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Baroque Art
• Referred to as the art produced in the late sixteenth century
• Style
       Less static
       Greater sense of movement and energy
       Appealed to emotions and faith
       Richness in color and ornamentation
       Imagery presented in the most dramatic way
• Baroque era saw conflicts between empires
• Powerful sovereigns
       Empress Maria Theresa of Austria
       Peter the Great
       Catherine the Great
       King Louis XIV
Notable artists in the Baroque Era
• Caravaggio (1573-1610)
   – Renowned for his dramatic use of light and dark
• Artemisia Gentileschi (1593?-1652?)
   – Known for her adaptation of Caravaggio’s techniques
• Gianlorenzo Bernini (1598-1680)
   – A sculptor most famous for The Ecstasy of Saint Teresa
• Peter Paul Rubens (1577-1640)
   – Produced works of great energy and color
• Rembrandt van Rijn (1606-69)
   – Recognized as a great painter, printmaker, and a draftsmen
   – Created some of the best works of the Baroque period
• Diego Velazquez (1599-1660)
   – Builds his figures from patches of color rather than crawing
   – Influenced the Impressionist movement
Conversion of Saint Paul by
       Caravaggio
Night Watch by Rembrandt
Rococo, Neoclassicism, and
                Romanticism
• Rococo
    Extension of baroque period
    Artworks were celebration of gaiety, romance, and frivolity
    Emphasized light-hearted decorations with the use of gold and
     pastel colors
• Neoclassicism
    Revival of interest in the art of classical Greece and Rome
    Emerged in the decades leading up to the Revolution
    Emphasized line, order, and cool detachment
• Romanticism
      Highly imaginative
      Emotional and dreamlike quality
      Favored feeling over reason
      Incorporation of exotic or melodramatic elements
The Swing by Jean-Honoré Fragonard
Realism and Impressionism
• Realism
      Reaction to Neoclassicism
      Inspired by the idea that paintings must illustrate all features of its subjects
      Obligated to show lives of ordinary people
      Gustave Coubert (1819-77)
         Paintings included ordinary workmen repairing road (The Stonebreakers 1849-50)
• Impressionism
    Grew out of the dissatisfaction of realism
    Painters used rapid strokes to capture rapid changing light
    Led to the discovery that shadows were not gray but that they reflected the
     complementary color of the object casting on them
    Edouard Manet (1832-83)- referred to the first impressionist
         Works show juxtaposing light and contrasting colors
         Showed clothed men with nude women  caused an uproar in art community
    Claude Monet (1840-1926)
         Source of the movement’s name
         Encouraged fellow artists to work outdoors
The Stonebreakers by Gustave
          Coubert
Impression Sunset by Claude Monet
Post Impressionism
•   Post-Impressionism
      Paul Cézanne (1839-1906)
             Suggested that painting could be structured as a series of planes with a clear
               foreground, middle ground, and background.
             Objects could all be reduced to its simplest form  development of cubism
      Georges Seurat (1859-91)
             Emphasized on the scientific rules of color
             Applied colors in small dots of complementary colors that blended in the eye of the
               viewer; this is called optical mixing  resulted in static composition
      Vincent van Gogh (1853-90)
             Used theories of contrasting color and very direct application of paint
             Developed the idea that artists should not slavishly imitate the natural world but
               should be intensified to portray inner human emotions
      Paul Gaugin (1843-1903)
             Search for intense light and clear color led him to Tahiti
      Edgar Degas (1834-1917)
             Combined the snapshot style of photography with Japanese like perspective from
               slightly above his subject
•   by the depiction of leaves flowers in flowing, sinuous lines
Other Late 19th Century Developments

 •   Other Late 19th Century Developments
       Pre-Raphaelites
       Dissatisfied with the effects of the Industrial Revolution
            Emphasized nature and sweeping curves  Art Nouveau
       Art Nouveau
            Style of decoration, architecture, and design characterized by
             the depiction of leaves flowers in flowing, sinuous lines
The Night Café by Vincent van
           Gogh

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Overview of Western Art and Non Western Art Part 2

  • 1. Baroque Art • Referred to as the art produced in the late sixteenth century • Style  Less static  Greater sense of movement and energy  Appealed to emotions and faith  Richness in color and ornamentation  Imagery presented in the most dramatic way • Baroque era saw conflicts between empires • Powerful sovereigns  Empress Maria Theresa of Austria  Peter the Great  Catherine the Great  King Louis XIV
  • 2. Notable artists in the Baroque Era • Caravaggio (1573-1610) – Renowned for his dramatic use of light and dark • Artemisia Gentileschi (1593?-1652?) – Known for her adaptation of Caravaggio’s techniques • Gianlorenzo Bernini (1598-1680) – A sculptor most famous for The Ecstasy of Saint Teresa • Peter Paul Rubens (1577-1640) – Produced works of great energy and color • Rembrandt van Rijn (1606-69) – Recognized as a great painter, printmaker, and a draftsmen – Created some of the best works of the Baroque period • Diego Velazquez (1599-1660) – Builds his figures from patches of color rather than crawing – Influenced the Impressionist movement
  • 3. Conversion of Saint Paul by Caravaggio
  • 4. Night Watch by Rembrandt
  • 5. Rococo, Neoclassicism, and Romanticism • Rococo  Extension of baroque period  Artworks were celebration of gaiety, romance, and frivolity  Emphasized light-hearted decorations with the use of gold and pastel colors • Neoclassicism  Revival of interest in the art of classical Greece and Rome  Emerged in the decades leading up to the Revolution  Emphasized line, order, and cool detachment • Romanticism  Highly imaginative  Emotional and dreamlike quality  Favored feeling over reason  Incorporation of exotic or melodramatic elements
  • 6. The Swing by Jean-Honoré Fragonard
  • 7. Realism and Impressionism • Realism  Reaction to Neoclassicism  Inspired by the idea that paintings must illustrate all features of its subjects  Obligated to show lives of ordinary people  Gustave Coubert (1819-77)  Paintings included ordinary workmen repairing road (The Stonebreakers 1849-50) • Impressionism  Grew out of the dissatisfaction of realism  Painters used rapid strokes to capture rapid changing light  Led to the discovery that shadows were not gray but that they reflected the complementary color of the object casting on them  Edouard Manet (1832-83)- referred to the first impressionist  Works show juxtaposing light and contrasting colors  Showed clothed men with nude women  caused an uproar in art community  Claude Monet (1840-1926)  Source of the movement’s name  Encouraged fellow artists to work outdoors
  • 8. The Stonebreakers by Gustave Coubert
  • 9. Impression Sunset by Claude Monet
  • 10. Post Impressionism • Post-Impressionism  Paul Cézanne (1839-1906)  Suggested that painting could be structured as a series of planes with a clear foreground, middle ground, and background.  Objects could all be reduced to its simplest form  development of cubism  Georges Seurat (1859-91)  Emphasized on the scientific rules of color  Applied colors in small dots of complementary colors that blended in the eye of the viewer; this is called optical mixing  resulted in static composition  Vincent van Gogh (1853-90)  Used theories of contrasting color and very direct application of paint  Developed the idea that artists should not slavishly imitate the natural world but should be intensified to portray inner human emotions  Paul Gaugin (1843-1903)  Search for intense light and clear color led him to Tahiti  Edgar Degas (1834-1917)  Combined the snapshot style of photography with Japanese like perspective from slightly above his subject • by the depiction of leaves flowers in flowing, sinuous lines
  • 11. Other Late 19th Century Developments • Other Late 19th Century Developments  Pre-Raphaelites  Dissatisfied with the effects of the Industrial Revolution  Emphasized nature and sweeping curves  Art Nouveau  Art Nouveau  Style of decoration, architecture, and design characterized by the depiction of leaves flowers in flowing, sinuous lines
  • 12. The Night Café by Vincent van Gogh