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Evaluation –
During my assignment of my final major project my production of my final water
colour started with the research into my selected time and story. I decided that I
had to choose themes and ideas that suited and best match what I was writing
about in my brief and spoke about in my pitch. I found the process both a
challenge and an open opportunity to do with it what I want. So when I started
the production I started by creating mood boards and brainstorms of how I
wanted my water colour and final design to look and how I wanted it to fit into
my game. The difficulty with creating my design is the fact that I chose to create a
futuristic character that wore retro type clothing, so long worn coat and clothing
of the same wear and tare. The mood boards in my production log show these
types of clothing and designs so once I had compiled these images and drawn
from them, I saw a clear and easy design for my final character. When I started
my final product I decided to make a simple sketch of my character, then later I
added water colour for my finished project. Adding water colour to the sketch
was difficult because I needed to find the right balance between the water, paint
and shade so that it would not be simple and a mess by the time I finished the
water coloring of my picture. I also knew that once I had started the water colour
on a specific segment there was no going back to change what I had previously
drawn. Overall I found my FMP difficult and challenging as I had to work
independently for the project and all the research and production was up to me
to find and compile into a production log and meet within the boundaries of the
schedule.

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Final Project Watercolour Character Design Process

  • 1. Evaluation – During my assignment of my final major project my production of my final water colour started with the research into my selected time and story. I decided that I had to choose themes and ideas that suited and best match what I was writing about in my brief and spoke about in my pitch. I found the process both a challenge and an open opportunity to do with it what I want. So when I started the production I started by creating mood boards and brainstorms of how I wanted my water colour and final design to look and how I wanted it to fit into my game. The difficulty with creating my design is the fact that I chose to create a futuristic character that wore retro type clothing, so long worn coat and clothing of the same wear and tare. The mood boards in my production log show these types of clothing and designs so once I had compiled these images and drawn from them, I saw a clear and easy design for my final character. When I started my final product I decided to make a simple sketch of my character, then later I added water colour for my finished project. Adding water colour to the sketch was difficult because I needed to find the right balance between the water, paint and shade so that it would not be simple and a mess by the time I finished the water coloring of my picture. I also knew that once I had started the water colour on a specific segment there was no going back to change what I had previously drawn. Overall I found my FMP difficult and challenging as I had to work independently for the project and all the research and production was up to me to find and compile into a production log and meet within the boundaries of the schedule.