Warp
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The document describes experimenting with Photoshop's warp tool to distort text. It explains that the user right clicked on a text layer to rasterize the type and enable the warp tool. They then accessed the transform menu in the options bar to bring up a 3x3 grid, allowing them to warp the text in different ways. Clicking the checkmark above confirmed the changes and removed the grid, leaving the final warped text.
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Tree user interaction
Users can edit tree node labels by selecting them and entering new text or editing existing text. The tree control supports keyboard navigation and editing keys to move the cursor within labels, accept/cancel edits, and navigate between nodes. Events are dispatched for label editing, focusing, and clicking to support interaction and editing of labels at runtime.
Social media
The document summarizes the artist's use of social media platforms like Instagram, Facebook, and Twitter to promote their music video and engage with audiences. They posted photos and videos throughout the production process on these sites to build intrigue and gain feedback. Facebook proved most responsive, likely due to targeting an older demographic. The posts provided behind-the-scenes content, storyboards, and opportunities for audiences to provide input on lighting choices to make them feel involved in the creation. Responses helped guide decisions to appeal to target audiences.
Research into lyrics
This song analyzes past relationships and suggests the singer is in control. She had a boy who she turned into a man and taught things to sexually. Now exes curse her name but still want attention. She finds new lovers in other places to make exes jealous. The exes will come running back to her because she is the best lover they will ever have, though the relationships never last. The song references past lovers in New Orleans and how seasons change relationships.
Photo analysis
The document discusses various tools used to edit an image in order to make the artist stand out more harshly. These tools include adjusting curve levels, choosing font colors and styles using the color palette and text tools, organizing layers for different fonts, precisely positioning text using the grab tool, zooming in for precise placement using the zoom tool, and warping text by rasterizing layers and using the warp tool.
Shooting schedule
The shooting schedule spans September, October, and November. Key dates include:
- November 2nd: Filming airport shots at Luton airport, including departures area and close-up lip syncing shots.
- November 4th: Filming at Elmers End graveyard to find old graves and create a mysterious atmosphere. Most lip-syncing shots will be filmed under a willow tree.
- November 8th: Two hours booked at a studio in Beckenham for controlled lighting and establishing shots such as close ups, birds eye views, and point of view shots.
analysis
The document analyzes a music video created to raise awareness about mental illness. It discusses how the video uses cinematography, lighting, editing techniques and symbolism to tell the story of a young girl dealing with deteriorating mental health issues like loneliness, insanity and depression due to a lack of knowledge about mental illness. It aims to convey the message that mental illness is common and seeking help is important by allowing viewers to experience what it might feel like in the girl's mind and showing her overcoming her struggles through determination.
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Tree user interaction
Users can edit tree node labels by selecting them and entering new text or editing existing text. The tree control supports keyboard navigation and editing keys to move the cursor within labels, accept/cancel edits, and navigate between nodes. Events are dispatched for label editing, focusing, and clicking to support interaction and editing of labels at runtime.
Social media
The document summarizes the artist's use of social media platforms like Instagram, Facebook, and Twitter to promote their music video and engage with audiences. They posted photos and videos throughout the production process on these sites to build intrigue and gain feedback. Facebook proved most responsive, likely due to targeting an older demographic. The posts provided behind-the-scenes content, storyboards, and opportunities for audiences to provide input on lighting choices to make them feel involved in the creation. Responses helped guide decisions to appeal to target audiences.
Research into lyrics
This song analyzes past relationships and suggests the singer is in control. She had a boy who she turned into a man and taught things to sexually. Now exes curse her name but still want attention. She finds new lovers in other places to make exes jealous. The exes will come running back to her because she is the best lover they will ever have, though the relationships never last. The song references past lovers in New Orleans and how seasons change relationships.
Photo analysis
The document discusses various tools used to edit an image in order to make the artist stand out more harshly. These tools include adjusting curve levels, choosing font colors and styles using the color palette and text tools, organizing layers for different fonts, precisely positioning text using the grab tool, zooming in for precise placement using the zoom tool, and warping text by rasterizing layers and using the warp tool.
Shooting schedule
The shooting schedule spans September, October, and November. Key dates include:
- November 2nd: Filming airport shots at Luton airport, including departures area and close-up lip syncing shots.
- November 4th: Filming at Elmers End graveyard to find old graves and create a mysterious atmosphere. Most lip-syncing shots will be filmed under a willow tree.
- November 8th: Two hours booked at a studio in Beckenham for controlled lighting and establishing shots such as close ups, birds eye views, and point of view shots.
analysis
The document analyzes a music video created to raise awareness about mental illness. It discusses how the video uses cinematography, lighting, editing techniques and symbolism to tell the story of a young girl dealing with deteriorating mental health issues like loneliness, insanity and depression due to a lack of knowledge about mental illness. It aims to convey the message that mental illness is common and seeking help is important by allowing viewers to experience what it might feel like in the girl's mind and showing her overcoming her struggles through determination.
Treatment
The document summarizes the treatment for a music video that aims to raise awareness about mental illness. The video tells the story of a young girl dealing with deteriorating mental health issues alone due to a lack of knowledge about mental illnesses. Various filming and editing techniques are used to convey themes of loneliness, insanity, and depression and give viewers insight into what it may feel like inside the character's mind. The video ends with the character overcoming her struggles by facing them head on, paralleling the message that confronting issues is important for treatment.
Magazine advart analysis
This magazine advert promotes artist Jessie J and her upcoming album. The dominant colors of black, white, and gold are used to represent dominance, purity, and power. Jessie J is pictured looking directly at the camera with piercing blue eyes to convey passion and confidence. Her pose with hands by her head implies she is breaking free from her past fears and conventions to become her true self. Additional details promote Jessie J's talent, message of self-worth, and how fans can engage with her on social media.
Digi pak
Katy Perry's 2010 album "Teenage Dream" was commercially successful, reaching number one on the Billboard charts. The album's digipak features bright colors and imagery relating to candy and sweets, representing Perry's playful personality and appeal to younger audiences. It also draws similarities to the 2010 film "Alice in Wonderland" through references to the Mad Hatter's tea party and Queen of Hearts. Overall, the digipak is meant to give audiences a sense of being part of Perry's magical world of fame and success through its whimsical theme and depictions of sweets.
Target audiece response
The survey responses from the target audience of 16-25 year olds indicated that the song originally chosen ("What Now" by Rhianna) was not favored as it was described as an upbeat pop song with a distorted meaning. Option C from the survey was selected most frequently so the creator will look for a song fitting that description. To get further feedback, both the current song and a song like Option C will be presented to the target audience to see which they prefer. Most of the target audience enjoys staying active and socializing with friends, so a lighthearted song that can be represented in many ways would be suitable. The survey also showed that young males prefer dubstep and house music more so than the type of song represented
Story board
This 3 sentence summary provides the high level information from the document:
The document is a story board for the song "Ex's and Oh's" created by Kirsty, Shannon and Oliver to outline the plot and scenes of a music video for the song. It details the key events and characters that will be depicted in the music video to bring the song to life visually. The story board helps the creative team plan out how to film the music video to match the lyrics and tone of the song.
Media proposal a2
This proposal outlines a music video for the song "Ex's and Oh's" by Elle King. It will tell the story of a woman feeling trapped by her insecurities and past relationships. There will be three locations: a studio for performance shots, a cemetery to represent her past haunting her, and an airport to show her desire to escape her problems by running away. A variety of camera angles, quick editing, and changes between low key, high key, and natural lighting will be used. Props like beer bottles, candles, pictures, and a suitcase will help convey the story and message of the song.
Mood boardx2
This mood board aims to convey the feelings of being trapped in one's thoughts and perceived differently than reality. The outside of the brain depicts happy colors representing society, while the inside shows dark colors for the character's melancholy thoughts. Images on the bottom of the brain, like shadowed faceless people and a girl in a red coat, portray feelings of being trapped and insecurities. The top part includes location ideas like an abandoned warehouse to create a chilling atmosphere, and close-up shots of the character are included to be crucial.
Costumes
The document discusses costume choices for a music video. It describes the first eight outfits as being mainly used in studio scenes to create a sense of time passing and show the character regularly performing. Dark colors like black, grey, and green were chosen to make the character seem mysterious. A white top and blue jeans represent a generic outfit used for airport and London scenes to portray wanting to be like others. The costumes aim to give an illusion the character has been performing for a long time to support the mini storyline about performing having both positive and negative impacts.
Target audience questionnaire
This document contains a questionnaire that aims to better understand the target audience for a project. The questionnaire asks respondents about their age, occupation or education, hobbies, aspirations, interests, music preferences, shopping habits, fashion, what they look for in music videos, and their favorite artist. The questionnaire will be distributed publicly and to personal contacts to make the target audience research fair and reliable.
Email
I contacted Elle King's record label to ask permission to use her song in my group's music video for a class project. If I had not contacted the label, using the song without permission would have been illegal as it would have been against their wishes. The label gave me approval to use the song in our video.
Audience profile x2
- The document profiles the target audience for a music video as 16-25 year olds, both female and male, from all classes and religions.
- Research methods like questionnaires and interviews found they prefer artists like Sam Smith, Ed Sheeran, and Rihanna.
- Likely to wear skinny or baggy jeans, hoodies, trainers and parkas. Shop at stores like Topshop, River Island, Zara and Primark.
- Examples profiles of a male and female target are then provided detailing things like music preferences, fashion interests, friends and family.
Shooting schedule
The shooting schedule spans September, October, and November. Key dates include:
November 2nd - Filming airport shots at Luton airport, focusing on departures area and close-up lip syncing shots.
November 4th - Filming at Elmers End graveyard to find old graves and create a mysterious atmosphere. Most lip-syncing shots will be filmed under a willow tree.
November 8th - Two hour booking at a studio in Beckenham to film most of the music video and establish lighting and shots such as close ups, birds eye views, and point of view shots.
Audience profile
- The document provides an audience profile for a potential music video based on research findings
- The target demographic is 16-25 year olds from middle-class backgrounds with a variety of religious beliefs and levels of education
- They prefer pop artists like Sam Smith, Ed Sheeran, and Rihanna and enjoy shopping at stores like Topshop, River Island, and Zara
- The research methods included questionnaires and interviews to understand the target audience's interests, aspirations, music preferences, and expectations for a music video
Emil nava
Emil Nava comes from a family in the film industry and initially wanted to be an actor, but became interested in directing after visiting a music video set. He got his start in directing by helping established director Phil Griffin. Nava directed his first independent music video for his friend's band and has since directed over 60 videos for major pop artists like Ed Sheeran, Jessie J, and Calvin Harris. Some of his most acclaimed videos have won awards and hit #1 on the charts. Nava now directs 15+ videos per year and maintains an active online presence to connect with fans.
Ideas
Rihanna's music video "What Now" aims to raise awareness about mental health issues through a narrative following someone struggling with mental illness. It uses visual elements like erratic movements with strobe lights, shots underwater to depict suffocation from stress, reddish-brown tones to represent anger or flashbacks, and isolated forest shots from a bird's eye view to portray feelings of loneliness and vulnerability. Towards the end, shots show a young girl on the edge of a cliff in a long white dress that gets dirty, with close-ups of her distressed face and her submerging herself in water, to depict the extremes one may consider under intense stress.
Original song choice
1) The group initially considered several songs for their music video project, including songs by James Bay, Nancy Sinatra, Gabrielle Aplin, Rihanna, The Dixie Cups, and Taylor Swift.
2) They ultimately selected Rihanna's "What Now" because the versatile lyrics could raise awareness about any topic and the strong beat would create a dramatic video to engage audiences.
3) Although they liked songs by James Bay and Gabrielle Aplin for their messages, they determined the beats were not strong enough to achieve their dramatic effect.
Andrew goodwin’s theory
Andrew Goodwin created a theory identifying 7 key aspects that make a successful music video. These include: 1) A relationship between lyrics and visuals, 2) A narrative performance, 3) Star iconography with close-ups, 4) Voyeurism, 5) Intertextuality, 6) Technical elements, and 7) Genre conventions. Goodwin believed lyrics could illustrate, disjuncture from, amplify, or abstract from visuals. Narratives help audiences connect to artists. Iconography and close-ups make artists recognizable. Voyeurism uses intimacy and sexuality. Intertextuality references other works. Technical and genre aspects round out successful music videos.
Blank space evaluation
The document provides an in-depth analysis of visual shots and imagery in Taylor Swift's "Blank Space" music video. It analyzes themes of fairy tales, relationships, manipulation, and power dynamics. Key points made include:
1) The opening shots establish a fairy tale theme but also imply relationships are complex and not simple. Dark skies contradict the fairy tale aspect.
2) Taylor is depicted in positions of power and authority over her lovers through angles, surroundings, and costumes. However, the cycle of relationships shown suggests they are repetitive and she remains heartbroken.
3) Imagery like a poisoned apple imply Taylor has a dark side and tries to manipulate and control her partners. Shots analyze how
Conventions of a thriller.
The document outlines several key conventions of thriller films, including the use of dark colors and ominous music to set an atmospheric and suspenseful tone. It also discusses the importance of intriguing plots with unexpected twists to keep audiences engaged and guessing, as well as settings in realistic everyday locations that can heighten psychological fears. Maintaining a sense of mystery is also highlighted as crucial to preventing films from becoming predictable. The document concludes by noting many thriller storylines incorporate elements of technology and the supernatural to feature concepts outside of ordinary experience.
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Treatment
The document summarizes the treatment for a music video that aims to raise awareness about mental illness. The video tells the story of a young girl dealing with deteriorating mental health issues alone due to a lack of knowledge about mental illnesses. Various filming and editing techniques are used to convey themes of loneliness, insanity, and depression and give viewers insight into what it may feel like inside the character's mind. The video ends with the character overcoming her struggles by facing them head on, paralleling the message that confronting issues is important for treatment.
Magazine advart analysis
This magazine advert promotes artist Jessie J and her upcoming album. The dominant colors of black, white, and gold are used to represent dominance, purity, and power. Jessie J is pictured looking directly at the camera with piercing blue eyes to convey passion and confidence. Her pose with hands by her head implies she is breaking free from her past fears and conventions to become her true self. Additional details promote Jessie J's talent, message of self-worth, and how fans can engage with her on social media.
Digi pak
Katy Perry's 2010 album "Teenage Dream" was commercially successful, reaching number one on the Billboard charts. The album's digipak features bright colors and imagery relating to candy and sweets, representing Perry's playful personality and appeal to younger audiences. It also draws similarities to the 2010 film "Alice in Wonderland" through references to the Mad Hatter's tea party and Queen of Hearts. Overall, the digipak is meant to give audiences a sense of being part of Perry's magical world of fame and success through its whimsical theme and depictions of sweets.
Target audiece response
The survey responses from the target audience of 16-25 year olds indicated that the song originally chosen ("What Now" by Rhianna) was not favored as it was described as an upbeat pop song with a distorted meaning. Option C from the survey was selected most frequently so the creator will look for a song fitting that description. To get further feedback, both the current song and a song like Option C will be presented to the target audience to see which they prefer. Most of the target audience enjoys staying active and socializing with friends, so a lighthearted song that can be represented in many ways would be suitable. The survey also showed that young males prefer dubstep and house music more so than the type of song represented
Story board
This 3 sentence summary provides the high level information from the document:
The document is a story board for the song "Ex's and Oh's" created by Kirsty, Shannon and Oliver to outline the plot and scenes of a music video for the song. It details the key events and characters that will be depicted in the music video to bring the song to life visually. The story board helps the creative team plan out how to film the music video to match the lyrics and tone of the song.
Media proposal a2
This proposal outlines a music video for the song "Ex's and Oh's" by Elle King. It will tell the story of a woman feeling trapped by her insecurities and past relationships. There will be three locations: a studio for performance shots, a cemetery to represent her past haunting her, and an airport to show her desire to escape her problems by running away. A variety of camera angles, quick editing, and changes between low key, high key, and natural lighting will be used. Props like beer bottles, candles, pictures, and a suitcase will help convey the story and message of the song.
Mood boardx2
This mood board aims to convey the feelings of being trapped in one's thoughts and perceived differently than reality. The outside of the brain depicts happy colors representing society, while the inside shows dark colors for the character's melancholy thoughts. Images on the bottom of the brain, like shadowed faceless people and a girl in a red coat, portray feelings of being trapped and insecurities. The top part includes location ideas like an abandoned warehouse to create a chilling atmosphere, and close-up shots of the character are included to be crucial.
Costumes
The document discusses costume choices for a music video. It describes the first eight outfits as being mainly used in studio scenes to create a sense of time passing and show the character regularly performing. Dark colors like black, grey, and green were chosen to make the character seem mysterious. A white top and blue jeans represent a generic outfit used for airport and London scenes to portray wanting to be like others. The costumes aim to give an illusion the character has been performing for a long time to support the mini storyline about performing having both positive and negative impacts.
Target audience questionnaire
This document contains a questionnaire that aims to better understand the target audience for a project. The questionnaire asks respondents about their age, occupation or education, hobbies, aspirations, interests, music preferences, shopping habits, fashion, what they look for in music videos, and their favorite artist. The questionnaire will be distributed publicly and to personal contacts to make the target audience research fair and reliable.
Email
I contacted Elle King's record label to ask permission to use her song in my group's music video for a class project. If I had not contacted the label, using the song without permission would have been illegal as it would have been against their wishes. The label gave me approval to use the song in our video.
Audience profile x2
- The document profiles the target audience for a music video as 16-25 year olds, both female and male, from all classes and religions.
- Research methods like questionnaires and interviews found they prefer artists like Sam Smith, Ed Sheeran, and Rihanna.
- Likely to wear skinny or baggy jeans, hoodies, trainers and parkas. Shop at stores like Topshop, River Island, Zara and Primark.
- Examples profiles of a male and female target are then provided detailing things like music preferences, fashion interests, friends and family.
Shooting schedule
The shooting schedule spans September, October, and November. Key dates include:
November 2nd - Filming airport shots at Luton airport, focusing on departures area and close-up lip syncing shots.
November 4th - Filming at Elmers End graveyard to find old graves and create a mysterious atmosphere. Most lip-syncing shots will be filmed under a willow tree.
November 8th - Two hour booking at a studio in Beckenham to film most of the music video and establish lighting and shots such as close ups, birds eye views, and point of view shots.
Audience profile
- The document provides an audience profile for a potential music video based on research findings
- The target demographic is 16-25 year olds from middle-class backgrounds with a variety of religious beliefs and levels of education
- They prefer pop artists like Sam Smith, Ed Sheeran, and Rihanna and enjoy shopping at stores like Topshop, River Island, and Zara
- The research methods included questionnaires and interviews to understand the target audience's interests, aspirations, music preferences, and expectations for a music video
Emil nava
Emil Nava comes from a family in the film industry and initially wanted to be an actor, but became interested in directing after visiting a music video set. He got his start in directing by helping established director Phil Griffin. Nava directed his first independent music video for his friend's band and has since directed over 60 videos for major pop artists like Ed Sheeran, Jessie J, and Calvin Harris. Some of his most acclaimed videos have won awards and hit #1 on the charts. Nava now directs 15+ videos per year and maintains an active online presence to connect with fans.
Ideas
Rihanna's music video "What Now" aims to raise awareness about mental health issues through a narrative following someone struggling with mental illness. It uses visual elements like erratic movements with strobe lights, shots underwater to depict suffocation from stress, reddish-brown tones to represent anger or flashbacks, and isolated forest shots from a bird's eye view to portray feelings of loneliness and vulnerability. Towards the end, shots show a young girl on the edge of a cliff in a long white dress that gets dirty, with close-ups of her distressed face and her submerging herself in water, to depict the extremes one may consider under intense stress.
Original song choice
1) The group initially considered several songs for their music video project, including songs by James Bay, Nancy Sinatra, Gabrielle Aplin, Rihanna, The Dixie Cups, and Taylor Swift.
2) They ultimately selected Rihanna's "What Now" because the versatile lyrics could raise awareness about any topic and the strong beat would create a dramatic video to engage audiences.
3) Although they liked songs by James Bay and Gabrielle Aplin for their messages, they determined the beats were not strong enough to achieve their dramatic effect.
Andrew goodwin’s theory
Andrew Goodwin created a theory identifying 7 key aspects that make a successful music video. These include: 1) A relationship between lyrics and visuals, 2) A narrative performance, 3) Star iconography with close-ups, 4) Voyeurism, 5) Intertextuality, 6) Technical elements, and 7) Genre conventions. Goodwin believed lyrics could illustrate, disjuncture from, amplify, or abstract from visuals. Narratives help audiences connect to artists. Iconography and close-ups make artists recognizable. Voyeurism uses intimacy and sexuality. Intertextuality references other works. Technical and genre aspects round out successful music videos.
Blank space evaluation
The document provides an in-depth analysis of visual shots and imagery in Taylor Swift's "Blank Space" music video. It analyzes themes of fairy tales, relationships, manipulation, and power dynamics. Key points made include:
1) The opening shots establish a fairy tale theme but also imply relationships are complex and not simple. Dark skies contradict the fairy tale aspect.
2) Taylor is depicted in positions of power and authority over her lovers through angles, surroundings, and costumes. However, the cycle of relationships shown suggests they are repetitive and she remains heartbroken.
3) Imagery like a poisoned apple imply Taylor has a dark side and tries to manipulate and control her partners. Shots analyze how
Conventions of a thriller.
The document outlines several key conventions of thriller films, including the use of dark colors and ominous music to set an atmospheric and suspenseful tone. It also discusses the importance of intriguing plots with unexpected twists to keep audiences engaged and guessing, as well as settings in realistic everyday locations that can heighten psychological fears. Maintaining a sense of mystery is also highlighted as crucial to preventing films from becoming predictable. The document concludes by noting many thriller storylines incorporate elements of technology and the supernatural to feature concepts outside of ordinary experience.
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Warp
- 1. Experimenting with the ‘warp tool’ I right clicked on the text layer of ‘EX's & OH’s’ to bring up an options bar. I then clicked on ‘Rasterize type’ to enable the warp tool.
- 2. Experimenting with the ‘warp tool’ I then went to the left hand corner to click on the ‘Edit’. This then broughtup an options bar, I went down to ‘Transforms’ in order to enable the warp tool. This then brings up a three by three grid that gives an option to mound the texts in different ways. To then confirmthis I went to the bar above to click the tick, once this has been clicked, then three by three bars disappear leaving you with your final product.