Frank Daniel's sequence approach divides a film into three acts with a total of eight sequences. Each sequence is 10-15 minutes and moves the story forward. The first act has an inciting incident that disrupts the status quo. The protagonist tries to restore the status quo but fails, posing a new dramatic question. The second act sees the protagonist attempt solutions that ultimately fail until reaching a midpoint crisis. The third act resolves the central dramatic question and establishes a new status quo. This structure provides a practical way for screenwriters to pace their story and create narrative tension.