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Fake News, Algorithmic Accountability and the
Role of Data Journalism in the Post-Truth Era
Liliana Bounegru (@bb_liliana)
University of Groningen (NL)
University of Ghent (BE)
Digital Methods Initiative, University of Amsterdam (NL)
Jonathan Gray (@jwyg)
Institute for Policy Research, University of Bath (UK)
Digital Methods Initiative, University of Amsterdam (NL)
BACKGROUND
PREVIEW
NEXT STEPS
BACKGROUND
PREVIEW
NEXT STEPS
FROM CONTENT TO CIRCULATION?
BACKGROUND
PREVIEW
NEXT STEPS
FOUR PROPOSITIONS FOR THE STUDY OF FAKE NEWS
1. Not an unitary fake news phenomenon but
different shades of fakeness.
The case of Russian information campaigning
online.
2. False knowledge claims are not born fake
news; they are inseparable from the publics,
platforms and infrastructures that make them
possible.
Mapping the circulation and publics of fake news
online.
3. Successful fabrications are not limited to the
“news” format; different formats perform well
on different platforms.
The case of memes as vectors of post-truth politics
on Facebook.
4. Difference between ‘real’ and ‘fake’ news not
just about claims being made; they are
underpinned by different production histories.
The techno-commercial infrastructure of fake
news.
1. DIFFERENT SHADES OF FAKENESS:
THE CASE OF RUSSIAN INFORMATION
CAMPAIGNING ONLINE
2. FALSE KNOWLEDGE CLAIMS ARE
NOT BORN FAKE NEWS
MAPPING THE CIRCULATION AND
PUBLICS OF FAKE NEWS ONLINE
2.1 MAPPING FAKE NEWS
HOTSPOTS ON FACEBOOK
2.2 MAPPING THE CIRCULATION
OF FAKE NEWS WITH GOOGLE
3. BEST PERFORMING
FORMATS OF FAKENESS
FROM “FAKE NEWS” TO MEMES
4. ‘REAL’ AND ‘FAKE’ NEWS HAVE
DIFFERENT PRODUCTION HISTORIES
THE TECHNO-COMMERCIAL
INFRASTRUCTURES OF FAKE NEWS
FAKE NEWS AND
ALGORITHMIC ACCOUNTABILITY
BACKGROUND
PREVIEW
NEXT STEPS
M. S. Abildgaard, A. Birkbak, L. Bounegru, J. Gray, M. Jacomy, A. K. Madsen, A.
K. Munk (forthcoming) “Fake News: Seven Lines of Inquiry”.
DATA SPRINT IN AMSTERDAM
50+ RESEARCHERS
5 DAYS
Project facilitators: Liliana Bounegru, Jonathan Gray, Richard Rogers, Tommaso Venturini, Mathieu Jacomy, Erik Borra, Marc Tuters,
Natalia Sanchez, Esther Weltevrede, Sabine Niederer, Nicolas Baya-Laffite, Bilel Benbouzid, Anders Munk, Alex Gekker.
Analysts: Lisanne Blomberg, Michel Blonk, Talia Castellanos Usigli, Ecesu Erol, Maria Hayat, Stefani Mans, Marlene Scherf, Zoë
Versteegen, Pieter Vliegenthart, Stefanie Voortman, Mintsje de Witte, Manon van Hoek, Charlotte Leclercq, Cristiaan van Wijk, Joep
Voorn, Sal Hagen, Lieke Kersten, Daniela Demarchi, Katerina Gladkova, Rina Tsubaki, Kaspar Beelen, Daniel Bach, Anders Grundtvig,
Asger Gehrt Olesen, Asbjørn Fleinert Mathiasen, Mischa Benjamin Szpirt, Emil Grosby Jørgensen, Ronja Ingeborg Lofstad, Antonio
Martella, Emillie Victoria de Keulenaar, Carlo Santagiustina.
Graphic designers: Tommaso Elli, Angeles Briones, Gabriele Colombo, Carlo Gaetano, Mariasilvia Poltronieri, Michele Invernizzi, Agata
Brilli.
Programmers: Emile den Tex, Erik Borra, Jorn Preuss.

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Fake News, Algorithmic Accountability and the Role of Data Journalism in the Post-Truth Era

  • 1. Fake News, Algorithmic Accountability and the Role of Data Journalism in the Post-Truth Era Liliana Bounegru (@bb_liliana) University of Groningen (NL) University of Ghent (BE) Digital Methods Initiative, University of Amsterdam (NL) Jonathan Gray (@jwyg) Institute for Policy Research, University of Bath (UK) Digital Methods Initiative, University of Amsterdam (NL)
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  • 8. FROM CONTENT TO CIRCULATION?
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  • 13. FOUR PROPOSITIONS FOR THE STUDY OF FAKE NEWS 1. Not an unitary fake news phenomenon but different shades of fakeness. The case of Russian information campaigning online. 2. False knowledge claims are not born fake news; they are inseparable from the publics, platforms and infrastructures that make them possible. Mapping the circulation and publics of fake news online. 3. Successful fabrications are not limited to the “news” format; different formats perform well on different platforms. The case of memes as vectors of post-truth politics on Facebook. 4. Difference between ‘real’ and ‘fake’ news not just about claims being made; they are underpinned by different production histories. The techno-commercial infrastructure of fake news.
  • 14. 1. DIFFERENT SHADES OF FAKENESS: THE CASE OF RUSSIAN INFORMATION CAMPAIGNING ONLINE
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  • 18. 2. FALSE KNOWLEDGE CLAIMS ARE NOT BORN FAKE NEWS MAPPING THE CIRCULATION AND PUBLICS OF FAKE NEWS ONLINE
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  • 20. 2.1 MAPPING FAKE NEWS HOTSPOTS ON FACEBOOK
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  • 25. 2.2 MAPPING THE CIRCULATION OF FAKE NEWS WITH GOOGLE
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  • 30. 3. BEST PERFORMING FORMATS OF FAKENESS FROM “FAKE NEWS” TO MEMES
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  • 36. 4. ‘REAL’ AND ‘FAKE’ NEWS HAVE DIFFERENT PRODUCTION HISTORIES THE TECHNO-COMMERCIAL INFRASTRUCTURES OF FAKE NEWS
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  • 42. FAKE NEWS AND ALGORITHMIC ACCOUNTABILITY
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  • 45. M. S. Abildgaard, A. Birkbak, L. Bounegru, J. Gray, M. Jacomy, A. K. Madsen, A. K. Munk (forthcoming) “Fake News: Seven Lines of Inquiry”.
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  • 49. DATA SPRINT IN AMSTERDAM 50+ RESEARCHERS 5 DAYS Project facilitators: Liliana Bounegru, Jonathan Gray, Richard Rogers, Tommaso Venturini, Mathieu Jacomy, Erik Borra, Marc Tuters, Natalia Sanchez, Esther Weltevrede, Sabine Niederer, Nicolas Baya-Laffite, Bilel Benbouzid, Anders Munk, Alex Gekker. Analysts: Lisanne Blomberg, Michel Blonk, Talia Castellanos Usigli, Ecesu Erol, Maria Hayat, Stefani Mans, Marlene Scherf, Zoë Versteegen, Pieter Vliegenthart, Stefanie Voortman, Mintsje de Witte, Manon van Hoek, Charlotte Leclercq, Cristiaan van Wijk, Joep Voorn, Sal Hagen, Lieke Kersten, Daniela Demarchi, Katerina Gladkova, Rina Tsubaki, Kaspar Beelen, Daniel Bach, Anders Grundtvig, Asger Gehrt Olesen, Asbjørn Fleinert Mathiasen, Mischa Benjamin Szpirt, Emil Grosby Jørgensen, Ronja Ingeborg Lofstad, Antonio Martella, Emillie Victoria de Keulenaar, Carlo Santagiustina. Graphic designers: Tommaso Elli, Angeles Briones, Gabriele Colombo, Carlo Gaetano, Mariasilvia Poltronieri, Michele Invernizzi, Agata Brilli. Programmers: Emile den Tex, Erik Borra, Jorn Preuss.