The document summarizes the architectural documentation of Vivekanandar Illam, a historical building in Chennai, India. It thanks those involved in the documentation process and provides background information on the building. Originally constructed in 1842 as an ice house, it was later renovated and hosted Swami Vivekananda. The documentation describes the building's design evolution, floor plans, sections, architectural details, construction techniques, and includes historical information and photographs.
Street Design Workshop
Council of Architecture Training & Research centre, Pune
29.06.18
Case: Fergusson College Road, Pune
(FC college junction to Lalit mahal chowk)
Team: Sandeep Paul, Maitri Shah, Taha Padrawala ,Praveen Suthar
Mentors: Darpana Athale, Rahul Kadam, Jayshree Deshpande, Prasanna Desai, Rajiv Raje and Khushru Irani
Bharat Bhavan is a cultural center located on a plateau near a lake. It contains various spaces like a museum, green room, amphitheater, indoor theater, restaurant, auditorium, store, workshop, and offices. The building is designed with simple yet interesting shapes and an auditorium with a skylight. It has free-flowing circulation to avoid crowding and open courtyards connecting indoor and outdoor spaces. Landscaping features grass-covered roofs and incorporates the adjacent lake into its design.
The document discusses the architecture of Mumbai (formerly Bombay), India from the colonial era to present. It summarizes the key architectural styles that influenced Mumbai's buildings - Gothic, Victorian, and Indo-Saracenic. Some notable examples of buildings highlighted include Chhatrapati Shivaji Maharaj Terminus (formerly Victoria Terminus), known for its blend of Victorian Gothic and Indian styles; Watson's Hotel, one of India's oldest cast iron buildings; the Gateway of India, a monument built in the Indo-Saracenic style; and the iconic Taj Mahal Palace Hotel, known for its domes and blending of Islamic and Indian architecture. Overall, the document shows how Mumbai's architecture was shaped
Charles Correa was an Indian architect known for his sustainable designs and principles of incrementality, identity, and pluralism. He designed numerous buildings across India in various styles, incorporating local materials and vernacular elements while bringing a modern sensibility. Some of his most notable works included the Ismaili Centre in Toronto, the Gandhi Smarak Sangrahalaya in Ahmedabad, and the Leela Kovalam resort in Kerala.
Vernacular architecture refers to structures built by local people using traditional designs and materials from their region. Indian vernacular architecture can be classified into kachcha, pukka, and semi-pukka based on the materials used. Kachcha uses natural materials like mud and grass that require maintenance, while pukka uses durable materials like stone and brick. Semi-pukka combines both styles. Vernacular architecture can be studied through functional, ethnographic, sociological, geographic, and anthropological approaches. Key features of Kerala vernacular include dimensional standardization in temple construction and influences from temple architecture on domestic designs that evolved based on climate and available materials.
The Aranya Low-Cost Housing project in Indore, India provided serviced housing plots and infrastructure for 6,500 low-income families. The project was led by architect Balkrishna Doshi and included mixed income neighborhoods organized around a central spine. It featured a hierarchy of pedestrian-prioritized roads and distributed open spaces to improve accessibility. Climate-responsive design like north-south orientation and shared walls minimized solar heat gain. The "site and service" approach provided basic infrastructure like water, sewer, and electricity to allow residents to construct homes appropriate to their needs.
Fatehpur Sikri was founded by Emperor Akbar in honor of the saint Shaikh Salim Chishti, who blessed Akbar with three sons. The city was planned as the new capital of the Mughal Empire, featuring impressive red sandstone architecture blending Hindu and Islamic styles. However, it was abandoned just 14 years later when the water supply ran dry. Today it remains remarkably preserved as an open air museum, a ghost city reflecting its former glory as the center of Mughal power and culture.
Street Design Workshop
Council of Architecture Training & Research centre, Pune
29.06.18
Case: Fergusson College Road, Pune
(FC college junction to Lalit mahal chowk)
Team: Sandeep Paul, Maitri Shah, Taha Padrawala ,Praveen Suthar
Mentors: Darpana Athale, Rahul Kadam, Jayshree Deshpande, Prasanna Desai, Rajiv Raje and Khushru Irani
Bharat Bhavan is a cultural center located on a plateau near a lake. It contains various spaces like a museum, green room, amphitheater, indoor theater, restaurant, auditorium, store, workshop, and offices. The building is designed with simple yet interesting shapes and an auditorium with a skylight. It has free-flowing circulation to avoid crowding and open courtyards connecting indoor and outdoor spaces. Landscaping features grass-covered roofs and incorporates the adjacent lake into its design.
The document discusses the architecture of Mumbai (formerly Bombay), India from the colonial era to present. It summarizes the key architectural styles that influenced Mumbai's buildings - Gothic, Victorian, and Indo-Saracenic. Some notable examples of buildings highlighted include Chhatrapati Shivaji Maharaj Terminus (formerly Victoria Terminus), known for its blend of Victorian Gothic and Indian styles; Watson's Hotel, one of India's oldest cast iron buildings; the Gateway of India, a monument built in the Indo-Saracenic style; and the iconic Taj Mahal Palace Hotel, known for its domes and blending of Islamic and Indian architecture. Overall, the document shows how Mumbai's architecture was shaped
Charles Correa was an Indian architect known for his sustainable designs and principles of incrementality, identity, and pluralism. He designed numerous buildings across India in various styles, incorporating local materials and vernacular elements while bringing a modern sensibility. Some of his most notable works included the Ismaili Centre in Toronto, the Gandhi Smarak Sangrahalaya in Ahmedabad, and the Leela Kovalam resort in Kerala.
Vernacular architecture refers to structures built by local people using traditional designs and materials from their region. Indian vernacular architecture can be classified into kachcha, pukka, and semi-pukka based on the materials used. Kachcha uses natural materials like mud and grass that require maintenance, while pukka uses durable materials like stone and brick. Semi-pukka combines both styles. Vernacular architecture can be studied through functional, ethnographic, sociological, geographic, and anthropological approaches. Key features of Kerala vernacular include dimensional standardization in temple construction and influences from temple architecture on domestic designs that evolved based on climate and available materials.
The Aranya Low-Cost Housing project in Indore, India provided serviced housing plots and infrastructure for 6,500 low-income families. The project was led by architect Balkrishna Doshi and included mixed income neighborhoods organized around a central spine. It featured a hierarchy of pedestrian-prioritized roads and distributed open spaces to improve accessibility. Climate-responsive design like north-south orientation and shared walls minimized solar heat gain. The "site and service" approach provided basic infrastructure like water, sewer, and electricity to allow residents to construct homes appropriate to their needs.
Fatehpur Sikri was founded by Emperor Akbar in honor of the saint Shaikh Salim Chishti, who blessed Akbar with three sons. The city was planned as the new capital of the Mughal Empire, featuring impressive red sandstone architecture blending Hindu and Islamic styles. However, it was abandoned just 14 years later when the water supply ran dry. Today it remains remarkably preserved as an open air museum, a ghost city reflecting its former glory as the center of Mughal power and culture.
This document provides information about the Chennai Mofussil Bus Terminus (CMBT) in Chennai, India. Some key details include:
- The CMBT services 2.5 lakh passengers daily across 3000 buses with a built up area of 17,840 sqm on a 14.5 hectare site.
- It has facilities such as a maintenance shed, fuel filling station, crew rest rooms, shops, ATMs, and a free emergency clinic.
- The terminus consists of 3 fingers that can hold 60 buses each, with entry/exit points clearly demarcated for buses, vehicles and pedestrians.
Development of colonial architecture in indiaRohit Surekh
Development of Colonial architecture in India – Dutch, Portuguese, French and British architectural influences in India: merging of local architecture with various Colonial styles
Virasat - E - Khalsa memorial and heritage complex.KARTIK PARIHAR
The document provides information about Virasat-e-Khalsa, a cultural center and museum located in Anandpur Sahib, Punjab, India. It was designed by architect Moshe Safdie to showcase Punjab's rich cultural heritage and history. The museum complex consists of three main blocks - Complex A contains a library and auditorium, Complex B has a pedestrian bridge and cafeteria, and Complex C houses permanent exhibit galleries and a multimedia gallery to celebrate 500 years of Sikh history. The 75-acre complex cost 224 crores to build and aims to promote Sikh culture and arts to visitors.
The Akshardham mandir in New Delhi is a large Hindu temple that honors God. It reaches 141 feet tall and spans over 300 feet wide and long. Inside, each carved pillar and dome tells a story from Hindu scriptures or the life of Bhagwan Swaminarayan. The inner sanctum houses murtis of Bhagwan Swaminarayan and his gurus. The Musical Fountain feature is India's largest step well with over 2,800 steps and 108 shrines surrounding a lotus-shaped fire pit. It presents a nightly musical fountain show representing the circle of life.
Louis Kahn was an American architect born in 1901 in Estonia and immigrated to the United States as a child. Some of his most notable works include the Salk Institute, Exeter Library, and the National Assembly Building in Bangladesh. The document discusses Kahn's design of the Indian Institute of Management campus in Ahmedabad, India from 1963, noting its use of brick walls and concrete slabs. It provides details on the layout and design of the library, classrooms, dormitories, and other buildings within the complex. The document also briefly mentions Kahn's National Assembly Building in Bangladesh.
Sarais were rest stops built along trade routes in the Mughal Empire. They provided shelter, food, and protection for merchants and travelers. Sarais were uniformly designed with small rooms in the outer walls, a central courtyard, a mosque, and a garrison for protection. They showcased the rich architectural style of the Mughal period, with features like arched entrances, vaulted ceilings, and ornate decorations. This particular Sarai located in Haridwar, India, dating back to 1903, still retains many of its original architectural elements and serves as a Dharamshala or rest house.
This document summarizes the Experimental Housing Project (PREVI) built in Lima, Peru between 1969-1973. The project comprised 1500 row houses on 40 hectares of land for low-income families. It used an open design approach with 24 different house designs and construction methods. The goal was to regulate the uncontrolled urban growth. The flexible and adaptable housing units allowed residents to modify and expand their homes over time. PREVI became a dense but diverse community where residents from different social classes chose to stay. It served as a model for integrating top-down planning with informal growth.
The document discusses the Virasat-e-Khalsa museum in Anandpur Sahib, India. It is located in the foothills of the Shivalik mountains and celebrates 500 years of Sikh history. The museum design references the Five Virtues of the Sikh faith through its arrangement of galleries. It uses local sandstone and stainless steel roofs to evoke Sikh fortresses. The complex consists of two buildings connected by a 540-foot bridge crossing reflecting pools, with one building housing exhibitions and the other archives, auditorium, and library.
Chettinad architecture is known for the opulent mansions built by the prosperous Chettiar trading community in the Chettinad region of Tamil Nadu between 1850-1940. The mansions had a grid-like layout centered around a courtyard, with rooms arranged around it. They were built with local materials like bricks, tiles, and lime plaster and incorporated design elements from the Chettiars' foreign travels. The architecture was well-suited to the hot, dry climate, using techniques like thick walls, courtyards, verandas, and roofs to keep interiors cool.
This document summarizes the architectural styles of buildings constructed during the Later Mughal period in northern India after the decline of the Mughal Empire. It discusses the hybrid Indo-Saracenic style that emerged, influenced by both Mughal and European designs. Specific buildings mentioned include the Chattar Manzil palace in Lucknow, known for its umbrella-shaped dome, and the Khursheed Manzil palace, resembling an English castle with its central dome, octagonal towers, and battlements. Other notable gardens and palaces from this period discussed are the Alam Bagh, Wilayati Bagh, Moosa Bagh, and the many structures within the Kesar Bagh complex in Lucknow
Charles Correa designed the Sabarmati Ashram Museum in Ahmedabad, India to follow the principles of Mahatma Gandhi. The museum buildings are arranged in a casual meandering pattern around a central courtyard, with five rooms used to display important artifacts. Correa used local materials like brick, wood, and tile and a simple post-and-beam structure to house the collection in a way that maintained light, ventilation, and connection to the outdoors as per Gandhi's wishes. The design and placement of buildings within the site also aligns with principles of ancient Indian architecture like Vaastu.
The Virasat-e-Khalsa museum in Anandpur Sahib, Punjab was conceived in 1999 to commemorate the 300th anniversary of the Khalsa. The 23,225 square meter complex was designed by Moshe Safdie and associates and completed in 2011 at a cost of 1,700 million rupees. It celebrates 500 years of Sikh history through galleries arranged in groups of five, referencing the five virtues of Sikhism. The sandstone structures are inspired by fort architecture and include towers and reflective roofs evoking Sikh places of worship. Interactive multimedia exhibits guide visitors on their journey through the historical narratives.
Chettinad houses are located in the Chettinad region of Tamil Nadu, India. The Chettiars, a business community, settled here in the 13th century. Their trading activities made them prosperous. Chettinad houses have distinct features like central courtyards, verandahs, platforms, and rooms opening onto corridors. The multi-story mansions combine elements of vernacular South Indian and European architecture. They use local materials like brick, lime plaster, and terracotta tiles suited to the hot climate. The houses are organized around nine clan temples and have tanks and reservoirs for water management. Arts and crafts like wood carving, basket weaving, and tile making also flour
The Matrimandir is a large spherical structure located at the center of Auroville, India that was designed to be the spiritual heart of the community. It took several construction phases starting in the 1970s to complete and houses a large inner chamber lit by a single ray of sunlight. The Matrimandir was envisioned by Mirra Alfassa, known as "The Mother," as a place for people of all backgrounds to seek spiritual enlightenment.
1. The document outlines an undergraduate thesis proposal for a Cultural Heritage and Interpretation Centre in Varanasi, India.
2. The proposed project aims to develop a design for the centre to promote and educate visitors about Varanasi's rich cultural heritage and traditions.
3. The site selected is near the historic Sarnath area, which receives many tourists and pilgrims, in order to take advantage of its context and accessibility.
Triveni Kala Sangam is a cultural and arts complex in New Delhi designed by American architect Joseph Allen Stein between 1957-1977. It contains four art galleries, a theater, outdoor sculpture area, and provides arts classes. The complex was designed in the modern architecture style using jali screens and multiple spaces for different purposes. It is located on Tansen Marg in the cultural core of New Delhi.
The Khalsa Heritage Complex in Anandpur Sahib, Punjab was designed by architect Moshe Safdie as a museum to showcase the history and culture of Sikhism. The complex straddles a ravine connected by a pedestrian bridge, with different buildings housing permanent exhibits on the tenets and Gurus of the faith. Safdie's design incorporates curved rooftops and reflective pools to evoke the fortress architecture of historic Sikh sites and celebrate both the local landscape and Sikh traditions. The complex aims to provide visitors with an immersive educational experience through its extensive multimedia galleries and audio-visual presentations on the 500 year evolution of Sikhism.
Case study of NATIONAL WAR MUSEUM , DELHI .Kureelalok55
DELHI >> INDIA GATE COMPLEX >> PRINCESS PARK >> PROPOSED SITE.
CASE STUDY 1..... SAURYA SMARAK , BHOPAL.
CASE STUDY 2..... NATIONAL MAUSEUM , DELHI.
CASE STUDY 3..... JANG - E - AZADI , KARTARPUR , PUNJAB
Sneha Waghire's presentation document covers three topics: a groin vault, a swimming pool case study, and the Burj Khalifa high-rise building in Dubai. The document includes diagrams and photos of each structure and details their designs and construction processes. It provides information on the Chaitanya Health Club swimming pool in Pune, including its location, facilities, and the 14 steps involved in pool construction. Details are also given on the Burj Khalifa, the tallest man-made structure, including its records, design, and how it collects water from condensation.
0105 ce191038 dhanendra soni study of historical monument encrypted_DhanendraSoni1
The Bara Imambara in Bhopal, India was built in 1784 by Nawab Asaf-ud-Daula as a famine relief project. It has three large halls constructed using lakhori bricks, rice husk, lime, and other materials. The central hall has an amazing vaulted ceiling with no beams that houses the Nawab's tomb. The structure is architecturally unique with elements of Rajput, Mughal, and Gothic design. It was built with environmental practices like open green spaces and cross ventilation to keep the interior cool.
The new-build Merrion Cricket Club Pavilion in Dublin, Ireland replaces a previous pavilion that was damaged by flooding. The architect designed the single-story brick and concrete structure to address the site constraints and flood risk, while providing space for a cafe, bar, changing rooms, and loft apartment. Key aspects of the design include raising the building on concrete steps for flood protection, adding a waterproof concrete perimeter, and installing temporary flood barriers at door openings. The asymmetrical roof shape fits the irregular site geometry and accommodates views of the cricket pitch from multiple seating areas.
This document provides information about the Chennai Mofussil Bus Terminus (CMBT) in Chennai, India. Some key details include:
- The CMBT services 2.5 lakh passengers daily across 3000 buses with a built up area of 17,840 sqm on a 14.5 hectare site.
- It has facilities such as a maintenance shed, fuel filling station, crew rest rooms, shops, ATMs, and a free emergency clinic.
- The terminus consists of 3 fingers that can hold 60 buses each, with entry/exit points clearly demarcated for buses, vehicles and pedestrians.
Development of colonial architecture in indiaRohit Surekh
Development of Colonial architecture in India – Dutch, Portuguese, French and British architectural influences in India: merging of local architecture with various Colonial styles
Virasat - E - Khalsa memorial and heritage complex.KARTIK PARIHAR
The document provides information about Virasat-e-Khalsa, a cultural center and museum located in Anandpur Sahib, Punjab, India. It was designed by architect Moshe Safdie to showcase Punjab's rich cultural heritage and history. The museum complex consists of three main blocks - Complex A contains a library and auditorium, Complex B has a pedestrian bridge and cafeteria, and Complex C houses permanent exhibit galleries and a multimedia gallery to celebrate 500 years of Sikh history. The 75-acre complex cost 224 crores to build and aims to promote Sikh culture and arts to visitors.
The Akshardham mandir in New Delhi is a large Hindu temple that honors God. It reaches 141 feet tall and spans over 300 feet wide and long. Inside, each carved pillar and dome tells a story from Hindu scriptures or the life of Bhagwan Swaminarayan. The inner sanctum houses murtis of Bhagwan Swaminarayan and his gurus. The Musical Fountain feature is India's largest step well with over 2,800 steps and 108 shrines surrounding a lotus-shaped fire pit. It presents a nightly musical fountain show representing the circle of life.
Louis Kahn was an American architect born in 1901 in Estonia and immigrated to the United States as a child. Some of his most notable works include the Salk Institute, Exeter Library, and the National Assembly Building in Bangladesh. The document discusses Kahn's design of the Indian Institute of Management campus in Ahmedabad, India from 1963, noting its use of brick walls and concrete slabs. It provides details on the layout and design of the library, classrooms, dormitories, and other buildings within the complex. The document also briefly mentions Kahn's National Assembly Building in Bangladesh.
Sarais were rest stops built along trade routes in the Mughal Empire. They provided shelter, food, and protection for merchants and travelers. Sarais were uniformly designed with small rooms in the outer walls, a central courtyard, a mosque, and a garrison for protection. They showcased the rich architectural style of the Mughal period, with features like arched entrances, vaulted ceilings, and ornate decorations. This particular Sarai located in Haridwar, India, dating back to 1903, still retains many of its original architectural elements and serves as a Dharamshala or rest house.
This document summarizes the Experimental Housing Project (PREVI) built in Lima, Peru between 1969-1973. The project comprised 1500 row houses on 40 hectares of land for low-income families. It used an open design approach with 24 different house designs and construction methods. The goal was to regulate the uncontrolled urban growth. The flexible and adaptable housing units allowed residents to modify and expand their homes over time. PREVI became a dense but diverse community where residents from different social classes chose to stay. It served as a model for integrating top-down planning with informal growth.
The document discusses the Virasat-e-Khalsa museum in Anandpur Sahib, India. It is located in the foothills of the Shivalik mountains and celebrates 500 years of Sikh history. The museum design references the Five Virtues of the Sikh faith through its arrangement of galleries. It uses local sandstone and stainless steel roofs to evoke Sikh fortresses. The complex consists of two buildings connected by a 540-foot bridge crossing reflecting pools, with one building housing exhibitions and the other archives, auditorium, and library.
Chettinad architecture is known for the opulent mansions built by the prosperous Chettiar trading community in the Chettinad region of Tamil Nadu between 1850-1940. The mansions had a grid-like layout centered around a courtyard, with rooms arranged around it. They were built with local materials like bricks, tiles, and lime plaster and incorporated design elements from the Chettiars' foreign travels. The architecture was well-suited to the hot, dry climate, using techniques like thick walls, courtyards, verandas, and roofs to keep interiors cool.
This document summarizes the architectural styles of buildings constructed during the Later Mughal period in northern India after the decline of the Mughal Empire. It discusses the hybrid Indo-Saracenic style that emerged, influenced by both Mughal and European designs. Specific buildings mentioned include the Chattar Manzil palace in Lucknow, known for its umbrella-shaped dome, and the Khursheed Manzil palace, resembling an English castle with its central dome, octagonal towers, and battlements. Other notable gardens and palaces from this period discussed are the Alam Bagh, Wilayati Bagh, Moosa Bagh, and the many structures within the Kesar Bagh complex in Lucknow
Charles Correa designed the Sabarmati Ashram Museum in Ahmedabad, India to follow the principles of Mahatma Gandhi. The museum buildings are arranged in a casual meandering pattern around a central courtyard, with five rooms used to display important artifacts. Correa used local materials like brick, wood, and tile and a simple post-and-beam structure to house the collection in a way that maintained light, ventilation, and connection to the outdoors as per Gandhi's wishes. The design and placement of buildings within the site also aligns with principles of ancient Indian architecture like Vaastu.
The Virasat-e-Khalsa museum in Anandpur Sahib, Punjab was conceived in 1999 to commemorate the 300th anniversary of the Khalsa. The 23,225 square meter complex was designed by Moshe Safdie and associates and completed in 2011 at a cost of 1,700 million rupees. It celebrates 500 years of Sikh history through galleries arranged in groups of five, referencing the five virtues of Sikhism. The sandstone structures are inspired by fort architecture and include towers and reflective roofs evoking Sikh places of worship. Interactive multimedia exhibits guide visitors on their journey through the historical narratives.
Chettinad houses are located in the Chettinad region of Tamil Nadu, India. The Chettiars, a business community, settled here in the 13th century. Their trading activities made them prosperous. Chettinad houses have distinct features like central courtyards, verandahs, platforms, and rooms opening onto corridors. The multi-story mansions combine elements of vernacular South Indian and European architecture. They use local materials like brick, lime plaster, and terracotta tiles suited to the hot climate. The houses are organized around nine clan temples and have tanks and reservoirs for water management. Arts and crafts like wood carving, basket weaving, and tile making also flour
The Matrimandir is a large spherical structure located at the center of Auroville, India that was designed to be the spiritual heart of the community. It took several construction phases starting in the 1970s to complete and houses a large inner chamber lit by a single ray of sunlight. The Matrimandir was envisioned by Mirra Alfassa, known as "The Mother," as a place for people of all backgrounds to seek spiritual enlightenment.
1. The document outlines an undergraduate thesis proposal for a Cultural Heritage and Interpretation Centre in Varanasi, India.
2. The proposed project aims to develop a design for the centre to promote and educate visitors about Varanasi's rich cultural heritage and traditions.
3. The site selected is near the historic Sarnath area, which receives many tourists and pilgrims, in order to take advantage of its context and accessibility.
Triveni Kala Sangam is a cultural and arts complex in New Delhi designed by American architect Joseph Allen Stein between 1957-1977. It contains four art galleries, a theater, outdoor sculpture area, and provides arts classes. The complex was designed in the modern architecture style using jali screens and multiple spaces for different purposes. It is located on Tansen Marg in the cultural core of New Delhi.
The Khalsa Heritage Complex in Anandpur Sahib, Punjab was designed by architect Moshe Safdie as a museum to showcase the history and culture of Sikhism. The complex straddles a ravine connected by a pedestrian bridge, with different buildings housing permanent exhibits on the tenets and Gurus of the faith. Safdie's design incorporates curved rooftops and reflective pools to evoke the fortress architecture of historic Sikh sites and celebrate both the local landscape and Sikh traditions. The complex aims to provide visitors with an immersive educational experience through its extensive multimedia galleries and audio-visual presentations on the 500 year evolution of Sikhism.
Case study of NATIONAL WAR MUSEUM , DELHI .Kureelalok55
DELHI >> INDIA GATE COMPLEX >> PRINCESS PARK >> PROPOSED SITE.
CASE STUDY 1..... SAURYA SMARAK , BHOPAL.
CASE STUDY 2..... NATIONAL MAUSEUM , DELHI.
CASE STUDY 3..... JANG - E - AZADI , KARTARPUR , PUNJAB
Sneha Waghire's presentation document covers three topics: a groin vault, a swimming pool case study, and the Burj Khalifa high-rise building in Dubai. The document includes diagrams and photos of each structure and details their designs and construction processes. It provides information on the Chaitanya Health Club swimming pool in Pune, including its location, facilities, and the 14 steps involved in pool construction. Details are also given on the Burj Khalifa, the tallest man-made structure, including its records, design, and how it collects water from condensation.
0105 ce191038 dhanendra soni study of historical monument encrypted_DhanendraSoni1
The Bara Imambara in Bhopal, India was built in 1784 by Nawab Asaf-ud-Daula as a famine relief project. It has three large halls constructed using lakhori bricks, rice husk, lime, and other materials. The central hall has an amazing vaulted ceiling with no beams that houses the Nawab's tomb. The structure is architecturally unique with elements of Rajput, Mughal, and Gothic design. It was built with environmental practices like open green spaces and cross ventilation to keep the interior cool.
The new-build Merrion Cricket Club Pavilion in Dublin, Ireland replaces a previous pavilion that was damaged by flooding. The architect designed the single-story brick and concrete structure to address the site constraints and flood risk, while providing space for a cafe, bar, changing rooms, and loft apartment. Key aspects of the design include raising the building on concrete steps for flood protection, adding a waterproof concrete perimeter, and installing temporary flood barriers at door openings. The asymmetrical roof shape fits the irregular site geometry and accommodates views of the cricket pitch from multiple seating areas.
adaptive reuse can be seen in opera house MG ROAD, BANGLORE.
where initially it was a opera house and now converted into a Samsung showroom with necessary retrofits.
Golconda Ashram is a guest house in Pondicherry, India designed by George Nakashima and Antonin Raymond in 1942. It was one of the earliest examples of sustainable modern architecture, using reinforced concrete construction and passive design principles like cross ventilation. The simple layout featured single rooms arranged along north-facing galleries, with adjustable louvers, skylights and staggered doors to maximize air flow. Construction took nearly a decade to complete due to inexperienced crews and political unrest. The ashram prioritized environmental sensitivity and radical economy through its design and building methods.
(1) 'Cheung Fashion House' is a shop lot located on JalanTenkuKelana in Klang, Malaysia that has been passed down through generations of the Cheung family. (2) Built in 1916, it is one of the few original buildings remaining on the street, maintaining its colonial-era design with features like i-beam construction, a gabled roof, timber doors and brick facade. (3) Over the decades, the neighborhood has transformed from being predominantly Chinese to now mostly Indian, reflecting in the goods sold like saris, jewelry and textiles that showcase the culture.
This document provides a summary of key modernist architectural elements found in six iconic buildings built in Malaysia after independence: Stadium Merdeka, Bangunan Getah Asli, Stadium Negara, Parliament Malaysia, Dewan Tunku Canselor, and TNB Headquarters. It describes the form, function, structure, circulation, symmetry, repetition, and other design features of each building based on diagrams and text. The document was produced by students at Taylor's University as part of an assignment on post-independence Malaysian architecture.
This document provides a summary of key modernist architectural elements found in six iconic buildings built in Malaysia after independence: Stadium Merdeka, Bangunan Getah Asli, Stadium Negara, Parliament Malaysia, Dewan Tunku Canselor, and TNB Headquarters. It describes the form, function, structure, circulation, symmetry, repetition, and other design features of each building based on diagrams and text. The document was produced by students at Taylor's University as part of an assignment on post-independence Malaysian architecture.
The Burj Khalifa in Dubai is the tallest building in the world at 828 meters tall. It took over 6 years to construct using a jump-forming process where concrete molds are lifted upwards as the concrete sets. Special high-strength concrete that sets quickly was used, poured at night to reduce heat. Its buttressed core structural system and Y-shaped buttresses help support the extremely tall and slender tower. Wind analysis was a major consideration, requiring aerodynamic improvements to reduce vortex shedding effects from winds up to 240 km/hr.
Sundari Chowk is the oldest courtyard in Patan Durbar Square, constructed in the early-to-mid 17th century by King Siddhi Narasinha Malla. It features an intricately carved central bathing area used by kings and is designed similar to a Newa-style Buddhist monastery. After extensive restoration from 2006-2016, it now houses galleries celebrating Newar architecture and seeks to educate visitors about its historic construction.
This document provides an analysis of the Kota Raja Fire & Rescue Station building in Klang, Selangor, Malaysia. It begins with an introduction to the history of Klang and the contextual site conditions surrounding the fire station. Next, it discusses the history of the fire station building itself, originally constructed in the 1890s. The document then analyzes the physical, social, and cultural contextual conditions of the fire station, examining elements like its Victorian architectural style, brick construction, acoustic and thermal properties of different spaces, levels of safety, and the preservation of its original design elements over time. In summary, the document conducts a comprehensive architectural analysis of the historic Kota Raja Fire & Rescue Station building through
This document provides an analysis of the Kota Raja Fire & Rescue Station building in Klang, Selangor, Malaysia. It begins with an introduction to the history of Klang and the contextual conditions surrounding the fire station site. It then discusses the architect and history of the building, constructed in the 1890s in the Victorian style. The analysis covers the physical architectural elements, as well as the social, cultural, and contextual conditions of the building. It examines factors like the brick construction, acoustic conditions, thermal comfort in different spaces, moisture absorption, and safety levels. In conclusion, the Victorian design of the over 100-year-old fire station has been well maintained to preserve the building's heritage.
Sanskar Kendra casestudy, ahmedabad, india casestudymanoj chauhan
The Sanskar Kendra museum in Ahmedabad, India was designed by Le Corbusier. It is located near the Sabarmati River, about 400 meters from the river's western bank. The initial core of the museum was constructed by 1954, with plans for additional buildings that were never realized. The museum has a total site area of 5,700 square meters and a built up area of 2,313 square meters. It features a central courtyard with daylight penetrating through, low pilotis, and a main staircase. The majority of walls are unfinished brick or plaster, while the courtyard walls are left as unfinished brick. The building uses a raw concrete structure and plain brick facade, in line with Le Corbusier's style
This document provides an introduction and analysis of the Sultan Abdul Aziz Royal Gallery building in Klang, Malaysia. It discusses the building's history, describing how it was originally constructed in 1909 as a British administration office and has since served various functions. The document outlines the building's design by architect A.B. Hubback and renovation led by architect Laurent Lim. It also analyzes the building's physical condition before and after renovation, and discusses the social, cultural, and political contexts of the building.
This document provides an introduction and analysis of the Sultan Abdul Aziz Royal Gallery building in Klang, Malaysia. It discusses the building's history, describing how it was originally constructed in 1909 as a British administration office and has since served various functions. The document outlines the building's design by architect A.B. Hubback and renovation led by architect Laurent Lim. It also analyzes the building's physical condition before and after renovation, and discusses the social, cultural, and political contexts of the building.
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2. Acknowledgement Index
We would like to express our sincere gratitude to the staff of Vivekanandar Illam for having given us
the permission to document their building and for supporting and guiding us throughout the
documentation process.
We would also like to extend our thanks to Ar. Kamalakannan and Ar. Karthick, faculty of School of
Architecture and Interior Design, SRM Institute of Science and Technology, for their invaluable
guidance that enabled us in the completion of this project.
Our thanks to Ar. Geeva Chandana, faculty of School of Architecture and Interior Design, SRM Insti-
tute of Science and Technology, for her guidance and support.
Sampoorna Venkatesh- 004
Hrudai Yalamarty- 054
Jeffy Thomas George- 020
Harshita Ramnath- 009
3. About Vivekanandar Illam
Vivekanandar Illam, earlier known as Ice House or
CastleKernan,isahistoricalbuildinginChennai,India.
It was constructed in 1842 by Frederic Tu-
dor. Indian Saint Swami Vivekananda stayed
in the building when he visited Chennai in
1897, and it was later renamed in his honor.
Now, this historic place houses a technological,
smart museum called “Experience Vivekanan-
da” on Indian Culture, Swami Vivekananda’s
Life and his message using latest trends like Vir-
tual and Augmented Reality, modern 3D/4D ef-
fects and advanced Son et Lumiere elements.
Currently, Vivekananda House is maintained by Sri
Ramakrishna Math, Chennai and it’s a source of in-
spiration to thousands of Indian and International vis-
itors who visit it every year.
Location: Kamarajar salai, Triplicane, Chennai
Building Typology: Institutional
Year of Construction: 1842 (179 years)
Architect: Frederic Tudor
Area: 8000 sq feet
General Information Site Plan
The 37,500 square feet site is located in Ka-
marajar Salai, Chennai facing the Marina
Beach.
The 50’ Kamarajar Salai road is abutting the
site and is the only road of access to the site.
At present the site consists of three buildings-
the Vivekanandar Illam, the Cultural Centre
and an outhouse.
Legend:
1. Vivekanandar Illam
2. Cultural Center
3. Outhouse
2013- Before the Cultural
Centre was constructed
2014- After the Cultural
Centre was constructed
1
Scale: 1:750
4. History
1842
1880
1897 1963
Frederic Tudor constructed the
building facing the Bay of Ben-
gal as a facility to store ice.
Building was sold to Biligiri Iyengar,
an advocate in the Madras High
Court. The house was remodeled
and called Castle Kernan.
When Swami Vivekananda visited
Madras he stayed in the building
between 6 and 15 February 1897.
Later, Ramakrishna Math func-
tioned from the building till 1906.
The building was acquired by the
Government of Madras and func-
tioned as a women’s hostel and
training school for children.
On the birth Centenary of Swami
Vivekananda, the Government of
Tamil Nadu renamed the building
as ‘Vivekanandar Illam’ and it hous-
es an exhibition on the life of Swami
Vivekananda.
1914
2
5. 1880: The building was sold to Biligiri Iyengar who made alterations to the existing design- he added
extended semi-circular corridors and verandahs around the circular core.
He also added the tall, arched windows on the facade of the building and the single-storeyed porch
facing the North.
The circular core was divided into two storeys- thus making the entire building a four-storeyed struc-
ture.
The entire building was designed in the Victorian style of architecture. Typical features of this style that
can be seen in this building are-
Single-storeyed porch Arched windows Decorative trim
Evolution of Architecture Stye- Vivekanandar Illam
Evolution of Architecture Stye- Ice House
The building is a primary example of ‘adaptive reuse in design’.
1842: Frederic Tudor built the Ice House- designed on a linear plan with a circular storage tower of 40
feet height as its core.
A square building was attached to this tall, cylindrical structure.
The walls of the cylindrical core have a thickness of 1.3 m to preserve the ice for long periods of time.
One of the earliest photographs of Frederic Tudor’s Ice House
Decorative Trim and
Arched Windows
Single Storey Porch
3
6. Ground Floor Plan
The ice was stored in the circular room in the lowermost
level of the building.
The East facing entrance to the Ice House gave direct
access to the ice storage which was a double-storey
structure.
After the first renovation by Biligiri Iyengar, the entrance to
the building (Castle Kernan) was shifted to face North and
situated 1.9 metres above ground level.
The ice storage which had become a part of the basement
of Castle Kernan was left untouched by Biligiri.
The walls of the Ice Storage are made from mud and have
a thickness of 1.3 m to preserve the ice in sub-zero tempera-
tures.
The steps leading to the ground floor from the basement
are skewed and don’t follow conventional angles.
Ice House
Additions by Biligiri Iyengar
Additions after renovation
4
Scale: 1:200
Evolution of the Floor Plan
Floor Plans
Detail A
Detail D
Detail F
Detail E
7. Ice House
Additions by Biligiri Iyengar
Additions after renovation
Mezzanine Floor Plan
Evolution of the Floor Plan
Scale: 1:200
In Tudor’s Ice House, there was no direct access to the ice
storage on this level.
The ice was therefore stored through openings provided
right above the floor level.
These openings or vents were closed at all times except
when the ice was being piled in so as to maintain the tem-
perature of the space.
After the first renovation by Biligiri Iyengar, a level was add-
ed to the circular core.
Biligiri designed the semi-circular steps leading up to this
level which ran along the semi-circular corridor.
The openings were retained and can be seen even today.
This floor became a hall in Biligiri Iyengar’s residence.
Detail A
5
8. Additions by Biligiri Iyengar
Additions after renovation
First Floor Plan
Scale: 1:200
The first floor was also added by Biligiri Iyengar.
This floor consists of the meditation hall in which Swami
Vivekananda stayed during the six days he spent in
Chennai in 1897.
The Meditation Hall is a circular, double-storey enclosed
by the dome of the building.
A floor was added in between the mezzanine and first floor,
creating a level difference.
This floor in between currently consists of a mini theatre
where 3D shows on the life of Swami Vivekananda are
screened.
The first floor can also be accessed directly through an
external staircase along the Southern side of Vivekanan-
dar Illam.
Evolution of the Floor Plan
Detail B
6
9. Second Floor Plan
The second floor is also an addition by Biligiri Iyengar.
The outer, semi-circular corridor was made into an open
terrace on this level to capture views of the Marina beach
and to bring in the sea breeze more efficiently.
This floor can also be accessed through the external stair-
case like the first floor is. Additions by Biligiri Iyengar
7
Evolution of the Floor Plan
Scale: 1:200
Detail C
10. North Elevation
Scale: NTS
East Elevation
8
Scale: NTS
This side forms the facade of the building. The tall arched windows along this side not only add to the
aesthetic of the building but also bring in the sea-breeze, thus naturally ventilating the space.
Elevations
The main entrance to the building is situated on this side, facing the entry through which Swami
Vivekananda first entered the compound of Castle Kernan. The single-storey porch above the en-
trance adds to the grandeur of the building.
11. Section AA’
Scale: 1:200
Section BB’
9
Scale: 1:200
The section shows the ice-storage room and the level difference between it and the ground floor
which is raised 1.9 m above ground level. It also shows the double-storey high meditation hall and the
dome enclosing it.
In this section, the basement of the building can be seen along with the ice storage, thus indicating
the level difference between the two spaces. The level difference created between the mezzanine
floor corridor and the hall inside can also be seen.
Sections
12. Design Elements
10
Ground Floor Window- Detail A
Plan Plan View
First Floor Window- Detail B
Elevation Elevation
Scale: 1:30
Scale: 1:30
13. Mezzanine & First Floor
Window Section Scale: 1:60
Plan
Elevation
Section
Second Floor Window- Detail C
View
11
Scale: 1:30
14. Main Entrance Door- Detail D
Section
Plan Scale: 1:30
Elevation
12
Basement Door Opening- Detail E
Elevation
Views
15. Exterior Column- Detail F
Sketch
Elevation Sketch
Plan
Interior Column- Detail
13
Scale: 1:30 Scale: 1:15
18. Views
Construction Analysis
Madras Terrace roofing is done for the ceiling.
Wooden beams are used to cover the span.
Over the wooden beams, wooden rafters are placed 45-60cms apart.
The gaps between are filled with bricks laid with lime plaster.
Above the rafters, indigenous bricks called aachikal are laid in a diagonal fashion with lime plaster.
Sketch
Scale: 1:10
Madras Terrace Roof
Detail
16
19. Material Analysis
The building is a brick masonry structure with lime
plastering
The exterior columns are made up of stone
and lime plaster.
The interior columns in the basement are
made of wood.
The lower floors are made up of stone tiles and the
upper floors are made of wood.
The staircases are made of stone.
17
22. Documentation Photos
Exterior Photos
Kamarajar Salai Road
View of the beach
Porch Main Entrance to the building
Main entrance to Vivekanandar Illam
Entry to site
20
Entry to site Main Entrance to Vivekanandar Illam
23. Detail- exterior column Entry doorway to Vivekanandar
Illam
The First Temple by
Sri Ramakrishna Math
Interior Photos
Column Detail Entry Door The First Temple
21
Hall- First Floor Hall- Mezzanine Floor