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Erving Goffman and ‘case of’ the Dramaturgical Analogy ‘ All the World is a stage’  (from As You Like It by Shakespeare)
Society as Drama ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],Performance
Props ,[object Object],[object Object],[object Object],[object Object]
Front stage = these are the areas where we are maintaining our impressions and performing
Backstage = this is where we relax and let our impression slip so that it may contradict our front stage persona.  It may also serve as an alternative front stage for another performance we are giving
Sometimes the mask slips and we jeopardise our performance Other actors in the social drama may conspire with us to cover these up – we work as teams At other times this leads to us retiring from that role
Role Distance ,[object Object],[object Object],[object Object],[object Object]
Roles and POWER ,[object Object],[object Object],[object Object],[object Object],[object Object]
Strengths (Symbolic Interactionism) ,[object Object],[object Object],[object Object],[object Object]
Weaknesses – Symbolic Interactionism ,[object Object],[object Object],[object Object],[object Object]

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Erving Gofffman

  • 1. Erving Goffman and ‘case of’ the Dramaturgical Analogy ‘ All the World is a stage’ (from As You Like It by Shakespeare)
  • 2.
  • 3.
  • 4.
  • 5. Front stage = these are the areas where we are maintaining our impressions and performing
  • 6. Backstage = this is where we relax and let our impression slip so that it may contradict our front stage persona. It may also serve as an alternative front stage for another performance we are giving
  • 7. Sometimes the mask slips and we jeopardise our performance Other actors in the social drama may conspire with us to cover these up – we work as teams At other times this leads to us retiring from that role
  • 8.
  • 9.
  • 10.
  • 11.