Jean-Luc Godard
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Jean-Luc Godard is a French-Swiss film director and screenwriter who was a major figure in the French New Wave film movement in the 1960s. He is known for criticizing mainstream French films and taking radical approaches to film conventions, politics, and philosophies. Some of Godard's influential short films include "La Paresse," "Il Nuovo mondo," and "Le Grand escroc."
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1. the pre production process
The pre-production process involves the director developing their vision for the story, narrative, and visual design with key collaborators like the screenwriter and production designer. During pre-production, the director works with the cinematographer to plan each scene and may create storyboards, while also collaborating with the production designer to create the film's sets, props, costumes, and overall fictional world. The production designer's role is to turn the director and screenwriter's ideas into tangible sets, props, costumes, and other elements through research, sketches, models, and ultimately overseeing construction.
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Breathless (1960) is a French New Wave film directed by Jean-Luc Godard, starring Jean-Paul Belmondo and Jean Seberg. It tells the story of Michel, a young criminal on the run in Paris after killing a police officer. Michel tries to convince his American girlfriend Patricia to run away to Italy with him, but she is unsure about committing to life as a fugitive with someone she barely knows. The film is notable for its realistic, spontaneous style which helped define the French New Wave movement in cinema.
French cinema presentation
France is considered the birthplace of cinema. The Lumière brothers were the first filmmakers and patented the cinematograph. After World War I, the French film industry struggled as the US film industry entered the European market. This led France to impose quotas to support its domestic film industry. In the 1920s, French impressionist cinema emerged with directors like Abel Gance and Jean Epstein experimenting with form. The 1950s saw the rise of the influential French New Wave movement known for innovative techniques and personal filmmaking pioneered by directors like François Truffaut, Jean-Luc Godard, Claude Chabrol and Jacques Rivette. Some of the iconic French films from this era include The 400 B
História do cinema
1) Em 28 de dezembro de 1895, os irmãos Lumière realizaram a primeira exibição pública do cinematógrafo em Paris, marcando o início da era do cinema;
2) Eles exibiram o curta-metragem L'Arrivée d'un Train à La Ciotat, causando comoção na plateia;
3) A invenção do cinema foi um processo gradual que se desenvolveu a partir de várias inovações técnicas ao longo dos séculos.
História do Cinema
O cinema surgiu no final do século XIX com a invenção do cinematógrafo pelos irmãos Lumière. Durante cerca de 30 anos, o cinema foi mudo até que em 1929 foi lançado o primeiro filme totalmente sonorizado, marcando o fim da era do cinema mudo. Hollywood tornou-se o centro da indústria cinematográfica mundial na primeira metade do século XX.
Historia do cinema
A história do cinema começou com a câmara escura no século XVI, projetando imagens invertidas através de um orifício. A lanterna mágica projetava imagens pintadas em vidro. Experimentos com a persistência da retina humana levaram a dispositivos como o taumatroscópio e o fenaquistiscópio, dando a impressão de movimento. As fotografias em série de Muybridge de um cavalo em movimento foram um marco inicial da animação, enquanto Dickson desenvolveu o filme perfurado. O c
Trabalho cinema
O documento descreve a origem e evolução do cinema desde sua criação pelos Irmãos Lumière na França no final do século XIX, seu desenvolvimento inicial como arte muda e posterior adição do som, e seu papel na difusão de modelos socioculturais.
CINEMA - Parte 1 (O início da história)
O documento descreve os precursores e pioneiros do cinema, como os Irmãos Lumière apresentaram publicamente o cinematógrafo em 1895 em Paris, capturando alguns dos primeiros filmes da história. Os precursores incluem brinquedos ópticos como o taumatrópio, fenacistoscópio e zootropo, além dos experimentos de Eadweard Muybridge com múltiplas câmeras para decompor o movimento.
CINEMA - Parte 2 (Desenvolvimento e indústria)
História do Cinema.
Como surgiu.
Seu desenvolvimento mundial.
Seu auge e inovações cinematográficas.
Ícones transformadores.
Atuação mundial e criação da indústria cinematográfica.
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