Trojan horse
Feast of Dionysius in
theater
1. MANNERISM
2. BAROQUE & ROCOCO
3. NEOCLASSICISM
4. ROMANTICISM
5. REALISM
6. IMPRESSIONISM
7. POST-IMPRESSIONISM
8. NEO-IMPRESSIONISM
9. ART NOUVEAU
10. FAUVISM
11. CUBISM
12. FUTURISM
•Movement in Europe that
transpired during the late
eighteenth and early nineteenth
centuries.
•Aimed to revive the rekindle
influences of Greek and Roman
into art and architecture.
•There as a call to veer away from
such extravagance in terms of style
and form of the Baroque Period.
NEOCLASSICISM
• Art movement , used the central themes of
Neoclassicist artworks as springboard.
• Romanticist have highlighted heroic
elements into their work.
• Revolutionary movements such as French
Revolution became the focal point of most
Romantic works.
ROMANTICISM
• The major central themes of
Romanticism movement include the
emphasis of goodness of mankind.
• Promotes justice, equality and social
order.
• Emphasizes emotions and feelings of
man.
• Style of work focuses on the
accuracy of details that
depicts and somehow
mirrors reality.
• Heavily influenced by
Hellenistic Greek culture.
• Modern movement in art
veered away from traditional
forms of art.
REALISM
Burial at Ornans
Artwork of Gustave Courbet
IMPRESSIONISM
•Movement started in France wihich led to a break from the
tradition i European painting.
•Style of painting that emerged in the mid- to late 1800s.
•Incorporated scientific principles to achieve more
distinct representation of colors.
•It allows the artists to emphasized immediate impression he
has of a particular event or scene.
The Harbor at Lorient
Artwork of Berthe Morisot
POST-
IMPRESSIONISM
•Movement emerged in France.
•Result of both the influence
and rejection of
Impressionism.
•Development of individual style
that gave emphasis to defining
from with the use of broken
colors and short brush stroke.
•Paul Cezanne, Georges Seurat,
Paul Gaugin andVincent van
Gogh.
Starry Night
Starry Night by Vincent van Gogh
NEO-IMPRESSIONISM
•Painters rely on a systematic and
scientific techniques that have a
predetermined visual effects not only
on the artwork itself but also how
the audience perceive the art.
•Georges Seurat - leading figure of
neo-impressionism.
•his color theories paved the way
for the technique called pointillism-
Art technique basically utilizes
discrete dots and dashes of
pure color.
onism Artwork
• 1890-1910 emerged on Europe and United
States.
• Ornamental style of art that break
conservative historicism.
• Uses long and organic lines that are
concretely manifested in architecture,
jewelry, glass design; assymetrical line that
usually is in the form of insect wings and
flower stalks.
ART NOUVEAU
ouveau
FAUVISM (1900S)
•used vibrant colors by applying
straight from the paint tubes
directly to the canvas.
•Fauves have strong and expressive
reaction to how they portray their
subjects.
•Most fauvist works reject the
conservative and traditional
renderings of three-dimensional space.
•Introduced by Pablo Picasso and Georges
Braque.
•Cubist highlighted the two-dimensional
surface of a picture plane.
•Focusing on a flat surface was rejection of
the dominant techniques like the use of
perspective, foreshortening and modeling.
•New depiction of reality that may appear
fragmented objects of viewers.
CUBISM (1904-1914)
FUTURISM
•Early 20th century art movement started in Italy.
•highlighted speed, energy, dynamism and
power of machines.
•Common themes for works in this movement
are restlessness and the fast-pace of modern life.
•Filippon Tommaso Marinetti Coined the
term “futurism.”
EMERGING ART OF EUROPE Art appreciation.pptx - 20240801_121459.pptx
EMERGING ART OF EUROPE Art appreciation.pptx - 20240801_121459.pptx

EMERGING ART OF EUROPE Art appreciation.pptx - 20240801_121459.pptx

  • 8.
  • 10.
  • 22.
    1. MANNERISM 2. BAROQUE& ROCOCO 3. NEOCLASSICISM 4. ROMANTICISM 5. REALISM 6. IMPRESSIONISM 7. POST-IMPRESSIONISM 8. NEO-IMPRESSIONISM 9. ART NOUVEAU 10. FAUVISM 11. CUBISM 12. FUTURISM
  • 29.
    •Movement in Europethat transpired during the late eighteenth and early nineteenth centuries. •Aimed to revive the rekindle influences of Greek and Roman into art and architecture. •There as a call to veer away from such extravagance in terms of style and form of the Baroque Period. NEOCLASSICISM
  • 31.
    • Art movement, used the central themes of Neoclassicist artworks as springboard. • Romanticist have highlighted heroic elements into their work. • Revolutionary movements such as French Revolution became the focal point of most Romantic works. ROMANTICISM
  • 32.
    • The majorcentral themes of Romanticism movement include the emphasis of goodness of mankind. • Promotes justice, equality and social order. • Emphasizes emotions and feelings of man.
  • 33.
    • Style ofwork focuses on the accuracy of details that depicts and somehow mirrors reality. • Heavily influenced by Hellenistic Greek culture. • Modern movement in art veered away from traditional forms of art. REALISM
  • 34.
    Burial at Ornans Artworkof Gustave Courbet
  • 35.
    IMPRESSIONISM •Movement started inFrance wihich led to a break from the tradition i European painting. •Style of painting that emerged in the mid- to late 1800s. •Incorporated scientific principles to achieve more distinct representation of colors. •It allows the artists to emphasized immediate impression he has of a particular event or scene.
  • 36.
    The Harbor atLorient Artwork of Berthe Morisot
  • 37.
    POST- IMPRESSIONISM •Movement emerged inFrance. •Result of both the influence and rejection of Impressionism. •Development of individual style that gave emphasis to defining from with the use of broken colors and short brush stroke. •Paul Cezanne, Georges Seurat, Paul Gaugin andVincent van Gogh.
  • 38.
    Starry Night Starry Nightby Vincent van Gogh
  • 39.
    NEO-IMPRESSIONISM •Painters rely ona systematic and scientific techniques that have a predetermined visual effects not only on the artwork itself but also how the audience perceive the art. •Georges Seurat - leading figure of neo-impressionism. •his color theories paved the way for the technique called pointillism- Art technique basically utilizes discrete dots and dashes of pure color.
  • 40.
  • 41.
    • 1890-1910 emergedon Europe and United States. • Ornamental style of art that break conservative historicism. • Uses long and organic lines that are concretely manifested in architecture, jewelry, glass design; assymetrical line that usually is in the form of insect wings and flower stalks. ART NOUVEAU
  • 42.
  • 43.
    FAUVISM (1900S) •used vibrantcolors by applying straight from the paint tubes directly to the canvas. •Fauves have strong and expressive reaction to how they portray their subjects. •Most fauvist works reject the conservative and traditional renderings of three-dimensional space.
  • 44.
    •Introduced by PabloPicasso and Georges Braque. •Cubist highlighted the two-dimensional surface of a picture plane. •Focusing on a flat surface was rejection of the dominant techniques like the use of perspective, foreshortening and modeling. •New depiction of reality that may appear fragmented objects of viewers. CUBISM (1904-1914)
  • 45.
    FUTURISM •Early 20th centuryart movement started in Italy. •highlighted speed, energy, dynamism and power of machines. •Common themes for works in this movement are restlessness and the fast-pace of modern life. •Filippon Tommaso Marinetti Coined the term “futurism.”