Modernism in architecture is characterized by its emphasis on form over ornament; appreciation of materials and structure instead of idyllic revival constructions; and the adroit, methodical use of space.
Modernism in architecture is characterized by its emphasis on form over ornament; appreciation of materials and structure instead of idyllic revival constructions; and the adroit, methodical use of space.
Modern architecture, or modernist architecture, was based upon new and innovative technologies of construction, particularly the use of glass, steel and reinforced concrete; the idea that form should follow function (functionalism); an embrace of minimalism; and a rejection of ornament.[1] It emerged in the first half of the 20th century and became dominant after World War II until the 1980s, when it was gradually replaced as the principal style for institutional and corporate buildings by postmodern architecture.
Here are I collect some information about architect Mies Van Der Rohe's life, philosophy, type of work, details of some of her notable works. And tried to discuss his involvement with modern architecture.
Modernism in architecture is characterized by its emphasis on form over ornament; appreciation of materials and structure instead of idyllic revival constructions; and the adroit, methodical use of space.
Modernism in architecture is characterized by its emphasis on form over ornament; appreciation of materials and structure instead of idyllic revival constructions; and the adroit, methodical use of space.
Modern architecture, or modernist architecture, was based upon new and innovative technologies of construction, particularly the use of glass, steel and reinforced concrete; the idea that form should follow function (functionalism); an embrace of minimalism; and a rejection of ornament.[1] It emerged in the first half of the 20th century and became dominant after World War II until the 1980s, when it was gradually replaced as the principal style for institutional and corporate buildings by postmodern architecture.
Here are I collect some information about architect Mies Van Der Rohe's life, philosophy, type of work, details of some of her notable works. And tried to discuss his involvement with modern architecture.
Ludwig Mies van der Rohe born Maria Ludwig Michael Mies; March 27, (1886 – August 17, 1969) was a German-American architect. He was commonly referred to as Mies, his surname. Along with Alvar Aalto, Le Corbusier, Walter Gropius and Frank Lloyd Wright, he is regarded as one of the pioneers of modernist architecture. Mies was the last director of the Bauhaus, a seminal school in modern architecture. After Nazism's rise to power, with its strong opposition to modernism (leading to the closing of the Bauhaus itself), Mies emigrated to the United States. He accepted the position to head the architecture school at the Armour Institute of Technology (later the Illinois Institute of Technology), in Chicago
He worked in his father's stone carving shop and at several local design firms before he moved to Berlin, where he joined the office of interior designer Bruno Paul. He began his architectural career as an apprentice at the studio of Peter Behrens from 1908 to 1912, where he was exposed to the current design theories and to progressive German culture. He worked alongside Le Corbusier and Walter Gropius, who was later also involved in the development of the Bauhaus. Mies served as construction manager of the Embassy of the German Empire in Saint Petersburg under Behrens.
Ludwig Mies renamed himself as part of his transformation from a tradesman's son to an architect working with Berlin's cultural elite, adding "van der" and his mother's maiden name "Rohe" (the word mies means "lousy" in German and using the Dutch "van der", because the German form "von" was a nobiliary particle legally restricted to those of genuine aristocratic lineage. He began his independent professional career designing upper-class homes.
sought to establish his own particular architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created his own twentieth-century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces, as also conducted by other modernist architects in the 1920s and 1930s such as Richard Neutra. Mies strove toward an architecture with a minimal framework of structural order balanced against the implied freedom of unobstructed free-flowing open space. He called his buildings "skin and bones" architecture. He sought an objective approach that would guide the creative process of architectural design, but was always concerned with expressing the spirit of the modern era. He is often associated with his fondness for the aphorisms, "less is more" and "God is in the details".
Ludwig Mies van der Rohe was a German-American architect. The architect responsible for the dictum "Less Is More," He is commonly referred to and was addressed as Mies, his surname.
Brutalist buildings are characterized by minimalist constructions that showcase the bare building materials and structural elements over decorative design.The style commonly makes use of exposed concrete or brick, angular geometric shapes, and a predominantly monochrome colour palette;
Post-Modern Architecture and the architects involoved in it.Rohit Arora
Contains the comparison between modern architecture and post-modern architecture. The reasons that led to post-modern architecture. The architects who made important buildings with post-modern architecture.
Writing Sample 2 -Bridging the Divide: Enhancing Public Engagement in Urban D...Rahsaan L. Browne
Bridging the Divide: Enhancing Public Engagement in Urban Development
This paper delves into the critical role of public engagement in urban development, emphasizing the need for community involvement to create sustainable and inclusive urban spaces. It discusses the motivations behind public participation, the challenges faced in engaging diverse communities, and the strategies for overcoming these barriers. The paper also highlights successful case studies and explores the use of technology and effective communication to facilitate broader and more meaningful engagement. By examining these elements, the paper underscores the importance of bridging the gap between planners and residents to ensure urban development reflects the collective vision and needs of the community.
A proposal aimed at transforming a key site in Canoga Park into a vibrant, mixed-use development. The project includes comprehensive location analysis, neighborhood context evaluation, and zoning and planning assessments. By leveraging the site’s strengths and addressing potential challenges, we plan to create a space that integrates residential, commercial, and public areas. The development will enhance connectivity, support community objectives, and provide economic benefits, all while aligning with local zoning regulations.
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Ludwig Mies van der Rohe born Maria Ludwig Michael Mies; March 27, (1886 – August 17, 1969) was a German-American architect. He was commonly referred to as Mies, his surname. Along with Alvar Aalto, Le Corbusier, Walter Gropius and Frank Lloyd Wright, he is regarded as one of the pioneers of modernist architecture. Mies was the last director of the Bauhaus, a seminal school in modern architecture. After Nazism's rise to power, with its strong opposition to modernism (leading to the closing of the Bauhaus itself), Mies emigrated to the United States. He accepted the position to head the architecture school at the Armour Institute of Technology (later the Illinois Institute of Technology), in Chicago
He worked in his father's stone carving shop and at several local design firms before he moved to Berlin, where he joined the office of interior designer Bruno Paul. He began his architectural career as an apprentice at the studio of Peter Behrens from 1908 to 1912, where he was exposed to the current design theories and to progressive German culture. He worked alongside Le Corbusier and Walter Gropius, who was later also involved in the development of the Bauhaus. Mies served as construction manager of the Embassy of the German Empire in Saint Petersburg under Behrens.
Ludwig Mies renamed himself as part of his transformation from a tradesman's son to an architect working with Berlin's cultural elite, adding "van der" and his mother's maiden name "Rohe" (the word mies means "lousy" in German and using the Dutch "van der", because the German form "von" was a nobiliary particle legally restricted to those of genuine aristocratic lineage. He began his independent professional career designing upper-class homes.
sought to establish his own particular architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created his own twentieth-century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces, as also conducted by other modernist architects in the 1920s and 1930s such as Richard Neutra. Mies strove toward an architecture with a minimal framework of structural order balanced against the implied freedom of unobstructed free-flowing open space. He called his buildings "skin and bones" architecture. He sought an objective approach that would guide the creative process of architectural design, but was always concerned with expressing the spirit of the modern era. He is often associated with his fondness for the aphorisms, "less is more" and "God is in the details".
Ludwig Mies van der Rohe was a German-American architect. The architect responsible for the dictum "Less Is More," He is commonly referred to and was addressed as Mies, his surname.
Brutalist buildings are characterized by minimalist constructions that showcase the bare building materials and structural elements over decorative design.The style commonly makes use of exposed concrete or brick, angular geometric shapes, and a predominantly monochrome colour palette;
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2. About modern architecture
The dawn of modern architecture came at a time when hand-
labored craftsmanship was being replaced with machine-made
industrialization. Modern architects worked to reinvent ways of
building that focused more on how humans lived versus what they
found beautiful. This architecture is not sentimental, like revivalist
styles. Instead, it is innovative, experimental, and minimal.
3. Modern architecture is a style of building that emphasizes function and a streamlined form over
ornamentation. This design aesthetic is a departure from more elaborate and decorated homes like
a Queen Anne, Victorian, or Gothic Revival styles. Modern architecture usually involves sharp, clean
lines.
There are several styles of modern architecture in the United States alone. From 1930 through
1970, there are categories like Expressionist, Constructivist, and Mid-Century Modern, to name a
few.
History
The modern movement was not short-lived, and it encompasses several sub-styles that span nearly
60 years. In this way, it can be difficult to pinpoint an exact starting point. To some, the style includes
more transitional architecture like the Art Deco and Arts and Crafts movements. To others, those
earlier styles served as inspiration for more "pure," mid-century modern architects.
The birth of modern design came with the thought that form should follow function. This idea started
with architect Louis Sullivan who designed buildings for the 1893 Chicago World Fair. That mantra
became the foundation for modern architects.
4. The ‘modern look’ means simplicity in form and design. Modern architecture
is based on abstraction, which is created by clean lines, basic shapes, and
forms. Thus, simple, plain, geometric forms, rectangular shapes, and linear
elements make the characteristics of modern architecture.
5. Biography of Philip Johnson
Philip Cortelyou Johnson was an American architect best known for his
works of modern and postmodern architecture. Among his best known
designs are his modernist Glass House in New Canaan, Connecticut, and
postmodern 550 Madison Avenue in New York, designed for AT&T, and
190 South La Salle Street in Chicago.
Born: 8 July 1906, Cleveland, Ohio, United States
Died: 25 January 2005, New Canaan, Connecticut, United States
Books: The Architecture of Philip Johnson, Deconstructivist architecture,
The Glass House, more
Parents: Homer Johnson, Louise Pope Johnson
6. Overview of philip Johnson
In 1930, Johnson joined the architecture department of the Museum of Modern
Art in New York. There he arranged for American visits by Walter Gropius and
Le Corbusier, and negotiated the first American commission for Mies van der
Rohe, when he fled Nazi Germany. In 1932, he organized the first exhibition on
Modern architecture at the Museum of Modern Art.
In 1978, he was awarded an American Institute of Architects Gold Medal and in
1979 the first Pritzker Architecture Prize.[1]
His early work as a journalist for the newspaper of the extreme-right and anti-
Semitic Father Charles Coughlin between 1932 and 1940, and his early and
later regretted praise of Nazi Germany, led to condemnation of Johnson in the
2020s
7. Inspiration and Philosophy
Philip Johnson was Born American architect whose rectilinear forms,
crafted in elegant simplicity, epitomized the International Style and
exemplified his famous principle that “less is more.” He went further
than anyone else regarding structural honesty, making the actual
supports of his buildings ..
Philip Johnson, though having left a great legacy of architectural
thought and design, was a true proponent of a capitalist architecture,
bereft of a socialist direction
8. Some Famous Buildings by Johnson
Glass House, US | Philip Johnson. …
Seagram Building, US. …
550 Madison Avenue/Sony Tower/AT&T Building, US. …
IDS Center, US. …
PPG Place, US. …
Christ Cathedral, US | Philip Johnson. …
Museum of Modern Art (MoMA), US. …
Lipstick Building, US.
9. Glass House, 1949
The Glass House is best understood as a pavilion for viewing the surrounding landscape. Invisible from
the road, the house sits on a promontory overlooking a pond with views towards the woods beyond.
The house is 55 feet long and 33 feet wide, with 1,815 square feet. Each of the four exterior walls is
punctuated by a centrally located glass door that opens onto the landscape. The house, which ushered
the International Style into residential American architecture, is iconic because of its innovative use of
materials and its seamless integration into the landscape. Philip Johnson, who lived in the Glass House
from 1949 until his death in 2005, conceived of it as half a composition, completed by the Brick House.
Both buildings were designed in 1945-48.
10. The Glass House is best understood as a pavilion for viewing the surrounding
landscape. … Philip Johnson, who lived in the Glass House from 1949 until his
death in 2005, conceived of it as half a composition, completed by the Brick
House. Both buildings were designed in 1945-48.
11. PPG PLACE
The project was started by PPG Industries (formerly Pittsburgh Plate Glass Company) to serve as the
company’s headquarters, after being based in Downtown Pittsburgh since 1895.[6] The company
contracted the project to architect Philip Johnson and his partner John Burgee. Designed in the
neogothic style but with modern innovations, the complex had many inspirations, including London’s
Victoria Tower,[7] and H.H. Richardson’s Allegheny County Courthouse and Charles Klauder’s
Cathedral of Learning in Pittsburgh.[8] Before the building was constructed, an 8-foot-tall, 600 pound
model was pieced together in Tarentum, Pennsylvania by Renato “Reno” Chieruzzi in the basement of
his home. Glass for the model was cut at the Ford City PPG works