Curran and Seaton argue that the media is controlled by a small number of large companies that are primarily driven by profit and gaining power for their owners. This concentration of ownership limits diversity in media productions. While making money is understandable for businesses, the concern is when profit is prioritized over other responsibilities. Newspapers in particular have become more focused on promoting certain political views that benefit their owners' business interests, even when the papers themselves operate at a loss, allowing owners to gain influence beyond financial returns.
The document discusses various academic theories that can be applied to analyze the television drama Deutschland 83, including theories of representation, identity, gender, feminism, and ethnicity. It provides context on the characters and historical setting of Deutschland 83 and suggests how concepts from theorists like Hall, Gauntlett, van Zoonen, hooks, Butler, and Gilroy could be employed to examine representations and issues of gender, identity, and power in the show.
This document discusses cross media convergence and synergy. Cross media convergence involves operating across different media platforms, such as an artist working in multiple mediums. It creates synergy when products or services coming together generate mutual benefit through cross promotion and new revenue streams. Music videos are an example of cross media convergence, becoming an important promotional product for artists to generate more opportunities across media.
The document discusses three academic ideas related to media industries:
- Curran and Seaton argue media is dominated by a small number of conglomerates who limit viewpoints. Despite online media, major organizations remain dominant.
- Livingstone and Lunt say regulation protects the public interest but is challenged by online global media.
- Hesmondhalgh also sees media dominated by conglomerates who rely on popular genres, stars and narratives to reduce risk.
Here are my findings about the film's production and box office performance:
- It was produced by Working Title Films.
- The production budget was £2.5 million.
- It was a UK production.
- It was distributed in the US by Universal Pictures.
- The US box office takings were £5.2 million.
- It was distributed in the UK by Universal Pictures International.
- The UK box office takings were £3.3 million.
- Universal Pictures is owned by NBCUniversal, which is owned by Comcast.
So in summary, it was a modestly budgeted British film that performed respectably at the box office both in the
Curran and Seaton argue that patterns of media ownership and control are the most significant factors in how media operates. They believe media industries follow capitalist patterns of increasing concentration, with ownership in fewer hands. This leads to a narrowing of opinions represented and a pursuit of profit over quality. Media is controlled by a small number of companies primarily driven by profit and power, limiting variety, creativity, and quality. More diverse ownership could create more varied media reflecting a range of societal views.
Media regulation aims to protect the public in three main ways: regulating content, access/distribution, and ownership. It has evolved from strict censorship to a more liberal classification system. Debate remains around balancing freedom of speech with protection, and whether regulation effectively prevents harm or merely restricts choice. New technologies challenge traditional regulators to control unclassified online content.
The document discusses several academics and their views on media ownership and regulation. It describes how James Curran and Jean Seaton argue that increasing media concentration limits diversity and quality as companies prioritize profit. It also explains that Hesmondhalgh asserts cultural industries follow capitalist patterns of consolidation to reduce risk, relying on repetition of formulas to appeal to mainstream audiences.
The document discusses media ownership in the film industry. It focuses on ownership of the major Hollywood studios, known as the Big Six, which are subsidiaries of large media conglomerates. This high level of concentration of ownership allows bigger budgets but can also lead to biases and synergy between related products. The document also examines ownership in the UK film industry, where American films dominate the box office, and how independent British productions like "This is England" reflect aspects of British culture.
The document discusses various academic theories that can be applied to analyze the television drama Deutschland 83, including theories of representation, identity, gender, feminism, and ethnicity. It provides context on the characters and historical setting of Deutschland 83 and suggests how concepts from theorists like Hall, Gauntlett, van Zoonen, hooks, Butler, and Gilroy could be employed to examine representations and issues of gender, identity, and power in the show.
This document discusses cross media convergence and synergy. Cross media convergence involves operating across different media platforms, such as an artist working in multiple mediums. It creates synergy when products or services coming together generate mutual benefit through cross promotion and new revenue streams. Music videos are an example of cross media convergence, becoming an important promotional product for artists to generate more opportunities across media.
The document discusses three academic ideas related to media industries:
- Curran and Seaton argue media is dominated by a small number of conglomerates who limit viewpoints. Despite online media, major organizations remain dominant.
- Livingstone and Lunt say regulation protects the public interest but is challenged by online global media.
- Hesmondhalgh also sees media dominated by conglomerates who rely on popular genres, stars and narratives to reduce risk.
Here are my findings about the film's production and box office performance:
- It was produced by Working Title Films.
- The production budget was £2.5 million.
- It was a UK production.
- It was distributed in the US by Universal Pictures.
- The US box office takings were £5.2 million.
- It was distributed in the UK by Universal Pictures International.
- The UK box office takings were £3.3 million.
- Universal Pictures is owned by NBCUniversal, which is owned by Comcast.
So in summary, it was a modestly budgeted British film that performed respectably at the box office both in the
Curran and Seaton argue that patterns of media ownership and control are the most significant factors in how media operates. They believe media industries follow capitalist patterns of increasing concentration, with ownership in fewer hands. This leads to a narrowing of opinions represented and a pursuit of profit over quality. Media is controlled by a small number of companies primarily driven by profit and power, limiting variety, creativity, and quality. More diverse ownership could create more varied media reflecting a range of societal views.
Media regulation aims to protect the public in three main ways: regulating content, access/distribution, and ownership. It has evolved from strict censorship to a more liberal classification system. Debate remains around balancing freedom of speech with protection, and whether regulation effectively prevents harm or merely restricts choice. New technologies challenge traditional regulators to control unclassified online content.
The document discusses several academics and their views on media ownership and regulation. It describes how James Curran and Jean Seaton argue that increasing media concentration limits diversity and quality as companies prioritize profit. It also explains that Hesmondhalgh asserts cultural industries follow capitalist patterns of consolidation to reduce risk, relying on repetition of formulas to appeal to mainstream audiences.
The document discusses media ownership in the film industry. It focuses on ownership of the major Hollywood studios, known as the Big Six, which are subsidiaries of large media conglomerates. This high level of concentration of ownership allows bigger budgets but can also lead to biases and synergy between related products. The document also examines ownership in the UK film industry, where American films dominate the box office, and how independent British productions like "This is England" reflect aspects of British culture.
Technological changes have forced newspapers like The Guardian and The Daily Mail to converge online. This has affected their production, distribution, and circulation of news.
Both newspapers have had to shift production towards multimedia content like videos. They also face more competition in quickly breaking news on social media. Distribution is now both physical and digital, while circulation has declined greatly in print but increased online through free content.
However, their ownership structures and political values still influence content. The Guardian is owned by the nonprofit Scott Trust and holds liberal values. The Daily Mail is owned by the for-profit Daily Mail and General Trust and takes a conservative stance. This shapes how they cover the same stories and target different audiences.
The document discusses media ownership in the film industry. It notes that a small number of large media conglomerates own most film studios, TV stations, record labels, and other media outlets. These conglomerates have significant financial resources to invest in film production and can market films across their various subsidiary companies using synergy. However, some independent films are still produced outside the major studios in Britain, often partnering with organizations like Film 4 or the BBC for funding and distribution. The concentration of media ownership in only a few large Western conglomerates is increasingly dominating the global media market.
This document provides terminology related to TV drama production and analysis. It defines various camera shots like close-ups, establishing shots, and point-of-view shots. It also covers editing techniques such as cross-cutting, dissolves, and jump cuts. Finally, it lists sound terminology including ambient sound, asynchronous sound, and contrapuntal sound. The document is intended to help students analyze and discuss elements of TV dramas.
The document discusses various elements of film editing that can be analyzed, including: order of shots, continuity, transitions, shot duration/pace and rhythm, and special effects. It explains how these technical elements help create meaning and influence what information is revealed or hidden from the characters and audience. Order of shots can reveal character perspectives and importance. Continuity editing implies spatial relationships to tell a story smoothly. Transitions can imply passage of time or location changes. Shot duration impacts pace, while special effects further manipulate scenes.
Lionsgate would be the best distribution company for the filmmaker's thriller film aimed at teenagers. Lionsgate specializes in distributing similar thriller and teen-focused films like The Hunger Games and Twilight franchises. They have experience marketing to the target teenage audience. While Paramount distributes some thrillers, they focus more on big budget blockbusters and look for well-known directors and actors. Lionsgate would be more open to distributing an independent thriller. If a distribution deal cannot be secured, self-distributing to film festivals could generate buzz but success is unlikely as most festival films do not find audiences and the festivals do not target the film's intended teenage demographic.
The document discusses newspapers and online media for a paper 1 section A study. It focuses on analyzing two newspapers - The Daily Mail and The Guardian - in both print and online/social media formats from the same day. It provides context on the historical development of newspapers and how the industry has adapted to new media technologies over time. It also outlines the different types of newspapers in the UK market - red top tabloids, mid-market tabloids, and broadsheets.
1) The document provides guidance on how to structure responses for Section A and Section B of the G322 AS Media exam.
2) For Section A on TV drama, it advises to focus the response on analyzing how technical elements construct representations rather than just describing them.
3) For Section B on film institutions, it recommends discussing the processes of production, distribution, and exhibition in British film by referencing specific case studies and films. Key words related to these processes are defined.
The document discusses the film industry and media conglomerates. It provides context on the 1967 and 2016 adaptations of The Jungle Book, including the Hollywood studio system and changes in the film industry between those time periods. It also discusses how large media companies integrate vertically and horizontally, controlling various parts of the filmmaking and distribution process.
Media Studies Narrative Theory Revision for Music Video and Fiction Texts Yea...Ian Moreno-Melgar
The document discusses different narrative theories that can be applied to analyzing stories and media, including theories about narrative structure, music video narratives, and classic narrative theorists like Todorov and Propp. It provides definitions and examples of concepts like linear, circular, and episodic narrative structures as well as Todorov's 5 stages of narrative and Propp's 6 stages and 7 character spheres of action.
There are three types of media ownership: public, private, and state-owned. Publicly owned media is owned by the public and funded through license fees. Privately owned media is owned by private companies and funded through advertising and commercial revenue. State-owned media is owned by the government and funded by taxpayers. Each type has advantages and disadvantages related to bias, diversity of content, and profit motives. Examples of each type of ownership from around the world are provided.
Media Studies OCR A Level Advertising and marketing 11 01 19Yvonne44
The document provides guidance on analyzing charity advertising like that produced by Shelter. It discusses Shelter as an organization that helps the homeless and outlines techniques used in their advertising. These include using personal stories to create empathy, showing the consequences of homelessness, and appealing to emotions with simple yet vague messages. The document also analyzes sample Shelter ads, noting design elements like colors and images, and how these aim to represent homelessness as an issue that could impact anyone to encourage support.
This document provides guidance on the A Level Media H409/01 exam paper. It explains how students should approach each paper and how marks are awarded. The exam assesses students' knowledge and understanding of media language, representation, and contexts through analysis of unseen sources and evaluation of theories. Questions test AO1 (knowledge and understanding), AO2 (analysis and evaluation), and may require using concepts like patriarchy or evaluating theories. The two sections assess news/online and magazines/music videos through analysis of unseen paired sources or recalled set products.
This document provides guidance for revising for the AS Media Studies exam. It outlines the format of the exam, which consists of two sections - Section A focuses on analyzing representations in a TV drama extract, and Section B involves questions on institutions and audiences. For Section A, students will analyze how representations of various social groups are constructed through camerawork, editing, sound, and mise-en-scene. Section B may involve topics like production, distribution, marketing, and questions relate to case studies on Disney and Film 4. The document advises spending 45 minutes on each question and provides revision resources on the exam topics.
Industries introduction for The Bridge and Life on MarsKStockwell
This document discusses and compares the industries behind two TV crime dramas: "The Bridge" and "Life on Mars." It notes that "Life on Mars" was produced by Kudos for BBC Wales and had international adaptations and broadcasts. "The Bridge" is a Swedish/Danish co-production between public broadcasters SVT and DR that received additional European funding and has had international success and remakes. Both crime dramas conform to their broadcasters' remits of providing popular, high quality programming while cultivating talent.
Steve Neale is an influential film studies scholar who has written extensively on genre theory. He argues that genres are defined by both repetition of conventions and elements of difference in each text. Genres are not fixed but evolve as new works subvert conventions or combine elements of multiple genres. Audiences expect certain genre conventions but regimes of realism vary between genres based on their internal rules rather than reality alone.
This document discusses the distribution and promotion of the film "I, Daniel Blake" by Ken Loach. It was distributed in the UK by eOne Films and targeted working class audiences through partnerships with newspapers like the Daily Mirror and events coinciding with political conferences. The film's promotion generated discussion of its social themes and political messages. It was promoted as a film addressing issues of importance to many citizens and was very successful commercially and critically, winning several awards in the UK and internationally.
The document discusses Lucozade Sport advertising campaigns. It provides examples of Lucozade Sport print and TV advertisements from various years. It analyzes the 2013 "I Believe" TV campaign in particular, noting its £4-9 million budget, agency, stars used, and claims about hydration benefits over water. The campaign was ultimately banned in 2014 for failing to show benefits during prolonged exercise only. The document also discusses Lucozade's branding history and maintenance of separate sports and regular drink websites.
Media Studies OCR A level The Big Issue 29 01 19 finalYvonne44
The document provides information and guidance for analyzing magazine covers from The Big Issue. It discusses key concepts for deconstructing images such as mise-en-scene, representation, semiotics, and target audiences. Students are instructed to analyze at least three front covers using these concepts to describe conventions, representation of people, language and design elements, and intended meanings and messages. Guidance is given on what to look for, including colors, fonts, images, and how these signs are encoded and could be decoded by different audiences.
AS Level Media Studies C1SA Wateraid case study - language and representationKBucket
The document provides context and analysis of a WaterAid charity advertisement. It discusses the product context of WaterAid as an organization, the cultural context of charity advertising, and analyzes the advertisement's use of media language and representation of its subject. Key points analyzed include genre conventions, Barthes' codes, representation through the lenses of Stuart Hall and Manuel Alvarado, and how the advertisement constructs identity using Gauntlett's theories. The overall purpose is to deconstruct how the advertisement conveys its message through visual and audio techniques.
The document discusses the BBC's anti-American bias as revealed by a quote from a BBC journalist. The quote describes a picture of Bush as Hitler hanging in the BBC newsroom, which no one objected to. The newsroom was later revealed to be the BBC itself. The document criticizes the BBC for its bias against America and argues this was acknowledged by its own Washington correspondent. It cites a new book detailing 25 years of BBC bias against this view.
Mass media is dominated by a small number of large conglomerates. Through mergers and acquisitions over many years, around six major companies now control around 90% of media in developed countries. This high level of consolidation raises concerns about these companies' outsized economic and political influence over what information is reported and how. While globalization has increased access to information, many nations still struggle with censorship and threats to journalists, and mainstream media ownership concentration risks lack of objective reporting and control by corporate and political elites to advance their own interests over informing the public.
Technological changes have forced newspapers like The Guardian and The Daily Mail to converge online. This has affected their production, distribution, and circulation of news.
Both newspapers have had to shift production towards multimedia content like videos. They also face more competition in quickly breaking news on social media. Distribution is now both physical and digital, while circulation has declined greatly in print but increased online through free content.
However, their ownership structures and political values still influence content. The Guardian is owned by the nonprofit Scott Trust and holds liberal values. The Daily Mail is owned by the for-profit Daily Mail and General Trust and takes a conservative stance. This shapes how they cover the same stories and target different audiences.
The document discusses media ownership in the film industry. It notes that a small number of large media conglomerates own most film studios, TV stations, record labels, and other media outlets. These conglomerates have significant financial resources to invest in film production and can market films across their various subsidiary companies using synergy. However, some independent films are still produced outside the major studios in Britain, often partnering with organizations like Film 4 or the BBC for funding and distribution. The concentration of media ownership in only a few large Western conglomerates is increasingly dominating the global media market.
This document provides terminology related to TV drama production and analysis. It defines various camera shots like close-ups, establishing shots, and point-of-view shots. It also covers editing techniques such as cross-cutting, dissolves, and jump cuts. Finally, it lists sound terminology including ambient sound, asynchronous sound, and contrapuntal sound. The document is intended to help students analyze and discuss elements of TV dramas.
The document discusses various elements of film editing that can be analyzed, including: order of shots, continuity, transitions, shot duration/pace and rhythm, and special effects. It explains how these technical elements help create meaning and influence what information is revealed or hidden from the characters and audience. Order of shots can reveal character perspectives and importance. Continuity editing implies spatial relationships to tell a story smoothly. Transitions can imply passage of time or location changes. Shot duration impacts pace, while special effects further manipulate scenes.
Lionsgate would be the best distribution company for the filmmaker's thriller film aimed at teenagers. Lionsgate specializes in distributing similar thriller and teen-focused films like The Hunger Games and Twilight franchises. They have experience marketing to the target teenage audience. While Paramount distributes some thrillers, they focus more on big budget blockbusters and look for well-known directors and actors. Lionsgate would be more open to distributing an independent thriller. If a distribution deal cannot be secured, self-distributing to film festivals could generate buzz but success is unlikely as most festival films do not find audiences and the festivals do not target the film's intended teenage demographic.
The document discusses newspapers and online media for a paper 1 section A study. It focuses on analyzing two newspapers - The Daily Mail and The Guardian - in both print and online/social media formats from the same day. It provides context on the historical development of newspapers and how the industry has adapted to new media technologies over time. It also outlines the different types of newspapers in the UK market - red top tabloids, mid-market tabloids, and broadsheets.
1) The document provides guidance on how to structure responses for Section A and Section B of the G322 AS Media exam.
2) For Section A on TV drama, it advises to focus the response on analyzing how technical elements construct representations rather than just describing them.
3) For Section B on film institutions, it recommends discussing the processes of production, distribution, and exhibition in British film by referencing specific case studies and films. Key words related to these processes are defined.
The document discusses the film industry and media conglomerates. It provides context on the 1967 and 2016 adaptations of The Jungle Book, including the Hollywood studio system and changes in the film industry between those time periods. It also discusses how large media companies integrate vertically and horizontally, controlling various parts of the filmmaking and distribution process.
Media Studies Narrative Theory Revision for Music Video and Fiction Texts Yea...Ian Moreno-Melgar
The document discusses different narrative theories that can be applied to analyzing stories and media, including theories about narrative structure, music video narratives, and classic narrative theorists like Todorov and Propp. It provides definitions and examples of concepts like linear, circular, and episodic narrative structures as well as Todorov's 5 stages of narrative and Propp's 6 stages and 7 character spheres of action.
There are three types of media ownership: public, private, and state-owned. Publicly owned media is owned by the public and funded through license fees. Privately owned media is owned by private companies and funded through advertising and commercial revenue. State-owned media is owned by the government and funded by taxpayers. Each type has advantages and disadvantages related to bias, diversity of content, and profit motives. Examples of each type of ownership from around the world are provided.
Media Studies OCR A Level Advertising and marketing 11 01 19Yvonne44
The document provides guidance on analyzing charity advertising like that produced by Shelter. It discusses Shelter as an organization that helps the homeless and outlines techniques used in their advertising. These include using personal stories to create empathy, showing the consequences of homelessness, and appealing to emotions with simple yet vague messages. The document also analyzes sample Shelter ads, noting design elements like colors and images, and how these aim to represent homelessness as an issue that could impact anyone to encourage support.
This document provides guidance on the A Level Media H409/01 exam paper. It explains how students should approach each paper and how marks are awarded. The exam assesses students' knowledge and understanding of media language, representation, and contexts through analysis of unseen sources and evaluation of theories. Questions test AO1 (knowledge and understanding), AO2 (analysis and evaluation), and may require using concepts like patriarchy or evaluating theories. The two sections assess news/online and magazines/music videos through analysis of unseen paired sources or recalled set products.
This document provides guidance for revising for the AS Media Studies exam. It outlines the format of the exam, which consists of two sections - Section A focuses on analyzing representations in a TV drama extract, and Section B involves questions on institutions and audiences. For Section A, students will analyze how representations of various social groups are constructed through camerawork, editing, sound, and mise-en-scene. Section B may involve topics like production, distribution, marketing, and questions relate to case studies on Disney and Film 4. The document advises spending 45 minutes on each question and provides revision resources on the exam topics.
Industries introduction for The Bridge and Life on MarsKStockwell
This document discusses and compares the industries behind two TV crime dramas: "The Bridge" and "Life on Mars." It notes that "Life on Mars" was produced by Kudos for BBC Wales and had international adaptations and broadcasts. "The Bridge" is a Swedish/Danish co-production between public broadcasters SVT and DR that received additional European funding and has had international success and remakes. Both crime dramas conform to their broadcasters' remits of providing popular, high quality programming while cultivating talent.
Steve Neale is an influential film studies scholar who has written extensively on genre theory. He argues that genres are defined by both repetition of conventions and elements of difference in each text. Genres are not fixed but evolve as new works subvert conventions or combine elements of multiple genres. Audiences expect certain genre conventions but regimes of realism vary between genres based on their internal rules rather than reality alone.
This document discusses the distribution and promotion of the film "I, Daniel Blake" by Ken Loach. It was distributed in the UK by eOne Films and targeted working class audiences through partnerships with newspapers like the Daily Mirror and events coinciding with political conferences. The film's promotion generated discussion of its social themes and political messages. It was promoted as a film addressing issues of importance to many citizens and was very successful commercially and critically, winning several awards in the UK and internationally.
The document discusses Lucozade Sport advertising campaigns. It provides examples of Lucozade Sport print and TV advertisements from various years. It analyzes the 2013 "I Believe" TV campaign in particular, noting its £4-9 million budget, agency, stars used, and claims about hydration benefits over water. The campaign was ultimately banned in 2014 for failing to show benefits during prolonged exercise only. The document also discusses Lucozade's branding history and maintenance of separate sports and regular drink websites.
Media Studies OCR A level The Big Issue 29 01 19 finalYvonne44
The document provides information and guidance for analyzing magazine covers from The Big Issue. It discusses key concepts for deconstructing images such as mise-en-scene, representation, semiotics, and target audiences. Students are instructed to analyze at least three front covers using these concepts to describe conventions, representation of people, language and design elements, and intended meanings and messages. Guidance is given on what to look for, including colors, fonts, images, and how these signs are encoded and could be decoded by different audiences.
AS Level Media Studies C1SA Wateraid case study - language and representationKBucket
The document provides context and analysis of a WaterAid charity advertisement. It discusses the product context of WaterAid as an organization, the cultural context of charity advertising, and analyzes the advertisement's use of media language and representation of its subject. Key points analyzed include genre conventions, Barthes' codes, representation through the lenses of Stuart Hall and Manuel Alvarado, and how the advertisement constructs identity using Gauntlett's theories. The overall purpose is to deconstruct how the advertisement conveys its message through visual and audio techniques.
The document discusses the BBC's anti-American bias as revealed by a quote from a BBC journalist. The quote describes a picture of Bush as Hitler hanging in the BBC newsroom, which no one objected to. The newsroom was later revealed to be the BBC itself. The document criticizes the BBC for its bias against America and argues this was acknowledged by its own Washington correspondent. It cites a new book detailing 25 years of BBC bias against this view.
Mass media is dominated by a small number of large conglomerates. Through mergers and acquisitions over many years, around six major companies now control around 90% of media in developed countries. This high level of consolidation raises concerns about these companies' outsized economic and political influence over what information is reported and how. While globalization has increased access to information, many nations still struggle with censorship and threats to journalists, and mainstream media ownership concentration risks lack of objective reporting and control by corporate and political elites to advance their own interests over informing the public.
This document discusses an approach called "J-Ethinomics" that combines journalism, ethics and economics to help improve society and sustain the media business. It aims to use ethical practices to build public trust and attract audiences and advertisers. Media industries currently face problems like lack of trust, corporate influence and economic difficulties. J-Ethinomics proposes focusing on public interest and serving audiences to make media more profitable. Reporting ethically while respecting editorial control can help construct a sustainable business model for digital media.
Hackgate, Leveson and News Corp: Spinning out of control?Rob Jewitt
Here are potential responses to those questions:
1. News Corp does not appear to have been fully open or truthful initially about the extent of phone hacking at News of the World. There were repeated denials that went beyond what has since been revealed.
2. News Corp failed to take appropriate action for many years despite signs that phone hacking went beyond a single rogue reporter. A proper internal investigation should have been conducted much earlier.
3. To recover, News Corp needs to fully acknowledge responsibility, make a sincere apology, reform governance and compliance, and rebuild trust over the long term through transparent and ethical journalism.
4. The closure of News of the World does seem like a strategic decision aimed more at reputation management than
Media conglomerate type of ownership patternGARIMA624808
The document discusses media conglomerates in India and provides details about The Times Group, one of the largest media conglomerates in India. It owns numerous publications, TV channels, radio stations, and digital properties. Some of its major publications include The Times of India, The Economic Times, and Mumbai Mirror. It also owns TV channels like ET Now and Times Now. As a private company, The Times Group remains family-owned and generates over $1.5 billion in annual revenue through its diverse media properties.
Whatever the complaint about media, one thing is certain: There are underlying structural issues at work that give rise to these problems. Attacking a single symptom — such as programming some might say is indecent — does not cure the disease.
Mass media has a significant influence on modern culture through the messages and images it conveys. Traditional forms of communication and entertainment in India, like folk theatre and music, have been largely replaced by mass media like television, films, and the internet. While mass media can positively influence society by spreading information, it also shapes public opinion and sways consumers through thousands of advertisements seen each year. The ownership of mass media is highly concentrated among a few large corporations, which have the power to influence beliefs and decisions on a wide scale.
This document provides an overview of public relations as a profession and industry. It discusses the history of public relations, from ancient Greece to modern times. It outlines some of the major events and figures that shaped the development of public relations, such as Ivy Ledbetter Lee being considered the father of modern public relations. The document also describes the current public relations industry, including the top agencies, common PR activities like research and communication, and tools used like press releases. It concludes by discussing some controversies around the ethics of PR tactics such as spinning information and using gifts or junkets with reporters.
This document discusses concentration of media ownership and its effects. It notes that progressively fewer individuals or organizations control increasing shares of mass media. Large media conglomerates dominate globally and a small number control most media within nations. Media mergers allow companies to buy other companies for more power and profits, concentrating ownership further. This concentration can negatively impact competition, diversity of viewpoints, and net neutrality. Deregulation has increased consolidation by removing barriers, though critics argue this reduces the quality and diversity of information provided to the public.
This document provides an overview of key concepts in media literacy. It discusses what media literacy is, different types of media like print, broadcast and digital, and models of communication including traditional mass communication models and converged media models. It also outlines several career paths related to media like journalism. Finally, it covers the media industries, how they have changed over time due technological innovations, and current issues around media ownership, government regulation, and legal/ethical controversies.
Social media is influencing many aspects of journalism, such as newsrooms and advertising. Content management systems make it easier to share news across traditional and social media platforms. Journalists now use social networking sites like Twitter and Facebook to share and comment on news stories. Social media influencers are important for news media because they can trigger additional interest by sharing and discussing content. As experience with social media grows, best practices for journalism are emerging, but social media also challenges the definition and objectivity of traditional journalism.
This document provides an executive summary of a report on digital-born news media in Europe. It finds that these organizations:
1) Are generally launched by journalists focused on quality journalism rather than business or technology.
2) Tend to be more prominent in Spain and France where legacy media are weaker, rather than Germany and the UK with strong legacy media.
3) Face similar challenges to legacy media around funding from advertising and distribution through platforms like Google and Facebook.
It then analyzes the different funding models, distribution strategies, and editorial priorities of digital-born news media in more detail.
Fic0114 lecture 9 newsgathering & reportingPhilip Gan
1. The document provides an overview of key concepts in mass communication and journalism, including theories of the press, news values, types of news stories, and how the digital revolution has impacted news gathering and reporting.
2. It discusses the rise of citizen journalism, blogs, and hyperlocal news online. New tools and convergence of skills have also affected reporting in the digital age.
3. While audiences for news have declined across most media, the internet has increased options for customizing news from various sources. Print, broadcast, and online journalism each have strengths and weaknesses in informing the public.
This document provides an introduction to media institutions, including definitions of key terms like conglomerate and cross-media ownership. It discusses the major media conglomerates - The Walt Disney Company, News Corp, and Time Warner - and how they have acquired numerous subsidiaries across television, film, publishing, and other media. The document also addresses criticisms of increasing media consolidation, such as reduced diversity and competition as a small number of large conglomerates come to dominate the media industry globally.
This document discusses news and online media from several perspectives. It addresses how news is shaped by its production, distribution, ownership and economic factors. It also examines how news industries maintain audiences nationally and globally through targeting demographics, psychographics, and using various marketing techniques. Finally, it explores how audiences interpret and use news media differently based on their needs and gratifications.
The document provides an overview of key concepts related to news and online media industries, audiences, and contexts. It discusses how news is shaped by production, distribution, ownership and economic factors. It highlights the impact of technological changes and regulation. Theories from scholars like Curran and Seaton, and Hesmondhalgh are presented for analyzing media industries. Political, economic and historical contexts that influence news media are also outlined. The document then examines how newspapers target specific audiences using techniques like pricing, promotions, and partnerships to appeal to demographic and psychographic groups.
The political context influences newspaper ownership and regulation in several ways:
1) Newspapers are often owned by wealthy individuals seeking political/social influence rather than just profits, unlike other industries.
2) Regulators like the Competition and Markets Authority limit ownership concentration to promote media plurality and free market competition.
3) Newspapers have editorial freedom but owners can still influence content through close relationships with politicians, as the Leveson Inquiry found.
4) Newspapers self-regulate but competing regulatory bodies like IPSO and Impress illustrate debates around how this should work.
Social Media And Its Impact On Mainstream JournalismMegan Foster
Here is a SWOT analysis of Cheers:
Strengths:
- Established brand name and reputation for quality food
- Wide network of franchised locations across South Africa
- Strong focus on customer service and friendly atmosphere
- Efficient operations and supply chain
Weaknesses:
- Menu and offerings are relatively standard compared to competitors
- Potential over-reliance on franchising model for growth
Opportunities:
- Expand into new geographic markets within South Africa
- Introduce new menu items to attract new customers
- Leverage brand reputation to enter new fast food segments
Threats:
- Increased competition from other fast food chains
- Rising costs of ingredients and
The document provides an overview of news and online media, outlining that it is important to understand how news is shaped by its production, distribution, ownership and economic factors. It also discusses the impact of technological changes and regulation on the news industry. Theories around media industries and how different contexts like political, economic and historical influences shape news are also examined.
Similar to Curran and seaton industry and ownership 2020 part 1 (20)
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[/SUMMARY]
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2. Back ground: James Curran
Prof James Curran
• Professor of
Communications
• Department
• Media, Communications
and Cultural Studies
• Goldsmiths University of
London
A pioneer of media studies, James Curran taught on the first
media studies degree established in Britain, and became the
first Professor of Communications at the University of London in
1989.
Written / edited over 20 books about the media and media
history, some in collaboration with others.
Interests broadened to include the study of contemporary
journalism and the Internet.
Co-Director of the Goldsmiths Leverhulme Media Research
Centre, supported by a £1.25 million grant, and the joint author
of Misunderstanding the Internet, whose second edition
appeared in 2016.
Full bio: https://www.gold.ac.uk/media-
communications/staff/curran/
3. Back ground: Jean Seaton
Professor of Media History at the University of Westminster and the Official
Historian of the BBC
She has written widely on the history and role of the media in politics, wars,
atrocities, the Holocaust, revolutions, security issues and religion as well as
news and journalism and is particularly interested in the impact of the media
on children.
In 2007 she became Chair of the Orwell Prize, Britain’s premier prize for
political writing.
She broadcasts regularly on historical, political and cultural matters.
She supervises PhD students across a wide range of political and cultural
topics.
Full Bio: https://camri.ac.uk/blog/staff/professor-jean-seaton/
Jean Seaton
• Professor of Media History
(and the Official Historian of
the BBC
• The Communication and
Media Research Institute
(CAMRI)
• University of Westminster
4. Power Without Responsibility
Most famous among Curran and Seaton’s publications is their joint work “Power Without
Responsibility”
First published in 1981, it has since been revised and updated numerous times and in 2018
published it’s 8th edition.
”This book attacks the conventional history of the press as a story of progress; offers a critical
defence and history of public service broadcasting; provides a myth-busting account of the
internet; a subtle account of the impact of social media and explores key debates about the role
and politics of the media.”
5.
6.
7. Curran and Seaton: Key Ideas
• The media is controlled by a small number of companies primarily driven by the logic of profit and
power
• Media Concentration generally limits or inhibits variety, creativity and quality
• More socially diverse patterns of ownership help to create the conditions for more varied and
adventurous media productions
8. Curran and Seaton: Key Ideas - 1
The media is controlled by a small number of companies primarily driven by the logic of profit and power
9. Curran and Seaton: Key Ideas - 1
The media is controlled by a small number of companies primarily driven by the logic of profit and power
What evidence is there that the media is controlled by only a small number of companies?
10. Curran and Seaton: Key Ideas - 1
The media is controlled by a small number of companies primarily driven by the logic of profit and power
What evidence is there that the media is controlled by only a small number of companies?
Visit the website: https://www.mediareform.org.uk/media-ownership/who-owns-the-uk-media
11. Media Reform Coalition
James Curran has written numerous
articles advocating media reform and is
a supporter of the media reform
coalition
12. Media Reform Coalition
The Media Reform Coalition is a campaign group set up in
September 2011 to coordinate the most effective contribution
by civil society groups, academics and media campaigners to
debates over media regulation, ownership and democracy in
the context of the phone hacking crisis and proposed
communications legislation.
The Media Reform Coalition is committed to:
• Supporting media pluralism
• Defending ethical journalism
• Protecting investigative and local journalism.
13. Media Reform Coalition
The hacking scandal and its aftermath demonstrated how that power has been used nationally,
whilst at local level community after community is losing the means to publicly hold power to
account.
The Media Reform Coalition believe that urgent reform is needed to reclaim the media in the
interest of the public.
http://www.mediareform.org.uk
23. Media Reform Coalition
Today (2019) Britain has one of the most concentrated media environments in the world;
• Just three companies dominate 83% of national newspaper circulation;
• five companies account for 80% of national newspaper newsbrand reach;
• five companies command 80% of local newspaper titles;
• and two companies own nearly half of all commercial analogue radio stations..
http://www.mediareform.org.uk
24. Media Ownership: Key Terms Homework
Research online to find definitions for the following media ownership terms:
• Conglomerate
• (Media) Convergence
• Corporation
• Cross-Media
• Horizontal Integration
• Media Pluralism
• Monopoly
• Oligopoly
• Public Service Broadcasting
• Subsidiary
• Synergy
• Vertical Integration
25. Research Task: Media Ownership
For your assigned media company, research online to find out what other media
companies, subsidiaries and related assets it owns. Answer the following questions:
When was the company established?
Who is it owned by? (people/another company?
Where is it based?
Do they have a “mission statement”
What media assets does it own? (COMPANIES, IP, ETC)
Annual turnover/revenue?
Audience reach/sales/ % market share
Number of employees
An interesting/controversial fact
Use photoshop to create a collage of logos, images and text
on an A3 poster to display the information.
• News Corp
• Bauer
• Trinity Mirror
• DMG
• Northern Shell
• Universal
• BBC
• ITV plc
• Viacom
• NBCUniversal
• SONY
29. Curran and Seaton: Key Ideas - 1
The media is controlled by a small number of companies primarily driven by the logic of profit and power
Beside making money and gaining power for their owners/producers, what other purposes could media
productions fulfil?
30. Curran and Seaton: Key Ideas - 1
The media is controlled by a small number of companies primarily driven by the logic of profit and power
Beside making money and gaining power for their owners/producers, what other purposes could media
productions fulfil?
To entertain?
To inform?
To contribute to society?
Increase social cohesion and a sense of community?
31. The Logic of Profit and Power
Disney CEO
1984-20095
33. Curran and Seaton: Key Ideas - 1
The media is controlled by a small number of companies primarily driven by the logic of profit and power
It is not surprising to think that media companies are primarily driven by profit, this is true of most
businesses in a capitalist economy.
The concern comes when a company’s desire for profit is put before the well being of others.
34. Curran and Seaton: Key Ideas - 1
The media is controlled by a small number of companies primarily driven by the logic of profit and power
Today, newspaper sales are in decline and most actually often operate at a loss.
In 2016, Murdoch’s tabloids reported a £253m loss
https://www.telegraph.co.uk/business/2016/03/23/murdochs-tabloids-report-253m-loss/
35. Curran and Seaton: Key Ideas - 1
The media is controlled by a small number of companies primarily driven by the logic of profit and power
Today, newspaper sales are in decline and most actually often operate at a loss.
In 2016, Murdoch’s tabloids reported a £253m loss
https://www.telegraph.co.uk/business/2016/03/23/murdochs-tabloids-report-253m-loss/
So if they are not making a profit for their owners through sales, what other benefits can they offer?
36. Curran and Seaton: Key Ideas - 1
The media is controlled by a small number of companies primarily driven by the logic of profit and power
Today, newspaper sales are in decline and most actually often operate at a loss.
In 2016, Murdoch’s tabloids reported a £253m loss
https://www.telegraph.co.uk/business/2016/03/23/murdochs-tabloids-report-253m-loss/
So if they are not making a profit for their owners through sales, what other benefits can they offer?
Newspaper owners are able to use their publications to promote policies and politicians that suit their
business interests. – i.e. for power
37. As a rule, right-wing
parties are seen as
‘pro-business’.
They support lower
taxes and less
regulation.
This gives business
owners (such as
newspapers) greater
freedom to make
money, grow their
business and keep
more of the money
they make.
38. Most UK newspapers support Right-wing parties
Left wing: (Labour/Lib Dem/Green)
The Daily Mirror (508,705)
The Guardian (141,160)
The i (233,868)
Right Wing: Conservatives/Brexit Party/UKIP
The Sun (1,410,896)
The Daily Mail (1,246,568)
The Daily Express (321,146)
The Telegraph (360,345)
The Times (417,298)
39. Newspapers and political bias
Support for politicians and their policies can vary from the obvious to the more subtle.
It may be through positive or negative representations of them in news articles, or endorsing
them at an election.
http://www.lse.ac.uk/media-and-
communications/research/research-
projects/representations-of-jeremy-corbyn
40. Newspapers and political bias
Or it can be how they cover a seemingly unrelated
article.
For instance, if you are in support of lower taxes, then
you may be more likely to run articles discrediting
things that taxes are then spent on such as welfare
benefits, foreign aid or support for asylum seekers.
41. Newspapers setting the ‘news agenda’
With such a ride readership, newspapers are often able to set the news agenda.
In other words, they lead and control what things people are talking about.
Even if Newspapers don’t necessarily tell you what to think, they do tell you what to think about.
42. Newspapers setting the ‘news agenda’
For instance, the great ’pacific garbage patch’ has recently become widely recognized as a symbol of
the plastic problem in the ocean. To a large extent, this was after it was highlighted in the Blue Plant 2
documentary in 2015
But the problem was actually
identified by NOAA scientists in
1988. But it received minimal
coverage in the news, so people
did not give it much thought.
43. Newspapers setting the ‘news agenda’
Sometimes, the link between government policy and the news agenda is even more explicit
In this extract, veteran journalist Peter Oborn explains how the then
Labour government colluded with The Sun Newspaper to run anti-
asylum seeker articles months in advance of announcing their new
policy to clamp down on asylum seekers.
This made it look like The Sun had ‘won’ by getting the government
to react and that the government had done a good thing by listening
to public opinion.
In fact, tit was all orchestrated. The government had always planned
to introduce the policy, but needed to get public support for it first.
https://www.youtube.com/watch?v=-L6U0ZQE32E
44.
45.
46. Rupert Murdoch & Brexit
Andrew Hilton, The Evening
Standard
https://www.standard.co.uk/com
ment/comment/anthony-hilton-
stay-or-go-the-lack-of-solid-
facts-means-it-s-all-a-leap-of-
faith-a3189151.html
47. Most UK newspapers support Right-wing parties
Newspaper owners may even make political donations.
In 2010, Murdoch donated $1m to The Republican Party
In 2015 Richard Desmond, the owner of The Daily Express, donated £1m to UKIP.
48. What do newspaper owners get in return?
In return, newspaper owners may receive favourable treatment for their business activities.
During the 1980s, Murdoch’s newspapers supported the Conservative government of Margaret Thatcher.
In return for this support, Thatcher helped approve Murdoch’s controversial purchase of The Times.
In the 1990s, the papers dropped their support for the Conservative party and Thatcher’s successor John Major,
because Murdoch did not approve of his European policy. The newspapers switched support to Tony Blair’s Labour
premiereship for 3 elections.
Then, in 2010, Murdoch’s papers switched support back to David Cameron’s Conservative party. Once elected,
Cameron ‘froze’ BBC funding for 6 years (effectively a cut).
Murdoch has long been critical of the BBC and reducing their budget would help rival news providers such as his
newspapers and Sky News (which he also had a majority share in)
Andy Coulson was editor at Murdoch’s News of The World before becoming the Conservative Party’s Director of
Communications. (He later resigned and was sentenced in relation to the phone hacking scandal).
49. What do newspaper owners get in return?
Newspaper owners can use their voice to get public and political support for things that support their
business interests, such as:
Low taxation
Low media regulation
Pro capitalist/consumerist ideologies
50. Curran and Seaton: Key Ideas - 2
Media Concentration generally limits or inhibits variety, creativity and quality
• What do you understand by this statement?
• How/why might the media being owned by relatively few people/companies have a negative impact
upon variety, creativity and quality
51. Curran and Seaton: Key Ideas - 2
Media Concentration generally limits or inhibits variety, creativity and quality
We have established that media ownership is concentrated into relatively few companies.
How/why might the media being owned by relatively few people/companies have a negative impact upon
variety, creativity and quality?
What evidence is there to suggest that this is the case?
52. Curran and Seaton: Key Ideas - 3
More socially diverse patterns of ownership help to create the conditions for more varied and adventurous
media productions
What might a more ‘socially diverse pattern of ownership’ look like?
53. Curran and Seaton: Key Ideas - 3
More socially diverse patterns of ownership help to create the conditions for more varied and adventurous
media productions
What might a more ‘socially diverse pattern of ownership’ look like?
Public ownership: BBC, Channel 4
Cooperatives: The Bristol Cable
A Trust – The Guardian – “The Scott Trust forms part of a unique ownership structure for the Guardian that
ensure editorial interests remain free of commercial pressures” https://www.theguardian.com/the-scott-
trust/2015/jul/26/the-scott-trust
Web 2.0, Social media, prosumers and user generated content
54. Curran and Seaton: Key Ideas - 3
More socially diverse patterns of ownership help to create the conditions for more varied and adventurous
media productions
How might this ‘create the conditions for more varied and adventurous media productions’?
BBC and Channel 4 are both ‘not-for-profit’, publicly owned public service broadcasters.
It is part of their licence agreement with Ofcom that they have to make programming that is ‘of a
service to the public
BBC: “To inform, educate and entertain” -
Channel 4: ‘Born Risky’ – alternative voices, innovation
55. Curran and Seaton: Applied to set products
The specification requires that you are able to apply these ideas in relation to the following set products
Component 1 Section B
The Daily Mirror, The Times*, Late Night Women’s Hour, Straight Outta Compton/Black Panther, I Daniel
Blake*, Assassin’s Creed 3 Liberation
Component 2
Humans, The Returned*, Vogue, The Big Issue*
* = A2/Y2 only.