The document discusses the design process for a magazine. The author initially planned a non-traditional magazine design but later decided to take a more conservative approach, drawing inspiration from magazines like Kerrang and NME. Key elements like the color scheme, layout, and masthead were revised multiple times to better align with conventions of rock music magazines and to appeal to the target audience. The aim became creating a magazine that would feel familiar to readers and respect genre traditions.
Succession “Losers”: What Happens to Executives Passed Over for the CEO Job?
By David F. Larcker, Stephen A. Miles, and Brian Tayan
Stanford Closer Look Series
Overview:
Shareholders pay considerable attention to the choice of executive selected as the new CEO whenever a change in leadership takes place. However, without an inside look at the leading candidates to assume the CEO role, it is difficult for shareholders to tell whether the board has made the correct choice. In this Closer Look, we examine CEO succession events among the largest 100 companies over a ten-year period to determine what happens to the executives who were not selected (i.e., the “succession losers”) and how they perform relative to those who were selected (the “succession winners”).
We ask:
• Are the executives selected for the CEO role really better than those passed over?
• What are the implications for understanding the labor market for executive talent?
• Are differences in performance due to operating conditions or quality of available talent?
• Are boards better at identifying CEO talent than other research generally suggests?
Ethnobotany and Ethnopharmacology:
Ethnobotany in herbal drug evaluation,
Impact of Ethnobotany in traditional medicine,
New development in herbals,
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Role of Ethnopharmacology in drug evaluation,
Reverse Pharmacology.
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The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
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Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
The Indian economy is classified into different sectors to simplify the analysis and understanding of economic activities. For Class 10, it's essential to grasp the sectors of the Indian economy, understand their characteristics, and recognize their importance. This guide will provide detailed notes on the Sectors of the Indian Economy Class 10, using specific long-tail keywords to enhance comprehension.
For more information, visit-www.vavaclasses.com
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Home assignment II on Spectroscopy 2024 Answers.pdf
Forms and conventions
1.
2.
To start with the design I went for when creating my magazine was a very
conservative view, to keep it simple for my intended audience, and in line
with styles they would be use to. I achieved this by using a colour scheme
my audience would be used to, the colours Red, black and orange, with a
white background. From looking at other magazines that share my intended
audience, they all use these colours, maybe not in this combination, but they
do use them quite often, because of this new readers of my magazine would
be able to adjust quickly to my magazine.
My magazine would also use more traditional technique, photography wise,
as my models use poses and props that are easily identified by people of the
rock genre. The double page spread is also in tone with more traditional
magazines, it is a simple spread, with the article on one side with the picture
of the artist on the other.
The contents page is heavily inspired by other music magazines that share
my genre, as I want my magazine to be a conservative magazine that
respects these conventions.
3.
I drew inspiration from a large number of different sources, I decided the
tone of my magazine from my target audience, I grew inspiration for the
design from many magazines, mainly kerrang and NME.
The content of the article was created with the band fall out boy in mind, as
they’re one of the more popular rock bands at the moment,
The message of the magazine was inspired by the Emo and Goth sub culture,
as many of them note that being Goth or Emo has a great sense of
belonging, you’re accepted for the person you’re, that is the message I
wanted to get across in the magazine.
I also took a lot of advice from my tutor, because of this I was able to more
effectively design my magazine.
4.
Originally I wanted to make a magazine that challenged these conventions, I
wanted to make a unique, new magazine for a brand new generation of rockers,
to accomplish this I decided to, instead of feature a band, or group as my
headline act, I used a singular person, this is quite out of the ordinary for a rock
magazine, as the majority of headline acts are groups, including my chemical
romance, skillet, etc.
My original colour scheme was also supposed to be non traditional, I had planned
to make use of the colours Cyan, green and a black background, however I
decided that these colours did not complement each other.
I was originally going to seek inspiration through magazines such as NME and Q!,
however when I made my decision to change to a traditional rock magazine, I
decided to look at Kerrang for ideas.
Another key component of my magazine that I completely redid was the
masthead, originally the masthead looked very basic, just the word generation
followed by a bigger version of a Z. This was also an attempt to challenge the
typical type of masthead, as it would only cover a third of the top portion of the
magazine, instead of the traditional use of it going right across the page. I
eventually developed it to the point of it going along with these typical
conventions, i also made the z more prominent so that it could be recognised as
a symbol for the magazine.
5.
Another component of my magazine that went through constant revisions
was the way I would present my kickers and cove line. In the beginning I
decided that the kickers and cover lines would be spread across the page,
eventually while I was constructing my magazine, I realised that they would
look much more appealing if they were put at one side of the page, that
way I could put more content onto the page, such as various flashes and
plugs
One convention that I have altered throughout my project was the Headline
and anchorage. It has kept its original design, however I have changed
sections of it, for instance the colour as well as font, size, location and added
another piece to the anchorage.
The only feature of my cover page to remain intact throughout the project
was my selling line, it was always “Fall out boy- their rise from the ashes” I
created it first and never altered it in any capacity.
The aim of my front cover was to appear as a traditional rock music
magazine, in this way I believe I have succeeded, as I have followed many
of the constantly used conventions.
6.
My contents page also went through some minor changes, the general
layout has never changed, it has mainly stayed the same since I first
designed the page, rather the edits came from altering the fonts. Originally I
had decided to use Cooper black for the section headers, I then decided
that the font impact had a much bolder presence, meaning it would attract
the attention of the readers with little ease.
I also changed the layout of the pictures, at first it was just supposed to be a
picture of a member of stardust crusaders, eventually, with some much
needed advice, I decided to change it to include two cover albums, for the
bands the fray and skillet.
Another less subtle difference between my revised contents page and the
original was the fact that the artist’s names were in a black text, I altered it
so that red was a dominant colour, the black was used for the additional
information
Another change was the fact that the magazine masthead was supposed to
be in red, but since I altered the text to be red I decided to balance it out by
changing the masthead header .
8. 1. Title
Section
2. Header
7. Graphic
Feature
9. Inset 10. Sidebar
8. Dropped Picture
11. SubCapital
headings
(though
more
often
used to
split up
the body
of the
text)
3.
Caption
4.
Subtitle
5.
Background
Photo
6.
Factfile
12.
Pull
Quote
(taken
from the
article
itself)
7.
Columns
(with the
body text)
Conventions of my double page spread
13.
Byline
16. White Space
(helps to avoid
info overload)
15. Slug
14.
Borders /
Dividers
9. Section
Header
Front Cover Copy
Issue and
Dateline
Signed Editorial
Stand-out
quote
(with dropped capitals)
Section Banner
Navigation
Panel (with
Border / Divider
Main Feature
header)
(with inset pictures)
Pictorial
insets (of
Section
Headers
highlights &
exclusives)
Numbered
itemised list
Page numbers
(with headers
resembling kickers
and cover lines)
Conventions I used in my contents page
Subscription
box
10.
I wanted the Z of my music magazine to be an image, that would
help boost sales of the magazine, that is why I used it so heavily
throughout my magazine, I used it as a short identification mark
instead of putting the whole masthead.
That is one of the reasons the masthead is the only letter in the
whole of my magazine to have its own font, every other word in my
magazine uses either franklin gothic demi, impact, or Goudy stout.
I wanted the Z to be as recognisable as Kerrang’s K! logo, as a
strong brand creates a strong image, a strong image increases
renown and sales.
I have styled the Z so that it is one of the first pieces of information
you see, even when looking at the masthead, the z is what really
sticks out, as it is almost twice the size of the other letters in the
masthead.