Deconstruction of Opening Scequence of Devil
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The trailer for the film Devil begins with the words "ON AN ORDINARY DAY" displayed upside down, creating a sense of disorientation. It then introduces the first character, a woman walking into a building who appears to work in an office based on her appearance and signing in with security, suggesting she is middle class. When she touches the security guard's arm, it implies she knows him well enough to have physical contact.
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Question 1
1. The document discusses the opening scenes of a crime film the author created. Visually, the first shot establishes a group of men loitering outside shops to set up their importance to the story and create a sense of potential tension.
2. The next shot establishes the specific location of a Tesco Express store to give context to the setting. Crime films often set the scene before events happen.
3. Subsequent shots increasingly cut back to the group to build mounting tension leading up to a violent confrontation, conforming to crime film conventions of raising anticipation through suspense.
Screen writing
The screenplay provides scene directions, actions, and character instructions in a standardized format to aid filmmakers in production. Scene headings include whether a scene takes place interior or exterior, its location, and time of day. Character names are capitalized and actions are written in the present tense from the perspective of what an audience can see. This format ensures screenplays clearly convey essential visual and performance details to allow for effective filming without requiring actors to interpret creative intent.
Demons Never Die Film Opening Anaylsis
This document contains analysis of several shots from a film that seem to foreshadow death, murder, and pain. A tilted shot increases tension and could foreshadow death at the beginning of the film. A zoom-in on a character writing "murder" in a notepad could foreshadow an upcoming important murder. Close-ups show a character's unhappy and painful expressions, eliciting sympathy from the audience.
Leonie wise 10 things i hate about you
This document analyzes and summarizes several shots from the film "10 Things I Hate About You". The opening shot uses a tracking shot to establish the setting and location with bright colors conveying a teen film. A mid shot scene in cars establishes two opposing character types - popular girls in a nice car versus a solitary girl in an old car. An establishing shot of a school building provides more details of the setting. A close up of the main character gives an innocent, natural look with little makeup and a cold facial expression.
Preliminary 9 shot analysis Luc
This document discusses and analyzes several shot types used in the preliminary of a film, including the 180 degree rule, match-on-action, shot/reverse-shot, cross-cutting, and over-shoulder shots. The 180 degree rule was used to film a conversation clearly. Match-on-action was used to build suspense by showing papers being dropped. Shot/reverse-shot clarified actions. Cross-cutting created continuity between two characters. An over-shoulder shot built mystery and suspense during an exploration of a basement. These shot types are commonly used in thrillers to convey specific meanings and emotions.
Film openings - media
The document discusses different techniques film openings use to engage audiences, such as flashbacks, establishing shots, narration, action scenes, chases, and title scenes. It provides examples from films like Saving Private Ryan, Confessions of a Teenage Drama Queen, Hitch, Hot Fuzz, James Bond: Casino Royale to illustrate how these techniques introduce characters, setting, genre and draw viewers into the story.
Overall Analysis - Posters
The document analyzes several horror movie posters and identifies common conventions used. It notes that posters typically feature revealing photographs of women to attract the male gaze as horror films appeal more to men. Posters also establish characters and intrigue audiences with enigma codes. Typefaces follow rules of thirds, with the title in the largest font on the lower third. Imagery uses techniques like rule of thirds to startle viewers and conceal details. Color schemes and blood symbolism help set the horror genre. The document concludes that an effective poster should intrigue audiences with an enigma while avoiding spoilers, using conventions identified.
Film Analysis
The costume of Mr. Flatt represents his professionalism as an authority figure, while Peter's casual look foreshadows their dialogue and contrasts with the professional office setting. Shots are used to emphasize objects like a cereal bowl and establish locations and events through camera movements. Various shot types like over the shoulder, establishing, and depth of field shots are employed to showcase actions and maintain realism. Adhering to techniques like the 180 degree rule ensures continuity between separate shots of the characters. Both diegetic and non-diegetic sounds are used to create realism for Peter's life that is punctuated by a soundtrack for the montage sequence common in comedy films.
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Question 1
1. The document discusses the opening scenes of a crime film the author created. Visually, the first shot establishes a group of men loitering outside shops to set up their importance to the story and create a sense of potential tension.
2. The next shot establishes the specific location of a Tesco Express store to give context to the setting. Crime films often set the scene before events happen.
3. Subsequent shots increasingly cut back to the group to build mounting tension leading up to a violent confrontation, conforming to crime film conventions of raising anticipation through suspense.
Screen writing
The screenplay provides scene directions, actions, and character instructions in a standardized format to aid filmmakers in production. Scene headings include whether a scene takes place interior or exterior, its location, and time of day. Character names are capitalized and actions are written in the present tense from the perspective of what an audience can see. This format ensures screenplays clearly convey essential visual and performance details to allow for effective filming without requiring actors to interpret creative intent.
Demons Never Die Film Opening Anaylsis
This document contains analysis of several shots from a film that seem to foreshadow death, murder, and pain. A tilted shot increases tension and could foreshadow death at the beginning of the film. A zoom-in on a character writing "murder" in a notepad could foreshadow an upcoming important murder. Close-ups show a character's unhappy and painful expressions, eliciting sympathy from the audience.
Leonie wise 10 things i hate about you
This document analyzes and summarizes several shots from the film "10 Things I Hate About You". The opening shot uses a tracking shot to establish the setting and location with bright colors conveying a teen film. A mid shot scene in cars establishes two opposing character types - popular girls in a nice car versus a solitary girl in an old car. An establishing shot of a school building provides more details of the setting. A close up of the main character gives an innocent, natural look with little makeup and a cold facial expression.
Preliminary 9 shot analysis Luc
This document discusses and analyzes several shot types used in the preliminary of a film, including the 180 degree rule, match-on-action, shot/reverse-shot, cross-cutting, and over-shoulder shots. The 180 degree rule was used to film a conversation clearly. Match-on-action was used to build suspense by showing papers being dropped. Shot/reverse-shot clarified actions. Cross-cutting created continuity between two characters. An over-shoulder shot built mystery and suspense during an exploration of a basement. These shot types are commonly used in thrillers to convey specific meanings and emotions.
Film openings - media
The document discusses different techniques film openings use to engage audiences, such as flashbacks, establishing shots, narration, action scenes, chases, and title scenes. It provides examples from films like Saving Private Ryan, Confessions of a Teenage Drama Queen, Hitch, Hot Fuzz, James Bond: Casino Royale to illustrate how these techniques introduce characters, setting, genre and draw viewers into the story.
Overall Analysis - Posters
The document analyzes several horror movie posters and identifies common conventions used. It notes that posters typically feature revealing photographs of women to attract the male gaze as horror films appeal more to men. Posters also establish characters and intrigue audiences with enigma codes. Typefaces follow rules of thirds, with the title in the largest font on the lower third. Imagery uses techniques like rule of thirds to startle viewers and conceal details. Color schemes and blood symbolism help set the horror genre. The document concludes that an effective poster should intrigue audiences with an enigma while avoiding spoilers, using conventions identified.
Film Analysis
The costume of Mr. Flatt represents his professionalism as an authority figure, while Peter's casual look foreshadows their dialogue and contrasts with the professional office setting. Shots are used to emphasize objects like a cereal bowl and establish locations and events through camera movements. Various shot types like over the shoulder, establishing, and depth of field shots are employed to showcase actions and maintain realism. Adhering to techniques like the 180 degree rule ensures continuity between separate shots of the characters. Both diegetic and non-diegetic sounds are used to create realism for Peter's life that is punctuated by a soundtrack for the montage sequence common in comedy films.
Taken
The document provides visual analysis and symbolism of a movie poster. Key elements of the poster like the protagonist's name in white, the contrast of light and dark sides, and objects like a gun and bullets depicted provide clues about the plot involving revenge or pursuit against the main character and the stakes of survival or protecting his family.
Question 5
The document discusses shot types and framing choices used in a student film to effectively address the audience. It describes using a medium long shot to show characters were students in a college setting, a close up of a character pressing a lift button so the audience understands the action, and a bird's eye view of a planning scene so the viewer can see the character and their actions. It also mentions using a long shot to show characters coming together from different directions and establishing the college environment, and a medium shot to show a character's eye line and what they were looking at to aid audience understanding.
Question 1
The document evaluates a media product by discussing how it uses conventions from real crime/thriller films. It describes how the first scene was filmed at night to set an eerie tone and conceal the murderer's identity, while the second scene was shot during the day to indicate the suspense had passed. Costumes were used to clearly identify the roles of characters like the detective and forensic team. Close-up shots of items helped the audience understand important clues and solve the mystery by the ending.
Silence of the lambs opening scene
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2) She enters an elevator with male colleagues, revealing she is one of few women in the FBI through visuals rather than dialogue.
3) Various shots, including a sign and newspaper, subtly provide key details like her department and the case focus through camera work instead of character explanations.
The Dark Dnight
The Dark Knight (2008) directed by Christopher Nolan for Warner Bros. The opening scene establishes a feeling of anticipation from tense music and a long shot of city rooftops. The audience sees from the perspective of the antagonist as glass breaks and a masked figure is shown. A lone figure holds an important mask, separating him from other henchmen. Introduced clowns are together as a group, but one was alone waiting in a vehicle with other armed clowns, reinforcing his importance. The clowns discuss their coordinated bank robbery plan, implying they work for someone else as "toys". They separate in the bank for different jobs. One clown straps grenades to hostages, showing
The matrix
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Maze Runner
The document provides an analysis of the opening scene of the 2014 film "Maze Runner". It summarizes that the opening scene throws the viewer straight into action without establishing characters, settings, or narrative, reflecting the main character's lack of understanding due to amnesia. Symbols like the elevating cage, dull clothing and items, and surrounding forest represent themes of control, survival and being trapped. Shots from the character's point of view make him seem vulnerable, while others show dominance. The use of symbolism and dialogue immediately set up themes that will be explored throughout the film.
Features of a documentary
Interviews and observations are commonly used techniques in documentaries to compare people and events. Interviews may be continuous or split up with other footage. Dramatized sequences are sometimes used to recreate events the filmmaker couldn't capture. Mise en scene refers to how the director constructs shots, such as setting, props, and lighting for interviews.
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Evaluation question 2
The combination of the magazine cover, film poster, and trailer effectively represent the characters and themes in the thriller film. Recurring elements like the manipulation of Jake by Dr. Mark and Jake losing control are reflected across all three pieces. Specifically, the magazine cover uses lighting and positioning of the characters to symbolize their experiences. The film poster continues these themes through silhouettes and dividing Jake's face to depict his inner conflict and unraveling. Together, the three pieces clearly establish this as a thriller and complement each other to tell the story of the psychological manipulation of Jake.
Product research buried
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Pitch first draft
The document provides details about planning and creating an opening sequence for a thriller film. It includes:
1) The opening sequence establishes the stalker villain who has secretly been obsessively tracking the main character.
2) The second scene uses dramatic irony by showing the characters unaware they are talking to their stalker, building suspense.
3) The discussion turns aggressive and the stalker strangles their victim, abruptly ending the scene to hook viewers.
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This document provides analysis of shots from the films "Blair Witch Project" and "28 Days Later". For "Blair Witch Project", it analyzes a close-up shot of a woman's face showing excitement, a mid-shot in a graveyard, and an insert shot of books about survival in the woods. For "28 Days Later", it examines the opening credit sequence, a shot of violence on television screens surrounding an infected chimpanzee, and two crane shots showing an empty hospital and abandoned streets in London. The analyses discuss film techniques like shot types and mise-en-scene used to set mood and intrigue audiences in the horror genre.
Hyuhvfu
The document discusses the design choices for a movie poster. It describes selecting a simple color scheme of black, red, and white to match the thriller/horror genre. Black represents darkness and evil, red represents blood and danger, and white provides contrast as the friends try to solve the mystery. The poster image features a person on their phone in the dark, symbolizing how the characters contact each other while the evil force surrounds them. The font is plain like the texts and internet searches central to the teenagers' lives, though it suggests something abnormal about the disappearing friends. Overall the poster aims to intrigue audiences with the central image, prominent title/date, and simple structured design.
Horror film poster analysis 2
The poster promotes the 2013 horror film "The Conjuring" which belongs to the paranormal subgenre. It depicts a frightened middle-aged woman holding up a lit match, suggesting the horror takes place at night. Her facial expression and nightwear indicate she has been scared by something unseen in the dark space. The poster uses vintage effects and styles to imply the film is set in the 1970s. It effectively uses text and lighting to promote the film and draw in audiences.
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This document is a curriculum vitae for Antonella D'Arienzo, an Italian woman born in 1990. She has work experience as an intern in marketing and communications from June to October 2013, and as a hostess in May 2013. Her education includes a post-graduate diploma in marketing management from 2014-2015 and a bachelor's degree in business management from 2009-2012. She is proficient in Italian and English.
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Question 5
The document discusses shot types and framing choices used in a student film to effectively address the audience. It describes using a medium long shot to show characters were students in a college setting, a close up of a character pressing a lift button so the audience understands the action, and a bird's eye view of a planning scene so the viewer can see the character and their actions. It also mentions using a long shot to show characters coming together from different directions and establishing the college environment, and a medium shot to show a character's eye line and what they were looking at to aid audience understanding.
Question 1
The document evaluates a media product by discussing how it uses conventions from real crime/thriller films. It describes how the first scene was filmed at night to set an eerie tone and conceal the murderer's identity, while the second scene was shot during the day to indicate the suspense had passed. Costumes were used to clearly identify the roles of characters like the detective and forensic team. Close-up shots of items helped the audience understand important clues and solve the mystery by the ending.
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In the opening scene of a film:
1) The main character, an athletic female FBI agent, is shown climbing a hill to establish her identity and skills without exposition.
2) She enters an elevator with male colleagues, revealing she is one of few women in the FBI through visuals rather than dialogue.
3) Various shots, including a sign and newspaper, subtly provide key details like her department and the case focus through camera work instead of character explanations.
The Dark Dnight
The Dark Knight (2008) directed by Christopher Nolan for Warner Bros. The opening scene establishes a feeling of anticipation from tense music and a long shot of city rooftops. The audience sees from the perspective of the antagonist as glass breaks and a masked figure is shown. A lone figure holds an important mask, separating him from other henchmen. Introduced clowns are together as a group, but one was alone waiting in a vehicle with other armed clowns, reinforcing his importance. The clowns discuss their coordinated bank robbery plan, implying they work for someone else as "toys". They separate in the bank for different jobs. One clown straps grenades to hostages, showing
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The document provides details about the opening scenes of a sci-fi film. It begins with a green-tinted Warner Bros logo to set the tone. Green text and symbols fall on the screen, establishing the hacking genre. Voiceover introduces a female character talking to a man about "Morthius," creating intrigue. Numbers flash on screen as someone tries to hack. Shots transition using matching graphics to zoom into a number, making the audience feel like they are inside a computer. Police are seen preparing to raid a location at a door marked 303. When they enter the dark room lit only by a laptop, the audience realizes they are seeing through the woman's computer and put a face to her voice.
mise en scene hans beckert
This scene from the 1931 film M introduces the character Hans Beckert, the child murderer antagonist, through his large shadow splayed across a warning poster. The shadow's dominance and human shape indicate this is the person being sought. The orderly shapes of the poster and surface are disrupted by Beckert's organic shadow blob. The neutral eye-level angle and low-density image create a sense of primal fear and imply the helpless adults feel against this hidden threat within their community. The form of the scene suggests Beckert is both a threat and trapped by his criminal identity and the consequences of his crimes.
Maze Runner
The document provides an analysis of the opening scene of the 2014 film "Maze Runner". It summarizes that the opening scene throws the viewer straight into action without establishing characters, settings, or narrative, reflecting the main character's lack of understanding due to amnesia. Symbols like the elevating cage, dull clothing and items, and surrounding forest represent themes of control, survival and being trapped. Shots from the character's point of view make him seem vulnerable, while others show dominance. The use of symbolism and dialogue immediately set up themes that will be explored throughout the film.
Features of a documentary
Interviews and observations are commonly used techniques in documentaries to compare people and events. Interviews may be continuous or split up with other footage. Dramatized sequences are sometimes used to recreate events the filmmaker couldn't capture. Mise en scene refers to how the director constructs shots, such as setting, props, and lighting for interviews.
Nine frame structure analysis of Se7en
The document analyzes the opening frames of a film using the nine frame structure. Frame 1 shows white text on a dark background which sets a gloomy tone, suggesting the film will be a psychological thriller. Frame 2 features an abnormal hand to raise questions for the audience about what will happen. Subsequent frames focus on hands, with one drawing a boy, indicating he will play an important role in the narrative.
Evaluation question 2
The combination of the magazine cover, film poster, and trailer effectively represent the characters and themes in the thriller film. Recurring elements like the manipulation of Jake by Dr. Mark and Jake losing control are reflected across all three pieces. Specifically, the magazine cover uses lighting and positioning of the characters to symbolize their experiences. The film poster continues these themes through silhouettes and dividing Jake's face to depict his inner conflict and unraveling. Together, the three pieces clearly establish this as a thriller and complement each other to tell the story of the psychological manipulation of Jake.
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Pitch first draft
The document provides details about planning and creating an opening sequence for a thriller film. It includes:
1) The opening sequence establishes the stalker villain who has secretly been obsessively tracking the main character.
2) The second scene uses dramatic irony by showing the characters unaware they are talking to their stalker, building suspense.
3) The discussion turns aggressive and the stalker strangles their victim, abruptly ending the scene to hook viewers.
Blair witch project and 28 days later screen shot analysis
This document provides analysis of shots from the films "Blair Witch Project" and "28 Days Later". For "Blair Witch Project", it analyzes a close-up shot of a woman's face showing excitement, a mid-shot in a graveyard, and an insert shot of books about survival in the woods. For "28 Days Later", it examines the opening credit sequence, a shot of violence on television screens surrounding an infected chimpanzee, and two crane shots showing an empty hospital and abandoned streets in London. The analyses discuss film techniques like shot types and mise-en-scene used to set mood and intrigue audiences in the horror genre.
Hyuhvfu
The document discusses the design choices for a movie poster. It describes selecting a simple color scheme of black, red, and white to match the thriller/horror genre. Black represents darkness and evil, red represents blood and danger, and white provides contrast as the friends try to solve the mystery. The poster image features a person on their phone in the dark, symbolizing how the characters contact each other while the evil force surrounds them. The font is plain like the texts and internet searches central to the teenagers' lives, though it suggests something abnormal about the disappearing friends. Overall the poster aims to intrigue audiences with the central image, prominent title/date, and simple structured design.
Horror film poster analysis 2
The poster promotes the 2013 horror film "The Conjuring" which belongs to the paranormal subgenre. It depicts a frightened middle-aged woman holding up a lit match, suggesting the horror takes place at night. Her facial expression and nightwear indicate she has been scared by something unseen in the dark space. The poster uses vintage effects and styles to imply the film is set in the 1970s. It effectively uses text and lighting to promote the film and draw in audiences.
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Presentaciã³n1
El documento distingue entre invento, innovación y descubrimiento: un invento es algo que no existía y fue creado, una innovación mejora algo inventado previamente, y un descubrimiento revela un hallazgo en un invento o innovación existente.
Trabajo métodos
Este documento presenta una investigación-acción sobre el uso de las TIC en educación infantil. Se analizará cómo afecta el uso de tabletas en el aprendizaje de los niños en un centro escolar privado. La metodología incluye cuestionarios y observaciones para evaluar las ventajas e inconvenientes del uso de tabletas antes y después de la implementación. El objetivo es determinar si las TIC pueden mejorar el rendimiento de los estudiantes y proporcionar un método de enseñanza más efectivo.
Cv inglese
This document is a curriculum vitae for Antonella D'Arienzo, an Italian woman born in 1990. She has work experience as an intern in marketing and communications from June to October 2013, and as a hostess in May 2013. Her education includes a post-graduate diploma in marketing management from 2014-2015 and a bachelor's degree in business management from 2009-2012. She is proficient in Italian and English.
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Reasons Sinister is a good horror thriller film
The document discusses various film techniques used in the horror movie "Sinister" to effectively create tension and scare the audience. It analyzes how different shots are used to introduce important characters and show their power dynamics. It also examines how mise-en-scene, establishing shots, music, lighting, sounds, and the portrayal of children as antagonists contribute to the physiological horror and unexpected twists in the film.
Q1 evaluation
This document discusses conventions of thriller and horror films that are used, developed or challenged in the media product. It focuses on themes of identity seen in titles, characters, and villains. Close-up shots are used to explore characters' feelings and the disturbing events unfolding. While some conventions are followed, such as mysterious identities and ordinary settings hiding secrets, others are challenged by having a psychologically disturbed rather than physically threatening villain and focusing more on the villain's identity than the victim's. Voyeurism is referenced indirectly through the victim's awareness of being watched rather than typical unaware surveillance.
Textual analysis pp
This document analyzes the opening sequence of the film "Eighteen" through textual and film techniques. It discusses how the non-diegetic score creates suspense and emotion. Shots like long shots and medium shots are examined for how they connote isolation, desperation, and facing fear. Medium close ups show gender performance and stereotypical teenage relationships. While aimed at younger audiences, the sequence could have improved the dubbing and lighting. In conclusion, more sophisticated techniques could have challenged the audience more.
Analysis of flightplan
The document summarizes a film directed by Robert Schwentke, known for films like Red and The Time Traveler's Wife. It provides analysis of shots and scenes that establish themes of isolation, danger, and death that are conventions of the thriller genre. Technical elements like lighting, camera work, and sound design help set an ominous tone and build tension for the audience.
Media conventions
This document compares still shots from the student's media trailer to similar shots from well-known horror movie trailers and films. It explains how each shot in the student's trailer adopts conventions from popular horror media to create tension, confusion and fear in viewers, such as using close-ups of terrified characters, distorted imagery, and techniques that startle or disorient the audience.
Analysis of flightplan
Robert Schwentke is a German film director born in 1968 who has directed the movies Red, The Time Traveler's Wife, and Tattoo. The document provides background information about the director and three of the films he has directed.
Analysis of Flightplan
Robert Schwentke is a German film director born in 1968 who has directed the movies Red, The Time Traveler's Wife, and Tattoo. The document provides background information about the director and three of the films he has directed.
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The movie poster uses a disturbing image of a young girl to attract audiences. The main image takes up the entire frame to draw the viewer's eye. Additional details like the tagline "Darkness lives inside" and the producers of other horror films provide context about the expected genre and quality. Together, these visual and textual elements aim to intrigue and unnerve potential viewers through suggestions of supernatural forces and implied threats of real-world harm.
Understanding of camera shots
The document discusses various film techniques used in a movie scene, including extreme close-ups on a masked character to emphasize disguise, medium shots that show both characters and their surroundings, long shots that show a character's size and impact, and tracking shots that follow a character's movement to keep them in focus. It also mentions the use of zooms, cuts, diegetic sounds like gunshots, non-diegetic music to create suspense, and bird's-eye views to provide context about the setting.
Camera Work research
This document discusses various camera techniques commonly used in film trailers for horror movies. It provides examples of shots from the movies "The Visit", "IT", and "It Follows" to illustrate different techniques. These include two shots to show character relationships, establishing shots to set the scene, close-ups to convey emotion, long shots to provide context, and point-of-view shots to involve the audience. Camera movements like tracking and zooms are also explained as ways to build tension. Overall, the document analyzes how visual elements in trailers use camera work to immerse viewers and establish atmosphere for the films.
Understanding Micro Elements in Film Openings
The document discusses various film techniques used in the opening scenes of horror films. It analyzes shots from the film Paranormal Activity 3 to illustrate different cinematography concepts like close-ups, long shots, and camera angles. Elements like mise-en-scene, costumes, props, and diegetic sounds are explored to emphasize realism and build suspense in the film's opening scenes.
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Making of the Poster
This document discusses the process of creating a movie poster in Photoshop. Key steps included enhancing a base photograph using lighting and editing tools, adding an additional image of the film's characters in the middle with faded edges, and including titling and text with information about the film, actors, and production details to follow conventions and intrigue audiences. The final poster effectively used images and text to suggest the film's romantic genre while hinting it may subvert expectations.
Storyboards For Behind Closed Doors
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Evaluation - In what ways does your media product use, devlop and challenge f...
The document discusses how the media product "Behind Closed Doors" challenges conventions of real media. It aims to portray romance and love in a realistic way rather than the idealized versions often shown. It analyzes conventions like narrative structure, use of music, filming techniques, and gender roles. The film uses locations like an office and elevator to tell an unexpected story that subverts romantic drama tropes through its ending. Research into other short films helped inform the production process.
Feedback Form for 'Behind Closed Doors'
The document is a short feedback form for a film that was just watched. It asks the respondent to rate different attributes of the film such as narrative, acting, continuity, and ending on a scale from satisfactory to dissatisfying. It also invites any additional comments about the film to be provided.
How to break down an audience
This document breaks down audiences into different categories for the purposes of analysis, including gender, age, race, and socio-economic status. It presents a table that divides socio-economic status into categories from higher management professionals to unemployed individuals. Younger men and women are identified as key audience groups, with women consuming more media overall. The intended audience for the film is identified as being between socio-economic categories C1 and E, likely including students and young office workers between the ages of 20-34.
Costume for characters
The document describes the costumes for the main characters in a short film called "Behind Closed Doors". The main male character, Alfie, will wear smart casual clothing like trousers, a jumper, and tie to appear in a lower job role than the main female character Kate. Kate will wear smart clothing like a blouse, trousers, and coat to express her higher authority. The woman in the office will dress similarly to Kate. The assistant in the CCTV room will wear all black to blend into the dark room without distracting from other characters.
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Presentation about short films, an example of 3 and where some short films are distributed at festivals.
Indie
The document discusses the target audience and content for an indie music magazine called "INDEX". The target audience is people aged 16-21 who are interested in popular indie artists and festivals/tours. The magazine will feature articles on indie artists like A Great Big World and The Lumineers. It will also include album reviews, upcoming festival and tour dates to keep readers informed of live music events.
Indie
The document discusses the target audience and content for an indie music magazine called "INDEX". The target audience is people aged 16-21 who are interested in popular indie artists and festivals/tours. The magazine will feature articles on indie artists like A Great Big World and The Lumineers. It will also include album reviews, upcoming festival and tour dates to keep readers informed of live music events.
Indie
The document discusses the target audience and content for an indie music magazine called "INDEX". The target audience is people aged 16-21 who are interested in popular indie artists and festivals/tours. The magazine will feature articles on indie artists like A Great Big World and The Lumineers. It will also include album reviews, upcoming festival and tour dates to keep readers informed of live music events.
In what ways does your media product
The document discusses the conventions used in typical music magazines and how the student's media product challenges or develops those conventions. It analyzes the layout features of the student's magazine cover, including the masthead at the top centered over the main image, cover lines down the sides, the barcode and price in the top corner, and a plug at the bottom. While following conventions like placing the main image in the center third and using the rule of thirds, the student also challenges conventions by using more cover lines than typical and experimenting with font styles and colors. The goal was to create a magazine cover that looks realistic while representing the indie music genre.
Inital ideas
The document provides initial ideas and layout plans for a music magazine focused on indie artists. It includes sketches of the front cover featuring an indie artist, contents page with sections for features, news, and reviews, and a double page spread with an interview. Key elements are a main image of artist Hayley Woods on the front cover and contents page, two potential magazine names ("Index" and "Inde"), and using additional images of models portraying indie artists throughout the magazine.
Roland barthes
Roland Barthes was a 20th century French philosopher who studied semiotics, structuralism, and post-structuralism. He believed that language shapes how people think and categorize objects, rather than language expressing pre-existing thoughts. Barthes built upon Ferdinand de Saussure's theory of signs, arguing that signs are structured and depend on the entire system of signs for their meaning. He was influential in developing new ways to analyze language and myths through semiotics.
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