Fearon Hay is an internationally acclaimed architecture firm based in New Zealand. They designed Lindsay, an exclusive residential development in Brighton, Australia in collaboration with other firms. Fearon Hay is known for combining classic design principles with an adaption to the natural environment. Their buildings have sweeping and ambitious designs but also focus on functionality and fitting into their surroundings. Brighton has established itself as an epicenter for mid-century modernism with many notable architect-designed homes built in the 1950s and 1960s that received awards. Lindsay presents an outstanding example of Fearon Hay's celebrated design approach and philosophy.
This document provides information about American architect Robert Venturi and his design philosophies and works. It discusses how Venturi rejected modernist ideas of simplicity and embraced complexity, contradiction, ambiguity, and references to popular and vernacular culture. It summarizes some of his key works like the Vanna Venturi House and additions to the Allen Memorial Art Museum. Venturi incorporated unexpected juxtapositions of elements and aimed to accommodate the inherent conflicts in a site or project. His buildings typically combine architectural styles and references in unconventional ways.
This document provides an overview of architectural trends from the 20th century to present day. It discusses the rise of Modernism in response to World War 1 and the need to rebuild cities. Key Modernist movements discussed include Bauhaus, International Style, Brutalism, and Organic Architecture. Post-Modernism emerged as a response to Modernism, combining traditional forms with new ideas. Post-Modern trends mentioned are Deconstructivism, High-Tech, and Expressionism. More recently, the focus has shifted to Ecological Architecture and sustainable development to minimize environmental impact through efficient energy use.
Philip johnson- history of architectureSelf employed
ACCORDING TO PHILIP JOHNSON ‘CRUTCHES’ BY WHICH ARCHITECTS EVADE THEIR REAL RESPONSIBILITIES ARE:
HISTORY - JUSTIFYING ELEMENTS WHICH ARE EARLIER USED.
UTILITY - IF UTILITY OF A BUILDING OVERCOMES ARTISTIC INVENTIONS ,THEN IT IS MERELY AN ASSEMBLAGE OF USEFUL PARTS.
DESIGN ACCORDING TO HIS BELIEF – “ TO GO AGAINST THE GRAIN”
DECONSTRUCTIVIST ARCHITECTURE – “ HE PRESENTED DESIGN ISSUE IN STRICTLY STYLISTIC TERMS.”
The document provides information about American architecture styles from different time periods and locations. It includes summaries of Swedish colonial, Dutch colonial, Gothic Revival, and Egyptian Revival architectural styles. For each style, it gives examples of structures, including the Lower Swedish Cabin, Bronck House, Henry Boody House, and Egyptian Building at Virginia Commonwealth University. It analyzes the cultural and historical context of each style and how the designs related to functions, materials, and climate. The summaries are concise and provide the key details and analyses from the document.
Frank Lloyd Wright was an influential American architect known for pioneering the Prairie School style and organic architecture. Some of his most famous works include the Robie House and Fallingwater. Le Corbusier was a Swiss-French architect who helped develop modern architecture and the International Style. He emphasized functionality and the use of modern materials like steel and glass. Some key works are the Villa Savoye and the Secretariat building in Chandigarh, India. Mies van der Rohe was a German-American architect who created designs with extreme clarity and simplicity. His German Pavilion for the 1929 Barcelona Expo featured a grid of steel columns and freely spaced glass planes, creating an open floor plan. His later works like the
The document summarizes key works by architect Philip Johnson including the Seagram Building, Glass House, and Munson-Williams-Proctor Arts Institute. It describes Johnson's use of glass, steel, and modern design at the Glass House built in 1949. It also discusses Johnson's first influential cultural facility, the Munson-Williams-Proctor Arts Institute in Utica, New York, which marked his experimentation with neo-classicism and focused on circulation, lighting, and adaptability. The Arts Institute features a central double-height sculpture gallery surrounded by smaller exhibition spaces lit with incandescent lighting.
Philip Johnson was born in 1906, Cleveland, Ohio. He was the man of his ideas and promoted architecture a lot.
Check for more presentations at - www.archistudent.net
Le Corbusier was a pioneering Swiss-French architect who is considered one of the pioneers of modern architecture. Some of his most notable works include the Villa Savoye, which demonstrated his "Five Points of Architecture", and the city of Chandigarh, India, where he designed many government buildings including the Secretariat, High Court, and Assembly Hall. His buildings were characterized by features like pilotis, free facades, open floor plans, ribbon windows, and roof gardens.
This document provides information about American architect Robert Venturi and his design philosophies and works. It discusses how Venturi rejected modernist ideas of simplicity and embraced complexity, contradiction, ambiguity, and references to popular and vernacular culture. It summarizes some of his key works like the Vanna Venturi House and additions to the Allen Memorial Art Museum. Venturi incorporated unexpected juxtapositions of elements and aimed to accommodate the inherent conflicts in a site or project. His buildings typically combine architectural styles and references in unconventional ways.
This document provides an overview of architectural trends from the 20th century to present day. It discusses the rise of Modernism in response to World War 1 and the need to rebuild cities. Key Modernist movements discussed include Bauhaus, International Style, Brutalism, and Organic Architecture. Post-Modernism emerged as a response to Modernism, combining traditional forms with new ideas. Post-Modern trends mentioned are Deconstructivism, High-Tech, and Expressionism. More recently, the focus has shifted to Ecological Architecture and sustainable development to minimize environmental impact through efficient energy use.
Philip johnson- history of architectureSelf employed
ACCORDING TO PHILIP JOHNSON ‘CRUTCHES’ BY WHICH ARCHITECTS EVADE THEIR REAL RESPONSIBILITIES ARE:
HISTORY - JUSTIFYING ELEMENTS WHICH ARE EARLIER USED.
UTILITY - IF UTILITY OF A BUILDING OVERCOMES ARTISTIC INVENTIONS ,THEN IT IS MERELY AN ASSEMBLAGE OF USEFUL PARTS.
DESIGN ACCORDING TO HIS BELIEF – “ TO GO AGAINST THE GRAIN”
DECONSTRUCTIVIST ARCHITECTURE – “ HE PRESENTED DESIGN ISSUE IN STRICTLY STYLISTIC TERMS.”
The document provides information about American architecture styles from different time periods and locations. It includes summaries of Swedish colonial, Dutch colonial, Gothic Revival, and Egyptian Revival architectural styles. For each style, it gives examples of structures, including the Lower Swedish Cabin, Bronck House, Henry Boody House, and Egyptian Building at Virginia Commonwealth University. It analyzes the cultural and historical context of each style and how the designs related to functions, materials, and climate. The summaries are concise and provide the key details and analyses from the document.
Frank Lloyd Wright was an influential American architect known for pioneering the Prairie School style and organic architecture. Some of his most famous works include the Robie House and Fallingwater. Le Corbusier was a Swiss-French architect who helped develop modern architecture and the International Style. He emphasized functionality and the use of modern materials like steel and glass. Some key works are the Villa Savoye and the Secretariat building in Chandigarh, India. Mies van der Rohe was a German-American architect who created designs with extreme clarity and simplicity. His German Pavilion for the 1929 Barcelona Expo featured a grid of steel columns and freely spaced glass planes, creating an open floor plan. His later works like the
The document summarizes key works by architect Philip Johnson including the Seagram Building, Glass House, and Munson-Williams-Proctor Arts Institute. It describes Johnson's use of glass, steel, and modern design at the Glass House built in 1949. It also discusses Johnson's first influential cultural facility, the Munson-Williams-Proctor Arts Institute in Utica, New York, which marked his experimentation with neo-classicism and focused on circulation, lighting, and adaptability. The Arts Institute features a central double-height sculpture gallery surrounded by smaller exhibition spaces lit with incandescent lighting.
Philip Johnson was born in 1906, Cleveland, Ohio. He was the man of his ideas and promoted architecture a lot.
Check for more presentations at - www.archistudent.net
Le Corbusier was a pioneering Swiss-French architect who is considered one of the pioneers of modern architecture. Some of his most notable works include the Villa Savoye, which demonstrated his "Five Points of Architecture", and the city of Chandigarh, India, where he designed many government buildings including the Secretariat, High Court, and Assembly Hall. His buildings were characterized by features like pilotis, free facades, open floor plans, ribbon windows, and roof gardens.
Richard Meier is an American architect known for his modernist and minimalist designs. This document provides biographical details about Meier and discusses two of his residential designs - the Smith House and the Getty Center. It summarizes Meier's career and influences, and describes the key design elements and spatial organizations of the Smith House and Getty Center projects through plans, sections, and photographs.
Michael Graves was an American architect known for his postmodern style. He designed several notable buildings including the Humana Building, Walt Disney World Dolphin and Swan Hotels, and the Denver Central Library. Graves had a philosophy of reinterpreting traditional architectural forms and drawing inspiration from existing architecture. Some of his signature design elements included classical tripartite facades with distinct base, shaft, and cornice sections as well as playful use of color and patterned materials. The document provides details on Graves' education, influences, architectural style and philosophy through descriptions and images of several major works.
Richard Neutra was an influential Austrian-American architect known for pioneering the International Style in the United States. He designed over 300 homes in California incorporating modernist designs with regional elements. Some of Neutra's most notable works included the Lovell Health House (1929), the first steel-frame house in America, and the Kaufmann Desert House (1946), considered a landmark of the International Style. Throughout his career, Neutra focused on understanding his clients' needs and incorporating natural elements like light, water, and landscaping into his minimalist and functional architectural designs.
The famous American architect, Frank Lloyd Wright changed the way we build and the way we live. As an architect, Frank Lloyd Wright was known for many things, but perhaps his most famed characteristic was his exceptional attention to detail – in many of his projects, each furniture piece was designed specifically for its intended location.
Hi- tech Architecture and its pioneering architects, Norman Foster , Richard ...Rohit Arora
Norman Foster is considered a pioneer of hi-tech architecture. Some key aspects of hi-tech architecture include the display of the building's structural components on the exterior, use of prefabricated materials like glass panels, and steel frames. Hi-tech buildings aim to be energy efficient through the use of high technology. Norman Foster and other architects like Richard Rogers and Renzo Piano have designed several landmark hi-tech buildings around the world.
- Farnsworth House was designed and built from 1946 to 1951 by German architect Ludwig Mies van der Rohe.
- The house consists of precast concrete floor and roof slabs supported by a carefully crafted steel skeleton frame, with single panes of glass spanning from floor to ceiling.
- Though it proved difficult to live in, Farnsworth House is still regarded as an important accomplishment of the international style for its elegant simplicity.
Richard Neutra was an influential Austrian-American architect who helped pioneer the International Style of architecture in the United States. Some of Neutra's most prominent works included the Lovell Health House (1929), the first steel-framed house in the US, the VDL Research House (1932) which experimented with space and psychology, and the Kaufmann House (1946) in Palm Springs with its iconic floating design. Neutra designed buildings using simple geometric forms with an emphasis on connecting the interior and exterior through the use of glass and steel. He is recognized for bringing modernist architecture to the US through his personalized approach.
Late modern architecture and post modern architectureOnal Kothari
Late Modern architecture took the ideas and motifs of Modernism to extremes, emphasizing structure, technology, and mechanical elements. Examples include the Pompidou Center in Paris, which prominently displayed the building's functional elements on the exterior, and the East Wing of the National Gallery of Art in Washington D.C., which featured an atrium space lit by a triangular skylight and balconies overlooking the main area. Postmodern architecture emerged in the 1950s as a response to the formalism of Modernism, reintroducing ornamentation, references to historical styles, and wit.
Richard Meier is an American architect known for his rationalist and minimalist buildings that prominently feature the color white. Some of his most notable works include the Jubilee Church in Rome, which uses a self-cleaning material and features soaring sails, and the Athenaeum in New Harmony, intended as a community center. Meier's works are influenced by architects like Le Corbusier, Mies van der Rohe, and Frank Lloyd Wright, incorporating simple forms, naturally lit interiors, and circulation elements like ramps. He is considered a leading proponent of "white architecture."
1. Frank Lloyd Wright was an influential American architect who designed over 1,000 structures. Some of his most famous works include the Robie House, Fallingwater, and Guggenheim Museum.
2. The Robie House in Chicago featured an open floor plan and integration of interior and exterior spaces. Fallingwater, built over a waterfall in Pennsylvania, is seen as Wright's greatest achievement in organic architecture.
3. Wright believed in an organic style that was integrated with its natural surroundings. His works like Fallingwater and the Guggenheim demonstrated his philosophy of connecting architecture with nature.
An architectural style that emerged around early 1960s and was against the architectural styles advocated by Le Corbusier and Ludwig vies Van der Rohe.
E 1027 - restoration - first analysis - rukschcio-barresRukschcio
E 1027, famous house designed by Eileen Gray and Jean Badovici in France in 1929. It has been recently restored by French architect P-A Gatier. First analysis of the work by specialists Burkhardt Rukschcio and Renaud Barres
Philip Johnson was an American architect born in 1906. After studying classics at Harvard, he became director of the Museum of Modern Art's architecture department in New York, where he introduced European modernism to America. Some of Johnson's most notable works include the Glass House in New Canaan, Connecticut, the Seagram Building in New York City, and the New York State Theater at Lincoln Center. Johnson had a long and prolific career spanning over half a century and was influential in popularizing glass curtain wall facades and postmodern architecture.
This document provides a detailed overview of Le Corbusier's Chapel of Notre Dame du Haut in Ronchamp, France. It describes the chapel's architectural features, including its sculptural concrete roof, asymmetrical facades that respond to the landscape, and use of light through small, irregularly placed windows. The summary highlights that the chapel creates a mystical interior space where light is the protagonist, and its organic forms and relationship to the landscape were a dramatic departure from traditional architecture.
Michael Graves designed his personal residence in Princeton, New Jersey, known as the "Warehouse", by renovating an existing ruined warehouse building from the 1980s onwards. The modestly scaled residence is invisible from the street but reflects Graves' rejection of modernism through its vernacular inspiration drawn from Italian farmhouses. The L-shaped building consists of renovated north and east wings containing a study, living room with Soanean alcoves, and dining room overlooking a courtyard garden. Though modest, the warehouse is a symbolic and highly personal work representing Graves' philosophy through its balanced blend of modern and traditional elements.
The document discusses Le Corbusier's philosophy that a house should be considered a "machine for living". It provides details on Le Corbusier's Villa Savoye, built in 1928-1931, as the prime example of this philosophy. The Villa Savoye featured open floor plans, ribbon windows, pilotis supporting the structure above the ground, a roof garden, and integration of interior and exterior spaces. It exemplified Le Corbusier's five points of architecture and vision of an efficiently designed home that maximized natural light and views of the landscape.
Philip Johnson was an American architect born in 1906 who is known for introducing the International Style of modern architecture to the United States. He began his career focusing on the stark glass and steel styles of Mies van der Rohe but later incorporated more ornamental historical elements. Johnson had a significant influence through his pioneering use of glass in buildings, experimenting with all-glass facades in projects like the AT&T Building, now the Sony Tower. He believed architecture was about organizing interior space and designed notable buildings like the Crystal Cathedral featuring dramatic glass structures.
The document provides an overview of various architectural styles found throughout Chicago, including American Foursquare, Art Deco, Arts and Crafts, Chateauesque, Chicago School, Classical Revival, Colonial Revival, Dutch Revival, Eastlake/Stick Style, Gothic Revival, Greek Revival, International, Italianate, Middle Eastern, Asian, and Prairie styles. Each style is briefly described, noting key characteristics and examples found in different Chicago neighborhoods.
This document provides information about the MAXXI Museum in Rome, Italy, designed by architect Zaha Hadid and completed between 2000-2010. Some key points:
- Zaha Hadid's design won an international competition to design the new national museum dedicated to contemporary art.
- The building features bending oblong tubes that overlap and intersect, resembling infrastructure and linking the site's geometrical elements. Interior and exterior spaces flow between one another.
- Materials like glass, steel and cement give exhibition spaces a neutral appearance while movable panels provide curatorial flexibility.
- The fluid, sinuous shapes and modulated natural light create a complex spatial framework with constantly changing views.
Moving infographics provided by Moving vanAndrei Petrov
MovingVan provides moving infographics for their man and van specialists in London. They offer moving services in Fulham with man and van options. More information can be found by visiting their website at https://www.moving-van.org.uk/man-van-SW6-fulham/.
Richard Meier is an American architect known for his modernist and minimalist designs. This document provides biographical details about Meier and discusses two of his residential designs - the Smith House and the Getty Center. It summarizes Meier's career and influences, and describes the key design elements and spatial organizations of the Smith House and Getty Center projects through plans, sections, and photographs.
Michael Graves was an American architect known for his postmodern style. He designed several notable buildings including the Humana Building, Walt Disney World Dolphin and Swan Hotels, and the Denver Central Library. Graves had a philosophy of reinterpreting traditional architectural forms and drawing inspiration from existing architecture. Some of his signature design elements included classical tripartite facades with distinct base, shaft, and cornice sections as well as playful use of color and patterned materials. The document provides details on Graves' education, influences, architectural style and philosophy through descriptions and images of several major works.
Richard Neutra was an influential Austrian-American architect known for pioneering the International Style in the United States. He designed over 300 homes in California incorporating modernist designs with regional elements. Some of Neutra's most notable works included the Lovell Health House (1929), the first steel-frame house in America, and the Kaufmann Desert House (1946), considered a landmark of the International Style. Throughout his career, Neutra focused on understanding his clients' needs and incorporating natural elements like light, water, and landscaping into his minimalist and functional architectural designs.
The famous American architect, Frank Lloyd Wright changed the way we build and the way we live. As an architect, Frank Lloyd Wright was known for many things, but perhaps his most famed characteristic was his exceptional attention to detail – in many of his projects, each furniture piece was designed specifically for its intended location.
Hi- tech Architecture and its pioneering architects, Norman Foster , Richard ...Rohit Arora
Norman Foster is considered a pioneer of hi-tech architecture. Some key aspects of hi-tech architecture include the display of the building's structural components on the exterior, use of prefabricated materials like glass panels, and steel frames. Hi-tech buildings aim to be energy efficient through the use of high technology. Norman Foster and other architects like Richard Rogers and Renzo Piano have designed several landmark hi-tech buildings around the world.
- Farnsworth House was designed and built from 1946 to 1951 by German architect Ludwig Mies van der Rohe.
- The house consists of precast concrete floor and roof slabs supported by a carefully crafted steel skeleton frame, with single panes of glass spanning from floor to ceiling.
- Though it proved difficult to live in, Farnsworth House is still regarded as an important accomplishment of the international style for its elegant simplicity.
Richard Neutra was an influential Austrian-American architect who helped pioneer the International Style of architecture in the United States. Some of Neutra's most prominent works included the Lovell Health House (1929), the first steel-framed house in the US, the VDL Research House (1932) which experimented with space and psychology, and the Kaufmann House (1946) in Palm Springs with its iconic floating design. Neutra designed buildings using simple geometric forms with an emphasis on connecting the interior and exterior through the use of glass and steel. He is recognized for bringing modernist architecture to the US through his personalized approach.
Late modern architecture and post modern architectureOnal Kothari
Late Modern architecture took the ideas and motifs of Modernism to extremes, emphasizing structure, technology, and mechanical elements. Examples include the Pompidou Center in Paris, which prominently displayed the building's functional elements on the exterior, and the East Wing of the National Gallery of Art in Washington D.C., which featured an atrium space lit by a triangular skylight and balconies overlooking the main area. Postmodern architecture emerged in the 1950s as a response to the formalism of Modernism, reintroducing ornamentation, references to historical styles, and wit.
Richard Meier is an American architect known for his rationalist and minimalist buildings that prominently feature the color white. Some of his most notable works include the Jubilee Church in Rome, which uses a self-cleaning material and features soaring sails, and the Athenaeum in New Harmony, intended as a community center. Meier's works are influenced by architects like Le Corbusier, Mies van der Rohe, and Frank Lloyd Wright, incorporating simple forms, naturally lit interiors, and circulation elements like ramps. He is considered a leading proponent of "white architecture."
1. Frank Lloyd Wright was an influential American architect who designed over 1,000 structures. Some of his most famous works include the Robie House, Fallingwater, and Guggenheim Museum.
2. The Robie House in Chicago featured an open floor plan and integration of interior and exterior spaces. Fallingwater, built over a waterfall in Pennsylvania, is seen as Wright's greatest achievement in organic architecture.
3. Wright believed in an organic style that was integrated with its natural surroundings. His works like Fallingwater and the Guggenheim demonstrated his philosophy of connecting architecture with nature.
An architectural style that emerged around early 1960s and was against the architectural styles advocated by Le Corbusier and Ludwig vies Van der Rohe.
E 1027 - restoration - first analysis - rukschcio-barresRukschcio
E 1027, famous house designed by Eileen Gray and Jean Badovici in France in 1929. It has been recently restored by French architect P-A Gatier. First analysis of the work by specialists Burkhardt Rukschcio and Renaud Barres
Philip Johnson was an American architect born in 1906. After studying classics at Harvard, he became director of the Museum of Modern Art's architecture department in New York, where he introduced European modernism to America. Some of Johnson's most notable works include the Glass House in New Canaan, Connecticut, the Seagram Building in New York City, and the New York State Theater at Lincoln Center. Johnson had a long and prolific career spanning over half a century and was influential in popularizing glass curtain wall facades and postmodern architecture.
This document provides a detailed overview of Le Corbusier's Chapel of Notre Dame du Haut in Ronchamp, France. It describes the chapel's architectural features, including its sculptural concrete roof, asymmetrical facades that respond to the landscape, and use of light through small, irregularly placed windows. The summary highlights that the chapel creates a mystical interior space where light is the protagonist, and its organic forms and relationship to the landscape were a dramatic departure from traditional architecture.
Michael Graves designed his personal residence in Princeton, New Jersey, known as the "Warehouse", by renovating an existing ruined warehouse building from the 1980s onwards. The modestly scaled residence is invisible from the street but reflects Graves' rejection of modernism through its vernacular inspiration drawn from Italian farmhouses. The L-shaped building consists of renovated north and east wings containing a study, living room with Soanean alcoves, and dining room overlooking a courtyard garden. Though modest, the warehouse is a symbolic and highly personal work representing Graves' philosophy through its balanced blend of modern and traditional elements.
The document discusses Le Corbusier's philosophy that a house should be considered a "machine for living". It provides details on Le Corbusier's Villa Savoye, built in 1928-1931, as the prime example of this philosophy. The Villa Savoye featured open floor plans, ribbon windows, pilotis supporting the structure above the ground, a roof garden, and integration of interior and exterior spaces. It exemplified Le Corbusier's five points of architecture and vision of an efficiently designed home that maximized natural light and views of the landscape.
Philip Johnson was an American architect born in 1906 who is known for introducing the International Style of modern architecture to the United States. He began his career focusing on the stark glass and steel styles of Mies van der Rohe but later incorporated more ornamental historical elements. Johnson had a significant influence through his pioneering use of glass in buildings, experimenting with all-glass facades in projects like the AT&T Building, now the Sony Tower. He believed architecture was about organizing interior space and designed notable buildings like the Crystal Cathedral featuring dramatic glass structures.
The document provides an overview of various architectural styles found throughout Chicago, including American Foursquare, Art Deco, Arts and Crafts, Chateauesque, Chicago School, Classical Revival, Colonial Revival, Dutch Revival, Eastlake/Stick Style, Gothic Revival, Greek Revival, International, Italianate, Middle Eastern, Asian, and Prairie styles. Each style is briefly described, noting key characteristics and examples found in different Chicago neighborhoods.
This document provides information about the MAXXI Museum in Rome, Italy, designed by architect Zaha Hadid and completed between 2000-2010. Some key points:
- Zaha Hadid's design won an international competition to design the new national museum dedicated to contemporary art.
- The building features bending oblong tubes that overlap and intersect, resembling infrastructure and linking the site's geometrical elements. Interior and exterior spaces flow between one another.
- Materials like glass, steel and cement give exhibition spaces a neutral appearance while movable panels provide curatorial flexibility.
- The fluid, sinuous shapes and modulated natural light create a complex spatial framework with constantly changing views.
Moving infographics provided by Moving vanAndrei Petrov
MovingVan provides moving infographics for their man and van specialists in London. They offer moving services in Fulham with man and van options. More information can be found by visiting their website at https://www.moving-van.org.uk/man-van-SW6-fulham/.
This document summarizes a SWOT analysis and campaign report for World Compassion Terry Law Ministries, a Christian nonprofit organization. It provides an overview of the organization's mission and programs, identifies needs such as maintaining awareness and growing donors, and recommends tactics like press releases and social media engagement as well as campaigns like a donor loyalty program and community volunteer events to meet incremental improvement objectives.
Prabhu Shanmugan is seeking a career in embedded systems design with 2+ years of experience developing embedded software. He has skills in C programming, microcontrollers like PIC and ARM, and communication protocols including UART, SPI, and I2C. Some of his projects include developing water level control for reverse osmosis systems using a PIC microcontroller and sensors. He also has experience with machine monitoring systems and automatic irrigation using wireless sensor networks. Prabhu holds a Bachelor's degree in electronics and communication engineering.
Dokumen tersebut membahas aplikasi komputer dalam bidang medis dan kesehatan. Beberapa aplikasi yang disebutkan adalah sistem CAT dan USG untuk diagnosa medis, aplikasi rekam medis untuk pendataan pasien, serta penggunaan komputer dalam administrasi rumah sakit, farmasi, penelitian kedokteran, dan monitoring pasien.
The document summarizes the experiences and reflections of a student who went on several field trips as part of a geography class. On one trip, the student visited Java Jacks coffee shop and was surprised to find it matched their expectations. At Friendship Cemetery, they were struck by the continued segregation of graves by race. The nearly abandoned towns of Dextra and Sacul provided insight into economic decline. Exploring Lanana Creek Trail and nearby gardens, the student realized the value of exploring one's surroundings. The most interesting destination was Zion Hill Cemetery and neighborhood, where the number of unknown graves and run-down homes highlighted past poverty.
M. Shyamkumar Menon is applying for a new job and has over 20 years of experience in hospitality, FMCG, advertising, and media industries in customer relations roles. He is looking to change profiles and locations. His resume details his work history including positions as Assistant Manager of Customer Service, Senior Marketing Executive roles, and Senior Travel Assistant/Guest Relations Executive. He is seeking a suitable job opening and has included his resume for review.
Presentación voz pasiva.Francisco Fernández Mayormaritechu
The document discusses the passive voice in English. It notes that the passive voice is formed similarly in English and Spanish, but is more common and formal in English. The passive voice is used when the actor performing the action is unimportant. The document provides examples of active and passive sentence structures and transformations. It also discusses considerations for the passive voice including how pronouns change form and whether to include the agent complement.
Work. Life. Leader. A Manifesto (Dec. 2016)Julie Cohen
This manifesto argues that effective leaders are developed through collaboration, feedback, risk-taking, self-awareness, and willingness to change. It states that the new generation of leaders want to excel at work while also engaging with family, friends, and interests, and that compartmentalized support is no longer effective. The manifesto calls for an integrated, collaborative approach to coaching that provides consistent, individualized support for greater career impact and life satisfaction.
Manickam K is seeking an embedded systems engineer position. He has a Bachelor's degree in Electronics and Communication Engineering with over 77% marks. He has 7 months of experience as a hardware engineer at FlexiMc Solutions Private Ltd where he worked on PCB board design, hardware testing, and assembly. Some of his technical skills include C programming, PCB design, SMD soldering, and working with Proteus, Eagle CAD, Cadence OrCAD, and LabVIEW software tools.
Robert Venturi was a prominent American architect known for coining the phrase "Less is a bore" and helping redirect architecture away from modernism. Some of his notable works include the Vanna Venturi House built in 1962-1964, which featured an asymmetrical facade and centralized chimney. He also designed Freedom Plaza in Washington D.C. in 1980, which uses stonework and inlaid designs and is raised above street level.
Ludwig Mies van der Rohe was a pioneering German-American architect who helped define modern architecture. Some of his most notable works included the Barcelona Pavilion, Farnsworth House, 860-880 Lake Shore Apartments in Chicago, and S.R. Crown Hall. Mies strove to create open floor plans and harmonious balances between buildings and nature using new materials like steel and glass. He believed "less is more" and that form should follow function.
Richard Neutra was an influential Austrian-American architect who helped define modernism in Southern California. Some of Neutra's most notable works included the Lovell House (1929), the first house in the US to use steel frame construction popular in skyscrapers, the VDL Research House (1932) which experimented with Japanese architecture, and the Kaufmann Desert House (1946-1947) in Palm Springs with its iconic central pool. Neutra's philosophy of "biorealism" sought to use technology and biology to connect architecture with nature for human well-being. He produced numerous writings on his approach to architecture and design.
Chapter 15: The Twentieth Century and ModernismDouglas Vail
After World War I, many young architects were disillusioned with European culture and believed architecture could help transform society. They thought rational, machine-like designs could do this. In 1932, Hitchcock and Johnson introduced the term "International Style" to describe the modernist movement spreading from Europe to America. Early Modernists aggressively promoted their minimalist, functional designs and rejected ornament, though this architecture was later adopted by corporations. Figures like Loos, Wright, and Berlage experimented with new materials and structural systems in their modern buildings. After WWI, German Expressionists like Taut reacted to the war's horrors through structures like glass pavilions expressing openness.
Ludwig Mies van der Rohe was a pioneering German-American architect known for his work in modernist architecture. Some of his most famous works include the Barcelona Pavilion (1929), Villa Tugendhat (1930), and Farnsworth House (1951). Mies believed that architecture should express the modern age through simplified forms and the use of new industrial materials like steel and glass. He strived to achieve a unified expression where every element of a building contributes to the overall design. Mies was influential in spreading the principles of the International Style and was known for his aphorisms "less is more" and "God is in the details."
This document provides details about Louis Kahn's Fred E. and Elaine Cox Clever House in Cherry Hill, New Jersey. Some key points:
- The house was commissioned in 1967 and is one of only nine built houses designed by Kahn.
- The central living room is surrounded by five smaller rooms, each with a pyramidal roof. The living room has a complex roof structure made of four large angled sections.
- The property is currently in disrepair with unkempt landscaping, which is a shame as it is an important work by a prominent architect.
Chapter 21 modernism in archtecture at mid-centuryPetrutaLipan
This document provides an overview of modern architecture in the mid-20th century. It discusses key modernist architects and their works, including Frank Lloyd Wright and his Fallingwater house, Le Corbusier and his Purist theory of architecture, and Mies van der Rohe's influence on the International Style of skyscrapers with glass and steel. The document also covers the spread of the International Style globally and experimental housing designs from figures like Charles and Ray Eames.
This document provides an overview of early modern architectural movements and styles from the late 19th century through the early 20th century. It discusses key architects and projects that pioneered modern design, including Frank Lloyd Wright's Prairie houses with their flowing interior spaces. Modernism was characterized by asymmetrical compositions, flat roofs, large windows, and an emphasis on new materials like steel, glass, and reinforced concrete. The development of skyscrapers in Chicago demonstrated how a steel frame structure could support taller buildings. The document also examines urban planning ideas and new towns influenced by the modernist emphasis on separating functions through zoning.
HUM16: Arts & Ideas Frank Lloyd Wright & Streamline DesignKirsten Gerdes
Frank Lloyd Wright was an influential American architect known for pioneering the Prairie School style and organic architecture. Some key aspects of his style included long horizontal lines, flat stacked structures, and blending old and new materials like columns and concrete. One of his most famous works was Fallingwater, a cantilevered house built partially over a waterfall in Pennsylvania in 1935. Wright believed architecture should evolve naturally from its site context, and his designs strived to blur boundaries between interior and exterior spaces.
The document provides an analysis of several modernist houses designed by prominent architects including Le Corbusier, Mies van der Rohe, and Luis Barragan. It summarizes key projects such as Le Corbusier's Villa La Roche-Jeanneret House from 1923-1925, the Weissenhof Estate designed by multiple architects in 1927, and Le Corbusier's Villa Savoye from 1928-1931. Floor plans, sections, elevations, and diagrams are included to illustrate the designs. Brief biographies are also given for each architect and descriptions of how the designs reflected the modernist styles of the time.
theme of the MODERN ARCHITECTURE 01.pptxAQIBIMRAN3
Modern architecture emerged in the early 20th century as architects explored new materials like steel and concrete and sought to design buildings that expressed the modern industrial age rather than being influenced by past styles. Three key figures that helped define modern architecture were Le Corbusier, Frank Lloyd Wright, and Mies van der Rohe. Le Corbusier developed principles like using pilotis to elevate structures on stilts and having long ribbons of windows. His Villa Savoye exemplified these principles. Mies van der Rohe is known for his dictum "Less is More" and designs like the Barcelona Pavilion that used a steel frame and glass walls. Modern architecture emphasized simplicity, exposing structures, and making innovative use of new
Frank Lloyd Wright was an influential American architect known for his Prairie Style and Usonian Style designs. He believed architecture should embrace new technologies while connecting to nature and humanity. His works like Fallingwater, Taliesin West, and the Guggenheim Museum embodied principles of integrating with the environment, open floor plans, and being inspired by natural forms. Wright pioneered affordable housing with his Usonian Style and emphasized efficient designs that blended form and function.
He was an architect, designer, urbanist, writer, and one of the pioneers of what is now called modern architecture.
He was a pioneer in studies of modern high design and was dedicated to providing better living conditions for the residents of crowded cities
The presentation covers general details about architect , Villa Sovoye, Centre Le Corbusier and few other works
Ludwig Mies van der Rohe was a German-American architect. The architect responsible for the dictum "Less Is More," He is commonly referred to and was addressed as Mies, his surname.
1. Le Corbusier was commissioned to design the new capital city of Chandigarh after the partition of India and Pakistan in the 1950s, developing the city based on his principles of modern architecture and urban planning.
2. Some of his most notable works in Chandigarh include the Secretariat building, High Court building, and Assembly building which featured his signature exposed concrete construction and modular design.
3. He also designed other projects in India such as a museum in Ahmedabad which featured a roof protecting from the hot climate and interior courtyards bringing natural light and ventilation into the building
Modernism in architecture is characterized by its emphasis on form over ornament; appreciation of materials and structure instead of idyllic revival constructions; and the adroit, methodical use of space.
Modernism in architecture is characterized by its emphasis on form over ornament; appreciation of materials and structure instead of idyllic revival constructions; and the adroit, methodical use of space.
Modern architecture, or modernist architecture, was based upon new and innovative technologies of construction, particularly the use of glass, steel and reinforced concrete; the idea that form should follow function (functionalism); an embrace of minimalism; and a rejection of ornament.[1] It emerged in the first half of the 20th century and became dominant after World War II until the 1980s, when it was gradually replaced as the principal style for institutional and corporate buildings by postmodern architecture.
Brutalist buildings are characterized by minimalist constructions that showcase the bare building materials and structural elements over decorative design.The style commonly makes use of exposed concrete or brick, angular geometric shapes, and a predominantly monochrome colour palette;
- Adolf Loos was an Austrian and Czech architect and theorist of modern architecture born in 1870. He pioneered a modern style characterized by simplicity and lack of ornamentation. His designs emphasized rich materials and craftsmanship. Major works include the American Bar in Vienna and the Villa Müller houses.
- Louis Kahn was an American architect, educator, and philosopher born in 1901. He developed a spiritual philosophy of architecture focused on form and light. Notable buildings include the Salk Institute, Kimbell Art Museum, and Yale Center for British Art which featured his concepts of symmetry and separation of space.
- Kahn's Fisher House in Pennsylvania exemplified his idea of "two cubes" merging at an angle
Similar to JACM2636_JacMax Lindsay Book Email FA (20)
4. A N I N T E R N AT I O N A L
ARCHITECTURE COLL ABORATION
I N T H E H E A R T O F B R I G H T O N .
5. Introduction
Not often does the chance to be a part of an
Australian first present itself in such singular
and extraordinary form.
Internationally awarded architecture firm
Fearon Hay, in collaboration with Jacmax and
Eckersley Garden Architecture, have upheld
Brighton’s architectural legacy with Lindsay:
11 exclusive, light-filled residences set
across three levels, including two pavilion-
style penthouses.
This one-off collaboration is a rich instance
of architectural craftsmanship and the
timeless nature of truly great design. Each
residence is a remarkable study in light and
proportion that combines strong, clean lines
with a carefully considered relationship to
the natural environment.
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6. ONE OF MELBOURNE’S OLDEST
A N D M O S T P R E S T I G I O U S
S U B U R B S , B R I G H T O N H A S
E S TA B L I S H E D I T S E L F A S
A N E P I C E N T R E F O R
M I D - C E N T U R Y M O D E R N I S M .
History
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7. History
With European settlement dating back to Henry Dendy’s Special
Survey (1840), Brighton can be considered one of Melbourne’s
oldest (and indeed most prestigious) suburbs. Subject to many
waves of subdivision and development over the next hundred
years, little opportunity remained by the start of the post-war era.
But while newer suburbs such as Beaumaris, Balwyn North and
Blackburn boomed in the 1940s, ‘50s and ‘60s, acknowledged for
their enviable stock of progressive architect-designed buildings,
Brighton established itself as a minor but still important epicentre
for mid-century modernism. Prior to the Second World War, the
suburb had attracted some noted Melbourne architects as
residents, including such eminent private practitioners as Best
Overend, Stanley Parkes (of Oakley & Parkes) and Keith McKay
(later of Mussen, McKay & Potter), as well as Percy Everett,
long-time Chief Architect of the PWD, and George Ozanne,
City Architect to the MCC. These men would not only remain
professionally active into the post-war era, but also residents
of Brighton.
Not surprisingly, the hitherto underdeveloped Brighton East area
was initially the local focus for early post-war residential settlement.
Amongst those drawn to the area at that time, where vacant land
was still plentiful and relatively cheap, were some up-and coming
young architects, several of whom built houses for themselves.
Early examples, such as Raymond Westmore’s “Modern Georgian”
cottage in Baird Street (1944), were conservative in style, harking
back to pre-war fashions, while those dating from the later 1940s
and early 1950s began to show the influence of the emerging
modernist movement. Built at a time when wartime restrictions on
labour and building materials were still in place, Peter Hooks’ house
in Cromer Street (1948) was an ingenious exercise in minimalism,
using basic structural techniques and a simple palette of materials.
Norman Barton’s house in Thomas Street (1950), designed in
collaboration with Neil Clerehan, warmly embraced new modernist
principles with its open planning, projecting eaves and north-facing
window wall for passive solar gain.
By the early 1950s, the sway of modern architecture was being
felt right across Brighton, with some of Melbourne’s best-known
architects already represented by innovative new residential
buildings. Frederick Romberg’s Hillstan Flats on the Nepean
Highway (1950), with integrated garages and full-height windows
opening onto cantilevered balconies, was lauded as a new benchmark
in modern apartment living, while Robin Boyd’s Bergin House in
Belle Avenue (1951) was perhaps the first flat-roofed house built
in Victoria since the War. German-born émigré architect Herbert
Tisher designed a house in Thomas Street (1951) that, with its
stark volumetric expression, stone feature walls and carefully
considered fenestration, effectively introduced authentic European
modernism to the City of Brighton.
By the mid-1950s, many key members of Melbourne’s emerging
generation of young modern architects had completed residential
projects in Brighton or Brighton East. These houses were invariably
conceived in the fashionable hard-edge minimalist style; characterised
by flat roofs, planar walls and plentiful windows, examples included
Neil Clerehan’s Gibson House in Kinane Street (1954), Kevin Borland’s
Klepner House in Trinity Court (1956) and McGlashan & Everist’s
Barry House in Roosevelt Court (1957). This purer strain of modernism
would thrive in the Brighton area well into the 1960s, typified
by Michael Feldhagen’s Roubicek House in Lynch Crescent (1964),
conceived as a hovering slab-like mass.
During the 1960s, this undiluted modernism ran in parallel with
emerging strains that reflected a more inclusive approach. The
organic style, influenced by Frank Lloyd Wright, appeared locally
in Geoffrey Woodfall’s Samuel House in Bay Street (1959) and
matured in examples by other leading exponents of the mode.
David Godsell’s Chapman House in Hampton Street (1963) evoked
Wright through its pinwheel plan and textured concrete blocks,
while several houses by Chancellor & Patrick, notably the Miles
House on the Esplanade (1964) did the same with their low, long
expression and enveloping roofs.
By the decade’s end, modern architect-designed houses had made
a significant impact on the City of Brighton’s suburban landscape;
individual specimens stood out, whether located among the mostly
Victorian and Edwardian fabric of old Brighton, or the ubiquitous
triple-fronted brick veneer villas that characterised Brighton East.
Cohesive pockets of modernist houses remained rare, limited
to small subdivisions on the former grounds of grand mansions.
By far the largest of these was an estate created in 1964 on the
Dendy Street site of the Melbourne Orphanage. Centred on Lynch
Crescent, Exon and Butler Streets, this estate filled out rapidly
in the later 1960s. New houses ran the stylistic gamut from
conventional hip-roofed brick villas, often enlivened with stone
feature walls, through to smart architect-designed dwellings that
varied in expression from Clive Fredman’s flat-roofed Rubenstein
House (1966), to Chancellor & Patrick’s Gandolfo House (1967),
with its jagged roofline and raked spur walls.
Brighton’s developing reputation as an epicentre for fine modern
houses reached a peak in the late 1960s and early ‘70s, when
several local examples won major architectural awards. These
demonstrated the increasingly inclusive nature of modern
architecture at that time: Geoffrey Woodfall’s Wright-inspired
Breedon House in Were Street (1968), Bernard Joyce’s Brutalist
style Mason House in Chavasse Street (1970), Edgard Pirrotta’s
jagged concrete-block Fletcher House in Rosslyn Street (1971)
and Peter Crone’s clinker-brick Abrahams House in North Road
(1972). Still, the purist vanguard prevailed in such examples as
Guilford Bell’s coolly minimalist Seccull House on North Road
(1972) that, with its stark walls and introspective courtyard plan,
neatly encapsulated the timelessness of modernist architecture
that had manifest itself in the City of Brighton for nearly three
decades, and would continue to do so for many more.
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8. History
Seccull House by Guilford Bell, 1972
Clockwise from Left
Avonbury Court & St Kilda Street
by Romberg & Boyd, 1966
Hillstan Flats by Frederick Romberg, 1950
Photography by Peter Wille
Lloyd House by Robin Boyd, 1959
Photography by Mark Strizic
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9. History
Fletcher House by Edgard Pirrotta Architects, 1971
L I N D S AY P R E S E N T S A N
O U T S TA N D I N G E X A M P L E
O F W H Y F E A R O N H AY
H A S B E C O M E S U C H
A N I N T E R N AT I O N A L LY
C E L E B R AT E D N A M E I N
A R C H I T E C T U R E A N D D E S I G N .
Architecture
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10. Architecture Established almost two decades ago by Jeff Fearon and Tim Hay,
Fearon Hay’s experience spans projects located in coastal, urban,
rural, lakeside and alpine areas both within New Zealand and abroad.
The diverse range of its award-winning portfolio is informed by the
depth and variety of experience within its team. Combining innovative
thinking with rigorous attention to detail, Fearon Hay’s approach
involves intensive research into the cultural, social and environmental
contexts of each project.
Both its commercial and residential works are characterized by an
almost imperial quality; a sweeping adaptation of space that is offset
by a commitment to functionality in every detail. Yet in spite of their
generous dimensions and ambitious scale, Fearon Hay’s buildings
fit into their environment as if they had always been part of it.
Renowned for combining classic design principles with a fluid
approach to the natural world, Fearon Hay’s philosophy is that
great architecture or design should reflect or celebrate something
fundamental and unique about its environment.
This philosophy also informs their pragmatic concern with how a
space will be occupied, what functions it will fulfil, and what feelings
it will inspire. Fearon Hay is passionate about architecture’s potential
to positively impact upon the public domain. In undertaking design
work, the practice works closely with clients to translate their specified
vision into its purest form and detail.
Fearon Hay’s pursuit of design excellence and innovation has received
international acclaim, with the practice receiving double accolades
at the World Architecture Festival (WAF) in 2014 and taking out the
top award at the NZIA International Architecture Awards in 2013.
At home, Fearon Hay has been awarded the prestigious NZIA New
Zealand Architecture Medal, the DINZ Purple Pen Award, the DINZ
Stringer Award, and the NZIA Resene Supreme New Zealand Award
for Architecture. The practice was featured in Wallpaper Magazine’s
Top 25 Emerging Architects list in 2003, and has won multiple tenders
to design and realize buildings of public significance, including the
Cathedral of the Holy Trinity in Parnell.
Fearon Hay has delivered projects around the world: in New York,
Sydney, San Francisco and Sri Lanka. Now, the practice’s one-off
collaboration with Jacmax brings timeless architectural design to
Brighton. Upholding the consistently high-calibre of Fearon Hay’s
portfolio, Lindsay offers a thoroughly modern tribute to elegance,
simplicity and efficiency that epitomizes the progressive vision of
this award-winning practice.
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14. Storm Cottage, Great Barrier Island, 2014
Photography by Patrick Reynolds
Fearon Hay Selected WorksArchitecture
Above
Dune House, Omaha, 2013
Photography by Patrick Reynolds
Below
Tribeca Loft, New York, 2009
Photography by Richard Powers
Above
Island Retreat, Waiheke Island, 2011
Photography by Patrick Reynolds
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15. L U X U R Y C O M E S F R O M
U N D E R S TA N D I N G S P A C E A N D
C R E AT I N G A S E N S E O F P L A C E .
InspirationFearon Hay Selected WorksArchitecture
Sandhills Road House, Great Barrier Island, 2008
Photography by Patrick Reynolds
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16. Light is what gives space its luminance and energy. It defines its
composition and determines its character. Often when we imagine it,
we think of light as fluid, something that spills or expands through
spaces. But its presence gives shape and texture to objects and form
– the dynamic interplay between light and shadow is essential to the
harmony of spaces in light.
Light and shadow are inseparable. A glimpse of light elucidates
the level of darkness in a room and enlivens the perceptions within.
Shadows create drama while light controls atmosphere. Both have
a profound psychological and physiological impact on us, and our
understanding of the built environment.
The arrangement and quality of light in a building is ultimately what
influences how a space is occupied, as well as how it looks. It creates
a sense of openness and allows indoor spaces to communicate with
the outdoor world. It emphasises the connection between our mental
and real worlds, and the poetics of dwelling in a particular place.
Without light, nothing can be seen, supposed or sustained. Light is
the source of all life, and connects space and form by its reflection,
refraction and diffraction. Without light, there is no architecture.
Inspiration
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21. G R E AT A R C H I T E C T U R E I S
A C O M P L E T E A N D L AY E R E D
E X P E R I E N C E T H AT A D A P T S
T O T H E C H A N G I N G N E E D S
O F T H E P E O P L E W H O
O C C U P Y I T.
Process
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22. Process
Fearon Hay had delivered projects in New York, Sydney, San Francisco
and Sri Lanka before, but never Melbourne. Although Jeff Fearon was
initially dubious as the practice rarely works on apartment buildings,
he was won over by the architectural potential of the project.
‘As soon as I visited the site, I knew we could create something of
great significance,’ he says.
Given complete creative freedom by Jacmax, Fearon Hay
considered a number of factors in conceptualizing the character
of Lindsay. Prime amongst these was the optimum use of light in
each apartment and the creation of a spatial layout that enabled
seamless movement from room to room. According to Jeff Fearon,
the generous dimensions of the site provided both the biggest joy
and the biggest challenge in the design process.
‘As architects, we are always thinking about the function of spaces,
about how they are used,’ Jeff says. ‘At Lindsay, it was essential to
ensure that all spaces had purpose and performance value.’
As the site was situated on land originally owned by the Black Street
United Church, Jeff Fearon notes that this was also an important
consideration in designing the overall building. The practice made
the bold decision to ‘slice’ through the building with a double-height
‘internal street’ entry to allow residents and visitors to gaze through
to the picturesque church, and create a point of intrigue.
‘We decided to blend the internal world with the external world as
much as possible,’ Jeff says. ‘Although, of course, it was also important
to ensure that residents could be as private or social as desired.
That’s why the gardens have entertaining and private areas, and
so many of the indoor spaces feature an outdoor aspect.’
In addition to creating a balance between seclusion and sociability
outdoors, the practice spent a lot of time zoning and shaping the
apartments to ensure a sense of balance and proportion. The richness
of materials chosen to fit out and furnish each apartment testify to
Fearon Hay’s interest in fitting elements together in a harmonious
way. The practice made extensive use of texture and tone to enhance
the understated colour palette and avoid a blandly monochromatic
impression. The use of bronze and brass, for example, were selected
to add warmth to the light-filled spaces, while timber and stone
created a sense of permanence.
The overall effect is singular and resolved in the way it comes together,
but with a lot of diversity in the materials used. ‘Form-wise, we knew
what we wanted from the start,’ Jeff says, ‘It was mainly a matter of
apportioning spaces and figuring out how they should work.’
‘We have experience doing residences in different parts of the world,
but we really wanted to deliver a new standard of international living
at Lindsay, rather than just craft another large apartment building.
There are strong, striking entrances, carefully composed spaces, and
a constant focus on how people will actually occupy those spaces.’
Fearon Hay’s focus on the livability of their buildings makes their
design process an investigation not only into form and function,
but also into how people in the twenty-first century want to live.
Thinking about the future of Lindsay and its inhabitants, Fearon
reflects, ‘Our lifestyles are getting progressively more diverse, and
we want to organise our own built environment and gear it to our
own image. Lindsay allows its inhabitants to do that in a beautiful
space that will carry on a dialogue with its surroundings for many
years to come.’
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25. B U I LT F O R T H O S E N O T
W I L L I N G T O C O M P R O M I S E O N
S P A C E , L I G H T O R L U X U R Y .
LandmarkProcess
4544
26. Conceived and crafted in collaboration with Jacmax and Eckersley
Garden Architecture, Lindsay comprises 11 light-filled apartments
set across three commanding levels. These residences offer a
chance to celebrate daylight from any direction, and blend
practicality with prestige.
The building’s entry lobby, with its double-height ‘internal street’
helps to deliver the sense of surprise and wonder that defines
Lindsay. This central feature divides the building into two distinct
parts, and allows residents and visitors to glimpse the green spaces
of the gardens and the church grounds beyond. It illustrates the
capabilities of Fearon Hay to shape an atmosphere and suggests
long-term potential for landscaping to be extended down the
‘internal street’ to further connect the green corridors between
adjacent apartments.
The façade of the building is articulated through the rhythmic
use of solid panels and full-height glazing with deep reveals.
This articulation extends to the penthouse level, which is set back
from the lower levels and appears to float above them.
The stunning landscape environment created by Eckersley’s garden
design flows around the exterior of the building and complements
the wide, leafy streetscape. Vehicular entry from Lindsay Street leads
to secure basement level parking on the northern edge of the property
and pedestrian entry culminates in a main stairwell and lift lobby.
It is architecture of generous proportions that speaks to an
appreciation of the natural world. Destined to become a landmark
address in Brighton by virtue of not only location but also design,
Lindsay sets a new standard for inspired, contemporary living.
Landmark Building
46
27.
28. The Garden apartments take full advantage of the volume of light
and space that was the inception point for the design response.
All living rooms and bedrooms open directly onto Rick Eckersley’s
landscaped gardens and feature flexible spaces for entertaining
or withdrawing. Daylight enters each apartment from multiple
directions and the generous dimensions are enhanced by
three-metre high ceilings and bronze-clad island benches.
Landmark Garden Apartments
51
29.
30.
31.
32. The Terrace apartments are private and secure with grand ceilings
and portrait-like windows that extend up to four metres high.
Large pocket terraces effortlessly blend the indoor and outdoor
world while French windows in each bedroom can be thrown open
to access fresh air and natural light. Full-height walnut libraries
with bronze detailling and an integrated ladder system further add
to the refined ambience of each carefully-appointed space.
Landmark Terrace Apartments
58
33.
34.
35. The penthouses are situated on the top floor and accessed via a
lift or an impressive travertine staircase. Surrounded by private roof
balconies with planters for gardens, they feature an abundance of
natural light and dramatic views. Two distinct living areas seamlessly
connect to a light-filled study and full-height library, with formal
sitting room flowing out onto a sweeping terrace. The bedroom wing
features three bedrooms with the master suite offering direct access
to a private terrace, huge light-filled bathroom and a generous walk-
in-wardrobe.
At this level, luxury is a given, expressed through seven-metre long
kitchen island benches, polished plaster feature walls, fireplaces
and bronze metal screening connecting the two wings.
Landmark Penthouse Apartments
64
41. TeamBrighton is one of Melbourne’s most sought-after suburbs and has
long been considered one of its most beautiful, with its tree-lined
streets and picture-perfect beach. Boasting both bayside appeal and
its own close-knit community, it offers the best of inner-city living.
Just 11 kilometres from the city and a stone’s throw away from
Church Street’s boutiques and restaurants, Lindsay is situated on
its namesake street. The front of the building flows onto the wide
and leafy boulevard of Lindsay Street, contributing to its overall
sense of tranquillity and seclusion. The back borders the Trinity
Church on Black Street, rich in history and character.
Many of Brighton’s local institutions such as ‘The Pantry’ and ‘Half
Moon’ are within walking distance of the building. Palace Cinema
is just a short stroll by foot, while Middle Brighton Station is mere
metres away. The beach and its famous multicoloured bathing
boxes can be easily accessed by foot, bike or car. A little further
out, the rolling green lawns of William Street Reserve suggest lazy
summer’s day picnics and the Brighton Golf Course invites the
out-of-practice to rediscover their game.
The premium location also ensures proximity to all that Brighton
has to offer in terms of culture, dining, shopping and entertainment.
A world of culinary, social, artistic and retail wonders awaits on Church
Street, where the ‘village’ atmosphere creates a vibrant social scene.
At Lindsay, residents are able to enjoy an ideally balanced lifestyle,
with unlimited opportunities to be as private or social as they wish.
Landmark Position
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42. Eckersley
Eckersley Garden Architecture offers a revitalised
approach to landscape design. Merging experience
and creativity, their passion lies in crafting unique
relaxed gardens that invite the inhabitants to enjoy
their outdoor space.
With an understanding of how space and facility work
together to create lifestyle and amenity, Eckersley
Garden Architecture is driven by all threads of the
design process. They work collaboratively with the
client to turn the brief into an individually tailored
garden that takes the art of garden making to a new level.
Established by iconic designer Rick Eckersley, with
partners Scott Leung and Myles Broad, the practice
works across local and international commissions.
Their client base is as varied as their garden designs,
ranging from small residential to commercial multi-
residential and country retreats.
e-ga.com.au
Jacmax
Renowned for its high-end approach, Jacmax is
a Melbourne property development company
which creates prestigious residential apartments.
Its philosophy is simple: work with the best, stick
to a vision, and blur the line between luxury
and convenience.
Jacmax’s belief is that people shouldn’t have to
choose between living in a luxury home and leading
a low maintenance lifestyle. They are transforming
the conventional concept of apartment living with
the introduction of a new breed of apartments that
combine opulence and simplicity.
jacmax.com.au
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