiles of a male and female target are then provided detailing things like music preferences, fashion interests, friends and family.
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Media analysis
- 1. Analysing Photographs with interesting lighting. The lighting within this picture shows the first foot being more lit than the foot behind this could imply that the kidnapper’s first intention/plan was the only thing that came to mind. As the foot behind was darker it suggested that the kidnapper didn’t care about the consequences of his actions. The general area of the shoes is shadowed over this could signalise that, that person is dark and dangerous. Also by the lighting being brighter behind the person could suggest that its only his personality and presence that brings the atmosphere down. This natural lighting is interesting as it could symbolise that there is danger that is approaching, and is covering any source of good. As the sun was being covered by clouds it could foreshadow something getting suffocated and becoming closed in. Within these two photos natural lighting created shadows which I believed created the sense of the unknowing which I though was good I terms of a thriller. Also by the shadow/image not being clear it could suggest that their plan isn’t clear and that they’re watching at all times but yet never will be seen.