Continuity Editing
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Continuity editing is a system of cutting used to maintain clear narrative flow through a set of rules. It establishes spatial relationships and seamlessly flows shot sequences together. The key rules include the 180° rule to avoid crossing the line of sight between characters, shot/reverse shot editing between two characters, and re-establishing shots after a series of close-ups to reorient the viewer in a scene's location. Continuity editing creates structure, flow, and ease of viewing in films.
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Continuity editing 2
Continuity editing is a system of film editing that maintains a clear and coherent narrative through a set of established rules. These rules include establishing shots, shot/reverse shot editing, the 180-degree rule, the 30-degree rule, crosscutting, matching actions between shots, eyeline matching, and re-establishing shots. Following these rules helps structure the narrative, allow for seamless transitions between shots, and makes the film easier to follow.
Continuity Editing
Continuity editing uses established rules to maintain a clear and coherent narrative flow between shot sequences. The key rules are crosscutting, establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, match on action, eyeline match, and re-establishing shots. Following these rules provides structural benefits like a seamless narrative, smooth shot transitions, and easy viewer comprehension.
Continuity editing
Continuity editing is a system of cutting that maintains a clear and coherent narrative through a set of rules. The key rules include establishing shots to set a scene, shot/reverse shot editing between two characters in conversation, following the 180-degree rule to avoid disorienting changes in spatial relationships, and matching shots through actions or eyeline matches to seamlessly connect scenes. Following these continuity editing rules helps structure the narrative and allows the story to flow smoothly for viewers.
Continuity editing
Continuity editing is a system of cutting that maintains a clear and continuous narrative through a set of rules. The rules include establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, match on action, and eyeline match. Following these rules helps structure the narrative, allows shot sequences to flow seamlessly, and makes the film easy to follow.
Continuity editing
Continuity editing is a system of cutting that maintains a clear and continuous narrative through a set of rules. The rules include establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, match on action, and eyeline match. Following these rules helps structure the narrative, allows shot sequences to flow seamlessly, and makes the film easy to follow.
Horror Continuity Editing
This document defines and provides examples of techniques used in continuity editing to develop a clear and seamless narrative. It discusses establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, match on action, eyeline match, and re-establishing shots. Maintaining spatial relationships between characters and objects through these techniques helps the narrative to flow smoothly and be easy for the viewer to follow.
Continuity Editing Powerpoint
This document defines and discusses the techniques of continuity editing in filmmaking. It explains that continuity editing uses rules like the 180-degree rule, 30-degree rule, shot/reverse-shot, matching action, and re-establishing shots to maintain a clear and seamless narrative. Following these rules helps the viewer easily understand the spatial relationships between characters and objects in a scene. The document provides examples and explanations of how to implement several of the basic continuity editing techniques.
Continuity editing
Continuity editing is a system of cutting that maintains a clear and continuous narrative through a set of rules. The rules include establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, matching action, eyeline matching, and re-establishing shots. Following these rules helps the narrative have structure, seamless shot sequences, and makes the film easy to watch.
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Continuity editing 2
Continuity editing is a system of film editing that maintains a clear and coherent narrative through a set of established rules. These rules include establishing shots, shot/reverse shot editing, the 180-degree rule, the 30-degree rule, crosscutting, matching actions between shots, eyeline matching, and re-establishing shots. Following these rules helps structure the narrative, allow for seamless transitions between shots, and makes the film easier to follow.
Continuity Editing
Continuity editing uses established rules to maintain a clear and coherent narrative flow between shot sequences. The key rules are crosscutting, establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, match on action, eyeline match, and re-establishing shots. Following these rules provides structural benefits like a seamless narrative, smooth shot transitions, and easy viewer comprehension.
Continuity editing
Continuity editing is a system of cutting that maintains a clear and coherent narrative through a set of rules. The key rules include establishing shots to set a scene, shot/reverse shot editing between two characters in conversation, following the 180-degree rule to avoid disorienting changes in spatial relationships, and matching shots through actions or eyeline matches to seamlessly connect scenes. Following these continuity editing rules helps structure the narrative and allows the story to flow smoothly for viewers.
Continuity editing
Continuity editing is a system of cutting that maintains a clear and continuous narrative through a set of rules. The rules include establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, match on action, and eyeline match. Following these rules helps structure the narrative, allows shot sequences to flow seamlessly, and makes the film easy to follow.
Continuity editing
Continuity editing is a system of cutting that maintains a clear and continuous narrative through a set of rules. The rules include establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, match on action, and eyeline match. Following these rules helps structure the narrative, allows shot sequences to flow seamlessly, and makes the film easy to follow.
Horror Continuity Editing
This document defines and provides examples of techniques used in continuity editing to develop a clear and seamless narrative. It discusses establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, match on action, eyeline match, and re-establishing shots. Maintaining spatial relationships between characters and objects through these techniques helps the narrative to flow smoothly and be easy for the viewer to follow.
Continuity Editing Powerpoint
This document defines and discusses the techniques of continuity editing in filmmaking. It explains that continuity editing uses rules like the 180-degree rule, 30-degree rule, shot/reverse-shot, matching action, and re-establishing shots to maintain a clear and seamless narrative. Following these rules helps the viewer easily understand the spatial relationships between characters and objects in a scene. The document provides examples and explanations of how to implement several of the basic continuity editing techniques.
Continuity editing
Continuity editing is a system of cutting that maintains a clear and continuous narrative through a set of rules. The rules include establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, matching action, eyeline matching, and re-establishing shots. Following these rules helps the narrative have structure, seamless shot sequences, and makes the film easy to watch.
Final fault
Faults are fractures where there is movement parallel to the fault plane. There are several types of faults including normal faults, thrust faults, strike-slip faults, and transform faults. Normal faults occur when the hanging wall moves down relative to the footwall, while thrust faults occur when the hanging wall moves up. Strike-slip faults involve lateral movement along the fault plane in either a left-lateral or right-lateral direction. Transform faults specifically link different tectonic plates.
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The document defines and provides examples of various techniques of continuity editing used to maintain a coherent and seamless narrative flow between shots. These include establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, matching on action, eyeline matching, and re-establishing shots. Continuity editing helps structure the narrative, allow shots to flow seamlessly together, and makes the film easy for viewers to follow.
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Faults are fractures in the Earth's crust where blocks of rock have moved in relation to each other. Movement can range from centimeters to kilometers depending on stresses and rock resistance. Faults are classified based on the movement and orientation of the hanging wall and foot wall blocks, including normal faults where the hanging wall moves down, reverse faults where it moves up, and strike-slip faults where the blocks move parallel to each other. Common fault types include normal, reverse, thrust, vertical, horst, graben, dip, strike, parallel, and step faults.
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Faults are fractures in rock where there has been relative movement between the two sides. The fault plane is the surface where displacement occurs. The hanging wall is the rock above the fault plane, and the foot wall is below. Slip can be strike slip along the fault strike, dip slip along the dip, or oblique. Faults are classified based on movement, direction of slip, and geometry. Common types are normal faults where the hanging wall moves down, reverse faults where it moves up, and strike-slip faults where movement is horizontal. Faults can impact engineering by weakening foundations and providing pathways for water.
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1) Axial forces act along the length of a member and produce either compression or tension. Eccentric loading produces both axial forces and bending moments.
2) Shear forces represent unbalanced lateral forces across a cross section. Bending moments cause bending and are calculated as the perpendicular distance from the point of interest to the resultant force line.
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1. Influence lines represent the variation of reaction, shear, or moment at a specific point on a structural member as a concentrated load moves along the member. They are useful for analyzing the effects of moving loads.
2. To construct an influence line, a unit load is placed at different points along the member and the reaction, shear, or moment is calculated at the point of interest using statics. The values are plotted to show the influence of the load.
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Statically indeterminate beam moment distribution method
The method of moment distribution is this:
Imagine all joints in the structure held so that they cannot rotate and compute the moments at the ends of the member for this condition.
At each joint distribute the unbalanced fixed-end moment among the connecting members in proportion to the constant for each member defined as "stiffness“.
Multiply the moment distributed to each member at a joint by the carry-over factor at that end of the member and set this product at the other end of the member;
Distribute these moments just "carried over“.
Repeat the process until the moments to be carried over are small enough to be neglected.
Add all moments -- fixed-end moments, distributed moments, moments carried over -- at each end of each member to obtain the true moment at the end.
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[1] Graphic matching emphasizes spatio-temporal continuity between cuts from one scene to another. The 180 degree rule states that characters should maintain the same left/right relationship in a scene. Matching on action involves cutting between shots that match the action.
[2] Eye line matching, shot reverse shot, and establishing shots help establish logical visual relationships between characters and their surroundings. Continuity editing aims to smooth transitions and establish coherence.
[3] The 30 degree rule recommends changing the camera angle by at least 30 degrees between successive shots of the same subject to avoid jump cuts.
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Faults are fractures where there is movement parallel to the fault plane. There are several types of faults including normal faults, thrust faults, strike-slip faults, and transform faults. Normal faults occur when the hanging wall moves down relative to the footwall, while thrust faults occur when the hanging wall moves up. Strike-slip faults involve lateral movement along the fault plane in either a left-lateral or right-lateral direction. Transform faults specifically link different tectonic plates.
Continuity editing
This document defines continuity editing as editing that flows smoothly across shots without visual inconsistencies. It outlines several rules of continuity editing including shot-reverse shot, the 30 and 180 degree rules, match on action, crosscutting, establishing shots, re-establishing shots, and eyeline match. These rules help maintain spatial relationships and prevent confusion when transitioning between shots.
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This document provides an overview of key camera techniques for a filming task, including the 180-degree rule, match on action, and shot reverse shot. The 180-degree rule maintains the spatial relationship between characters and scenes. Match on action creates a sense of continuity by cutting between shots that show the same ongoing action. Shot reverse shot alternates between the perspectives of two characters in a conversation for clarity. The task is to film and edit a character moving through a scene and having a brief dialogue using these continuity techniques.
MOHAMMAD ZAMAN PPT
This presentation discusses faults and folds. It is presented by five group members and covers the key parts and types of faults and folds. Faults are breaks in the Earth's crust where movement has occurred, and include a hanging wall, foot wall, and fault plane. The main types of faults are normal, reverse, thrust, and transform. Folds occur when originally flat rock layers are bent, and include anticlines and synclines as the main parts. The presentation defines various fold types and features.
Mar 1 congruent triangles activity
A powerpoint for students to store the results of the their investigations using the gizmo "Proving Triangles Congruent" at www.explorelearning.com.
Editing terms power point
This document discusses various film editing techniques including cuts, dissolves, fades, shot/reverse shot, cross-cutting, parallel editing, match cuts, 180 degree rule, and 30 degree rule. It provides examples of how these techniques can be used to manipulate time, join shots, create continuity, vary point of view, build suspense, connect simultaneous actions, and emphasize meaning for the spectator. Students are asked to analyze editing techniques used in video clips and consider how the techniques impact the audience.
Exam prep power point
This document provides guidance on how to analyze a TV drama clip by discussing several key elements of film analysis:
1) Camera shots, angles, movement and composition that can be used, such as close-ups, establishing shots, pans, tilts, and angles like high and low angles.
2) Editing techniques used to put together the clip, including cuts, dissolves, and transitions between shots.
3) Different types of sounds used both diegetically and non-diegetically, like sound effects, motifs, and dialogue.
4) Mise-en-scène elements like location, set design, costumes, makeup, properties, and lighting.
Continuity editing
The document defines and provides examples of various techniques of continuity editing used to maintain a coherent and seamless narrative flow between shots. These include establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, matching on action, eyeline matching, and re-establishing shots. Continuity editing helps structure the narrative, allow shots to flow seamlessly together, and makes the film easy for viewers to follow.
Classification of Faults
Faults are fractures in the Earth's crust where blocks of rock have moved in relation to each other. Movement can range from centimeters to kilometers depending on stresses and rock resistance. Faults are classified based on the movement and orientation of the hanging wall and foot wall blocks, including normal faults where the hanging wall moves down, reverse faults where it moves up, and strike-slip faults where the blocks move parallel to each other. Common fault types include normal, reverse, thrust, vertical, horst, graben, dip, strike, parallel, and step faults.
Faults
Faults are fractures in rock where there has been relative movement between the two sides. The fault plane is the surface where displacement occurs. The hanging wall is the rock above the fault plane, and the foot wall is below. Slip can be strike slip along the fault strike, dip slip along the dip, or oblique. Faults are classified based on movement, direction of slip, and geometry. Common types are normal faults where the hanging wall moves down, reverse faults where it moves up, and strike-slip faults where movement is horizontal. Faults can impact engineering by weakening foundations and providing pathways for water.
Editing
Editing involves combining visual and audio material through techniques like cuts, transitions, and shot sequencing to present narratives, ideas, and tell stories. Proper editing follows conventions like the 180-degree rule, shot-reverse-shot pattern, and match cuts to clearly convey relationships between characters and scenes. By strategically employing techniques such as parallel editing, motivated edits, and manipulating time and space, editors craft meaning and influence audience understanding of media.
Sa 1,moment area theorem
This document discusses solving statically indeterminate structures using the moment area method. It begins with an introduction to the moment area theorem developed by Otto Mohr and Charles Greene. The scope of the study is described as applicable to cantilever beams, simply supported beams with symmetrical loading, and beams fixed at both ends. The assumptions and two theorems of the moment area method are outlined. Theorem 1 relates the change in slope between two points to the area under the bending moment diagram between those points. Theorem 2 relates the vertical deviation of a tangent at one point from another to the moment of the area under the bending moment diagram between the points. An example problem is presented to demonstrate solving for the maximum downward deflection of a beam
180 Rule
The 180° rule in filmmaking states that shots should only be filmed within a 180° range to prevent disorienting viewers. This technique maintains continuity by keeping characters on the same side of the frame. Shot-reverse-shot can be used to show other elements while following the 180° rule by cutting between the character and what they are looking at. Match cuts and matching actions between shots also aid continuity by creating a seamless transition between scenes.
Geological Faults
Faults are fractures with movement parallel to their plane, usually caused by seismic activity. Understanding faults is important for engineering structures. There are three main types of faults - normal, thrust, and strike-slip. Normal faults involve the hanging wall moving down relative to the footwall. Thrust faults involve the hanging wall moving up. Strike-slip faults involve lateral movement along the fault plane. Faults can be identified by features like slickensides, mineral growth, and offset stratigraphy. Fault classification helps understand mountain building and plate tectonics. Careful analysis of faults is necessary for safe construction near fault lines.
Muller breslau
This presentation summarizes the Muller-Breslau principle for constructing influence lines. The principle states that the deflected shape of a structure under a unit internal load or reaction corresponds to the influence line for that load or reaction. The presentation provides the history of Muller-Breslau, explains the principle using virtual work, and outlines the general procedure for constructing influence lines using conjugate beam analysis and deflected shapes. Examples of influence lines for simply supported and continuous beams are presented.
Mos module 2(SFD and BMD)
1) Axial forces act along the length of a member and produce either compression or tension. Eccentric loading produces both axial forces and bending moments.
2) Shear forces represent unbalanced lateral forces across a cross section. Bending moments cause bending and are calculated as the perpendicular distance from the point of interest to the resultant force line.
3) Different types of supports include fixed, pinned, and simple supports. Fixed supports restrain all movement while pinned and simple supports allow for some rotation or vertical movement, respectively.
Influence lines (structural analysis theories)
1. Influence lines represent the variation of reaction, shear, or moment at a specific point on a structural member as a concentrated load moves along the member. They are useful for analyzing the effects of moving loads.
2. To construct an influence line, a unit load is placed at different points along the member and the reaction, shear, or moment is calculated at the point of interest using statics. The values are plotted to show the influence of the load.
3. Influence lines allow engineers to determine the maximum value of a response (reaction, shear, moment) caused by a moving load and locate where on the structure that maximum occurs.
Statically indeterminate beam moment distribution method
The method of moment distribution is this:
Imagine all joints in the structure held so that they cannot rotate and compute the moments at the ends of the member for this condition.
At each joint distribute the unbalanced fixed-end moment among the connecting members in proportion to the constant for each member defined as "stiffness“.
Multiply the moment distributed to each member at a joint by the carry-over factor at that end of the member and set this product at the other end of the member;
Distribute these moments just "carried over“.
Repeat the process until the moments to be carried over are small enough to be neglected.
Add all moments -- fixed-end moments, distributed moments, moments carried over -- at each end of each member to obtain the true moment at the end.
Editing concepts
This document defines several important concepts in film editing:
[1] Graphic matching emphasizes spatio-temporal continuity between cuts from one scene to another. The 180 degree rule states that characters should maintain the same left/right relationship in a scene. Matching on action involves cutting between shots that match the action.
[2] Eye line matching, shot reverse shot, and establishing shots help establish logical visual relationships between characters and their surroundings. Continuity editing aims to smooth transitions and establish coherence.
[3] The 30 degree rule recommends changing the camera angle by at least 30 degrees between successive shots of the same subject to avoid jump cuts.
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El documento habla sobre un viaje al BFI. Contiene notas de Daniel Bruce sobre su visita al British Film Institute.
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Continuity editing is a system of film editing that maintains a clear and continuous narrative through a set of rules. The rules include establishing shots, shot/reverse shot editing, the 180-degree rule, the 30-degree rule, crosscutting, match on action editing, eyeline matching, and re-establishing shots. Following these rules helps the narrative have structure, allows shot sequences to flow seamlessly, and makes the film easier to follow.
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The document defines continuity editing as a system of cutting used to maintain a clear and continuous narrative. It discusses several rules of continuity editing including establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, match on action, eyeline match, and re-establishing shots. Following these rules helps structure the narrative, allow for seamless shot sequencing, and makes the film easier to follow.
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The document defines continuity editing as a system of cutting used to maintain a clear and continuous narrative. It discusses several rules of continuity editing including establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, match on action, eyeline match, and re-establishing shots. Following these rules helps structure the narrative, allow for seamless shot sequencing, and makes the film easier to follow.
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The document defines continuity editing as a system of cutting used to maintain a clear and continuous narrative. It discusses several rules of continuity editing including establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, match on action, eyeline match, and re-establishing shots. Following these rules helps structure the narrative, allow for seamless shot sequencing, and makes the film easier to follow.
Continuityediting 140917070716-phpapp01
(within the powerpoint, the example of eyeline match resulted into not exactly matching, which is something i will need to practice and master)
erinbarber
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The document discusses various cinematography and editing techniques used to maintain a logical narrative structure in films. It defines techniques like shot/reverse shot, match on action, crosscutting, the 180-degree rule, and re-establishing shots. Examples are provided to illustrate how each technique is implemented to seamlessly transition between shots and locations.
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The document discusses five editing concepts: the 180 degree rule, which establishes an imaginary line not to be crossed while filming to avoid confusing audiences; match-on-action, where cuts are made between shots that continue the same action; the 30 degree rule, suggesting camera movements of at least 30 degrees between cuts; shot-reverse-shot, alternating over-the-shoulder shots of characters in conversation; and eye-line match, giving audiences the point of view of characters to understand their perspectives.
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The document discusses several editing concepts used in filmmaking:
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3:国家专业人才认证中心颁发入库证书
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
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Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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DIGIDEVTV A New area of OTT Distribution
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
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Continuity Editing
- 1. Continuity Editing By Daniel bRUCE The Rules: •Establishing shot •Shot/ reverse shot •180º rule Definition: A system of cutting used to maintain continuous and clear narrative action by following a set of rules. •30º rule •Crosscutting •Match on Action •Eyeline Match •Re-establishing shot The Benefits: • The narrative has structure • The shot sequences flow seamlessly into each other • It’s easy to watch the film!
- 2. Establishing shot Definition: A long shot or extreme long shot, usually with loose framing, that shows the spatial relations between the important figures, objects and setting in a scene. Establishing shot taken while filming in my AS Media studies group. From Spartacus (Stanley Kubrick, 1960 )
- 3. Shot / reverse shot Definition: Two shots edited together that alternate characters, typically in a conversation situation. Usually characters in one frame look left, and in the following frame look right. A shot reverse shot taken while filming in my AS Media studies group.
- 4. 180º rule Definition: The angle between any two consecutive shots should not exceed 180º, in order to maintain spatial relationships between people and objects in any given sequence of shots. Here is a demonstration of the 180° rule, shot while filming in my AS Media studies group.
- 5. Rules for continuity editing 180 degree rule This is a principle which underpins all TV and Film production. It’s important not to cross the ‘line of vision’ between two characters. Otherwise the viewer may not be able to make sense of the scene. The same rule applies to a moving subject: keep to one side of the direction of motion. http://www.youtube.com/watch?v=HdyyuqmCW14
- 6. 30º rule The angle between any two consecutive shots should not be less than 30º, in order to maintain spatial relationships between people and objects in any given sequence of shots. Here is an example of a famous film utilizing this rule. http://www.youtube.com/watch?v=nonxxwfedIY Here is a demonstration the 30° rule shot whilst filming in my AS Media studies group.
- 7. Crosscutting Definition: Editing that alternates between shots occurring simultaneously in two or more different location. http://www.youtube.com/watch?v=6GQkUxdDD-8 Match on Action Definition: A cut between two shots that places two different framings of the same action next to each other, making it seem to continue uninterrupted. http://www.youtube.com/watch?v=_dgutDMPIMU Here is a piece of cross cutting edited after filming with my AS Media studies group
- 8. Eyeline Match Definition: A cut between two shots, in which the first shot shows a person looking off in one direction, and the second shot shows either a space containing what he or she sees, or a person looking back in exactly the opposite direction.
- 9. Re-establishing shot Definition: A shot that returns to a view of a space or location after a series of close-ups. http://www.youtube.com/watch? v=paMomNyRUVE Re-Establishing shot taken while filming in my AS Media studies group.
- 10. Re-establishing shot Definition: A shot that returns to a view of a space or location after a series of close-ups. http://www.youtube.com/watch? v=paMomNyRUVE Re-Establishing shot taken while filming in my AS Media studies group.