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The Father of Surrealism:
Giorgio di Chirico. (1888-1978)
Quick Facts
• Born in Greece to Italian Parents.
• De Chirico is best known for the paintings he
  produced between 1909 and 1919, his
  metaphysical period, which are memorable for the
  haunted, brooding moods evoked by their images.
  At the start of this period, his subjects were still
  cityscapes inspired by the bright daylight of
  Mediterranean cities, but gradually he turned his
  attention to studies of cluttered storerooms,
  sometimes inhabited by mannequin-like hybrid
  figures.
What is Surrealism?
• A 20th-century literary and artistic
  movement that attempts to express the
  workings of the subconscious and is
  characterized by fantastic imagery and
  incongruous juxtaposition of subject
  matter.
• CONFUSED? Let’s brake this down…
SUBCONSCIOUS
• Definition of SUBCONSCIOUS
• : the mental activities just below the threshold
  of consciousness
• Examples of
• A person's behavior can be influenced by urges
  that exist only in the “back of one’s mind”.
• One’s dreams are thought to be controlled by
  one’s subconscious mind.
• First Known Use of the term:
• 1886
INCONGROUS
• Definition: not harmonious : incompatible <
  colors>
• In other words, things or ideas that normally
  don’t “go” together.
JUXTAPOTION
• the act of positioning close together (or side
  by side)
CHECKING FOR
         UNDERSTANDING
• Do you understand all of the critical
  vocabulary now?
• Let’s revisit the definition of
  SURREALISM and put it in your OWN
  WORDS
What is Surrealism?
• A 20th-century literary and artistic
  movement that attempts to express the
  workings of the subconscious and is
  characterized by fantastic imagery and
  incongruous juxtaposition of subject
  matter.
• PUT IT IN YOUR OWN WORDS. GO. 
“METAPHYSICAL”
• di Chiricho’s work is often referred to as
  “metaphysical”. What does this mean?
• The branch of philosophy that examines the
  nature of reality, including the relationship
  between mind and matter, reality vs. the “dream
  state”, the existance (or not) of God and our
  spiritual natures.
• Essential Question: After examining the work of
  di Chiricho, how do you think he is exploring
  METAPHYSICAL subject matter in his
  paintings?
SCUOLA METAFISICA

                                              To be come truly immortal
                                     a work of art must escape all human limits:
                                     logic and common sense will only interfere.
                                          But once these barriers are broken
                                  it will enter the regions of childhood and dream.
                             . . . . What I hear is valueless; only what I see is living,
                           and when I close my eyes my vision is even more powerful.

                             The ancient people of Crete painted an enormous eye
                                       in the middle of the narrow bands
                              that circled their vases, on their household utensils,
                                         and on the walls of their houses.
                                    One must discover the eye in everything.
Chirico, The Seer, 1915.
Chirico,
 Melancholy and
Mystery
of a Street, 1914.
Chirico, The Seer, 1915.

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Di chiricho

  • 1. The Father of Surrealism: Giorgio di Chirico. (1888-1978)
  • 2. Quick Facts • Born in Greece to Italian Parents. • De Chirico is best known for the paintings he produced between 1909 and 1919, his metaphysical period, which are memorable for the haunted, brooding moods evoked by their images. At the start of this period, his subjects were still cityscapes inspired by the bright daylight of Mediterranean cities, but gradually he turned his attention to studies of cluttered storerooms, sometimes inhabited by mannequin-like hybrid figures.
  • 3. What is Surrealism? • A 20th-century literary and artistic movement that attempts to express the workings of the subconscious and is characterized by fantastic imagery and incongruous juxtaposition of subject matter. • CONFUSED? Let’s brake this down…
  • 4. SUBCONSCIOUS • Definition of SUBCONSCIOUS • : the mental activities just below the threshold of consciousness • Examples of • A person's behavior can be influenced by urges that exist only in the “back of one’s mind”. • One’s dreams are thought to be controlled by one’s subconscious mind. • First Known Use of the term: • 1886
  • 5. INCONGROUS • Definition: not harmonious : incompatible < colors> • In other words, things or ideas that normally don’t “go” together.
  • 6. JUXTAPOTION • the act of positioning close together (or side by side)
  • 7. CHECKING FOR UNDERSTANDING • Do you understand all of the critical vocabulary now? • Let’s revisit the definition of SURREALISM and put it in your OWN WORDS
  • 8. What is Surrealism? • A 20th-century literary and artistic movement that attempts to express the workings of the subconscious and is characterized by fantastic imagery and incongruous juxtaposition of subject matter. • PUT IT IN YOUR OWN WORDS. GO. 
  • 9. “METAPHYSICAL” • di Chiricho’s work is often referred to as “metaphysical”. What does this mean? • The branch of philosophy that examines the nature of reality, including the relationship between mind and matter, reality vs. the “dream state”, the existance (or not) of God and our spiritual natures. • Essential Question: After examining the work of di Chiricho, how do you think he is exploring METAPHYSICAL subject matter in his paintings?
  • 10. SCUOLA METAFISICA To be come truly immortal a work of art must escape all human limits: logic and common sense will only interfere. But once these barriers are broken it will enter the regions of childhood and dream. . . . . What I hear is valueless; only what I see is living, and when I close my eyes my vision is even more powerful. The ancient people of Crete painted an enormous eye in the middle of the narrow bands that circled their vases, on their household utensils, and on the walls of their houses. One must discover the eye in everything. Chirico, The Seer, 1915.
  • 12.

Editor's Notes

  1. Giorgio di Chirico, The Seer, 1915. 1. From Giorgio di Chirico, “Mystery and Creation”, (1913) in Herschel Chipp, Theories of Modern Art, U.Cal. Press, 1968, p. 401. Originally in Andre Breton, Le Surrealisme et la Peinture, (1928). 2. From Giorgio di Chirico, “Zeus the Explorer,”(1918), in Herschel Chipp, Theories of Modern Art, U.Cal. Press, 1968, p. 447.
  2. Giorgio di Chirico, Melancholy and Mystery of a Street, 1914.
  3. Giorgio di Chirico, Melancholy and Mystery of a Street, 1914. 1. Giorgio di Chirico, On Metaphysical Art, “Metaphysical Aesthetic”, (1919). Quoted in Herschel Chipp, Theories of Modern Art, 1968, p. 452.
  4. Giorgio di Chirico, The Seer, 1915.