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CREATOVATE:
Keep Things Fresh
Contents
 Intro – Susan
 Intro – Participants
 Philosophy/methodology
 All about the project at hand/cards
 Let’s work on the cards
Hello.
Installations
Simone Interiors, Toronto Gladstone Hotel, Toronto
Floorworks/Relative Space, Toronto
Installations
Teaching
PS102/Grade 5/Queens, NY, Whitney Museum
Teaching
PS157/Grade 5/ Bronx, NY, Whitney Museum
Teaching
Whitechapel Gallery Primary Workshops/London, England
Teaching
Karen Kain School of the Arts/Art on the
Move/Autoshare/Toronto
You?
 Introduce yourself.
 What do you hope to gain from this workshop?
Philosophy/Methodology
 Teachers are artists and designers.
 We can use similar strategies to innovate in
our art as in our classroom.
Methodology Mash-up:
Understanding Paolo Freire through Sol
Lewitt:
 It occurred to me while I was reading Sol
Lewitt’s “Doing Wall Drawings” that the words
“artist” and “draftsman” are interchangeable with
“teacher” and “student” and that Lewitt’s
musings about his own work could be a good
praxis for teaching. The teacher needs to have
the freedom to be an artist to allow “various
interpretations of his/her plan”. A student needs
to be more like a draftsman in “realizing”
learning--s/he “perceives and reorders this plan
to his/her understanding and experience”.
Teachers and students “become collaborators”
where the student is an active participant in
his/her own learning.
The philosophy of problem-posing education is
the foundation of modern critical pedagogy.
To the influential Brazilian Marxist scholar Paulo
Freire, dialogue is the key to breaking down what he
calls the “banking system” of education where the
teacher “deposits” information to student. Problem-
posing education on the other hand recognizes that
knowledge is not deposited from teacher to student but
is instead constructed through dialogue between the
two. This dynamic results in what Freire has called the
“teacher-student, student-teacher” relationship.
The Problem-posing Education
of Paolo Freire
Engage and Innovate:
“ The average preschooler asks their parents
100 questions a day…By middle school
they’ve pretty much stopped asking. It’s no
coincidence that this same time is when
student motivation and engagement plummet.
They didn’t stop asking questions because
they lost interest: it’s the other way around.
They lost interest because they stopped
asking questions.”
Engage and Innovate:
Convergent and Divergent thinking
 How do we solve problems that we have not
anticipated yet?
 How do we think across disciplines with open-
ended questions and solutions as well as
conventional and logical reasoning?
 Multiple solutions: problem-finding, idea-finding,
solution finding=plan of action
Oblique Strategies (100 Worthwhile
Problems)
Brian Eno and Peter Schmidt
 "These cards evolved from our separate
working procedures. It was one of the many
cases during the friendship where we [Peter
Schmidt and Brian Eno] arrived at a working
position at almost exactly the same time and
almost in exactly the same words. There were
times when we hadn't seen each other for a few
months at a time sometimes, and upon re-
meeting or exchanging letters, we would find
that we were in the same intellectual position –
which was quite different from the one we'd
been in prior to that.”
A Few Examples
Oblique Strategies
Brian Eno and Peter
Schmidt
Mental Notes
Stephen P. Anderson
UX Trading Cards
nForm User Experience
Method Cards
IDEO
MetaMemes
Kes Sampanthar
NASDA Studios: Methodology
- Oblique Inspiration
Flashcards
Inspiration board
Praxis Cards
Engage and Innovate:
 What do you do?
 What tools/strategies do you use?
 Do you have a favorite quote or idea that you
return to when working on a project?
Toolbox
Feel Imagine Do Share
 Freeform capture and Blank slate=Get it out
 Limitations-Before you begin: look at or,
consciously set limitations.
 Seek Different Opinions
 Creative prompts
Round-Robin Brainstorming
 Around the table: give each team a stack of cards
 Research question is named. Questions?
 Each person takes a card and writes down one idea.
S/he passes the card to the person on the right.
 Without talking, that person reads the card and uses it to
generate a new idea. S/he then turns the first card
upside down in the stack and passes the new card (with
the new idea) to the right.
 Continue for 10 minutes
 At the end, the facilitator gathers the cards. Each idea is
read aloud, and the cards are then arranged and
grouped on a whiteboard or wall, with duplicates
discarded.

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Creatovate final

  • 2. Contents  Intro – Susan  Intro – Participants  Philosophy/methodology  All about the project at hand/cards  Let’s work on the cards
  • 4. Installations Simone Interiors, Toronto Gladstone Hotel, Toronto
  • 7. Teaching PS157/Grade 5/ Bronx, NY, Whitney Museum
  • 8. Teaching Whitechapel Gallery Primary Workshops/London, England
  • 9. Teaching Karen Kain School of the Arts/Art on the Move/Autoshare/Toronto
  • 10. You?  Introduce yourself.  What do you hope to gain from this workshop?
  • 11. Philosophy/Methodology  Teachers are artists and designers.  We can use similar strategies to innovate in our art as in our classroom.
  • 12. Methodology Mash-up: Understanding Paolo Freire through Sol Lewitt:  It occurred to me while I was reading Sol Lewitt’s “Doing Wall Drawings” that the words “artist” and “draftsman” are interchangeable with “teacher” and “student” and that Lewitt’s musings about his own work could be a good praxis for teaching. The teacher needs to have the freedom to be an artist to allow “various interpretations of his/her plan”. A student needs to be more like a draftsman in “realizing” learning--s/he “perceives and reorders this plan to his/her understanding and experience”. Teachers and students “become collaborators” where the student is an active participant in his/her own learning.
  • 13. The philosophy of problem-posing education is the foundation of modern critical pedagogy. To the influential Brazilian Marxist scholar Paulo Freire, dialogue is the key to breaking down what he calls the “banking system” of education where the teacher “deposits” information to student. Problem- posing education on the other hand recognizes that knowledge is not deposited from teacher to student but is instead constructed through dialogue between the two. This dynamic results in what Freire has called the “teacher-student, student-teacher” relationship. The Problem-posing Education of Paolo Freire
  • 14. Engage and Innovate: “ The average preschooler asks their parents 100 questions a day…By middle school they’ve pretty much stopped asking. It’s no coincidence that this same time is when student motivation and engagement plummet. They didn’t stop asking questions because they lost interest: it’s the other way around. They lost interest because they stopped asking questions.”
  • 15. Engage and Innovate: Convergent and Divergent thinking  How do we solve problems that we have not anticipated yet?  How do we think across disciplines with open- ended questions and solutions as well as conventional and logical reasoning?  Multiple solutions: problem-finding, idea-finding, solution finding=plan of action
  • 16. Oblique Strategies (100 Worthwhile Problems) Brian Eno and Peter Schmidt  "These cards evolved from our separate working procedures. It was one of the many cases during the friendship where we [Peter Schmidt and Brian Eno] arrived at a working position at almost exactly the same time and almost in exactly the same words. There were times when we hadn't seen each other for a few months at a time sometimes, and upon re- meeting or exchanging letters, we would find that we were in the same intellectual position – which was quite different from the one we'd been in prior to that.”
  • 17.
  • 18. A Few Examples Oblique Strategies Brian Eno and Peter Schmidt Mental Notes Stephen P. Anderson UX Trading Cards nForm User Experience Method Cards IDEO MetaMemes Kes Sampanthar NASDA Studios: Methodology - Oblique Inspiration Flashcards
  • 21. Engage and Innovate:  What do you do?  What tools/strategies do you use?  Do you have a favorite quote or idea that you return to when working on a project?
  • 22. Toolbox Feel Imagine Do Share  Freeform capture and Blank slate=Get it out  Limitations-Before you begin: look at or, consciously set limitations.  Seek Different Opinions  Creative prompts
  • 23. Round-Robin Brainstorming  Around the table: give each team a stack of cards  Research question is named. Questions?  Each person takes a card and writes down one idea. S/he passes the card to the person on the right.  Without talking, that person reads the card and uses it to generate a new idea. S/he then turns the first card upside down in the stack and passes the new card (with the new idea) to the right.  Continue for 10 minutes  At the end, the facilitator gathers the cards. Each idea is read aloud, and the cards are then arranged and grouped on a whiteboard or wall, with duplicates discarded.

Editor's Notes

  1. LeWitt, Sol, Alicia Legg, and Lucy R. Lippard. Sol LeWitt: the Museum of Modern Art New York. New York: Museum of Modern Art, 1978. Print.Lewitt’s approach to collaboration reminded me of Paolo Freire’s dynamic and dialogic “problem-posing education”.
  2. (Freire; 1990: 67).
  3. Po Bronson and Ashley Merryman, Newsweek July 10, 2010 http://www.newsweek.com/2010/07/10/the-creativity-crisis.print.htmlPo Bronson is an American journalist and former bond trader.Ashley Merryman is writer and lawyer in Los Angeles and Al Gore’s former speech writer.
  4. Some thoughts: Mix it upask problem-posing questions that generate convergent and divergent thinking and multiple solutions collaborationsurprise and serendipitycreative prompts and lateral thinkingThis question was asked in response to a call for artist researchers The question and its multiple responses have haunted me since…My responses come from my thoughts about creativity, teaching creativity, creating new work, and dialogue. “Play with each others instruments” Stephen JohnsonThe term "Lateral Thinking" can be used in two senses:Specific: A set of systematic techniques used for changing concepts and perceptions, and generating new ones. General: Exploring multiple possibilities and approaches instead of pursuing a single approach.The information on "Lateral Thinking" is Copyright ©The McQuaig Group Inc. Reproduced here by permission from APTT
  5. The Oblique Strategies evolved from me being in a number of working situations when the panic of the situation – particularly in studios – tended to make me quickly forget that there were others ways of working and that there were tangential ways of attacking problems that were in many senses more interesting than the direct head-on approach. If you're in a panic, you tend to take the head-on approach because it seems to be the one that's going to yield the best results Of course, that often isn't the case – it's just the most obvious and – apparently – reliable method. The function of the Oblique Strategies was, initially, to serve as a series of prompts which said, "Don't forget that you could adopt *this* attitude," or "Don't forget you could adopt *that* attitude."
  6. Praxis is the process by which a theory, lesson, or skill is enacted, practised, embodied, or realized. "Praxis" may also refer to the act of engaging, applying, exercising, realizing, or practising ideas. This has been a recurrent topic in the field of philosophy, discussed in the writings of Plato, Aristotle, St. Augustine, Immanuel Kant, Søren Kierkegaard, Karl Marx, Martin Heidegger, Hannah Arendt, Paulo Freire, and many others. It has meaning in political, educational, and spiritual realms.
  7. “Socrates distinguishes “disputatious” and “friendly” forms of dialogue…in both forms the joint endeavour is to propose and oppose, to formulate arguments and to put forth counterexamples and counterarguments, as the mechanism by which truth is ascertained. It is an intriguing feature of this view, reflected later in a different context in the work of Freire and others, that this philosophical conception of dialogue coincides with a preferred pedagogy…Dialogue is a way of drawing forth latent, unformed understandings and facilitating the discovery of truths by the learner for himself or herself—hence the ubiquity of teachers from law schools to kindergartens to adult literacy programs ascribing their teaching to “the Socratic method” (though this method never comprised only one style of teaching).” (Burbules, N., 2000: 253)
  8. Method DIY Planner5 people per groupThis is used to stimulate discussion or more ideas, preferably on another whiteboard or some mind-mapping software on a projector.