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CUBISM 
MARY JANE AGARAO 
BEED
Cubism 
• A movement begun by Pablo Picasso and George 
Braque in 1967 as a result of a statement by 
Cezanne. “You must see in nature the cylinder, the 
sphere and the cone.” 
• A form of abstraction. The objects were reduced 
to geometric shapes then flattened into two-dimensional 
shapes superimposing each other 
thus giving feeling of relationship. The forms will 
enlivened with rich texture. The total effect gave 
the painting a compelling effect.
Pablo Picasso, 1909-10, Figure dans un 
Fauteuil (Seated Nude, Femme nue 
assise), oil on canvas, 92.1 x 73 cm, Tate 
Modern, London
Styles derived from cubism by the 
other artist
• Orphism or Orphic Cubism, a term coined by the French 
poet Guillaume Apollinaire in 1912, was an offshoot of 
Cubism that focused on pure abstraction and bright 
colors, influenced by Fauvism, theoretical writings of 
Paul Signac, Charles Henry and the dye chemist Eugène 
Chevreul. This movement, perceived as key in the 
transition from Cubism to Abstract art, was pioneered by 
František Kupka, Robert Delaunay and Sonia Delaunay, 
who relaunched the use of color during the 
monochromatic phase of Cubism. The meaning of the 
term Orphism was elusive when it first appeared and 
remains to some extent vague.
Orphic Cubism 
František Kupka, Katedrála (The 
Cathedral) 1912-1913, oil on 
canvas, 180 x 150 cm, Museum 
Kampa, Prague, Czech Republic
Synchronism 
Airplane Synchromy in Yellow- 
Orange, 1920, oil on canvas, 
Metropolitan Museum of Art, New 
York 
Morgan Russell "Paris, France"
Suprematism 
• was an art movement, focused 
on basic geometric forms, 
such as circles, squares, lines, 
and rectangles, painted in a 
limited range of colors. It was 
founded by Kazimir Malevich 
in Russia, around 1913, and 
announced in Malevich's 1915 
exhibition in St. Petersburg 
where he exhibited 36 works 
in a similar style. The term 
suprematism refers to an 
abstract art based upon “the 
supremacy of pure artistic 
feeling” rather than on visual 
depiction of objects. 
Black Square (Malevich), 
State Russian Museum, St. 
Petersburg
Constructivism 
• Constructivism was an artistic and 
architectural philosophy that 
originated in Russia beginning in 
1919, which was a rejection of the 
idea of autonomous art. The 
movement was in favour of art as 
a practice for social purposes. 
Constructivism had a great effect 
on modern art movements of the 
20th century, influencing major 
trends such as Bauhaus and De 
Stijl movement. Its influence was 
pervasive, with major impacts 
upon architecture, graphic and 
industrial design, theatre, film, 
dance, fashion and to some extent 
music. 
Zuev Workers' Club, 1928.
Purism 
• One of the styes that 
influenced young Rene 
Magritte was Purism, a variant 
of Cubism. Until 1925 Magritte 
was heavily influenced by 
Purism and Futurism. In 1925 
he became influenced by Pre- 
Surrealist Giorgio de Chirico 
(1888-1978) who is labeled a 
proponent Pittura Metafisica 
(Metaphysical Painting/Magic 
Realism). Below is an article on 
Purism from History of Art: 
Amédée Ozenfant, Le 
pichet blanc, oil on 
canvas, 1926

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Cubism in Art

  • 1. CUBISM MARY JANE AGARAO BEED
  • 2. Cubism • A movement begun by Pablo Picasso and George Braque in 1967 as a result of a statement by Cezanne. “You must see in nature the cylinder, the sphere and the cone.” • A form of abstraction. The objects were reduced to geometric shapes then flattened into two-dimensional shapes superimposing each other thus giving feeling of relationship. The forms will enlivened with rich texture. The total effect gave the painting a compelling effect.
  • 3.
  • 4. Pablo Picasso, 1909-10, Figure dans un Fauteuil (Seated Nude, Femme nue assise), oil on canvas, 92.1 x 73 cm, Tate Modern, London
  • 5. Styles derived from cubism by the other artist
  • 6. • Orphism or Orphic Cubism, a term coined by the French poet Guillaume Apollinaire in 1912, was an offshoot of Cubism that focused on pure abstraction and bright colors, influenced by Fauvism, theoretical writings of Paul Signac, Charles Henry and the dye chemist Eugène Chevreul. This movement, perceived as key in the transition from Cubism to Abstract art, was pioneered by František Kupka, Robert Delaunay and Sonia Delaunay, who relaunched the use of color during the monochromatic phase of Cubism. The meaning of the term Orphism was elusive when it first appeared and remains to some extent vague.
  • 7. Orphic Cubism František Kupka, Katedrála (The Cathedral) 1912-1913, oil on canvas, 180 x 150 cm, Museum Kampa, Prague, Czech Republic
  • 8. Synchronism Airplane Synchromy in Yellow- Orange, 1920, oil on canvas, Metropolitan Museum of Art, New York Morgan Russell "Paris, France"
  • 9. Suprematism • was an art movement, focused on basic geometric forms, such as circles, squares, lines, and rectangles, painted in a limited range of colors. It was founded by Kazimir Malevich in Russia, around 1913, and announced in Malevich's 1915 exhibition in St. Petersburg where he exhibited 36 works in a similar style. The term suprematism refers to an abstract art based upon “the supremacy of pure artistic feeling” rather than on visual depiction of objects. Black Square (Malevich), State Russian Museum, St. Petersburg
  • 10. Constructivism • Constructivism was an artistic and architectural philosophy that originated in Russia beginning in 1919, which was a rejection of the idea of autonomous art. The movement was in favour of art as a practice for social purposes. Constructivism had a great effect on modern art movements of the 20th century, influencing major trends such as Bauhaus and De Stijl movement. Its influence was pervasive, with major impacts upon architecture, graphic and industrial design, theatre, film, dance, fashion and to some extent music. Zuev Workers' Club, 1928.
  • 11. Purism • One of the styes that influenced young Rene Magritte was Purism, a variant of Cubism. Until 1925 Magritte was heavily influenced by Purism and Futurism. In 1925 he became influenced by Pre- Surrealist Giorgio de Chirico (1888-1978) who is labeled a proponent Pittura Metafisica (Metaphysical Painting/Magic Realism). Below is an article on Purism from History of Art: Amédée Ozenfant, Le pichet blanc, oil on canvas, 1926