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Modern Art
  Movements
- ABSTRACT ART         - FUTURISM


- IMPRESSIONISM        - CUBISM


- POST IMPRESSIONISM   - DE STIJL
Abstract Art
•   Abstract Art is a generic term that describes two
    different methods of abstraction: 'semi abstraction'
    and 'pure abstraction'. The word 'abstract' means to
    withdraw part of something in order to consider it
    separately. In Abstract art that 'something' is one or
    more of the visual elements of a subject: its line,
    shape, tone, pattern, texture, or form.
•   Semi-Abstraction is where the image still has one foot
    in representational art, (see Cubism and Futurism). It
    uses a type of stylisation where the artist selects,
    develops and refines specific visual elements (e.g. line,
    colour and shape) in order to create a poetic
    reconstruction or simplified essence of the original
    subject.
•   Pure Abstraction is where the artist uses visual
    elements independently as the actual subject of the
    work itself. (see Suprematism, De Stijl and
    Minimalism).
•   Although elements of abstraction are present in earlier
    artworks, the roots of modern abstract art are to be
    found in Cubism. Among other important abstract
    styles that developed in the 20th century are Orphism,
    Rayonism, Constructivism, Tachisme, Abstract
    Expressionism, and Op Art.
Impressionism
Impressionism is the name given to a
colourful style of painting in France at the end
of the 19th century. The Impressionists
searched for a more exact analysis of the
effects of colour and light in nature. They
sought to capture the atmosphere of a
particular time of day or the effects of
different weather conditions. They often
worked outdoors and applied their paint in
small brightly coloured strokes which meant
sacrificing much of the outline and detail of
their subject. Impressionism abandoned the
conventional idea that the shadow of an
object was made up from its colour with some
brown or black added. Instead, the
Impressionists enriched their colours with the
idea that a shadow is broken up with dashes
of its complementary colour.
Post Impressionism
• Post Impressionism was not a
  particular style of painting. It was
  the collective title given to the
  works of a few independent
  artists at the end of the 19th
  century. The Post Impressionists
  rebelled against the limitations of
  Impressionism to develop a
  range of personal styles that
  influenced the development of
  art in the 20th century. The
  major artists associated with Post
  Impressionism were Paul
  Cézanne, Paul Gauguin, Vincent
  Van Gogh and Georges Seurat.
Futurism
• Fauvism was a joyful style of painting that
  delighted in using outrageously bold
  colours. It was developed in France at the
  beginning of the 20th century by Henri
  Matisse and André Derain. The artists
  who painted in this style were known as
  'Les Fauves' (the wild beasts), a title that
  came from a sarcastic remark in a review
  by the art critic Louis Vauxcelles.
• 'Les Fauves' believed that colour should
  be used at its highest pitch to express the
  artist's feelings about a subject, rather
  than simply to describe what it looks like.
  Fauvist paintings have two main
  characteristics: extremely simplified
  drawing and intensely exaggerated colour.
  Fauvism was a major influence on German
  Expressionism.
Cubism
• Cubism was invented around
  1907 in Paris by Pablo Picasso
  and Georges Braque. It was
  the first abstract style of
  modern art. Cubist paintings
  ignore the traditions of
  perspective drawing and
  show you many views of a
  subject at one time. The
  Cubists believed that the
  traditions of Western art had
  become exhausted and to
  revitalize their work, they
  drew on the expressive
  energy of art from other
  cultures, particularly African
  art.
De Stijl
De Stijl was a Dutch 'style' of pure abstraction
developed by Piet Mondrian, Theo Van Doesburg and
Bart van der Leck.

Mondrian gradually refined the elements of his art to
a grid of lines and primary colours which he
configured in a series of compositions that explored
his universal principles of harmony. He saw the
elements of line and colour as possessing
counteracting cosmic forces. Vertical lines embodied
the direction and energy of the sun's rays. These were
countered by horizontal lines relating to the earth's
movement around it. He saw primary colors through
the same cosmic tinted spectacles: yellow radiated the
sun's energy; blue receded as infinite space and red
materialized where blue and yellow met. Mondrian's
style which he also called 'Neo-Plasticism' was inspired
by the Theosophical beliefs of the mathematician and
philosopher, M.H.J. Schoenmaekers.
Credits
I simply copied and pasted the information from
a website as I will never use this slide for a
learning site. It was simply a practice to show
evidence of using a PowerPoint presentation

All pictures and information came from here
http://artyfactory.com/art_appreciation/timelin
es/modern_art_timeline.htm

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Interactive Power point

  • 1. Modern Art Movements - ABSTRACT ART - FUTURISM - IMPRESSIONISM - CUBISM - POST IMPRESSIONISM - DE STIJL
  • 2. Abstract Art • Abstract Art is a generic term that describes two different methods of abstraction: 'semi abstraction' and 'pure abstraction'. The word 'abstract' means to withdraw part of something in order to consider it separately. In Abstract art that 'something' is one or more of the visual elements of a subject: its line, shape, tone, pattern, texture, or form. • Semi-Abstraction is where the image still has one foot in representational art, (see Cubism and Futurism). It uses a type of stylisation where the artist selects, develops and refines specific visual elements (e.g. line, colour and shape) in order to create a poetic reconstruction or simplified essence of the original subject. • Pure Abstraction is where the artist uses visual elements independently as the actual subject of the work itself. (see Suprematism, De Stijl and Minimalism). • Although elements of abstraction are present in earlier artworks, the roots of modern abstract art are to be found in Cubism. Among other important abstract styles that developed in the 20th century are Orphism, Rayonism, Constructivism, Tachisme, Abstract Expressionism, and Op Art.
  • 3. Impressionism Impressionism is the name given to a colourful style of painting in France at the end of the 19th century. The Impressionists searched for a more exact analysis of the effects of colour and light in nature. They sought to capture the atmosphere of a particular time of day or the effects of different weather conditions. They often worked outdoors and applied their paint in small brightly coloured strokes which meant sacrificing much of the outline and detail of their subject. Impressionism abandoned the conventional idea that the shadow of an object was made up from its colour with some brown or black added. Instead, the Impressionists enriched their colours with the idea that a shadow is broken up with dashes of its complementary colour.
  • 4. Post Impressionism • Post Impressionism was not a particular style of painting. It was the collective title given to the works of a few independent artists at the end of the 19th century. The Post Impressionists rebelled against the limitations of Impressionism to develop a range of personal styles that influenced the development of art in the 20th century. The major artists associated with Post Impressionism were Paul Cézanne, Paul Gauguin, Vincent Van Gogh and Georges Seurat.
  • 5. Futurism • Fauvism was a joyful style of painting that delighted in using outrageously bold colours. It was developed in France at the beginning of the 20th century by Henri Matisse and André Derain. The artists who painted in this style were known as 'Les Fauves' (the wild beasts), a title that came from a sarcastic remark in a review by the art critic Louis Vauxcelles. • 'Les Fauves' believed that colour should be used at its highest pitch to express the artist's feelings about a subject, rather than simply to describe what it looks like. Fauvist paintings have two main characteristics: extremely simplified drawing and intensely exaggerated colour. Fauvism was a major influence on German Expressionism.
  • 6. Cubism • Cubism was invented around 1907 in Paris by Pablo Picasso and Georges Braque. It was the first abstract style of modern art. Cubist paintings ignore the traditions of perspective drawing and show you many views of a subject at one time. The Cubists believed that the traditions of Western art had become exhausted and to revitalize their work, they drew on the expressive energy of art from other cultures, particularly African art.
  • 7. De Stijl De Stijl was a Dutch 'style' of pure abstraction developed by Piet Mondrian, Theo Van Doesburg and Bart van der Leck. Mondrian gradually refined the elements of his art to a grid of lines and primary colours which he configured in a series of compositions that explored his universal principles of harmony. He saw the elements of line and colour as possessing counteracting cosmic forces. Vertical lines embodied the direction and energy of the sun's rays. These were countered by horizontal lines relating to the earth's movement around it. He saw primary colors through the same cosmic tinted spectacles: yellow radiated the sun's energy; blue receded as infinite space and red materialized where blue and yellow met. Mondrian's style which he also called 'Neo-Plasticism' was inspired by the Theosophical beliefs of the mathematician and philosopher, M.H.J. Schoenmaekers.
  • 8. Credits I simply copied and pasted the information from a website as I will never use this slide for a learning site. It was simply a practice to show evidence of using a PowerPoint presentation All pictures and information came from here http://artyfactory.com/art_appreciation/timelin es/modern_art_timeline.htm