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Imaginopedia for Skills Building
www.SERIOUSPLAY.com
LEGO, the LEGO logo, the Knob and the Brick configurations
and SERIOUS PLAY are trademarks of the LEGO Group.
©2007 The LEGO Group. 4527560
3 Dimensions
Most people have great difficulty manipulat-
ing multi-dimensional information in their heads
- yet most complex decision-making is multi-
dimensional. 3-D modeling can be an effective
alternative.
Here are two views of the same reality.
Model the third. Imagine how long it would
take to visualize a third view in your head?
Play with a purpose
When we play with great materials (we
sometimes call them toys) we can play
even better.
Great materials allow us to construct new
ideas and new worlds, to enrich what we
make with meaning, and really get into
the stories that matter. And when we play
about something that is important, like
our business, we can enrich everyone’s
quality of life at work.
Communication is easier, social bonding
is strengthened, and increased insight,
confidence and commitment is created.
Play is the best way people have to imagine, interact, and learn, especially when they
face complex and uncertain challenges. Play frees us to take risks, to imagine the
unimaginable and to take on different roles.
Through play we can test and hone our skills, develop new insights, and prepare
ourselves for the unknown. LEGO® SERIOUS PLAY™ is a technique for deep reflection, an
effective dialogue and creative problem solving.
A valuable tool
We call this kind of play adult play, play
with great materials, and play with a
purpose – LEGO®
SERIOUS PLAY™.
LEGO SERIOUS PLAY is a deep and
lasting experience that stays with you
beyond the time you spend in a workshop.
The play process becomes a valuable tool
that you can rely on to “work” no matter
what the situation.
What comes out of LEGO® SERIOUS PLAY™?
2 3
Minifigure, a window
Your LEGO® Bricktionary
102,981,500 is the number of different ways you can combine six 8-stud bricks of the same color.
If you haven’t got that much time, you can take three 8-stud bricks – of the same color – and fit
them together in 1,600 ways. Two 8-stud bricks – of the same color – can be put together 24 ways.
Bricks Plates
Gears Axles and
connectors
Basic
Wheels, tires,
and bearings of opportunity, a flag pole… or
just Bricks.
Hinges and
turntables
Making connections, making sense, and
seeing possibilities happens best when in
a group and when linked to emotions.
What happens during
LEGO® SERIOUS PLAY™?
While you are involved in LEGO SERIOUS
PLAY, you see things differently: Ideas
come to life with more detail, and you
generate a wider and more imaginative
range of possibilities than you would
ordinarily.
People at play are more present, more
engaged, more passionate and better
performers. LEGO SERIOUS PLAY social-
ly bonds together the team that plays
together and creates a lasting atmos-
phere of imagination and trust.
LEGO SERIOUS PLAY provides a tool for
deep reflection and effective dialogue.
4 5
The process
Building in your mind and with your hands
The exercises in this Imaginopedia are
designed to take you through a three-
stage process (Constructing, Metaphors,
and Story Making) of perfecting your
skills as a story maker using a specially
designed set of LEGO®
Bricks.
We call this process Skills Building and
it has been developed to guarantee the
best possible learning experience in the
workshop.
Have fun playing seriously! Your facilitator
will guide you throughout the workshop.
They all fit together – try it!
A
B
C
D
6 7
ConstructingConstructing
Chances are, whatever job training you
had did little to prepare you for deal-
ing with completely new and constantly
changing situations. In most cases, a
formal education consists of lectures and
textbooks, which train us to follow proto-
cols and to think firmly inside the box.
Rules
• Start your construction on the biggest
base plate.
• Eventually a LEGO®
Minifigure must be
fixed at the very top of the structure.
• You may use only the elements in your
individual set of bricks.
Reach for the sky!
The world, however, is not square. To be
effective, we must learn to expect change
and see it as opportunity. For instance, a
brand new opportunity has just popped
up. You want to be the first to “reach the
top”, so build upwards as fast as you can.
Make the tallest structure you can with the
bricks. Make it as quickly as you can but
prepare for the unexpected! Wait for your
facilitator to give you the ”go” signal.
The opportunity is there on the other side.
Like all the best opportunities, you have to
Rules
• When finished it must be possible to pass
at least one hand under your bridge.
• You may use only the elements in your
individual set of bricks.
Bridge to the opportunities!
Constructing
Using your hands to build something releases thoughts and concepts that are “stuck”
in your head. Thoughts that are “built” tend to be more memorable and more easily
understood by yourself and others.
Challenge C2
The tall tower
Challenge C1
The wide bridge
Make a bridge with the widest and highest
span possible. Make it as quickly as you
can but prepare for the unexpected! Wait
for your facilitator to give the go-signal.
jump higher and wider to get to it. So how
can you get there quickly?
8 9
Meaning with metaphorsMeaning with metaphors
Metaphors are
powerful tools
that can lead us
to think about our
realities in new
ways. These might
challenge existing
assumptions and
beliefs and reveal
new possibilities.
Giving meaning with metaphors
Many of the metaphors we use in
business such as “niche” or “life-cycle”
have been borrowed from the field of
biology. For example, some businesses
could be described as “high-flying hawks”
while others could be “snakes in the
grass”. Do you know a company that is
a “lumbering dinosaur”? Can you identify
an enterprise that’s a “racehorse hitched
to a wagon with a broken wheel”? Do you
know a business that “eats people alive”?
Is that department a “money pit”? Ever
been “stuck between a rock and a hard
place”?
Open minded or
pulling in opposite
directions?
It is your meaning in the model
Eagle-eyed or
high-flying
employee?
Well protected or
tired-out?
Free thinker or
an air head?
A methodical
thinker or a
controlled mind?
Walk the talk or
talk the walk?
High-level
communication or
a fight on words?
Flower power or
cluttered
combustion?
Who is to decide
on the meaning of
a model – which
metaphor is the right
one?
We think you are!
When you built a
model, it is your
meaning that is the
‘right’ one.
Are you ready to
have a go at it?
Look at page 12 + 13 and 14 + 15.
Choose one of the models and build it
according to the instructions.
Now adapt your model – your facilitator
will provide instructions.
Now tell the other participants about your
metaphor.
Challenge M1
The Model
Step 1
Rules
• You may ask your facilitator for technical
support at any time.
• When you are finished, wait for your
facilitator to give you further instructions.
Rules
• Change, add to, or delete from the model
as you like.
• Think in terms of metaphors – feel free
to exaggerate and to be as dramatic
and passionate as you like (look at page
10 for inspiration).
• If you feel stuck let the bricks guide you
– just start building.
Remember
• The model, the metaphors, and the mean-
ing are all yours. The other participants
can ask only clarifying questions.
Challenge M1
The Model
Step 2
Challenge M1
The Model
Step 3
10 11
Model 1
Meaning with metaphors
1
Congratulations!
When you are
finished, return to
page 11 and wait for
your facilitator to
start step 2 of the
challenge.
2 3 4
5 6 7 8
12 13
Model 2
Meaning with metaphors
Congratulations!
When you are
finished, return to
page 11 and wait for
your facilitator to
start step 2 of the
challenge.
1 2 3 4
5 6 7 8
14 15
Story making
It’s not just what you say, it’s how you say it
Do you see little
guidance as a
positive thing?
Has this sort of “out
of the blue” thing
happened to you
before?
How do you usually
feel about being
given only a few
parameters?
Rules
• You have about five minutes to build.
Your facilitator will keep track of time.
• Whatever you build, build it with pas-
sion.
Build a simple model that represents some
issue you are having at work, or how you
feel about that issue. The issue could be
a person, an event, a “feeling”. The issue
might impact others or you alone.
When you have finished building, write five
words (not sentences) that capture the
essence of your model on a blank card.
Your facilitator will guide you from here.
Find the 5 bricks from picture A or B.
Then select an additional 10 bricks of
your choice – bringing the total up to 15
bricks.
Build a model – any model – using only
these bricks. Your model does not have to
look like anything from real life. In fact, it
is all up to you.
Your facilitator will guide you from here.
Story making
Challenge S2
Explain this
Challenge S1
An issue at work
A B
Unless you are lucky, you have to be care-
ful about “telling it like it is” to the powers
that be – especially in times of crisis. In
some organizations you could lose your
job for speaking your mind. In some
countries you could lose your life. But
storytelling has always been a respected
vehicle for speaking the truth without fear
of retaliation. It’s the way it was done in
ancient courts by the court jester; it was
done in primitive cultures by the medicine
man; and it happens today in vital board-
rooms around the world. There is power in
story making. Use it.
16 17
Imagination
Descriptive Imagination
Typicallyusedtobringtomind(ordescribe)
the complex and confusing world “out
there”, this kind of imagination is used
all the time in business. A value chain,
2-by-2 matrices, flow-charts and similar
models that utilize repeating patterns, or
show similar things in different ways, are
examples of Descriptive Imagination.
Creative Imagination
The Creative Imagination is about evoking
trulynewpossibilitiesfromthecombination,
recombination or transformation of things
or concepts. The inherent trap of the
Creative Imagination is fantasy. Fantasy
is the domain of the impossible, whereas
imagination is about possible realities,
and even the making of reality.
Challenging Imagination
It is with the Challenging Imagination
that we negate, defame, contradict and
even destroy the sense of progress that
comes from descriptions and creativity.
Some methods include deconstruction
and sarcasm. It might require throwing
away and starting all over. The inherent
risk of the Challenging Imagination is to
come up empty handed.
Three kinds of imagination
Humans have it. Animals don’t. It is the unique ability to think about what has not yet
been – but could be. Imagination is THE resource that allows us to explore and test new
possible realities.
With which style of Imagination do you feel most comfortable?
Which companies would you guess use each of the three different
types of Imagination?
Story making
Story making lets you imagine and
describe what might happen before it
actually does. Making stories about your
LEGO® model allows you to test what
could happen in real life, in real time, and
produce knowledge that could impact
future action. However well we think we
have prepared for the unexpected, we can
still only prepare for what we already know.
Can you remember
the last time you told
a story?
Are outdated stories
still being told at
your place?
Have you ever used
a story to tell the
truth?
Rules
• You have about ten minutes to build. Your
facilitator will keep track of time.
• It is OK to exaggerate and to build with
humor.
• Your facilitator will guide you from here.
Make up a story about “The Manager from
Hell”. Build a model to help you explain the
characteristics of this person. What traits
do you think characterizes this monster
and what does it look like? It might be a
good idea NOT to have a specific person
in mind.
Rules
• You have about ten minutes to build. Your
facilitator will keep track of time.
• It is OK to exaggerate and to build with
humor.
• Your facilitator will guide you from here.
Make up a story about the ideal employ-
ee. Build a model to help you explain the
traits and abilities of this. What do you
think characterizes the perfect candidate
and how can you show it?
Challenge S2
A monstrous story
Challenge S4
The perfect candidate
Making stories about a potential future
18 19
Imagination
Jones’ Go-Carts
You are an employee at the renowned
toy company Jones’ Go-Carts situated in
Orlando, Florida. Jones’ Go-Carts have been
manufacturing premium quality go-carts and
As a member of the product development
team you are co-responsible for coming
up with prototypes for next year’s prod-
ucts. You and the rest of the team are just
about to have the decisive meeting before
presenting your ideas to Mr. Jones.
Build a model of a go-cart for kids that
you think will be next year’s big seller. The
competition is closing in on Jones’ Go-
Carts so you better do well if the company
is to stay in the lead.
Mr. Jones will visit the team in a few
minutes. He will decide which prototype
to put into production so you better be
ready to deliver a short but engaged sales
pitch explaining the features and benefits
of your model.
Rules
• You can only use the elements in your
Inventory.
• You have two minutes to build.
• You have one minute to sell your idea to
Mr. Jones.
Next year: The go-carts we manufactured
last year still work just fine so we could
go on making them the same but a lit-
tle different. But there are so many other
directions to explore. Do we always want
to make go-carts? Could there be more
exciting ways to move kids? Is there a
market for that? How far can we push it?
Build a model of a product intended for
the market of “fun movement for kids”.
Again, Mr. Jones will pay you a visit –
in fact he’s already on his way – and he
will be looking for imaginative ideas of
pushing the product portfolio into this new
market segment. Be ready to explain why
your idea is just the thing.
Rules
• The same as last year.
Most of us feel very uncomfortable throw-
ing out everything and starting all over
again. Usually we’ve made a considerable
investment in getting where we are. Mr.
Jones feels that the current line of busi-
ness no longer takes the company where
it should and could go. Maybe it’s time to
rethink everything?
Build a prototype of “any product that will
help the company stay on top”.
At his familiar annual visit, Mr. Jones will
be expecting something totally out of the
box. Are you up for the challenge?
Rules
• The same as every year.
Your inventory
Collect these bricks from your own
set and put the remaining bricks
back in the box.
soap box racers for kids since 1902! The
company is headed by 3rd generation Mr.
Jones who has managed to keep the com-
pany in a market leading position – so far.
Challenge i1
Inside the soap box
Challenge i2
Push the cart further
Challenge i3
Get out off your soapbox
20 21
Even when you can’t plan it, you can
build it
When an idea gets stuck between the
head and the hand, it helps to play it out.
Play can be a context in which risks can
be taken without risk, in which the un-
imaginable can be imagined without fear,
and in which the unattainable can be rea-
lized without hesitation.
When you make something using your
hands, an extremely complicated pro-
cess takes over that endows the experi-
ence with a powerful emotional charge.
Research shows that people are changed
significantly and irreversibly when move-
ment, thought, and feeling fuse during
the active, long-term pursuit of personal
goals. Human beings are just wired that
way.
Learning goes much deeper when you
have a hand in it. Building with your hands
is one of the best ways of stimulating
imagination. It allows you to bring your
intuition from all your experiences and
your analyses into something concrete
– something you can play with. When you
build in the world, you build in your mind.
Your brain has a mind of its own
Our minds have enormous untapped
potential that we need to learn how to use.
It is a fact that our brains contain approxi-
mately 10,000 billion neurons that can be
combined in more ways than there are
atoms in the known universe. Yet we are
only capable of being conscious of about
seven things at any one time. Although
brain cells are highly specialized, they still
function according to the laws that govern
any other cells.
The brain knows it must organize infor-
mation in order for the organism to sur-
vive. When there is a dramatic change
in the organism’s environment, the brain
recognizes that it must change or die.
The learning organism
Business is also a living organism. It
exists in a living, changing environment.
Even though it is highly specialized, it too
must function according to the laws that
govern other businesses. To cope with
a volatile world market, today’s business
“organism” must develop the capacity to
shift and change, as well as adopt new
skills and attitudes. In short, the business
organism must “learn”. The business that
“learns” best wins. Too much instruction
kills the desire to experiment. Research
has shown that people learn the main
ideas more effectively from summaries of
textbook chapters than from reading the
chapters themselves.
Give your brain a hand
A strategic toolConclusions
LEGO®
SERIOUS PLAY™ is a facilitated proc-
ess delivered by a network of certified LEGO
SERIOUS PLAY partners.
Through the Real Time Strategy program, you
construct your Identity, learn to heed your busi-
ness Landscape, and uncover the few Simple
Guiding Principles that reflect your organiza-
tion’s mindset and core values. These principles
becomeastrategictoolagainstwhichallactions,
big or small, can be continuously tested.
When a particularly challenging or critical issue
appears on your business landscape — and a
Beast like that is always just around the corner
– Real Time Strategy enables you to make the right
decisions in the face of intention and emergence.
Real Time Strategy for the TEAM and Real Time
Identity for YOU enables you to heed whom you
are, as a team or as an individual, and become
more aware of how you operate in your job
Landscape. Through this experience you can
better appreciate the value and the possibilities
you bring to the team and the company.
A deep and shared awareness of yourself and
your relationship to others enriches everyone’s
experience at work and generates an atmosphere
of increased insight, commitment and trust.
How can you apply LEGO® SERIOUS PLAY™ to business?
Selected Readings
Fein, G. “Pretend Play: Creativity and
Consciousness.” In Görlitz, D. and J.F
Wohlwill. (eds.) Curiosity, Imagination and
Play. Hillside, NJ: Lawrence Erlbaum. 1987.
Harel, I. and Seymour Papert. (eds.)
Constructionism. Norwood, NJ: Ablex
Publishing Corporation. 1991.
Ortony. A. (ed.). Metaphor and Thought.
(2nd. Edition). Cambridge, UK: Cambridge
University Press. 1993.
Reiber, L. “Seriously Considering Play.”
ETR & D 44.2 (1996): 43-58.
Roos, J. and Bart Victor. “Towards a New
Model of Strategy-Making as Serious
Play.” European Management Journal 17.4
(August 1999): 348-355.
Pink, Daniel H. “A Whole New Mind”,
Riverhead Books. 2005
Gauntlett, David. “Creative Explorations: New
Approaches to Identities and Audiences”,
Routledge; New Ed edition. 2007.
22 23

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Imaginopedia for Skills Building by LEGO Group

  • 1. Imaginopedia for Skills Building www.SERIOUSPLAY.com LEGO, the LEGO logo, the Knob and the Brick configurations and SERIOUS PLAY are trademarks of the LEGO Group. ©2007 The LEGO Group. 4527560 3 Dimensions Most people have great difficulty manipulat- ing multi-dimensional information in their heads - yet most complex decision-making is multi- dimensional. 3-D modeling can be an effective alternative. Here are two views of the same reality. Model the third. Imagine how long it would take to visualize a third view in your head?
  • 2. Play with a purpose When we play with great materials (we sometimes call them toys) we can play even better. Great materials allow us to construct new ideas and new worlds, to enrich what we make with meaning, and really get into the stories that matter. And when we play about something that is important, like our business, we can enrich everyone’s quality of life at work. Communication is easier, social bonding is strengthened, and increased insight, confidence and commitment is created. Play is the best way people have to imagine, interact, and learn, especially when they face complex and uncertain challenges. Play frees us to take risks, to imagine the unimaginable and to take on different roles. Through play we can test and hone our skills, develop new insights, and prepare ourselves for the unknown. LEGO® SERIOUS PLAY™ is a technique for deep reflection, an effective dialogue and creative problem solving. A valuable tool We call this kind of play adult play, play with great materials, and play with a purpose – LEGO® SERIOUS PLAY™. LEGO SERIOUS PLAY is a deep and lasting experience that stays with you beyond the time you spend in a workshop. The play process becomes a valuable tool that you can rely on to “work” no matter what the situation. What comes out of LEGO® SERIOUS PLAY™? 2 3
  • 3. Minifigure, a window Your LEGO® Bricktionary 102,981,500 is the number of different ways you can combine six 8-stud bricks of the same color. If you haven’t got that much time, you can take three 8-stud bricks – of the same color – and fit them together in 1,600 ways. Two 8-stud bricks – of the same color – can be put together 24 ways. Bricks Plates Gears Axles and connectors Basic Wheels, tires, and bearings of opportunity, a flag pole… or just Bricks. Hinges and turntables Making connections, making sense, and seeing possibilities happens best when in a group and when linked to emotions. What happens during LEGO® SERIOUS PLAY™? While you are involved in LEGO SERIOUS PLAY, you see things differently: Ideas come to life with more detail, and you generate a wider and more imaginative range of possibilities than you would ordinarily. People at play are more present, more engaged, more passionate and better performers. LEGO SERIOUS PLAY social- ly bonds together the team that plays together and creates a lasting atmos- phere of imagination and trust. LEGO SERIOUS PLAY provides a tool for deep reflection and effective dialogue. 4 5
  • 4. The process Building in your mind and with your hands The exercises in this Imaginopedia are designed to take you through a three- stage process (Constructing, Metaphors, and Story Making) of perfecting your skills as a story maker using a specially designed set of LEGO® Bricks. We call this process Skills Building and it has been developed to guarantee the best possible learning experience in the workshop. Have fun playing seriously! Your facilitator will guide you throughout the workshop. They all fit together – try it! A B C D 6 7
  • 5. ConstructingConstructing Chances are, whatever job training you had did little to prepare you for deal- ing with completely new and constantly changing situations. In most cases, a formal education consists of lectures and textbooks, which train us to follow proto- cols and to think firmly inside the box. Rules • Start your construction on the biggest base plate. • Eventually a LEGO® Minifigure must be fixed at the very top of the structure. • You may use only the elements in your individual set of bricks. Reach for the sky! The world, however, is not square. To be effective, we must learn to expect change and see it as opportunity. For instance, a brand new opportunity has just popped up. You want to be the first to “reach the top”, so build upwards as fast as you can. Make the tallest structure you can with the bricks. Make it as quickly as you can but prepare for the unexpected! Wait for your facilitator to give you the ”go” signal. The opportunity is there on the other side. Like all the best opportunities, you have to Rules • When finished it must be possible to pass at least one hand under your bridge. • You may use only the elements in your individual set of bricks. Bridge to the opportunities! Constructing Using your hands to build something releases thoughts and concepts that are “stuck” in your head. Thoughts that are “built” tend to be more memorable and more easily understood by yourself and others. Challenge C2 The tall tower Challenge C1 The wide bridge Make a bridge with the widest and highest span possible. Make it as quickly as you can but prepare for the unexpected! Wait for your facilitator to give the go-signal. jump higher and wider to get to it. So how can you get there quickly? 8 9
  • 6. Meaning with metaphorsMeaning with metaphors Metaphors are powerful tools that can lead us to think about our realities in new ways. These might challenge existing assumptions and beliefs and reveal new possibilities. Giving meaning with metaphors Many of the metaphors we use in business such as “niche” or “life-cycle” have been borrowed from the field of biology. For example, some businesses could be described as “high-flying hawks” while others could be “snakes in the grass”. Do you know a company that is a “lumbering dinosaur”? Can you identify an enterprise that’s a “racehorse hitched to a wagon with a broken wheel”? Do you know a business that “eats people alive”? Is that department a “money pit”? Ever been “stuck between a rock and a hard place”? Open minded or pulling in opposite directions? It is your meaning in the model Eagle-eyed or high-flying employee? Well protected or tired-out? Free thinker or an air head? A methodical thinker or a controlled mind? Walk the talk or talk the walk? High-level communication or a fight on words? Flower power or cluttered combustion? Who is to decide on the meaning of a model – which metaphor is the right one? We think you are! When you built a model, it is your meaning that is the ‘right’ one. Are you ready to have a go at it? Look at page 12 + 13 and 14 + 15. Choose one of the models and build it according to the instructions. Now adapt your model – your facilitator will provide instructions. Now tell the other participants about your metaphor. Challenge M1 The Model Step 1 Rules • You may ask your facilitator for technical support at any time. • When you are finished, wait for your facilitator to give you further instructions. Rules • Change, add to, or delete from the model as you like. • Think in terms of metaphors – feel free to exaggerate and to be as dramatic and passionate as you like (look at page 10 for inspiration). • If you feel stuck let the bricks guide you – just start building. Remember • The model, the metaphors, and the mean- ing are all yours. The other participants can ask only clarifying questions. Challenge M1 The Model Step 2 Challenge M1 The Model Step 3 10 11
  • 7. Model 1 Meaning with metaphors 1 Congratulations! When you are finished, return to page 11 and wait for your facilitator to start step 2 of the challenge. 2 3 4 5 6 7 8 12 13
  • 8. Model 2 Meaning with metaphors Congratulations! When you are finished, return to page 11 and wait for your facilitator to start step 2 of the challenge. 1 2 3 4 5 6 7 8 14 15
  • 9. Story making It’s not just what you say, it’s how you say it Do you see little guidance as a positive thing? Has this sort of “out of the blue” thing happened to you before? How do you usually feel about being given only a few parameters? Rules • You have about five minutes to build. Your facilitator will keep track of time. • Whatever you build, build it with pas- sion. Build a simple model that represents some issue you are having at work, or how you feel about that issue. The issue could be a person, an event, a “feeling”. The issue might impact others or you alone. When you have finished building, write five words (not sentences) that capture the essence of your model on a blank card. Your facilitator will guide you from here. Find the 5 bricks from picture A or B. Then select an additional 10 bricks of your choice – bringing the total up to 15 bricks. Build a model – any model – using only these bricks. Your model does not have to look like anything from real life. In fact, it is all up to you. Your facilitator will guide you from here. Story making Challenge S2 Explain this Challenge S1 An issue at work A B Unless you are lucky, you have to be care- ful about “telling it like it is” to the powers that be – especially in times of crisis. In some organizations you could lose your job for speaking your mind. In some countries you could lose your life. But storytelling has always been a respected vehicle for speaking the truth without fear of retaliation. It’s the way it was done in ancient courts by the court jester; it was done in primitive cultures by the medicine man; and it happens today in vital board- rooms around the world. There is power in story making. Use it. 16 17
  • 10. Imagination Descriptive Imagination Typicallyusedtobringtomind(ordescribe) the complex and confusing world “out there”, this kind of imagination is used all the time in business. A value chain, 2-by-2 matrices, flow-charts and similar models that utilize repeating patterns, or show similar things in different ways, are examples of Descriptive Imagination. Creative Imagination The Creative Imagination is about evoking trulynewpossibilitiesfromthecombination, recombination or transformation of things or concepts. The inherent trap of the Creative Imagination is fantasy. Fantasy is the domain of the impossible, whereas imagination is about possible realities, and even the making of reality. Challenging Imagination It is with the Challenging Imagination that we negate, defame, contradict and even destroy the sense of progress that comes from descriptions and creativity. Some methods include deconstruction and sarcasm. It might require throwing away and starting all over. The inherent risk of the Challenging Imagination is to come up empty handed. Three kinds of imagination Humans have it. Animals don’t. It is the unique ability to think about what has not yet been – but could be. Imagination is THE resource that allows us to explore and test new possible realities. With which style of Imagination do you feel most comfortable? Which companies would you guess use each of the three different types of Imagination? Story making Story making lets you imagine and describe what might happen before it actually does. Making stories about your LEGO® model allows you to test what could happen in real life, in real time, and produce knowledge that could impact future action. However well we think we have prepared for the unexpected, we can still only prepare for what we already know. Can you remember the last time you told a story? Are outdated stories still being told at your place? Have you ever used a story to tell the truth? Rules • You have about ten minutes to build. Your facilitator will keep track of time. • It is OK to exaggerate and to build with humor. • Your facilitator will guide you from here. Make up a story about “The Manager from Hell”. Build a model to help you explain the characteristics of this person. What traits do you think characterizes this monster and what does it look like? It might be a good idea NOT to have a specific person in mind. Rules • You have about ten minutes to build. Your facilitator will keep track of time. • It is OK to exaggerate and to build with humor. • Your facilitator will guide you from here. Make up a story about the ideal employ- ee. Build a model to help you explain the traits and abilities of this. What do you think characterizes the perfect candidate and how can you show it? Challenge S2 A monstrous story Challenge S4 The perfect candidate Making stories about a potential future 18 19
  • 11. Imagination Jones’ Go-Carts You are an employee at the renowned toy company Jones’ Go-Carts situated in Orlando, Florida. Jones’ Go-Carts have been manufacturing premium quality go-carts and As a member of the product development team you are co-responsible for coming up with prototypes for next year’s prod- ucts. You and the rest of the team are just about to have the decisive meeting before presenting your ideas to Mr. Jones. Build a model of a go-cart for kids that you think will be next year’s big seller. The competition is closing in on Jones’ Go- Carts so you better do well if the company is to stay in the lead. Mr. Jones will visit the team in a few minutes. He will decide which prototype to put into production so you better be ready to deliver a short but engaged sales pitch explaining the features and benefits of your model. Rules • You can only use the elements in your Inventory. • You have two minutes to build. • You have one minute to sell your idea to Mr. Jones. Next year: The go-carts we manufactured last year still work just fine so we could go on making them the same but a lit- tle different. But there are so many other directions to explore. Do we always want to make go-carts? Could there be more exciting ways to move kids? Is there a market for that? How far can we push it? Build a model of a product intended for the market of “fun movement for kids”. Again, Mr. Jones will pay you a visit – in fact he’s already on his way – and he will be looking for imaginative ideas of pushing the product portfolio into this new market segment. Be ready to explain why your idea is just the thing. Rules • The same as last year. Most of us feel very uncomfortable throw- ing out everything and starting all over again. Usually we’ve made a considerable investment in getting where we are. Mr. Jones feels that the current line of busi- ness no longer takes the company where it should and could go. Maybe it’s time to rethink everything? Build a prototype of “any product that will help the company stay on top”. At his familiar annual visit, Mr. Jones will be expecting something totally out of the box. Are you up for the challenge? Rules • The same as every year. Your inventory Collect these bricks from your own set and put the remaining bricks back in the box. soap box racers for kids since 1902! The company is headed by 3rd generation Mr. Jones who has managed to keep the com- pany in a market leading position – so far. Challenge i1 Inside the soap box Challenge i2 Push the cart further Challenge i3 Get out off your soapbox 20 21
  • 12. Even when you can’t plan it, you can build it When an idea gets stuck between the head and the hand, it helps to play it out. Play can be a context in which risks can be taken without risk, in which the un- imaginable can be imagined without fear, and in which the unattainable can be rea- lized without hesitation. When you make something using your hands, an extremely complicated pro- cess takes over that endows the experi- ence with a powerful emotional charge. Research shows that people are changed significantly and irreversibly when move- ment, thought, and feeling fuse during the active, long-term pursuit of personal goals. Human beings are just wired that way. Learning goes much deeper when you have a hand in it. Building with your hands is one of the best ways of stimulating imagination. It allows you to bring your intuition from all your experiences and your analyses into something concrete – something you can play with. When you build in the world, you build in your mind. Your brain has a mind of its own Our minds have enormous untapped potential that we need to learn how to use. It is a fact that our brains contain approxi- mately 10,000 billion neurons that can be combined in more ways than there are atoms in the known universe. Yet we are only capable of being conscious of about seven things at any one time. Although brain cells are highly specialized, they still function according to the laws that govern any other cells. The brain knows it must organize infor- mation in order for the organism to sur- vive. When there is a dramatic change in the organism’s environment, the brain recognizes that it must change or die. The learning organism Business is also a living organism. It exists in a living, changing environment. Even though it is highly specialized, it too must function according to the laws that govern other businesses. To cope with a volatile world market, today’s business “organism” must develop the capacity to shift and change, as well as adopt new skills and attitudes. In short, the business organism must “learn”. The business that “learns” best wins. Too much instruction kills the desire to experiment. Research has shown that people learn the main ideas more effectively from summaries of textbook chapters than from reading the chapters themselves. Give your brain a hand A strategic toolConclusions LEGO® SERIOUS PLAY™ is a facilitated proc- ess delivered by a network of certified LEGO SERIOUS PLAY partners. Through the Real Time Strategy program, you construct your Identity, learn to heed your busi- ness Landscape, and uncover the few Simple Guiding Principles that reflect your organiza- tion’s mindset and core values. These principles becomeastrategictoolagainstwhichallactions, big or small, can be continuously tested. When a particularly challenging or critical issue appears on your business landscape — and a Beast like that is always just around the corner – Real Time Strategy enables you to make the right decisions in the face of intention and emergence. Real Time Strategy for the TEAM and Real Time Identity for YOU enables you to heed whom you are, as a team or as an individual, and become more aware of how you operate in your job Landscape. Through this experience you can better appreciate the value and the possibilities you bring to the team and the company. A deep and shared awareness of yourself and your relationship to others enriches everyone’s experience at work and generates an atmosphere of increased insight, commitment and trust. How can you apply LEGO® SERIOUS PLAY™ to business? Selected Readings Fein, G. “Pretend Play: Creativity and Consciousness.” In Görlitz, D. and J.F Wohlwill. (eds.) Curiosity, Imagination and Play. Hillside, NJ: Lawrence Erlbaum. 1987. Harel, I. and Seymour Papert. (eds.) Constructionism. Norwood, NJ: Ablex Publishing Corporation. 1991. Ortony. A. (ed.). Metaphor and Thought. (2nd. Edition). Cambridge, UK: Cambridge University Press. 1993. Reiber, L. “Seriously Considering Play.” ETR & D 44.2 (1996): 43-58. Roos, J. and Bart Victor. “Towards a New Model of Strategy-Making as Serious Play.” European Management Journal 17.4 (August 1999): 348-355. Pink, Daniel H. “A Whole New Mind”, Riverhead Books. 2005 Gauntlett, David. “Creative Explorations: New Approaches to Identities and Audiences”, Routledge; New Ed edition. 2007. 22 23