The document discusses how context influences the experience and understanding of artworks. It provides numerous examples of how context, such as a work's framing, staging, or medium of presentation can shape audience reception. Context includes galleries, museums, online platforms, performance spaces, books, and locations where site-specific works are installed. The framing of a work through various systems and structures can also influence how artists create.

1. context - positioning
hanging - staging work
oca

2. context frames an audiences
reading/understanding of work
how and where the work is
experienced

8. Christo

9. issey miyake

10. context can frame a makers
creation of the work

11. mediated by systems/structures

12. https://warwick.ac.uk/fac/arts/history/students/modules/hi174/groupc/journal_of_material_culture-1996-gell-15-38.pdf
Vogel’s net - Susan Vogel
(Susan) Vogel’s net

16. the museum

17. the library

18. the gallery

19. hanging
Machiko AganoNaomi Kobayashi

20. the floor

21. the wall
Lawrence Weiner

22. the plinth
Bruce Mclean

23. the spotlight

24. the vitrine

26. the table

27. the shelf

28. the home

29. within other systems

30. Orford Ness

31. artists’ book

32. Video/DVD

33. pen drive

34. television (live transmission)

35. on-line
Web-site
petra cortright
https://www.petracortright.com/
constant dullaart
http://constantdullaart.com/
jonas lund
https://jonaslund.biz/works/critical-mass/

36. constant dullaart
http://constantdullaart.com/

37. on-line
Instagram
Amalia Ulman
https://www.instagram.com/amaliaulman/?hl=en
Molly Soda
https://www.instagram.com/bloatedandalone4ev
r1993/?hl=en

38. Molly Soda is the persona of Amalia Soto

39. digital (monitor)

40. digital (projection)

41. new media

42. the photograph

43. documentation - art

44. Erwin Wurm

45. process www.ramkatzir.com/.../ ycb_utrecht.html
colouring book

46. performance

47. installation
Joseph Beuys

48. intervention
Christian Marclay Amplification

49. Maurizio CattelanCeal Floyd

50. site specific
Stephen Willats

51. Relational art or relational aesthetics
Rirkrit Tiravanija

52. Mel Chin - Melrose Place
http://melchin.org/oeuvre/in-the-name-of-the-place

53. Heba Yehia Amin
https://fieldofvision.org/homeland-is-not-a-series

54. context frames an audiences
reading/understanding of work
how and where the work is
experienced

55. thank youthank you
thank youthank you

56. thank you