This document provides an introduction to social film marketing and distribution. It begins with definitions of social media, highlighting how it enables interactive communication. Recent trends show growing social media usage, especially on mobile devices. Important social media tools for films include Facebook, Twitter, YouTube, and blogs. These platforms can be leveraged throughout the film process for production, financing, marketing, and distribution. The document concludes with tips on developing a social media strategy, creating engaging content, and monitoring efforts.
Intro to Social Media for Lisa Pearl and The Girl with the Curl slideshareSarah Allen Consulting
An introductory workshop to social media for brilliant designer and artist, Beth aka The Girl with the Curl and boutique Sydney photographer Lisa aka Lisa Pearl Photography.
Social media for social change workshopMia Northrop
This workshop introduces participants to social media sites and tools that can be used to engage new audiences about diversity and human rights. The presentation focuses on Facebook, Twitter and Youtube. Readers will learn the basics of social media strategy, what the various sites offer and how social media activities can be measured. This is aimed towards people who are moderate users of the internet and new to social media.
Intro to Social Media for Lisa Pearl and The Girl with the Curl slideshareSarah Allen Consulting
An introductory workshop to social media for brilliant designer and artist, Beth aka The Girl with the Curl and boutique Sydney photographer Lisa aka Lisa Pearl Photography.
Social media for social change workshopMia Northrop
This workshop introduces participants to social media sites and tools that can be used to engage new audiences about diversity and human rights. The presentation focuses on Facebook, Twitter and Youtube. Readers will learn the basics of social media strategy, what the various sites offer and how social media activities can be measured. This is aimed towards people who are moderate users of the internet and new to social media.
Should you spend your time & money on social media or your Website ? In this presentation, we cover why it is fundamental to keep balance between social media & your website, and ensure your make your website fully social by integrating social conversations
Social Media 101: Classroom Collaboration after the Bell
Topics: General Technology, Internet Tools
Last updated: March 2012
Download: PowerPoint presentation (5.7 MB)
Confused by all the talk about Twitter, Google+, Yelp, Reddit, and the like? This session is for you! Join Patrick Crispen as he helps demystify the world of social media, tours some of the most popular social media sites and tools, and gives you some field-tested tips and tricks to use web-enabled and mobile technologies to extend your classroom discussions beyond the end of the school day.
by Patrick Crispen
How to develop and deliver your content strategyAnalogFolk
Click on the notes tab to see speaker notes (not available in embeds).
Creating content for the always-on lives brands now live is intrinsically different to creating advertising content. I delivered this talk at Digital Shoreditch to pull apart those differences in the processes in an effort to explain how to develop and deliver content that bridges the gap between campaigns.
The talk is a whistle stop tour of a process we've developed at AnalogFolk squeezed into 15 minutes. The media analogy to the economic concept of Stock & Flow was introduced by Robin Sloan and is one we've embraced at AnalogFolk. Thanks go out to Noah Brier for drawing attention to it in his excellent AdAge article.
Thanks go out to Matt Dyke for his oversight and the always excellent Kate Sigrist for the sexy divider charts.
"Coca Cola is no longer about creative excellence, but content excellence. Burberry is "as much a media-content company and a design company". Red Bull Media House originate feature-length films from their own film crews and music from their own studio. Facebook and Twitter no longer want media spend to sell ads, but to generate reach for content. Consumers don't want ads, they want good content.
In this talk we're going to explore how agencies can lead the content generation process from ideation to partnership to delivering and seeding content across social platforms to maintain an always-on content strategy. We will bring our strategies to life by referring to successful case studies throughout the talk.
Questions answered :
How do I create content for my clients?
How can I create low/no budget content?
How do I focus on the right platforms?
How can I deliver an always-on content calendar?
How can I improve my content-creation process from receiving the brief to delivery?"
Oportunidades y desafíos que internet brinda al sector audiovisual y al cine en particular. Presentación de Belén Bernuy, productora de Centuria Films y gerente y responsable de Audiovisual en ArteGB, dentro de las Jornadas CulturAPP de Sevilla 2015.
Mi taller interactivo en TEDx Valladolid 2015 en el que di a conocer el nombre de la agencia de innovación creativa que lanzaremos en unas semanas y trabajamos en un brief con la filosofía 'Connect and Develop'.
Should you spend your time & money on social media or your Website ? In this presentation, we cover why it is fundamental to keep balance between social media & your website, and ensure your make your website fully social by integrating social conversations
Social Media 101: Classroom Collaboration after the Bell
Topics: General Technology, Internet Tools
Last updated: March 2012
Download: PowerPoint presentation (5.7 MB)
Confused by all the talk about Twitter, Google+, Yelp, Reddit, and the like? This session is for you! Join Patrick Crispen as he helps demystify the world of social media, tours some of the most popular social media sites and tools, and gives you some field-tested tips and tricks to use web-enabled and mobile technologies to extend your classroom discussions beyond the end of the school day.
by Patrick Crispen
How to develop and deliver your content strategyAnalogFolk
Click on the notes tab to see speaker notes (not available in embeds).
Creating content for the always-on lives brands now live is intrinsically different to creating advertising content. I delivered this talk at Digital Shoreditch to pull apart those differences in the processes in an effort to explain how to develop and deliver content that bridges the gap between campaigns.
The talk is a whistle stop tour of a process we've developed at AnalogFolk squeezed into 15 minutes. The media analogy to the economic concept of Stock & Flow was introduced by Robin Sloan and is one we've embraced at AnalogFolk. Thanks go out to Noah Brier for drawing attention to it in his excellent AdAge article.
Thanks go out to Matt Dyke for his oversight and the always excellent Kate Sigrist for the sexy divider charts.
"Coca Cola is no longer about creative excellence, but content excellence. Burberry is "as much a media-content company and a design company". Red Bull Media House originate feature-length films from their own film crews and music from their own studio. Facebook and Twitter no longer want media spend to sell ads, but to generate reach for content. Consumers don't want ads, they want good content.
In this talk we're going to explore how agencies can lead the content generation process from ideation to partnership to delivering and seeding content across social platforms to maintain an always-on content strategy. We will bring our strategies to life by referring to successful case studies throughout the talk.
Questions answered :
How do I create content for my clients?
How can I create low/no budget content?
How do I focus on the right platforms?
How can I deliver an always-on content calendar?
How can I improve my content-creation process from receiving the brief to delivery?"
Oportunidades y desafíos que internet brinda al sector audiovisual y al cine en particular. Presentación de Belén Bernuy, productora de Centuria Films y gerente y responsable de Audiovisual en ArteGB, dentro de las Jornadas CulturAPP de Sevilla 2015.
Mi taller interactivo en TEDx Valladolid 2015 en el que di a conocer el nombre de la agencia de innovación creativa que lanzaremos en unas semanas y trabajamos en un brief con la filosofía 'Connect and Develop'.
Slides to my seminar at DOK.Incubator workshop, which is new initiative aiming to strengthen creative documentary industry bringing new impulses in the way of film postproduction, distribution and use of the new media and internet platforms.
Social Media for the Confectionery IndustryPete Healy
How candy companies can use social media to build business, from New Product Development to retail merchandising. Presented at the 65th annual PCMA Industry Conference, April 2011.
Now more than ever, the power to tell an organization's story and share company news resides in the hands of those within the organization.
So, how do you identify those nuggets worth sharing with internal audiences and external stakeholders? And with the proliferation of social media platforms and channels, what content is best shared where? Jessica Flynn provides an overview of best practices of content curation, narration and creation with useable guidelines to help get your story told on the platform best suited for it.
The Circuit on September 24, 2009 - Breakfast BYTES
Doug Ross, Vice President and Chief Technology Officer Western & Southern Financial Group (W&S) presented this outstanding Breakfast BYTES presentation on the Enterprise Use of Twitter.
Please visit www.socialmediabootcamp.com for upcoming session dates. [cc] Feel free to use and reuse but please give credit to www.ericschwartzman.com.
This presentation is the full version of one I'm delivering several times in September 2009, and is posted here for reference. It's updated with some of our latest Mayo Clinic social media activities.
Similar to Introduction to Social Film Marketing and Distribution (20)
Im Rahmen der Mikro Konferenz zum Crowdfunder's Hub in Wien habe ich eine kleine Einführung in Crowdfunding gegeben. Der Call for Projects läuft noch: http://www.crowdfundershub.at/
http://www.movie-it.info/de/events/idm-film-jour-fixe-crowdfunding-und-film/
Immer häufiger werden Filmprojekte via Crowdfunding finanziert, egal ob Dokumentarfilme, Spielfilme oder Kurzfilme. Dabei geht es den ProduzentInnen nicht immer nur um’s Geld, sondern oftmals auch um die positiven Nebeneffekte dieser alternativen Finanzierungsform. Denn Crowdfunding ist auch ein Marketing- und Kommunikationstool und die Fans können so auf direkte Weise mit den Filmschaffenden in Interaktion treten. Für welche Produktionen aber eignet sich Crowdfunding? Was muss man als Filmschaffende/r beachten? In welcher Phase des Produktionsprozesses ist eine Crowdfunding-Kampagne sinnvoll? Und welche Plattform ist überhaupt die richtige? Diese und andere Fragen beantwortet der Crowdfunding-Experte Wolfgang Gumpelmaier-Mach in seinem Crowdfunding-Einführungsvortrag mit anschließendem Q&A. Darin klärt er über die Begrifflichkeit, die verschiedenen Crowdfunding-Arten und Crowdfunding-Plattformen auf, erzählt anhand zahlreicher Beispiele von seinen Erfahrungen mit Film-Crowdfunding-Projekten und gibt Tipps zur erfolgreichen Planung und Durchführung einer Crowdfunding-Kampagne.
REFERENT
Wolfgang Gumpelmaier Mach – ist selbstständiger Digital Media Consultant, Blogger, Autor und Vortragender und unterstützt Organisationen, KMU’s und Kreative bei der Einbindung digitaler Medien in ihre Kommunikationsstrategien. Seit 2009 beschäftigt er sich intensiv mit dem Thema Crowdfunding und hat seither über 40 Projekte beraten, betreut und mehrere eigene Projekte auf diese Weise erfolgreich finanziert. Er ist seit 2010 als Crowdfunding-Berater im deutschsprachigen Raum aktiv und begleitet angehende CrowdfunderInnen bei der Planung ihrer Kampagnen. Er betreibt das Beratungs- und Infoportal www.Crowdfunding-Service.com sowie den monatlichen Crowdfunding-Newsletter. Zudem bietet er mit der CREATIVE REGION Linz & Upper Austria eine monatliche Crowdfunding-Sprechstunde für Projekte aus der Kreativwirtschaft an. Gemeinsam mit Freunden hat er 2016 selber ein Startup gegründet und arbeitet aktuell an der Kontakt-Management App swync.
Die Stadt Linz hat im Rahmen des Crowdfunding Infoabend die neue Crowdfunding-Förderung vorgestellt. Ich habe im Rahmen des Events eine kleine Einführung gemacht. Details: http://creativeregion.org/events/crowdfunding-informationsabend-der-stadt-linz/
Crowdfunding ist eine innovative Form der Projektfinanzierung, bei der viele Menschen gemeinsam eine Idee oder ein Projekt finanziell unterstützen. In der Regel präsentieren Projektinhaber_innen ihre Ideen auf speziellen Crowdfunding-Plattformen, welche die nötige Infrastruktur bereitstellen. Auch Eltern nutzen in dieser Zeit immer häufiger diese Form der Projektfinanzierung. Ein Beispiel wäre die Anschaffung von Musikinstrumenten für einen Kindergarten in Oberösterreich.
Webinar mit Wolfgang Gumpelmaier-Mach: http://www.digi4family.at/events/event/crowdfunding-fuer-familienprojekte-webinar-40/
Einführungsvortrag im Rahmen der LSB-Arbeitstagung am 23. und 24. September 2016:
"Ideen wollen wachsen – Wie finanzieren wir unsere Projekte? Oft gibt es viele Ideen, tolle Projekt und dann die Frage „Wie lässt sich das finanzieren?“ Crowdfunding – um Projekte finanziell möglich zu machen! Die Crowd Fans, Freunde, Sportbegeisterte, Interessierte finanzieren Sportprojekte über Online Plattformen. Alles ist möglich: Beträge von 100 - 565.000 €, Trainingslager, Dokumentarfilm, Unterstützung von Leistungssportlern, Sporträume...
> Impulsvortrag von dem Crowdfunding und Social Media Experten W. Gumpelmaier. > Experten informieren und erzählen von ihren erfolgreichen Crowdfundingprojekten. > Erste Schritte zur eigenen Crowdfundingkampagne." http://www.lsb-niedersachsen.de/index.php?id=1100
Im Rahmen der ABC – AUSTRIAN BLOGGER CONFERENCE in der TABAKFABRIK LINZ halte ich einen Workshop zum Thema „Crowdfunding für Medienprojekte„. Darin gebe ich eine Einführung in das Thema Crowdfunding und zeige anhand zahlreicher Beispiele aus der Medienbranche, wie BloggerInnen und Kreative sich dem Thema annähern können.
http://crowdfunding-service.com/magazin/ankuendigung-crowdfunding-fuer-medienprojekte-bei-der-abcstar-blogger-konferenz/
Crowdfunding-Intro im Rahmen der Veranstaltung "Investition in die Zukunft - Crowdfunding und Business Angel-Netzwerke" in Linz, April 2016
http://crowdfunding-service.com/magazin/ankuendigung-investition-in-die-zukunft/
"Crowdfunding – Alternative Finanzierungsmodelle, eine Chance für Baugruppen?" - unter diesem Motto hat die Initiative für gemeinschaftliches Bauen und Wohnen am 5.April 2016 zum Praxisabend nach Wien eingeladen.
http://crowdfunding-service.com/magazin/ankuendigung-crowdfunding-alternative-finanzierungsmodelle-eine-chance-fuer-baugruppen/
Beim „Crowdfunding“ wird der notwendige Geldbetrag, der für die Realisierung eines Projekts notwendig ist, über eine größere Anzahl von Menschen über eine Internetplattform gesammelt. So kann ein für die Region nutzbringendes Projekt und dessen Durchführung direkt von einer breiten Personengruppe unterstützt werden.
http://www.vrva.at/2015/11/17/crowdfunding-workshop/
Im Rahmen des Crowdfunding-Symposiums habe ich aus meiner Praxiserfahrung als Crowdfunding-Berater gesprochen und die Nebeneffekte einer Crowdfunding-Kampagne präsentiert.
http://crowdfunding-vienna.com/
http://crowdfunding-vienna.com/
Seminar beim Presseclub OÖ in Linz, September 2015:
“Crowdfunding ist eine Community-basierte Form der Projektfinanzierung, auf die immer mehr Kreativschaffende und Startups setzen. Nicht nur ganze Magazin-Projekte werden via Crowdfunding Realität, vor allem nutzen zahlreiche JournalistInnen mittlerweile spezialisierte Plattformen wie https://correctiv.org/ oder https://writethatdown.de/, um sich etwa ausführliche Recherche-Tätigkeiten von der Crowd ermöglichen zu lassen. Welche Chancen sich dadurch für JournalistInnen und ergeben, aber auch welchen Herausforderungen sie sich stellen müssen, vermittelt Wolfgang Gumpelmaier – Social Media und Crowdfunding-Experte in diesem Seminar.”
http://www.presseclub.at/121-service/132-club-veranstaltungen/tag/2015-09-22
Einführungsvortrag von Wolfgang Gumpelmaier zum Thema Blogging im Rahmen der Social Media Seminarreihe der SFG für UnternehmerInnen in Graz im September 2015
Einführungsvortrag von Wolfgang Gumpelmaier zum Thema Social Media im Rahmen der Social Media Seminarreihe der SFG für UnternehmerInnen in Graz im September 2015
Im Rahmen der Initiative WerdeDigital.at habe ich eine kurze Einführung in das Thema Crowdfunding gegeben.
https://www.werdedigital.at/2015/05/projekte-ueber-das-internet-finanzieren-crowdfunding-im-webinar-12/
Vortrag im Rahmen der Fachtagung "Transmedia Storytelling for Kids" in der FH St. Pölten am 27.Mai 2015:
https://www.fhstp.ac.at/de/newsroom/events/transmedia-storytelling-for-kids
Beim Crowdday 2015 habe ich einen kurzen Überblick über Crowdfunding-Plattformen für Filmemacher gegeben und zahlreiche Crowdfunding-Projekte aus dem Filmbereich gezeigt.
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
Embracing GenAI - A Strategic ImperativePeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Introduction to Social Film Marketing and Distribution
1. INTRODUCTION TO SOCIAL FILM
MARKETING AND DISTRIBUTION
Wolfgang Gumpelmaier, November 2011
1
2. INTRODUCTION
Wolfgang Gumpelmaier
•Social Media Consultant
•Blogger: Social Film Marketing (german)
•Speaker, Trainer, Webinar-Host
•Social Film Marketing on Facebook
(bilingual: english/german)
2
3. WHAT IS SOCIAL MEDIA?
Wikipedia:
... are media for social interaction, using highly accessible
and scalable communication techniques.
... is the use of web-based and mobile technologies to
turn communication into interactive dialogue.
... Social media take on many different forms, including
magazines, Internet forums, weblogs, social blogs,
microblogging, wikis, podcasts, photographs or pictures,
video, rating and social bookmarking.
3
4. WHAT IS SOCIAL MEDIA?
Matias Roskos, socialnetworkingstrategien.de:
„Das Social Web ist kein Marketing-Kanal.
Das Social Web ist ein Kommunikationsraum.
Und Social Media sind die einzelnen
Bausteine im Internet, die dem Social Web
seinen technischen Rahmen geben.“
(= „The Social Web is not a marketing-channel. It‘s about
communication. And Social Media are the individual components
on the Internet that define the Social Web‘s technical frame.“)
Source: The Conversation Prism
4
5. WHAT IS SOCIAL MEDIA?
VIDEO: Social Media Revolution
Source: „Playbutton“: Iconarchive
5
7. WHY SOCIAL MEDIA?
• more visitors on your own website
• stimulate customers‘ interests
• sell more products
• customer become advertisers
(recommendation, word-of-mouth)
• broad range
• direct customer contact
• etc. Source: Social Mojo
7
8. RECENT TRENDS
• 90% of consumers trust peer
recommendation
• 50% of mobile Internet traffic in the UK
is for Facebook
• Social networks and blogs: nearly a
quarter of total time spent on the
Internet
• Nearly 40% of social media users
access social media content from their
mobile phone
• Age +55: fastest growth
Source: Nielsen Social Media
8
10. IMPORTANT TOOLS
Facebook‘s statistic:
•More than 800 million active users
•More than 50% of our active users log on to
Facebook in any given day
•Average user has 130 friends
•Average user is connected to 80 community
pages, groups and events
•More than 350 million active users currently
access Facebook through their mobile devices
10
18. IMPORTANT TOOLS
why twitter?
•quick information
•up-to-date news
•interactive communication
•networking
•influencers (journalists, blogger etc.)
•multiplicator
•targeted search
•etc. Source: #filmin140
18
19. IMPORTANT TOOLS
basic features:
•compact info •mentions (@)
•webinterface •retweets (RT)
•messages with 140 •hashtags (#)
characters •lists
•direct messages (DM) •sent
•follower/following •favorites
19
20. IMPORTANT TOOLS
TweetDeck: •pictures, videos
•filteroption
•twitter •trends + search
management
•URL-shortener
•friends + new •multiple social
followers
media accounts
•DM + mentions (facebook,
•scheduling tweets foursquare etc.)
20
21. IMPORTANT TOOLS
Wikipedia:
„A blog (...) is a type of website or part
of a website supposed to be updated
with new content from time to time.
Blogs are usually maintained by an
individual with regular entries of
commentary, descriptions of events, or
other material such as graphics or Source: Irrational Realm,
Children of srikandi
video. Entries are commonly displayed
in reverse-chronological order.“
21
22. IMPORTANT TOOLS
•launched in 2005
•2nd largest search engine
•48 hours video uploads per minute
•3 billions views every day
•800 million unique users/month
•YouTube mobile 13% of daily views
•52% of 18 to 34 year olds recommend
videos to their friends regularly
Source: google Blog
22
25. OTHER TOOLS
•business networks: Xing, LinkedIn
•photo-/videosharing: YouTube, Vimeo
•location based services: Google Places, Foursquare
•social bookmarking: Delicious, Digg
•presentations: Slideshare, Scribd, Prezi
•collaboration: DropBox, Google Docs
•etc.
25
26. TRIBES
Seth Godin:
„The point is: you can find Ukrainian
folk dancers and connect with them.
Cause you wanna be connected.“
VIDEO: Seth Godin - Tribes
26
27. LONG TAIL
Chris Anderson:
„Our culture and economy is
shifting away from a focus on a
relatively small number of
"hits" (mainstream products and
markets) at the head of the
demand curve and toward a
huge number of niches in the
tail.“
Source: The Long Tail
27
28. ON THE ONE HAND...
traditional windows:
•theatrical
•DVD
•pay-TV
•free-to-air-TV
Source: Netzpiloten
28
29. ON THE OTHER HAND...
•Home Entertainment
•Mobile Devices
•Hybrid Distribution
•Online TV, VoD, p2p
•Broadband
•3D and Digital Cinema
•Gaming Consoles & Set-Top
•Crowdsourcing & Crowdfunding
Source: Faceparty by RichardAM
29
30. ONLINE VIDEO
Source: Nielsen Source: Business Insider
Source: Nielsen
30
31. FACE THE FACTS!
People consume films
whenever, however, whereever they want!
31
32. HOW CAN I USE IT?
•Filmproduction
•Filmfinancing
•Filmmarketing
•Filmdistribution
32
64. SOCIAL MEDIA MONITORING
Source: Social Media Monitoring. Soll man es machen? (Echtzeitgeist)
64
65. SOCIAL MEDIA MONITORING
•Social Mention
•Klout
•Google Alerts
•TwitterGrader
•Platform Statistics
(Facebook, YouTube etc.)
•HyperAlert
•Bit.ly
65
66. TIPS & RESOURCES
•Find your audience
•Learn (from) Social Media
•Learn from others
•Plan your campaign
•selling your film without selling
•Start small, then grow your activites your soul (the film collaborative,
•Don‘t expect too much Sheri Candler, Jon Reiss)
•Be active
•Webdocs - Survival Guide for
•Be creative Online Filmmakers
•Be authentic
•Monitor your activities •FilmCourage
•Stay up to date Source: MySiteWay.com
•Show your expertise
•Incorporate into daily routine
66
67. THANK YOU
FOR YOUR ATTENTION!
•eMail: wolfgang@socialfilmmarketing.com
•Web: http://www.socialfilmmarketing.com
•Facebook: http://www.facebook.com/socialfilmmarketing
•Twitter: http://www.twitter.com/gumpelmaier
•Slides: http://www.slideshare.net/gumpelmaier
•Delicious: http://www.delicious.com/gumpel
67
Editor's Notes
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In contrary to Web 2.0 it focusses on the social and society aspect of the Internet and the networking between people\n\n
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SOCIAL MEDIA IS PART OF OUR DAILY LIVES! \n\nFrom PUSH to PULL: consumers shape the way they communicate with a company, a product, a film - interactive/on demand\nPush: before news were pushed to the customers, like in BANNER-Ads\n
PEOPLE USE SOCIAL MEDIA - AND THEY TALK ABOUT YOU AND YOUR PRODUCT\n\n
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660,500 Facebook users on June 30/11, 33.0% penetration rate.\n The largest age group is currently 18 - 24 with total of 686 197 users\n On the graph below you can see that the biggest gain in the last 3 months was recorded by the age group of 25 - 34.\n In second place: 18 - 24\n
The largest age group is currently 18 - 24 with total of 686 197 users\n On the graph below you can see that the biggest gain in the last 3 months was recorded by the age group of 25 - 34.\n In second place: 18 - 24\n
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300 million users 2011 WORLDWIDE\n80% mobile usage\n40% about products and services\n\n
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My OFFER: FOLLOW ME AND I‘LL CONNECT YOU\n
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GERMANY: Bewegtbilder (Internet): 68 % aller Onliner, 29 Prozent TV-Sendungen (on demand), live TV = 21 Prozent, growing: 14- bis 29-Jährigen (ARD/ZDF) \n\nOnline Video Penetration in USA, UK, France, Germany and Canada: over 80% \n69% of American adults watch or download online videos\nMUBI: 1,5 Million Users \n25% of Americans said they watched a short video on their phone\n20% of peak time donwstream internet traffic comes from Netflix (USA)\n
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The Cosmonaut etc... \n
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Foursquare Swarm Badge - cinemas at least 50 people\n\n