The document provides information on various digital television standards and technologies including HDTV, ATSC, DVB, and ISDB. It summarizes:
- HDTV standards define resolutions of 1080 or 720 lines using 16:9 aspect ratio, and can be transmitted using ATSC in North America, DVB-T in Europe, and ISDB-T in Japan.
- The ATSC standard supports resolutions up to 1080p for HDTV and lower resolutions for SDTV, using 8-VSB or 16-VSB modulation. DVB-T uses COFDM modulation and supports QAM. ISDB-T uses BST-COFDM modulation.
- The document also
This document provides an overview of digital television (DTV) standards and technologies. It discusses:
1. The DVB standard architecture and key components like MPEG transport streams.
2. Video and audio coding standards used in DTV like MPEG-1, MPEG-2, MPEG-4, and H.264.
3. The ATSC digital television standard developed in the United States, including its use of 8-VSB modulation, forward error correction techniques, and the "cliff effect" in reception.
This document provides an introduction to digital television. It discusses analog TV standards and the conversion to digital with ITU-BT.601 and BT.709 defining digital video formats. It describes MPEG-2 transport streams and tables for encoding digital TV signals. Standards for digital terrestrial, satellite and cable broadcasting networks are also summarized.
Serial Digital Interface (SDI), From SD-SDI to 24G-SDI, Part 2Dr. Mohieddin Moradi
This document discusses high definition video standards including SMPTE 274M, 292M, 372M and dual link SDI formats. It provides details on:
- The HD-SDI standards that define 1080p and 720p video formats and carriage through 1.5Gb/s serial digital interface.
- The timing reference signal codes used in HD-SDI to identify lines and perform error checking.
- How a 12-bit color depth can be achieved within the dual link standard by mapping the additional bits across both links.
- The benefits of 3Gb/s SDI and dual link formats for working at higher resolutions and color spaces prior to finishing.
- Early experiments with high definition television transmission began in the 1930s in Britain and France, using 240 lines of resolution.
- The USSR developed the first television capable of 1,125 lines of resolution in 1958 aimed at military teleconferencing.
- In the 1960s, development of what we now consider HDTV began in Japan and was marketed to consumers in 1979.
- Key moments in the 1980s included HDTV demonstrations in the US and the first HDTV broadcasts of the Olympic Games.
This document provides an overview and comparison of the H.264 and HEVC video coding standards. It describes the key features and innovations that allow each standard to compress video more efficiently than previous standards. H.264 introduced features like adaptive block sizes, multi-frame prediction, quarter-pixel motion compensation and loop filtering that improved compression performance over prior standards. HEVC aims to further increase compression efficiency through innovations such as larger coding tree blocks, additional intra-prediction modes, and improved entropy coding. The document analyzes these standards to understand how their new coding tools enable significantly higher compression ratios and support for new applications like higher resolution video.
Serial Digital Interface (SDI), From SD-SDI to 24G-SDI, Part 1Dr. Mohieddin Moradi
The document discusses standards for serial digital interface (SDI) video signals. It provides information on:
- Early SDI standards including SMPTE 259M for SD-SDI at 270Mbps and how they standardized a serial digital video connection.
- Video signal sampling structures and resolutions for SD, HD, and UHD formats.
- The development of higher data rate SDI standards up to 12G-SDI and 24G-SDI to support higher resolution video.
- Electrical parameters and cable distance limitations for different SDI data rates.
Mobile Communication Broadcast System Jochen SchillerSonali Chauhan
Unidirectional broadcast systems like radio and television distribute information to many users regardless of individual needs. As these systems transition to digital formats, they will be able to transmit multimedia content like audio, video and images at low cost alongside traditional broadcasts. Digital Audio Broadcasting (DAB) uses orthogonal frequency-division multiplexing (OFDM) and other techniques to transmit digital signals by radio.
Digital radio uses digital coding instead of analog signals to convert sound into binary data for transmission and reception. It allows for more efficient use of frequencies, improved reception quality including in mobile situations, and enables new features like time shifting. Digital radio broadcasting is done through various methods including internet radio, cable, terrestrial systems like DAB/DAB+/DMB, and satellite. While digital radio broadcasting has been adopted in many countries, analog radio still exists in other areas.
This document provides an overview of digital television (DTV) standards and technologies. It discusses:
1. The DVB standard architecture and key components like MPEG transport streams.
2. Video and audio coding standards used in DTV like MPEG-1, MPEG-2, MPEG-4, and H.264.
3. The ATSC digital television standard developed in the United States, including its use of 8-VSB modulation, forward error correction techniques, and the "cliff effect" in reception.
This document provides an introduction to digital television. It discusses analog TV standards and the conversion to digital with ITU-BT.601 and BT.709 defining digital video formats. It describes MPEG-2 transport streams and tables for encoding digital TV signals. Standards for digital terrestrial, satellite and cable broadcasting networks are also summarized.
Serial Digital Interface (SDI), From SD-SDI to 24G-SDI, Part 2Dr. Mohieddin Moradi
This document discusses high definition video standards including SMPTE 274M, 292M, 372M and dual link SDI formats. It provides details on:
- The HD-SDI standards that define 1080p and 720p video formats and carriage through 1.5Gb/s serial digital interface.
- The timing reference signal codes used in HD-SDI to identify lines and perform error checking.
- How a 12-bit color depth can be achieved within the dual link standard by mapping the additional bits across both links.
- The benefits of 3Gb/s SDI and dual link formats for working at higher resolutions and color spaces prior to finishing.
- Early experiments with high definition television transmission began in the 1930s in Britain and France, using 240 lines of resolution.
- The USSR developed the first television capable of 1,125 lines of resolution in 1958 aimed at military teleconferencing.
- In the 1960s, development of what we now consider HDTV began in Japan and was marketed to consumers in 1979.
- Key moments in the 1980s included HDTV demonstrations in the US and the first HDTV broadcasts of the Olympic Games.
This document provides an overview and comparison of the H.264 and HEVC video coding standards. It describes the key features and innovations that allow each standard to compress video more efficiently than previous standards. H.264 introduced features like adaptive block sizes, multi-frame prediction, quarter-pixel motion compensation and loop filtering that improved compression performance over prior standards. HEVC aims to further increase compression efficiency through innovations such as larger coding tree blocks, additional intra-prediction modes, and improved entropy coding. The document analyzes these standards to understand how their new coding tools enable significantly higher compression ratios and support for new applications like higher resolution video.
Serial Digital Interface (SDI), From SD-SDI to 24G-SDI, Part 1Dr. Mohieddin Moradi
The document discusses standards for serial digital interface (SDI) video signals. It provides information on:
- Early SDI standards including SMPTE 259M for SD-SDI at 270Mbps and how they standardized a serial digital video connection.
- Video signal sampling structures and resolutions for SD, HD, and UHD formats.
- The development of higher data rate SDI standards up to 12G-SDI and 24G-SDI to support higher resolution video.
- Electrical parameters and cable distance limitations for different SDI data rates.
Mobile Communication Broadcast System Jochen SchillerSonali Chauhan
Unidirectional broadcast systems like radio and television distribute information to many users regardless of individual needs. As these systems transition to digital formats, they will be able to transmit multimedia content like audio, video and images at low cost alongside traditional broadcasts. Digital Audio Broadcasting (DAB) uses orthogonal frequency-division multiplexing (OFDM) and other techniques to transmit digital signals by radio.
Digital radio uses digital coding instead of analog signals to convert sound into binary data for transmission and reception. It allows for more efficient use of frequencies, improved reception quality including in mobile situations, and enables new features like time shifting. Digital radio broadcasting is done through various methods including internet radio, cable, terrestrial systems like DAB/DAB+/DMB, and satellite. While digital radio broadcasting has been adopted in many countries, analog radio still exists in other areas.
Korea was the first country to broadcast UHDTV (Ultra High Definition Television) over DVB-T2 starting in 2012 at 30fps. By 2014, major Korean broadcasters were transmitting their own UHDTV programs at 60fps over DVB-T2 to cover the Seoul metropolitan area. This case study discusses the technical challenges of delivering UHDTV over terrestrial transmission in Seoul, such as achieving 60fps live transmission, providing coverage across Seoul's single frequency network, and targeting both rooftop and indoor reception within a 6MHz bandwidth. The use of HEVC encoding and improvements to it will be key to meeting these challenges at data rates below 20Mbps needed for error-free indoor reception.
The document provides an overview of DVB-H (Digital Video Broadcasting - Handheld), a standard for delivering television and video services to mobile devices. It discusses key aspects of DVB-H including its technical implementation based on DVB-T, protocols like IPDC (IP Datacast) and MPE-FEC, and services like hierarchical offerings and parallel services. The presentation concludes that DVB-H provides a fully standardized end-to-end mobile TV service that is backward compatible, developed new features for mobiles, is IP-based, and is being tested and rolled out worldwide and in North America.
The document discusses several topics related to digital broadcasting systems including:
1. DAB architecture and DVB container which are used for digital audio/video broadcasting over different mediums.
2. Unidirectional distribution systems which have limitations due to asymmetric bandwidth but can optimize transmissions through techniques like cyclic repetition.
3. Digital Audio Broadcasting (DAB) standards which use COFDM to transmit multiple audio and data services over radio frequencies with high quality and robustness.
This document discusses key elements that contribute to high quality image production, including spatial resolution, frame rate, dynamic range, color gamut, bit depth, and compression artifacts. It examines these elements in the context of 4K and 8K broadcast cameras and their advantages over HD. Factors like wider viewing angles, increased perceived motion, and benefits for nature documentaries are cited as motivations for 8K. Technical details covered include lens flange back distance, flare, shading, chromatic aberration, and testing procedures. Overall quality is represented as a function of these various image quality factors.
This document provides an overview of digital terrestrial television (DVB-T) and mobile television (DVB-H) broadcasting standards and testing using Anritsu's MG3700A vector signal generator. It describes the key digital video broadcasting specifications and standards adopted worldwide, including ATSC, DVB-T, ISDB-T, DVB-H, and ISDB-Tsb. It also provides block diagrams of DVB-T/H systems and discusses channel frequencies and modulation schemes.
This document provides an overview of LTE vs 3G technologies. It discusses LTE's motivations including higher data rates and spectral efficiency. It covers MIMO definitions and how to calculate LTE and 3G throughput. It also compares the architectures, access technologies, physical resources, frames, and channels of LTE, 3G, and 2G. Key aspects of LTE performance are highlighted such as scalable bandwidth and flat IP architecture.
The document provides an overview of analog and digital TV systems. It discusses the evolution from analog black and white TV to digital TV standards like ATSC, DVB, and ISDB. Analog TV systems used technologies like NTSC and PAL to transmit color images in an analog format, while digital TV systems compress and transmit audio and video digitally using standards like MPEG. Digital TV offers benefits like improved picture quality, more efficient use of spectrum, and the ability to deliver additional content like data broadcasting.
The document provides an overview of key elements and trends in high-quality image production, including spatial resolution, temporal resolution, dynamic range, color gamut, quantization, and related technologies. It discusses technologies like HD, UHD, HDR and WCG and how they improve the total quality of experience. Images and charts are included to illustrate comparisons of technologies and results from industry surveys on trends and commercial projects.
This white paper discusses how the transition to high definition television (HDTV) standards is impacting the video surveillance market. HDTV provides much higher resolution than traditional analog TV through standards like 1080p and 720p. These HDTV standards ensure high image quality, resolution and frame rates that are valuable for surveillance applications requiring clear identification. As compression technologies advanced, it became possible to efficiently transmit the high data of HDTV, leading to its adoption in video surveillance cameras.
EFFECTS OF FILTERS ON DVB-T RECEIVER PERFORMANCE UNDER AWGN, RAYLEIGH, AND RI...IJCNCJournal
This document discusses filters used in DVB-T receivers and their effect on performance under different channel conditions. It investigates DVB-T system performance under AWGN, Rayleigh, and Ricean fading channels. It also examines using Butterworth, Chebyshev, and elliptic filters in the receiver to improve performance. The simulation results show that carefully selecting the receiver filter based on the channel conditions can optimize DVB-T system performance.
VIDEO QUALITY ENHANCEMENT IN BROADCAST CHAIN, OPPORTUNITIES & CHALLENGESDr. Mohieddin Moradi
This document discusses elements of high-quality image production for television broadcasting such as spatial resolution, frame rate, dynamic range, color gamut, quantization, and total quality of experience. It outlines these elements and provides examples of their implementation in HD, UHD1, and UHD2 formats. Motivations for 8K and 4K broadcasting are discussed related to improved image quality, new applications, and bandwidth efficiency trends. Implementation examples of 4K and 8K broadcasting systems from Japan, Korea, Sweden, and the UK are also summarized.
This document discusses various MIMO techniques including single-user and multi-user MIMO. It begins with an overview of STBC, which is used in 802.11ac and provides transmit diversity with low cost. Spatial multiplexing allows multiple parallel channels to improve throughput. For single-user MIMO, transmit beamforming enhances signal reception through precoding techniques like SVD that establish parallel channels. Multi-user MIMO further increases capacity but introduces interference that must be managed through precoding and receiver techniques like zero-forcing. Channel feedback is also required to implement beamforming and precoding.
Digital Radio Mondiale (DRM) is a global open digital radio standard developed as an improvement over analog AM broadcasting which suffers from low audio quality, interference, fading, and high operating costs. DRM converts audio to digital, multiplexes it with other data, applies channel coding for transmission robustness, and modulates the coded data onto radio frequencies, offering better audio quality, signal-to-noise ratio, and less distortion than analog AM radio.
The document discusses video compression history and standards, including codecs such as H.261, H.262/MPEG-2, H.263, H.264/AVC, H.265/HEVC, and the roles of organizations like MPEG, VCEG, and ITU-T in developing video coding standards to ensure interoperability. It also covers video encoding and decoding principles, as well as common container formats and their applications in areas like broadcasting, streaming, and storage.
This document provides an overview of color video signals and color perception by the human visual system. It discusses:
1. The sensitivity of human cone cells to different wavelengths of light and how this determines color perception.
2. How color video signals like YUV, RGB, and composite video encode color and brightness information.
3. Standards for analog color television transmission including NTSC, PAL, and SECAM which differ in aspects like lines, frame rate, and color encoding.
Excerpts from the HEVC / H265 Hands-on course.
This parts of the course explains how to download the reference code (HM) compile it configure it and analyze the video output
This document describes a student's thesis project on implementing an OFDM communication system using three DSP boards to represent the transmitter, channel, and receiver. The goals of the project were to accurately synchronize data packets in the OFDM system and simulate the wireless channel and effects of noise. At the transmitter, a preamble signal and additive white Gaussian noise were added to simulate the full system and enable synchronization. The receiver used delay and correlation algorithms for packet detection. Performance was analyzed by measuring bit error rate and packet missing rate over simulated wireless channels with varying signal-to-noise ratios. The system was able to reconstruct the original voice signal, demonstrating its potential for various communication applications.
NEA Update on Creative Placemaking Research and ProgramsPlace Maker
Sunil Iyengar, Director, Office of Research and Analysis, National Endowment for the Arts, will present the NEA’s latest research and thinking on creative placemaking in America and will be joined by Jason Schupbach, Design Director who will provide and update on NEA creative placemaking programs.
Korea was the first country to broadcast UHDTV (Ultra High Definition Television) over DVB-T2 starting in 2012 at 30fps. By 2014, major Korean broadcasters were transmitting their own UHDTV programs at 60fps over DVB-T2 to cover the Seoul metropolitan area. This case study discusses the technical challenges of delivering UHDTV over terrestrial transmission in Seoul, such as achieving 60fps live transmission, providing coverage across Seoul's single frequency network, and targeting both rooftop and indoor reception within a 6MHz bandwidth. The use of HEVC encoding and improvements to it will be key to meeting these challenges at data rates below 20Mbps needed for error-free indoor reception.
The document provides an overview of DVB-H (Digital Video Broadcasting - Handheld), a standard for delivering television and video services to mobile devices. It discusses key aspects of DVB-H including its technical implementation based on DVB-T, protocols like IPDC (IP Datacast) and MPE-FEC, and services like hierarchical offerings and parallel services. The presentation concludes that DVB-H provides a fully standardized end-to-end mobile TV service that is backward compatible, developed new features for mobiles, is IP-based, and is being tested and rolled out worldwide and in North America.
The document discusses several topics related to digital broadcasting systems including:
1. DAB architecture and DVB container which are used for digital audio/video broadcasting over different mediums.
2. Unidirectional distribution systems which have limitations due to asymmetric bandwidth but can optimize transmissions through techniques like cyclic repetition.
3. Digital Audio Broadcasting (DAB) standards which use COFDM to transmit multiple audio and data services over radio frequencies with high quality and robustness.
This document discusses key elements that contribute to high quality image production, including spatial resolution, frame rate, dynamic range, color gamut, bit depth, and compression artifacts. It examines these elements in the context of 4K and 8K broadcast cameras and their advantages over HD. Factors like wider viewing angles, increased perceived motion, and benefits for nature documentaries are cited as motivations for 8K. Technical details covered include lens flange back distance, flare, shading, chromatic aberration, and testing procedures. Overall quality is represented as a function of these various image quality factors.
This document provides an overview of digital terrestrial television (DVB-T) and mobile television (DVB-H) broadcasting standards and testing using Anritsu's MG3700A vector signal generator. It describes the key digital video broadcasting specifications and standards adopted worldwide, including ATSC, DVB-T, ISDB-T, DVB-H, and ISDB-Tsb. It also provides block diagrams of DVB-T/H systems and discusses channel frequencies and modulation schemes.
This document provides an overview of LTE vs 3G technologies. It discusses LTE's motivations including higher data rates and spectral efficiency. It covers MIMO definitions and how to calculate LTE and 3G throughput. It also compares the architectures, access technologies, physical resources, frames, and channels of LTE, 3G, and 2G. Key aspects of LTE performance are highlighted such as scalable bandwidth and flat IP architecture.
The document provides an overview of analog and digital TV systems. It discusses the evolution from analog black and white TV to digital TV standards like ATSC, DVB, and ISDB. Analog TV systems used technologies like NTSC and PAL to transmit color images in an analog format, while digital TV systems compress and transmit audio and video digitally using standards like MPEG. Digital TV offers benefits like improved picture quality, more efficient use of spectrum, and the ability to deliver additional content like data broadcasting.
The document provides an overview of key elements and trends in high-quality image production, including spatial resolution, temporal resolution, dynamic range, color gamut, quantization, and related technologies. It discusses technologies like HD, UHD, HDR and WCG and how they improve the total quality of experience. Images and charts are included to illustrate comparisons of technologies and results from industry surveys on trends and commercial projects.
This white paper discusses how the transition to high definition television (HDTV) standards is impacting the video surveillance market. HDTV provides much higher resolution than traditional analog TV through standards like 1080p and 720p. These HDTV standards ensure high image quality, resolution and frame rates that are valuable for surveillance applications requiring clear identification. As compression technologies advanced, it became possible to efficiently transmit the high data of HDTV, leading to its adoption in video surveillance cameras.
EFFECTS OF FILTERS ON DVB-T RECEIVER PERFORMANCE UNDER AWGN, RAYLEIGH, AND RI...IJCNCJournal
This document discusses filters used in DVB-T receivers and their effect on performance under different channel conditions. It investigates DVB-T system performance under AWGN, Rayleigh, and Ricean fading channels. It also examines using Butterworth, Chebyshev, and elliptic filters in the receiver to improve performance. The simulation results show that carefully selecting the receiver filter based on the channel conditions can optimize DVB-T system performance.
VIDEO QUALITY ENHANCEMENT IN BROADCAST CHAIN, OPPORTUNITIES & CHALLENGESDr. Mohieddin Moradi
This document discusses elements of high-quality image production for television broadcasting such as spatial resolution, frame rate, dynamic range, color gamut, quantization, and total quality of experience. It outlines these elements and provides examples of their implementation in HD, UHD1, and UHD2 formats. Motivations for 8K and 4K broadcasting are discussed related to improved image quality, new applications, and bandwidth efficiency trends. Implementation examples of 4K and 8K broadcasting systems from Japan, Korea, Sweden, and the UK are also summarized.
This document discusses various MIMO techniques including single-user and multi-user MIMO. It begins with an overview of STBC, which is used in 802.11ac and provides transmit diversity with low cost. Spatial multiplexing allows multiple parallel channels to improve throughput. For single-user MIMO, transmit beamforming enhances signal reception through precoding techniques like SVD that establish parallel channels. Multi-user MIMO further increases capacity but introduces interference that must be managed through precoding and receiver techniques like zero-forcing. Channel feedback is also required to implement beamforming and precoding.
Digital Radio Mondiale (DRM) is a global open digital radio standard developed as an improvement over analog AM broadcasting which suffers from low audio quality, interference, fading, and high operating costs. DRM converts audio to digital, multiplexes it with other data, applies channel coding for transmission robustness, and modulates the coded data onto radio frequencies, offering better audio quality, signal-to-noise ratio, and less distortion than analog AM radio.
The document discusses video compression history and standards, including codecs such as H.261, H.262/MPEG-2, H.263, H.264/AVC, H.265/HEVC, and the roles of organizations like MPEG, VCEG, and ITU-T in developing video coding standards to ensure interoperability. It also covers video encoding and decoding principles, as well as common container formats and their applications in areas like broadcasting, streaming, and storage.
This document provides an overview of color video signals and color perception by the human visual system. It discusses:
1. The sensitivity of human cone cells to different wavelengths of light and how this determines color perception.
2. How color video signals like YUV, RGB, and composite video encode color and brightness information.
3. Standards for analog color television transmission including NTSC, PAL, and SECAM which differ in aspects like lines, frame rate, and color encoding.
Excerpts from the HEVC / H265 Hands-on course.
This parts of the course explains how to download the reference code (HM) compile it configure it and analyze the video output
This document describes a student's thesis project on implementing an OFDM communication system using three DSP boards to represent the transmitter, channel, and receiver. The goals of the project were to accurately synchronize data packets in the OFDM system and simulate the wireless channel and effects of noise. At the transmitter, a preamble signal and additive white Gaussian noise were added to simulate the full system and enable synchronization. The receiver used delay and correlation algorithms for packet detection. Performance was analyzed by measuring bit error rate and packet missing rate over simulated wireless channels with varying signal-to-noise ratios. The system was able to reconstruct the original voice signal, demonstrating its potential for various communication applications.
NEA Update on Creative Placemaking Research and ProgramsPlace Maker
Sunil Iyengar, Director, Office of Research and Analysis, National Endowment for the Arts, will present the NEA’s latest research and thinking on creative placemaking in America and will be joined by Jason Schupbach, Design Director who will provide and update on NEA creative placemaking programs.
CREATIVE PLACEMAKING: Thinking Beyond Projects
In the words of a recent National Endowment for the Arts report, Creative Placemaking animates public and private spaces, rejuvenates structures and streetscapes, improves local business viability and public safety, and brings diverse people together to celebrate, inspire, and be inspired.
Arts and culture have been a part of community revitalization and economic development strategies for years. Creative Placemaking is more than a new term for this effort -- at its highest levels, it involves a new way of thinking about the role of creativity in making society more sustainable. It is not just about doing projects -- it is also about the thinking behind the projects and about making stronger connections between creative, community and economic development.
Learn from experts and practitioners who have been at the heart of efforts to use creativity to grow communities and get a sneak peek at Creative Placemaking in action. Our three panelists will provide some helpful examples of what they have done in their communities:
Steve Dalhberg, is director of the Connecticut-based International Centre for Creativity and Imagination, vice president of innovation for Future Workplace, and faculty of "Creativity + Social Change" at the University of Connecticut.
Leonardo Vazquez, AICP/PP is the Director of Arts Build Communities at Rutgers University. He will discuss Rutgers¹ community coaching program and ABC¹s new Master Practitioner Certificate Program in creative placemaking.
The Wormfarm Institute in Sauk County, Wisconsin, is rural creative placemaking at its best. It's a 40-acre organic vegetable farm and creative hub, begun 15 years ago by artists Jay Salinas and Donna Neuwirth. Wormfarm aims to recreate the link that once existed between culture and agriculture with innovative and intuitive efforts that center around a sense of the land and the community.
This document lists and defines common places found in a city, including:
- An airport, where you travel by plane; a bakery, where you can buy bread and cakes; and a bank, where you deposit or withdraw money.
- Other places mentioned are a bookstore, bus station, butcher, coffee shop, church, court, craft market, department store, cinema, fire station, gas station, gym, hairdresser, hospital, hotel, gallery, jail, laundromat, library, museum, pharmacy, police station, pub, and park.
- Each place is concisely defined, such as a bakery sells fresh bread and cakes, a bus station
This document provides an overview of high-definition television (HDTV). It describes HDTV as a digital television format with higher resolution of 720p or 1080i and a wider 16:9 aspect ratio compared to standard definition. The document discusses HDTV transmission standards, including MPEG-2 compression, and the components of HDTV transmitters and receivers. It concludes that HDTV will provide a significantly improved television viewing experience over traditional analog formats once implementation is complete.
The document provides an overview of the Digital Video Broadcast (DVB) Project. It discusses the DVB Forum and its timeline of standards development. Key DVB standards include DVB-S, DVB-C, DVB-T, DVB-H, and DVB-SH. The document compares DVB standards to competing standards and outlines the system architecture and protocol stack. It also notes that Huawei Satellite Communications (HSC) is exploring opportunities to leverage and integrate with various DVB standards.
NTSC is the analog television standard used in North America while ATSC is the digital television standard developed to replace NTSC. ATSC produces higher definition images up to 1080p resolution compared to NTSC's 480i resolution. It also supports surround sound audio using Dolby Digital whereas NTSC only supports stereo audio. The transition from analog NTSC to digital ATSC allows for an improved television viewing experience with higher quality video and audio.
DVB-T2 provides significant improvements over first generation digital terrestrial television solutions. It offers higher data rates and robustness, allowing for more programs including HDTV using less spectrum. The improved efficiency also reduces costs for broadcasters through lower infrastructure expenditures and operating expenses. DVB-T2 supports important features like emergency alerting, mobile reception, and pay television, while also maintaining competitive costs for consumer equipment.
This document discusses different types of video signals and coding standards. It describes component video which uses separate signals for red, green, and blue channels, providing the best color reproduction. Composite video mixes color and intensity into a single signal, causing some interference. S-Video uses two signals for luminance and composite chrominance, reducing crosstalk. Digital video allows storage, access and editing of video and is more tolerant of noise. Standards like CCIR 601 set component digital video parameters. High definition TV aims to increase visual field width through greater pixel counts and aspect ratios. The ATSC digital TV standard supports various formats up to 1080p at 60 frames/sec. MPEG-2 is used for video compression and AC-3
RGB Broadcast Services Corp. is a Puerto Rico-based company that provides various services including broadcast, RF, signage, audiovisual, and hospitality solutions. They have completed projects for many Puerto Rican television and radio stations. Their services include digital signage, radio transmitters, microwaves links, and in-room entertainment systems for hotels.
This document presents a system for 3D TV broadcasting and distribution that is compatible with existing 2D TV systems. The aim is to develop a system that can deliver stereoscopic image pairs to mobile and home users based on digital multimedia broadcasting (DMB) and digital video broadcasting - handheld (DVB-H) standards. It discusses encoding and transmitting left and right views of 3D video using these standards in a way that maintains backward compatibility with 2D receivers. The system is designed to support 3D content on mobile devices and televisions in both broadcast and high definition formats.
This document summarizes various devices and chipsets that have been worked with, including tuners, demodulators, processors, and interfaces. It provides brief descriptions of chipsets from Conexant, Fujitsu, ST, and Xilinx that have been used. It also lists tuners, digital demodulators, firmware tools, audio/video codecs, hardware design tools, and interfaces that have been engaged with. Finally, it provides two case studies: a DVB analyzer and a DTMB analyzer that were developed using various components described in the document.
1) The document discusses video compression and streaming technologies, including standards like H.264 and challenges of streaming over heterogeneous networks.
2) It outlines objectives to develop versatile encoder and decoder architectures, efficient compression algorithms, and new concepts for adaptive streaming over IP networks.
3) Key outcomes included advanced encoder and decoder architectures, improved video processing algorithms, an end-to-end H.264 streaming system, and a scalable video coding scheme.
This document provides an introduction to digital television. It discusses analog TV standards and the conversion to digital with ITU-R BT.601 and BT.709 standards defining digital video formats. It also describes MPEG transport streams, the DVB system for content delivery over satellite, cable and terrestrial networks, and conditional access systems. Packetized elementary streams (PES) and program specific information (PSI) tables are also introduced.
This document provides an introduction to digital television. It discusses analog TV standards and the conversion to digital with ITU-R BT.601 and BT.709 standards defining digital video formats. It also describes MPEG transport streams, the DVB system for content delivery over satellite, cable and terrestrial networks, and conditional access systems. Packetized elementary streams (PES) and program specific information (PSI) tables are also introduced.
1. The document discusses video compression technology, including digital television formats, video compression standards like MPEG-2 and H.264, video quality metrics, and video coding concepts.
2. Key video coding concepts covered are temporal compression using motion estimation and compensation between frames, spatial compression within frames using DCT transform and quantization, and entropy coding of coefficients.
3. Video compression aims to reduce the data required for transmission by removing spatial and temporal redundancy in video sequences.
15 selected topics for e-learning technologies (dtv)宥均 林
This document provides an overview of digital TV technologies and standards. It discusses digital TV receivers and their main components, including tuners, demultiplexers, MPEG decoders, CPUs, and conditional access modules. It also covers digital TV standards like ATSC, DVB, and ISDB, comparing their features and profiles. The document aims to introduce readers to key concepts in digital TV systems and technologies.
This document discusses multimedia concepts including audio encoding, video encoding, and digital formats. It provides information on how audio is converted to digital form through sampling and quantization. Key video encoding concepts covered include luminance, chrominance, resolution, and frame rate. Common audio formats like WAV, AIFF, and video formats like MPEG, AVI are also summarized. The document concludes that a lack of standardization across formats has made building multimedia systems more challenging.
The document discusses three different devices:
1. The EN8030 is an MPEG4 SD encoder that takes in SDI and encodes it into ASI, with three simultaneous ASI ports that can be controlled via web page or front panel.
2. The RX8200 is an advanced modular receiver that decodes according to licenses, used to downlink Ku and C-band frequencies, and has many variants requiring individual configuration.
3. The MX8400 is the latest multiplexer with a max 250 Mbps bitrate and license for one TS, a 2U chassis with three LED indicators, and a 1+1 configuration.
Introduction to Video Compression Techniques - Anurag JainVideoguy
The document provides an overview of video compression techniques and standards. It discusses the motivation for video compression to reduce data sizes for storage and transmission. It then reviews several key video compression standards including H.261, H.263, MPEG-1, MPEG-2, MPEG-4, H.264 and others. For each standard, it summarizes the goals, features, applications and technical details like motion compensation methods, block sizes, and bitrate ranges.
DVB is a set of standards that define digital broadcasting using existing satellite, cable, and terrestrial infrastructures.
The term digital television is sometimes used as a synonym for DVB
The document provides an overview of digital video technology and training. It discusses how digital video signals are transmitted using TMDS links and encoded/decoded. It covers different color space options, video bandwidth calculations, digital eye diagrams, and how transport medium affects digital video. The course outlines concepts like EDID, HDCP, and troubleshooting tools. It aims to help students understand digital video signaling, connectors, encoding/decoding, bandwidth requirements, and troubleshooting.
The document provides information on the STi7105, a low-cost advanced HD decoding IC for set-top boxes. It features advanced video and audio decoding, a CPU, memory interface, graphics processing, display outputs, security features, and peripherals. The STi7105 is targeted at next generation HD set-top boxes using cable, satellite, terrestrial, IP, and hybrid networks. Typical applications include DVR cable boxes, IP client boxes, and satellite boxes.
A presentation covering some basic aspects of digital video data and the compression of video images. The ATSC system architecture is shown using the OSI 7-layer model from data communication theory. Video compression techniques are briefly covered.
Design and optimization of ion propulsion dronebjmsejournal
Electric propulsion technology is widely used in many kinds of vehicles in recent years, and aircrafts are no exception. Technically, UAVs are electrically propelled but tend to produce a significant amount of noise and vibrations. Ion propulsion technology for drones is a potential solution to this problem. Ion propulsion technology is proven to be feasible in the earth’s atmosphere. The study presented in this article shows the design of EHD thrusters and power supply for ion propulsion drones along with performance optimization of high-voltage power supply for endurance in earth’s atmosphere.
Optimizing Gradle Builds - Gradle DPE Tour Berlin 2024Sinan KOZAK
Sinan from the Delivery Hero mobile infrastructure engineering team shares a deep dive into performance acceleration with Gradle build cache optimizations. Sinan shares their journey into solving complex build-cache problems that affect Gradle builds. By understanding the challenges and solutions found in our journey, we aim to demonstrate the possibilities for faster builds. The case study reveals how overlapping outputs and cache misconfigurations led to significant increases in build times, especially as the project scaled up with numerous modules using Paparazzi tests. The journey from diagnosing to defeating cache issues offers invaluable lessons on maintaining cache integrity without sacrificing functionality.
VARIABLE FREQUENCY DRIVE. VFDs are widely used in industrial applications for...PIMR BHOPAL
Variable frequency drive .A Variable Frequency Drive (VFD) is an electronic device used to control the speed and torque of an electric motor by varying the frequency and voltage of its power supply. VFDs are widely used in industrial applications for motor control, providing significant energy savings and precise motor operation.
Digital Twins Computer Networking Paper Presentation.pptxaryanpankaj78
A Digital Twin in computer networking is a virtual representation of a physical network, used to simulate, analyze, and optimize network performance and reliability. It leverages real-time data to enhance network management, predict issues, and improve decision-making processes.
Use PyCharm for remote debugging of WSL on a Windo cf5c162d672e4e58b4dde5d797...shadow0702a
This document serves as a comprehensive step-by-step guide on how to effectively use PyCharm for remote debugging of the Windows Subsystem for Linux (WSL) on a local Windows machine. It meticulously outlines several critical steps in the process, starting with the crucial task of enabling permissions, followed by the installation and configuration of WSL.
The guide then proceeds to explain how to set up the SSH service within the WSL environment, an integral part of the process. Alongside this, it also provides detailed instructions on how to modify the inbound rules of the Windows firewall to facilitate the process, ensuring that there are no connectivity issues that could potentially hinder the debugging process.
The document further emphasizes on the importance of checking the connection between the Windows and WSL environments, providing instructions on how to ensure that the connection is optimal and ready for remote debugging.
It also offers an in-depth guide on how to configure the WSL interpreter and files within the PyCharm environment. This is essential for ensuring that the debugging process is set up correctly and that the program can be run effectively within the WSL terminal.
Additionally, the document provides guidance on how to set up breakpoints for debugging, a fundamental aspect of the debugging process which allows the developer to stop the execution of their code at certain points and inspect their program at those stages.
Finally, the document concludes by providing a link to a reference blog. This blog offers additional information and guidance on configuring the remote Python interpreter in PyCharm, providing the reader with a well-rounded understanding of the process.
DEEP LEARNING FOR SMART GRID INTRUSION DETECTION: A HYBRID CNN-LSTM-BASED MODELijaia
As digital technology becomes more deeply embedded in power systems, protecting the communication
networks of Smart Grids (SG) has emerged as a critical concern. Distributed Network Protocol 3 (DNP3)
represents a multi-tiered application layer protocol extensively utilized in Supervisory Control and Data
Acquisition (SCADA)-based smart grids to facilitate real-time data gathering and control functionalities.
Robust Intrusion Detection Systems (IDS) are necessary for early threat detection and mitigation because
of the interconnection of these networks, which makes them vulnerable to a variety of cyberattacks. To
solve this issue, this paper develops a hybrid Deep Learning (DL) model specifically designed for intrusion
detection in smart grids. The proposed approach is a combination of the Convolutional Neural Network
(CNN) and the Long-Short-Term Memory algorithms (LSTM). We employed a recent intrusion detection
dataset (DNP3), which focuses on unauthorized commands and Denial of Service (DoS) cyberattacks, to
train and test our model. The results of our experiments show that our CNN-LSTM method is much better
at finding smart grid intrusions than other deep learning algorithms used for classification. In addition,
our proposed approach improves accuracy, precision, recall, and F1 score, achieving a high detection
accuracy rate of 99.50%.
Null Bangalore | Pentesters Approach to AWS IAMDivyanshu
#Abstract:
- Learn more about the real-world methods for auditing AWS IAM (Identity and Access Management) as a pentester. So let us proceed with a brief discussion of IAM as well as some typical misconfigurations and their potential exploits in order to reinforce the understanding of IAM security best practices.
- Gain actionable insights into AWS IAM policies and roles, using hands on approach.
#Prerequisites:
- Basic understanding of AWS services and architecture
- Familiarity with cloud security concepts
- Experience using the AWS Management Console or AWS CLI.
- For hands on lab create account on [killercoda.com](https://killercoda.com/cloudsecurity-scenario/)
# Scenario Covered:
- Basics of IAM in AWS
- Implementing IAM Policies with Least Privilege to Manage S3 Bucket
- Objective: Create an S3 bucket with least privilege IAM policy and validate access.
- Steps:
- Create S3 bucket.
- Attach least privilege policy to IAM user.
- Validate access.
- Exploiting IAM PassRole Misconfiguration
-Allows a user to pass a specific IAM role to an AWS service (ec2), typically used for service access delegation. Then exploit PassRole Misconfiguration granting unauthorized access to sensitive resources.
- Objective: Demonstrate how a PassRole misconfiguration can grant unauthorized access.
- Steps:
- Allow user to pass IAM role to EC2.
- Exploit misconfiguration for unauthorized access.
- Access sensitive resources.
- Exploiting IAM AssumeRole Misconfiguration with Overly Permissive Role
- An overly permissive IAM role configuration can lead to privilege escalation by creating a role with administrative privileges and allow a user to assume this role.
- Objective: Show how overly permissive IAM roles can lead to privilege escalation.
- Steps:
- Create role with administrative privileges.
- Allow user to assume the role.
- Perform administrative actions.
- Differentiation between PassRole vs AssumeRole
Try at [killercoda.com](https://killercoda.com/cloudsecurity-scenario/)
Build the Next Generation of Apps with the Einstein 1 Platform.
Rejoignez Philippe Ozil pour une session de workshops qui vous guidera à travers les détails de la plateforme Einstein 1, l'importance des données pour la création d'applications d'intelligence artificielle et les différents outils et technologies que Salesforce propose pour vous apporter tous les bénéfices de l'IA.
Advanced control scheme of doubly fed induction generator for wind turbine us...IJECEIAES
This paper describes a speed control device for generating electrical energy on an electricity network based on the doubly fed induction generator (DFIG) used for wind power conversion systems. At first, a double-fed induction generator model was constructed. A control law is formulated to govern the flow of energy between the stator of a DFIG and the energy network using three types of controllers: proportional integral (PI), sliding mode controller (SMC) and second order sliding mode controller (SOSMC). Their different results in terms of power reference tracking, reaction to unexpected speed fluctuations, sensitivity to perturbations, and resilience against machine parameter alterations are compared. MATLAB/Simulink was used to conduct the simulations for the preceding study. Multiple simulations have shown very satisfying results, and the investigations demonstrate the efficacy and power-enhancing capabilities of the suggested control system.
Software Engineering and Project Management - Introduction, Modeling Concepts...Prakhyath Rai
Introduction, Modeling Concepts and Class Modeling: What is Object orientation? What is OO development? OO Themes; Evidence for usefulness of OO development; OO modeling history. Modeling
as Design technique: Modeling, abstraction, The Three models. Class Modeling: Object and Class Concept, Link and associations concepts, Generalization and Inheritance, A sample class model, Navigation of class models, and UML diagrams
Building the Analysis Models: Requirement Analysis, Analysis Model Approaches, Data modeling Concepts, Object Oriented Analysis, Scenario-Based Modeling, Flow-Oriented Modeling, class Based Modeling, Creating a Behavioral Model.
Generative AI Use cases applications solutions and implementation.pdfmahaffeycheryld
Generative AI solutions encompass a range of capabilities from content creation to complex problem-solving across industries. Implementing generative AI involves identifying specific business needs, developing tailored AI models using techniques like GANs and VAEs, and integrating these models into existing workflows. Data quality and continuous model refinement are crucial for effective implementation. Businesses must also consider ethical implications and ensure transparency in AI decision-making. Generative AI's implementation aims to enhance efficiency, creativity, and innovation by leveraging autonomous generation and sophisticated learning algorithms to meet diverse business challenges.
https://www.leewayhertz.com/generative-ai-use-cases-and-applications/
1. DTV Study Notes – k70110 draft (C) Amos Tsai, Tuesday, 2007-January-09
[HDTV]
While a number of high-definition television standards have been proposed or implemented on a limited basis,
the current HDTV standards are defined in ITU-R BT.709 as 1080 active interlaced or progressive lines, or 720
progressive lines, using a 16:9 aspect ratio.
Broadcast Format Notation (1080i / 1080p / 720p):
- The number of lines in the vertical display resolution.
- Whether progressive frames (p) or interlaced fields (i) are used.
- The number of frames or fields per second.
Key Features:
- All commercial HD is digital.
- HD programming and films will be presented in 16:9 widescreen format.
- Two new pre-recorded disc formats support HDTV resolutions, namely HD DVD (supporting 720p, 1080i
and 1080p) and Blu-ray (supporting up to 1080p).
- Dolby Digital 5.1 surround sound is broadcast along with standard HDTV video signals, allowing full
surround sound capabilities.
HDTV Transmission Systems:
- ATSC (Advanced Television Systems Committee, US / Canada / Mexico)
- DVB-T (Digital Video Broadcast – Terrestial, DVB Europe Consortium Standard)
- ISDB-T (Integrated Services Digital Broadcasting, Japan ARIB)
Main characteristics of three DTTV systems
Systems ATSC DVB-T ISDB-T
Source coding
Video Main Profile syntax of ISO/IEC 13818-2 (MPEG-2 – Video)
Audio
ATSC Standard
A/52 (Dolby
AC-3)
ISO/IEC 13818-2 (MPEG-2 – Layer
II Audio) and Dolby AC-3
ISO/IEC 13818-7 (MPEG-2 – AAC
Audio)
Transmission system
Channel coding
Outer coding
R-S (207, 187, t =
10)
R-S (204, 188, t = 8)
Outer
interleaver
52 R-S block convolutional (I=12, M=17, J=1) 12 R-S block
Inner coding
rate 2/3 Trellis
code
PCC: rate 1/2, 2/3, 3/4, 5/6, 7/8; constraint length = 7, Polynomials (octal) =
171, 133
Inner
interleaver
12 to 1 Trellis
code
bit-wise, frequency, selectable time
Data
randomization
16-bit PRBS
Modulation
8-VSB and
16-VSB
COFDM
QPSK, 16QAM and 64QAM
Hierarchical modulation:
multi-resolution constellation (16QAM
and 64QAM)
BST-COFDM with 13 frequency
segments
DQPSK, QPSK, 16QAM and 64QAM
Hierarchical modulation: choice of
three different modulations on each
2. DTV Study Notes – k70110 draft (C) Amos Tsai, Tuesday, 2007-January-09
Guard interval: 1/32, 1/16, 1/8 & 1/4 of
OFDM symbol
Two modes: 2k and 8k FFT
segment
Guard interval: 1/32, 1/16, 1/8 & 1/4
of OFDM symbol
Three modes: 2k, 4k and 8k FFT
[ATSC]
Wide screen 16:9 images up to 1920×1080 pixels in size.
Up to six standard-definition "virtual channels" can be broadcast on a single TV station using the existing
6MHz channel
Resolutions:
640x480 (4:3 SD square): 59.94i, 60i, 23.976p, 24p, 29.97p, 30p, 59.94p, 60p
704x480 (4:3 or 16:9 SD non-square): 59.94i, 60i, 23.976p, 24p, 29.97p, 30p, 59.94p, 60p
1280x720 (16:9 HD square): 23.976p, 24p, 29.97p, 30p, 59.94p, 60p
1920x1080 (16:9 HD square): 59.94i, 60i, 23.976p, 24p, 29.97p, 30p
Modulation and Transmission:
Terrestrial: 8-VSB (19.39Mbps)
Cable: 16-VSB, 256-QAM (38.78Mbps)
Standards:
A/52B: audio data compression (Dolby AC-3 and E-AC-3)
A/53E: ATSC Digital Television Standard (primary)
A/…
[DVB]
Free Standards: http://www.etsi.org/services_products/freestandard/home.htm
Transmission (Physical & Data Link Layer):
- satellite (DVB-S, DVB-S2 and DVB-SH; also DVB-SMATV for distribution via SMATV)
- cable (DVB-C)
- terrestrial television (DVB-T)
- terrestrial television for handhelds (DVB-H)
- microwave using DTT (DVB-MT), the MMDS (DVB-MC), and/or MVDS standards (DVB-MS)
Devices interact with the physical layer via a synchronous parallel interface (SPI), synchronous serial
interface(SSI), or asynchronous serial interface(ASI).
Data streams: DVB-MPEG (MPEG2 transport streams with constraints)
Modulation schemes:
- DVB-S (SHF) uses QPSK, 8PSK or 16-QAM
- DVB-S2 uses QPSK, 8PSK, 16APSK or 32APSK, at the broadcasters decision. QPSK and 8PSK are the
only versions regularly used.
- DVB-C (VHF/UHF) uses QAM: 16-QAM, 32-QAM, 64-QAM, 128-QAM or 256-QAM
- DVB-T (VHF/UHF) uses 16-QAM or 64-QAM (or QPSK) in combination with COFDM and hierarchical
modulation
Standards:
DVB-DATA (EN 301192): defines data connection with return channels (DVB-RC)
DVB-TXT: teletext (backward compatible)
DVB-VBI: vertical blanking interval (backward compatible)
DVB-SUB: sub-title (advanced alternative of DVB-TXT & DVB-VBI)
DVB-CA: conditional access system, defines DVB-CSA and DVB-CI.
DVB-CSA: common scrambling algorithm.
3. DTV Study Notes – k70110 draft (C) Amos Tsai, Tuesday, 2007-January-09
DVB-CI: common interface.
DVB-CPCM: (encryption) content protection and copy management system.
DVB-SI (ETSI EN 300468 ETSI TS 101211): (metadata) service information (electronic program guide).
DVB-MHP: multimedia home platform, java-based.
Map:
4. DTV Study Notes – k70110 draft (C) Amos Tsai, Tuesday, 2007-January-09
[ISDB]
The concept was named for its similarity to ISDN, because both allow multiple channels of data to be
transmitted together (a process called multiplexing).
Transmission:
12GHz band ISDB-S: PSK modulation
2.6GHz digital sound: CDM
ISDB-T in UHF/VHF band: COFDM with PSK/QAM
Data connections with internet with a return channel (ARIB STD-B24).
Free Standards: http://en.wikipedia.org/wiki/DiBEG
ISDB-S: Satellite Television
5. DTV Study Notes – k70110 draft (C) Amos Tsai, Tuesday, 2007-January-09
ISDB-T: Terrestrial
ISDB-C: Cable
2.6GHz band mobile broadcasting
ISDB-Tsb: ISDB-T and ISDB-Tsb are for mobile reception of TV bands
Encryption:
- ISDB CAS system (B-CAS) defines Common Interface for Conditional Access (ARIB STD-B25) with
Common Scrambling Algorithm MULTI2.
- Supports RMP (Rights Management and Protection), modes: copy once, copy free, copy never.
[SDTV]
In ATSC, SDTV can be broadcast in 704 pixels × 480 lines with 16:9 aspect ratio (40:33 rectangular pixel), 704
pixels × 480 lines with 4:3 aspect ratio (10:11 rectangular pixel) or 640 pixels × 480 lines with 4:3 ratio (and
square pixels). The refresh rate can be any of 24, 30 or 60 pictures per second.
Digital SDTV in 4:3 aspect ratio has the same appearance as the regular analog TV (NTSC, PAL, PAL2,
SECAM) minus the ghosting, snowy images and static noises. However, if the reception is poor, one may
encounter various other artifacts such as blockiness and stuttering.
Standards that can broadcast digital SDTV include DVB, ATSC and ISDB. The latter two were originally
developed for HDTV, but they have proved to be more often used for their ability to deliver multiple SD video
and audio streams via multiplexing, than to use the entire bitstream for one HD channel.
[EDTV]
Enhanced (or Extended)-Definition Television.
- Progressive scan. Common implementations are 480p or 576p. 50% more v-res than SDTV.
- EDTV signals are often broadcast in 16:9 ratio / non-square pixels. H-res are fixed as 704 or 720.
- ATSC official DTV formats include SDTV, and HDTV. EDTV is considered part of the HDTV standard.
[NTSC]
National Television Systems Committee
Resolution: 525-line/59.94Hz, actual frame contains 484 lines. 480i60.
Color encoding: Luminance-Chrominance encoding system.
Channel Bandwidth: 6 MHz
- lower 250kHz is guard band
- 500kHz ~ 5.45MHz above lower bound is for amplitude-modulation
- 1.25MHz is for the video carrier
- 4.2 MHz wide sideband (full upper sideband and 750 kHz of the vestigial sideband is transmitted)
- color carrier is 3.579545 MHz above video carrier, quadrature-amplitude-modulated.
- higher 25 kHz for audio signal (frequency-modulated)
- main audio carrier is 4.5 MHz above the video carrier.
- MTS is simply more than one audio signal.
6. DTV Study Notes – k70110 draft (C) Amos Tsai, Tuesday, 2007-January-09
[PAL]
Phase-Alternating Line (Phase Alternation by Line, Phase Alternation Line)
Resolution: 625-line/50Hz, 576i50.
Similar to NTSC, color carrier is 4.43 MHz above video carrier, quadrature-amplitude-modulated.
The name "Phase Alternating Line" describes the way that the phase of part of the colour information on the
video signal is reversed with each line, which automatically corrects phase errors in the transmission of the
signal by cancelling them out.
[SECAM]
Sequential Color with Memory (France)
Monochrome signal + chrominance signal.
First, SECAM uses frequency modulation to encode chrominance information on the sub carrier.
Second, instead of transmitting the red and blue information together, it only sends one of them at a time, and
uses the information about the other color from the preceding line. It uses a delay line, an analog memory
device, for storing one line of color information. This justifies the "Sequential, With Memory" name.
(todo) more specs.
[Analog Modulation]
AM
FM
PM
QAM
[Digital Modulation]
ASK
FSK
PSK
QAM
OFDM
7. DTV Study Notes – k70110 draft (C) Amos Tsai, Tuesday, 2007-January-09
MSK
[MPEG]
Transport Stream
Layers
- Composition of various programs
- Packetized Elementary Stream (PES)
- Elementary Stream (ES)
- Group of Pictures (GOP) here and below are video only
- Slice
- Macroblock – 4 DCT blocks
- Encoding block – a DCT encoding block, 8x8 luminance pixels
Elements
Packet (188 bytes)
sync byte (0x47) + 3 bit flags (3 bits) + PID (13 bits) + optional adaptation field & payload
Packet (204 bytes)
Packet (188 bytes) + Reed Solomon error correction data (16 bytes)
PID
Programs
PAT
PMT
PCR
Null Packets
Program Stream
[MPEG-2]
ISO/IEC 13818-1 System
ISO/IEC 13818-2 Video
ISO/IEC 13818-3 Audio
ISO/IEC 13818-…
[DVB-T]
8. DTV Study Notes – k70110 draft (C) Amos Tsai, Tuesday, 2007-January-09
Number of streams in combination provides required services, transmitted in a MPEG2 MPTS multiplex.
Streams Multiplex:
Terrestrial Multiplex Limit: 24 Mbps
Program bit rates:
TV Video: 5000 kbps
Stereo Audio: 270 kbps
Sub Titles: 50 kbps
CA: 600 kbps
Total: 5920 kbps
Simple bit rate overheads:
SI: 300 kbps
PSI: 546 kbps
Digital Teletext: 754 kbps
Total per mux: 1600 kbps
Typical contents (services) could be provided per 8MHz channel bandwidth:
5 TV channels, or 4 higher quality channels / no CA, or 3 higher quality channels with CA
EPG
Audio Descriptions for the visually impaired (~70 kbps)
Signing for the deaf (~ 400 kbps using a separate window)
house pages, digital data, software down-loads, …
{DVB-EPG}
{DVB-SI}
PID?
{DVB-DATA} (EN 301192): defines data connection with return channels (DVB-RC)
{DVB-TXT}: teletext (backward compatible)
{DVB-VBI}: vertical blanking interval (backward compatible)
{DVB-SUB}: sub-title (advanced alternative of DVB-TXT & DVB-VBI)
9. DTV Study Notes – k70110 draft (C) Amos Tsai, Tuesday, 2007-January-09
{DVB-CA}: conditional access system, defines DVB-CSA and DVB-CI.
{DVB-CSA}: common scrambling algorithm.
{DVB-CI}: common interface.
{DVB-CPCM}: (encryption) content protection and copy management system.
{DVB-SI}
(ETSI EN 300468 ETSI TS 101211): (metadata) service information (electronic program guide).
4 Mandatory SI Tables
NIT
NIT_actual
Network_ID
Original_Network_ID
Transport_ID
Serive_ID
NIT_other
NIT_other_global
SDT
Service_ID
EIT
Used to transmit information relating to events (programmes) in the MPEG transport stream.
TDT
Used to update internal clock of the receiver/decode.
{DVB-MHP}: multimedia home platform, java-based.
Active Format Descriptor
[http://www.dtg.org.uk/reference/tutorial_afd.html]
The Active Formal Descriptor (AFD) is a signal that broadcasters will transmit with the picture to enable
television sets to display the picture to best effect. What is best effect depends on the viewers display (4x3 or
16x9) and it depends on the viewer's preferences. Most viewers like to 'see a screenful' but many prefer to set
their televisions so that not too much picture is cropped. Some like to see the whole picture, even if that means
black bands at the sides of the screen. In general, widescreen televisions offer five options when transmission is
not full 16x9 widescreen:
4 by 3
14 by 9
Zoom (16 by 9)
Smart/Panorama
Auto
The latter three modes need some explanation. Zoom will keep the correct shape but crops the top and bottom
of a 4x3 picture quite considerably. Smart / panorama avoids the cropping by stretching the picture horizontally
to fill the screen but makes everyone look as though they need to go on a diet. Neither of these modes is
entirely satisfactory. What we need is a signal from the broadcaster to say, for example, 'This picture can be
10. DTV Study Notes – k70110 draft (C) Amos Tsai, Tuesday, 2007-January-09
zoomed in and cropped as far as 14x9 (because we have shot it with this compromise in mind)' or 'this picture is
actually letterbox so, even if you normally prefer to watch in 4x3, you can zoom it in to 14x9.' This is where the
AFD come in. It is a way of giving the tv set more information so that it can adjust the zoom for best effect
taking account of viewers preferences.
Lastly, when a viewer records a programme on an existing analogue VCR, the digital bitsream flag which
indicates a 16x9 programme is lost. Therefore, the DTG is recommending that manufacturers generate a 'line
23' WSS signal on the output feed to the VCR. Without it, widescreen programmes will appear distorted. Use of
the AFD in the WSS generation gives the viewer the same fine control of zoom when viewing recordings as
when watching off-air transmissions.
[DTV Box Components]
[Software Architecture / Middleware]
[Conformance Test Kits/Cases]
[Keil Cx51 Notes]
Compiler:
1. 16 bit wide characters are not supported.
2. Recursive function calls are not supported by default. Use “reentrant” declaration to enable it.
Library:
1. Supported standard library routines:
lang/cpu i/o string math memory conversion
longjmp
setjmp
va_arg
va_end
va_start
getchar
gets
printf
putchar
puts
scanf
vprintf
isalnum
isalpha
iscntrl
isdigit
isgraph
islower
isprint
abs
acos
asin
atan
atan2
ceil
cos
calloc
malloc
memchr
memcmp
memcpy
memmove
memset
atof
atoi
atol
ceil
cos
strtod
strtol
11. DTV Study Notes – k70110 draft (C) Amos Tsai, Tuesday, 2007-January-09
ispunct
isspace
isupper
isxdigit
sprintf
sscanf
strcat
strchr
strcmp
strcpy
strcspn
strlen
strncat
strncmp
strncpy
strpbrk
strrchr
strspn
strstr
tolower
toupper
vsprintf
cosh
exp
fabs
floor
fmod
labs
log
log10
modf
pow
rand
sin
sinh
sqrt
srand
tan
tanh
realloc
free
strtok
strtoul
2. Cx51 specific routines:
lang/cpu i/o string math (80517 coproc) memory conversion
_crol
_cror
_irol
_iror
_lrol
_lror
_nop_
_testbit_
_getkey
printf517
scanf517
ungetchar
cabs
sprintf517
sscanf517
strops
strrpbrk
strrpos
_tolower
_toupper
acos517
asin517
atan517
cos517
exp517
log10517
log517
sin517
sqrt517
tan517
init_mempool
memccpy
atof517
strtod517
toascii
toint
3. Not supported standard library routines:
(skip) all not found in 1 and 2.
Memory Model
1. SMALL:
- generate small and fast code as possible
- all variables are stored in 8051 internal memory
2. COMPACT
3. LARGE
Variable Location:
1. data specifier: internal data memory
2. xdata specifier: external data memory
Compiler Limits:
12. DTV Study Notes – k70110 draft (C) Amos Tsai, Tuesday, 2007-January-09
1. Maximum number of switch-case branches is limited by the memory size and individual function size.
2. Maximum number of nested function call in an invocation parameter list is 10.
3. Maximum number of nested include file is 9.
4. Maximum depth of directives for conditional compilation is 20.
5. Blocks {} may be nested up to 15 levels deep.
6. Macros may be nested up to 8 levels deep.
7. Maximum parameters passed to a macro or function is 32.
8. Maximum macro definition length is 65535.
Byte Order:
1. LCALL stack push of return address is little-endian format.
2. All other 16-bit or 32-bit values are stored as big-endian.
3. Floating point values are in IEEE-754 format and stored as big-endian.
[Working Resources]
Local Broadcast Server (has VNC server):
DVB: mslab6859_2
Perforce:
- design_svr:1666, User: Saturn, Pwd: SaturnSZCode
- design_svr:1666, User: hdtv, Pwd: dtv999
- design_svr:1666, User: TomCruise, Pwd: TB777