Downloaded 10 times
![• is an international philosophy[2] and style of art,
architecture and applied art—especially the
decorative arts—that were most popular during
1890–1910.](https://image.slidesharecdn.com/finalhist-111214211300-phpapp01/75/Final-hist-111-2048.jpg)
More Related Content
Final hist
- 1. ART HISTORY REVIEW3 By Meghan Gallagher
- 3. PILGRIMAGE TO CYTHERA •Name: Watteau • Rococo Art
- 5. GRANDE ODALISQUE • Name:Ingres • Romanticism
- 7. THE GLEANERS • Name:Millet • 19th Century Realism
- 9. PAULINE BORGHESE ANDVENUS VICTRIX • Name: Canova • Neoclassicism
- 11. GOD CREATING THEUNIVERSE • Name: Blake • Romantisism
- 13. THIRD-CLASS CARRIAGE • Name:Daumier • 19th Century Realism
- 15. MARRIAGE A LAMODE II • Name: William Hogarth • Rococo Art
- 17. NOCTURNE IN BLACKAND GOLD • Name: Whistler • Aestheticism
- 19. BEDROOM AT ARLES •Name: Van Gogh • Romanticizing Postimperssionists
- 21. MOUNT SAINTE VICTOIRE •Name: Cezanne • Classicizing Postimpressionists
- 23. PAIRS OPERA • Name:Paxton • 19th Century European Architecture
- 25. ZOLA • Name: Manet •Impressionism
- 27. THE SCREAM • Name:Munch • The Symbolist Movment
- 29. MOULIN DE LAGALETTE • Name: Renoir • Impressionism
- 31. THE KISS • Name:Klimt • The Symbolist Movment
- 33. THE RAFT OFTHE “MEDUSA” • Name: Gericault • Romanticism
- 35. THE HORSE FAIR •Name: Bonheur • 19th Century Realism
- 37. TWO MEN CONTEMPLATINGTHE MOON • Name: Friedrich • Romanticism
- 39. STONE BREAKERS • Name:Courbet • 19th Century Realism
- 41. SUNDAY AFTERNOON ONTHE ISLAND OF LA GRANDE JATTE • Name: Seurat • Classizising
- 43. THE BOATING PARTY •Name: Cassatt • Impressionism
- 45. THE GROSS CLINIC •Name: Eakins • 19th Century Realism
- 47. MONTICELLO • Name: Jefferson •Neoclassicism
- 49. AN EXPERIMENT ONA BIRD WITH AN AIR PUMP • Name: Wright • Rococo Art
- 51. THE SWING • Name:Fragonard • Rococo Art
- 53. THE OATH OFTHE HORATII • Name: David • Neoclassicism
- 55. WOMEN OF ALGIERS •Name: Delacroix • Romanticism
- 57. SALISBURY CATHEDRAL FROM THE BISHOP’S GARDEN • Name: Constable • Romanticism
- 59. NADAR ELEVATING PHOTOGRAPHY TO THE HOUSES OF PARLIAMENT • Name: Daumier • 19th Century realism
- 61. ABSINTHE • Name: Degas •Impressionism
- 63. DEATH OF SARDANAPALUS •Name: Delacroix • Romanticism
- 65. TWICKENHAM • Name: Walpole •Rococo Art
- 67. AT THE RACES •Name: Degas • Impressionism
- 69. THE THINKER • Name:Rodin • Impressionism
- 71. ARRANGMENT IN BLACKAND GREY • Name: Mcneill • Aestheticism
- 73. SELF-PORTRAIT WITH HALO •Name: Gauguin • Romanticizing Postimpressionists
- 75. MARIE ANTOINETTE ANDHER CHILDREN • Name: Vigee-Lebrun • Rococo Art
- 77. THE DEATH OFMARAT • Name: David • Neoclassicism
- 79. EUROPE A PROPHECY •Name: Blake • Romanticism
- 81. THE ARTIST’S STUDIO:A REAL ALLEGORY • Name: Courbet • 19th Century Realism
- 83. STRWBERRY HILL • Name:Walpole • Rococo
- 85. THE PIGHTING TEMERAIRE •Name: Turner • Romanticism
- 87. EXECUTIONS OF MAYTHIRD • Name: Goya • Romanticism
- 89. VIEW FROM WINDOWAT GRAS • Name: Niepce • 19th Century Realism
- 91. OLYMPIA • Name: Manet •19th Century Realism
- 93. SALOME WITH THEHEAD OF JOHN THE BAPTIST • Name: Beardsley • Aestheticism
- 95. IMPRESSION SUNRISE • Name:Monet • Impressionism
- 97. GALLOPING HORSE • Name:Muybridge • 19th Century Realism
- 99. TERRACE AT SAINTE •Name: Monet • Impressionism
- 101. THE BURNING OFTHE HOUSES OF PARLIAMENT • Name: Turner • Romanticism
- 103. JOHN RUSKIN • Name:Millais • 19th Century Realism
- 105. BAR AT THEPOLIES-BERGERE • Name: Manet • impressionism
- 107. STARRY NIGHT • Name:Gogh • Romanticizing Postimpressionists
- 108.
- 109. • describe anart movement founded by Georges Seurat.
- 110.
- 111. • is aninternational philosophy[2] and style of art, architecture and applied art—especially the decorative arts—that were most popular during 1890–1910.
- 112.
- 113. • is anelement of a pattern, an image or part of one, or a theme.
- 114.
- 115. • is aWestern art movement that borrows visual forms from non-Western or prehistoric peoples
- 116.
- 117. • Color thathas no realistic or natural relation to the object that is depicted, as in a blue horse, or a purple cow, but which may have emotional or expressive significance.
- 118.
- 119. • where majorchanges in agriculture, manufacturing, mining, transportation, and technology had a profound effect on the social, economic and cultural conditions of the times.
- 120.
- 121. • the practiceof assembling components of a structure in a factory or other manufacturing site,
- 122.
- 123. • is theapplied use of symbols. It is a representation that carries a particular meaning
- 124.
- 125. typically refers toa post-traditional, post-medieval historical period
- 126.
- 127. • To havea fascination with the japanese culture
- 128.
- 129. was the leadingEnglish art critic of the Victorian era, also an art patron, draughtsman, water colorist, a prominent social thinker and philanthropist.
- 130.
- 131. was a groupof English painters, poets, and critics
- 132.
- 133. • a methodfor printing using a stone
- 134.
- 135. • a styleof painting and sculpture produced under the influence of European academies of art.
- 136.
- 137. is the disciplinethat deals with the nature of the Universe as a whole
- 138.
- 139. • a paranormaldouble of a living person, typically representing evil or misfortune.
- 140.
- 141. • a trendin art and design, influenced by some ethnic groups or civilizations since the late 19th-century
- 142.
- 143. followed the standardsof proper proportion and perspective, and realistic depictions with ―an air of dignity and allure‖.
- 144.
- 145. the practice ofan unconventional lifestyle, often in the company of like-minded people, with few permanent ties, involving musical, artistic or literary pursuits.
- 146.
- 147. • was anartistic, literary and intellectual movement that originated in the second half of the 18th century in Europe, and gained strength in reaction to the Industrial Revolution.
- 148.
- 149. • a genre in painting defined by subject matter rather than an artistic style
- 150.
- 151. • draw inspirationfrom the "classical" art and culture of Ancient Greece or Ancient Rome.
- 152.
- 153. were a groupof 18th-century writers in France who compiled and wrote the Encyclopédie, Empiricism
- 154.
- 155. was an elitecultural movement of intellectuals in 18th century Europe that sought to mobilize the power of reason in order to reform society and advance knowledge.
- 156.
- 157. • refers tobuildings in a style inspired by Palladio's own work
- 158.
- 159. the borrowing ofa variety of styles from different sources and combining them
- 160.
- 161. French term referringto some of the celebrated pursuits of the idle, rich aristocrats in the 18th century
- 162.
- 163. • style whichdeveloped as Baroque artists gave up their symmetry and became increasingly ornate, florid, and playful.
- 164.
- 165. • classify architecturein terms of, materials, time period, region, etc
- 166.
- 167. • a Frenchphilosopher, art critic, and writer. He was a prominent person during the Enlightenment and is best known for serving as co-founder and chief editor of and contributor to the Encyclopédie.
- 168.
- 169. • a theoryof knowledge that asserts that knowledge comes only or primarily via sensory
- 170.
- 171. • technique wherethe paint is laid very thick on the painting surface
- 172.
- 173. • Both wereburied from mnt. Vernon
- 174.
- 175. • italian architectand artist. His etchings of Rome and its ruins contributed to the revival of neoclassicism.
- 176.
- 178.
- 179. • Both wereburied from mnt. Vernon
- 180.
- 181. • Both wereburied from mnt. Vernon
- 182.