The document provides information on various aspects of culture in Ilocos Region, Philippines. It discusses famous people from the region like presidents Elpidio Quirino and Fidel Ramos. It also describes local delicacies like pinakbet and tourist spots in Vigan that have been nominated as a UNESCO World Heritage site. The livelihood, minerals, music, dances, festivals, visual arts, literature, architecture, and customs of the Ilocano people are outlined as well. Significant works mentioned include the epic poem Biag Ni Lam-Ang and paintings by Juan Luna.
The document provides information on contemporary artists from the regions of Tarlac, Bulacan, Aurora, Pampanga, Nueva Ecija, and Bataan in the Philippines. It summarizes the styles and techniques of individual artists, including Wiljun Magsino of Tarlac who uses a stapler instead of paintbrushes, and Fernando Ramos of Tarlac whose abstract works capture his changing moods through color and texture. It also lists titles and descriptions of works by artists like Vincent Gonzales from Aurora and Jensen Moreno from Bataan known for portraits.
The document discusses the regions of CALABARZON (Region IV-A) and MIMAROPA (Region IV-B) in the Philippines. It provides details on the provinces that make up each region and introduces several important architectural and cultural sites found within CALABARZON and MIMAROPA, including churches, museums, bridges, and landmarks. The document also mentions some wood carving traditions and artists from Paete, Laguna.
Alonzo Saclag is a master of Kalinga dance and music from Lubuagan, Kalinga who has helped preserve his people's culture. He founded the Kalinga Budong Dance Troupe and tours the world with them. He was awarded by the National Commission for Culture and the Arts in 2000. After receiving the award, he established the Awichon Village in Lubuagan to showcase Kalinga culture, including traditional houses, instruments, and performances for visitors. The village helps promote and pass on Kalinga customs to new generations.
This document provides information on various dances and festivals in the Philippines. It describes the Sinulog dance performed at the famous Sinulog festival in Cebu City, which involves two steps forward and one back while moving to drum beats. It also mentions the Mazurka Boholana dance from Bohol which is performed by partnered men and women, and the Itik dance which mimics the movements of ducks. Additionally, it provides details on festivals like the Sandugo Festival in Bohol commemorating a historic treaty, and mentions various Philippine food items.
Contemporary Philippine Arts from the RegionsNoel Banca
The visual arts are art forms such as ceramics, drawing, painting, sculpture, printmaking, design, crafts, photography, video, filmmaking, and architecture. The document then profiles several influential Filipino artists such as Fernando Amorsolo, Hernando Ocampo, Benedicto Cabrera, Carlos Francisco, Cesar Legaspi, and others known for works depicting Philippine culture and scenes as well as more abstract styles of painting and sculpture that modernized Philippine art.
Contemporary art in the Philippines reflects the country's diverse identity and complex social issues. Filipino artists portray subjects and use mediums in innovative ways that express Philippine culture and history, which has been influenced by colonial powers. A key contemporary artist, Ronald Ventura, is known for paintings that blend styles like realism and graffiti in layers that represent the multifaceted Philippine identity. Contemporary architecture has also emerged with a Filipino style seen in modernized traditional forms. A pioneer in landscape architecture, Ildefonso Santos designed parks and outdoor spaces that incorporated local plants and design elements. Philippine sculpture also continues traditions from ancestral carvings while adapting to modern themes.
The document discusses several traditional Philippine art forms including puni from Bulacan which involves decorating with folded coconut leaves. Singkaban from Bulacan are elaborately designed bamboo arches used as decorations. Pabalat from Bulacan refers to intricate paper cutouts as well as the cultural practice. Taka originated in Paete, Laguna and are paper mache sculptures made using carved wooden molds. Pagbuburda from Taal and Lumban, Laguna is the art of embroidery, especially of floral designs, on fabrics.
This document provides an overview of literature from the Ilocos region of the Philippines. It discusses several important figures in Ilocano literature such as Pedro Bucaneg, considered the father of Ilocano literature for writing the epic poem Biag ni Lam-ang. It also mentions Leonora Florentino as the mother of Philippine women's literature and her famous poem "Nalpay na Namnama." Additionally, it summarizes the works of writers Carlos Bulosan and F. Sionil Jose who wrote about the Filipino immigrant experience. It concludes with highlights of cultural festivals, icons, tourist spots, and foods from the Ilocos region.
The document provides information on contemporary artists from the regions of Tarlac, Bulacan, Aurora, Pampanga, Nueva Ecija, and Bataan in the Philippines. It summarizes the styles and techniques of individual artists, including Wiljun Magsino of Tarlac who uses a stapler instead of paintbrushes, and Fernando Ramos of Tarlac whose abstract works capture his changing moods through color and texture. It also lists titles and descriptions of works by artists like Vincent Gonzales from Aurora and Jensen Moreno from Bataan known for portraits.
The document discusses the regions of CALABARZON (Region IV-A) and MIMAROPA (Region IV-B) in the Philippines. It provides details on the provinces that make up each region and introduces several important architectural and cultural sites found within CALABARZON and MIMAROPA, including churches, museums, bridges, and landmarks. The document also mentions some wood carving traditions and artists from Paete, Laguna.
Alonzo Saclag is a master of Kalinga dance and music from Lubuagan, Kalinga who has helped preserve his people's culture. He founded the Kalinga Budong Dance Troupe and tours the world with them. He was awarded by the National Commission for Culture and the Arts in 2000. After receiving the award, he established the Awichon Village in Lubuagan to showcase Kalinga culture, including traditional houses, instruments, and performances for visitors. The village helps promote and pass on Kalinga customs to new generations.
This document provides information on various dances and festivals in the Philippines. It describes the Sinulog dance performed at the famous Sinulog festival in Cebu City, which involves two steps forward and one back while moving to drum beats. It also mentions the Mazurka Boholana dance from Bohol which is performed by partnered men and women, and the Itik dance which mimics the movements of ducks. Additionally, it provides details on festivals like the Sandugo Festival in Bohol commemorating a historic treaty, and mentions various Philippine food items.
Contemporary Philippine Arts from the RegionsNoel Banca
The visual arts are art forms such as ceramics, drawing, painting, sculpture, printmaking, design, crafts, photography, video, filmmaking, and architecture. The document then profiles several influential Filipino artists such as Fernando Amorsolo, Hernando Ocampo, Benedicto Cabrera, Carlos Francisco, Cesar Legaspi, and others known for works depicting Philippine culture and scenes as well as more abstract styles of painting and sculpture that modernized Philippine art.
Contemporary art in the Philippines reflects the country's diverse identity and complex social issues. Filipino artists portray subjects and use mediums in innovative ways that express Philippine culture and history, which has been influenced by colonial powers. A key contemporary artist, Ronald Ventura, is known for paintings that blend styles like realism and graffiti in layers that represent the multifaceted Philippine identity. Contemporary architecture has also emerged with a Filipino style seen in modernized traditional forms. A pioneer in landscape architecture, Ildefonso Santos designed parks and outdoor spaces that incorporated local plants and design elements. Philippine sculpture also continues traditions from ancestral carvings while adapting to modern themes.
The document discusses several traditional Philippine art forms including puni from Bulacan which involves decorating with folded coconut leaves. Singkaban from Bulacan are elaborately designed bamboo arches used as decorations. Pabalat from Bulacan refers to intricate paper cutouts as well as the cultural practice. Taka originated in Paete, Laguna and are paper mache sculptures made using carved wooden molds. Pagbuburda from Taal and Lumban, Laguna is the art of embroidery, especially of floral designs, on fabrics.
This document provides an overview of literature from the Ilocos region of the Philippines. It discusses several important figures in Ilocano literature such as Pedro Bucaneg, considered the father of Ilocano literature for writing the epic poem Biag ni Lam-ang. It also mentions Leonora Florentino as the mother of Philippine women's literature and her famous poem "Nalpay na Namnama." Additionally, it summarizes the works of writers Carlos Bulosan and F. Sionil Jose who wrote about the Filipino immigrant experience. It concludes with highlights of cultural festivals, icons, tourist spots, and foods from the Ilocos region.
The document provides biographical information about various Filipino artists who have been awarded the title of National Artist by the Philippines. It discusses the criteria for receiving the award, which honors artists who have helped build Filipino cultural identity and promoted the arts. Brief profiles of National Artists are provided for different artistic disciplines, including painting, sculpture, dance, and visual arts. The artists' contributions and major works are highlighted in the summaries.
Folk Arts and Crafts of Cagayan Valley and Central LuzonJaneAira1
This document provides information about various places, peoples, and cultural aspects of the Philippines. It notes that Cagayan region is the second largest in the country and once dominated by now-extinct animals. It describes some of the traditional clothing, accessories, crafts, and other cultural items of Ivatan people from Batanes. It also briefly discusses the Gaddang people, cannon making in Pampanga, kabayo arches, and papercutting and lantern traditions from other regions.
The document discusses the various arts that were introduced to the Philippines during the Spanish colonial period in the 16th century, including painting, dancing, weaving, sculpting, and pottery. It provides details on different types of Filipino paintings like watercolor, portraits, and landscapes. It also describes various regional dances like dances from the Cordillera region and tribal dances. The document outlines traditional Filipino art forms like textiles, woodcarving, and pottery as well as prominent Filipino artists. It concludes by listing several art museums located around Manila that showcase Philippine arts and culture.
This document provides information about Philippine National Artists for Literature, including short biographies and works of 10 Filipino writers who have been recognized with the rank and title of National Artist for their significant contributions to Philippine literature. The writers highlighted are Amado Vera Hernandez, Jose Garcia Villa, Nick Joaquin, Carlos P. Romulo, Francisco Arcellana, Rolando S. Tinio, N.V.M. Gonzales, Levi Celerio, Edith L. Tiempo, and F. Sionil Jose. It also explains what the rank and insignia of a National Artist represents.
Folk Arts and Crafts of Southern Tagalog and Bicol RegionJaneAira1
This document discusses several Philippine provinces and cities known for their crafts and traditions, including Paete, Laguna known as the Wood Carving Capital for taka sculptures used in paper mache molds, Binan, Laguna known as the "Embroidery Capital" for hand-embroidered fabrics, Lucban, Quezon known as the origin of kiping wafers made during the Pahiyas Festival, and Marikina known for its footwear industry and as the Sandals Capital. It also mentions Nueva Ecija as the Arts Capital for its large papier-mache figures called higantes displayed during festivals.
The document discusses the history and forms of art in the Philippines prior to colonization. It describes how early Filipinos integrated art into everyday life and rituals to mark important community events. As local communities established themselves, artistic expressions evolved beyond crafts to include decorative elements and meanings. The document outlines some of the major art forms that developed in pre-colonial Philippines, including music, weaving, sculpture, painting, pottery, woodwork, metalwork and architecture. It emphasizes that Filipinos applied their artistic skills to weaving, sculpture, architecture and other art forms long before foreigners discovered and utilized the country's natural resources.
The Students in a special class in Humanities under Prof. Penn T. Larena made a memory lane to our great Contemporary Artists of today generation of the people of Negros Island
K to 12 Program SHS Contemporary Philippine Arts from the Regions
The document discusses the Gawad sa Manlilikha ng Bayan award which honors traditional folk artists in the Philippines. It is conferred by the National Commission for Culture and the Arts on citizens who preserve and promote folk arts. Some award criteria include engaging in traditional arts for 50+ years, demonstrating mastery, and passing skills to new generations. Examples are provided of past recipients recognized for arts like music, dance, textiles, and metalworking from various cultural communities.
The document discusses the Gawad sa Manlilikha ng Bayan (GAMABA) award, which is the highest national recognition given to traditional artists in the Philippines. It is administered by the National Commission for Culture and the Arts. To be eligible for the award, artists must be masters of traditional art forms practiced in their communities for at least 50 years. Awardees receive a gold medallion, an initial grant of 100,000 pesos, and a monthly stipend of 10,000 pesos for life. The award aims to honor master traditional artists and help ensure the continuation of indigenous cultural traditions.
This document provides biographies of several Filipino artists who have been designated National Artists by the President of the Philippines. It recognizes their significant contributions to developing Philippine arts and letters. The document outlines the honors and privileges that come with this title, including a monthly pension and burial at the Heroes' Cemetery. It then profiles several architects, visual artists, and filmmakers who have received this honor, describing their influential works and legacies in their respective fields.
The document discusses the pre-colonial period in the Philippines and its oral literature traditions. It existed before Spanish colonization in the 1500s and was oral in nature, containing lessons, ideas, and wisdom about life from birth to death. As an oral tradition, it was subject to alterations over time. However, many Filipinos still revere the ideas and traditions from this pre-colonial period. Some forms of oral literature discussed include riddles, proverbs, and folk tales like myths, legends, and fables. Examples of riddles and proverbs from different Philippine languages are also provided.
The oldest human remains found in the Philippines date back 22,000 years ago. The first inhabitants were Negritos who arrived during the Old Stone Age by walking across land bridges. They were later joined by maritime Indonesians during the New Stone Age. Malays also immigrated and introduced festivals, codes of law, and contributed to Iron Age culture. Ancient Filipinos had developed music, architecture like native houses, and art forms including pottery, wood carvings, tattoos, and petroglyph cave paintings as early as 3000 BC.
This document provides information on Philippine contemporary sculpture, including key sculptors and their works. It discusses sculptural styles and materials used by Filipino artists like Guillermo Tolentino, Julie Lluch, Abdulmari Imao, and Renato Habulan. The four basic sculpture techniques of modeling, carving, casting, and assembling are also outlined. Regional variations and movements like constructivism, kinetic sculpture, and assemblage are explored in the evolution of contemporary Philippine sculpture.
Contemporary Philippine Arts from the Regions Ron Razo
The document provides an overview of contemporary and traditional arts from the Philippines regions. It discusses major art forms like literature, music, dance, and theater. It also outlines the different types of art including fine or aesthetic arts which are primarily for enjoyment, and practical or utilitarian arts which are intended for practical use. The document then gives a timeline of art in the Philippines from pre-colonial times to the contemporary era, noting the influences and styles of ethnic, Islamic, Spanish, American, Japanese, modern and contemporary periods. It also discusses the title of National Artist which is the highest recognition given to those who have significantly contributed to Philippine arts.
Folk dances are traditional dances that have been passed down through generations in a given country or region. Philippine folk dances evolved from everyday activities and include occupational, religious, comic, game, wedding, courtship, and festival dances. Examples of Philippine folk dances provided are Pasiguin, an occupational dance depicting fishing; Subli, a religious dance performed in Bauan, Batangas; Kinoton, a comic dance from Ilocos Sur; and Pantomina, a wedding dance from Bicol.
The document provides an overview of contemporary arts from various regions in the Philippines, including Ilocos Region, Zamboanga Peninsula, Caraga Region, and the provinces of Agusan del Norte and Agusan del Sur. It summarizes key cultural aspects such as dances, festivals, musical instruments, visual arts, and literature. It describes traditional dances like Kuratsa and Singkil and festivals like Pamulinawen, Pinakbet, and Buklog. It also highlights notable artists and artworks representing the different regions.
This document provides an overview of traditional folk dances from different regions of the Philippines. It discusses dances from Luzon like the Cariñosa, Banga, and Pandanggo sa Ilaw. Dances from the Visayas region highlighted include Tinikling, Kuratsa, and Mazurka Bohalana. Mindanao dances described are Itik-itik, Singkil, and Kandingan. The document explains the origins and movements associated with many of these dances, which were often performed during festivals or celebrations to commemorate important events. Traditional Philippine folk dances help preserve cultural heritage as they have been passed down through generations.
The document provides biographical information about various Filipino artists who have been awarded the title of National Artist by the Philippines. It discusses the criteria for receiving the award, which honors artists who have helped build Filipino cultural identity and promoted the arts. Brief profiles of National Artists are provided for different artistic disciplines, including painting, sculpture, dance, and visual arts. The artists' contributions and major works are highlighted in the summaries.
Folk Arts and Crafts of Cagayan Valley and Central LuzonJaneAira1
This document provides information about various places, peoples, and cultural aspects of the Philippines. It notes that Cagayan region is the second largest in the country and once dominated by now-extinct animals. It describes some of the traditional clothing, accessories, crafts, and other cultural items of Ivatan people from Batanes. It also briefly discusses the Gaddang people, cannon making in Pampanga, kabayo arches, and papercutting and lantern traditions from other regions.
The document discusses the various arts that were introduced to the Philippines during the Spanish colonial period in the 16th century, including painting, dancing, weaving, sculpting, and pottery. It provides details on different types of Filipino paintings like watercolor, portraits, and landscapes. It also describes various regional dances like dances from the Cordillera region and tribal dances. The document outlines traditional Filipino art forms like textiles, woodcarving, and pottery as well as prominent Filipino artists. It concludes by listing several art museums located around Manila that showcase Philippine arts and culture.
This document provides information about Philippine National Artists for Literature, including short biographies and works of 10 Filipino writers who have been recognized with the rank and title of National Artist for their significant contributions to Philippine literature. The writers highlighted are Amado Vera Hernandez, Jose Garcia Villa, Nick Joaquin, Carlos P. Romulo, Francisco Arcellana, Rolando S. Tinio, N.V.M. Gonzales, Levi Celerio, Edith L. Tiempo, and F. Sionil Jose. It also explains what the rank and insignia of a National Artist represents.
Folk Arts and Crafts of Southern Tagalog and Bicol RegionJaneAira1
This document discusses several Philippine provinces and cities known for their crafts and traditions, including Paete, Laguna known as the Wood Carving Capital for taka sculptures used in paper mache molds, Binan, Laguna known as the "Embroidery Capital" for hand-embroidered fabrics, Lucban, Quezon known as the origin of kiping wafers made during the Pahiyas Festival, and Marikina known for its footwear industry and as the Sandals Capital. It also mentions Nueva Ecija as the Arts Capital for its large papier-mache figures called higantes displayed during festivals.
The document discusses the history and forms of art in the Philippines prior to colonization. It describes how early Filipinos integrated art into everyday life and rituals to mark important community events. As local communities established themselves, artistic expressions evolved beyond crafts to include decorative elements and meanings. The document outlines some of the major art forms that developed in pre-colonial Philippines, including music, weaving, sculpture, painting, pottery, woodwork, metalwork and architecture. It emphasizes that Filipinos applied their artistic skills to weaving, sculpture, architecture and other art forms long before foreigners discovered and utilized the country's natural resources.
The Students in a special class in Humanities under Prof. Penn T. Larena made a memory lane to our great Contemporary Artists of today generation of the people of Negros Island
K to 12 Program SHS Contemporary Philippine Arts from the Regions
The document discusses the Gawad sa Manlilikha ng Bayan award which honors traditional folk artists in the Philippines. It is conferred by the National Commission for Culture and the Arts on citizens who preserve and promote folk arts. Some award criteria include engaging in traditional arts for 50+ years, demonstrating mastery, and passing skills to new generations. Examples are provided of past recipients recognized for arts like music, dance, textiles, and metalworking from various cultural communities.
The document discusses the Gawad sa Manlilikha ng Bayan (GAMABA) award, which is the highest national recognition given to traditional artists in the Philippines. It is administered by the National Commission for Culture and the Arts. To be eligible for the award, artists must be masters of traditional art forms practiced in their communities for at least 50 years. Awardees receive a gold medallion, an initial grant of 100,000 pesos, and a monthly stipend of 10,000 pesos for life. The award aims to honor master traditional artists and help ensure the continuation of indigenous cultural traditions.
This document provides biographies of several Filipino artists who have been designated National Artists by the President of the Philippines. It recognizes their significant contributions to developing Philippine arts and letters. The document outlines the honors and privileges that come with this title, including a monthly pension and burial at the Heroes' Cemetery. It then profiles several architects, visual artists, and filmmakers who have received this honor, describing their influential works and legacies in their respective fields.
The document discusses the pre-colonial period in the Philippines and its oral literature traditions. It existed before Spanish colonization in the 1500s and was oral in nature, containing lessons, ideas, and wisdom about life from birth to death. As an oral tradition, it was subject to alterations over time. However, many Filipinos still revere the ideas and traditions from this pre-colonial period. Some forms of oral literature discussed include riddles, proverbs, and folk tales like myths, legends, and fables. Examples of riddles and proverbs from different Philippine languages are also provided.
The oldest human remains found in the Philippines date back 22,000 years ago. The first inhabitants were Negritos who arrived during the Old Stone Age by walking across land bridges. They were later joined by maritime Indonesians during the New Stone Age. Malays also immigrated and introduced festivals, codes of law, and contributed to Iron Age culture. Ancient Filipinos had developed music, architecture like native houses, and art forms including pottery, wood carvings, tattoos, and petroglyph cave paintings as early as 3000 BC.
This document provides information on Philippine contemporary sculpture, including key sculptors and their works. It discusses sculptural styles and materials used by Filipino artists like Guillermo Tolentino, Julie Lluch, Abdulmari Imao, and Renato Habulan. The four basic sculpture techniques of modeling, carving, casting, and assembling are also outlined. Regional variations and movements like constructivism, kinetic sculpture, and assemblage are explored in the evolution of contemporary Philippine sculpture.
Contemporary Philippine Arts from the Regions Ron Razo
The document provides an overview of contemporary and traditional arts from the Philippines regions. It discusses major art forms like literature, music, dance, and theater. It also outlines the different types of art including fine or aesthetic arts which are primarily for enjoyment, and practical or utilitarian arts which are intended for practical use. The document then gives a timeline of art in the Philippines from pre-colonial times to the contemporary era, noting the influences and styles of ethnic, Islamic, Spanish, American, Japanese, modern and contemporary periods. It also discusses the title of National Artist which is the highest recognition given to those who have significantly contributed to Philippine arts.
Folk dances are traditional dances that have been passed down through generations in a given country or region. Philippine folk dances evolved from everyday activities and include occupational, religious, comic, game, wedding, courtship, and festival dances. Examples of Philippine folk dances provided are Pasiguin, an occupational dance depicting fishing; Subli, a religious dance performed in Bauan, Batangas; Kinoton, a comic dance from Ilocos Sur; and Pantomina, a wedding dance from Bicol.
The document provides an overview of contemporary arts from various regions in the Philippines, including Ilocos Region, Zamboanga Peninsula, Caraga Region, and the provinces of Agusan del Norte and Agusan del Sur. It summarizes key cultural aspects such as dances, festivals, musical instruments, visual arts, and literature. It describes traditional dances like Kuratsa and Singkil and festivals like Pamulinawen, Pinakbet, and Buklog. It also highlights notable artists and artworks representing the different regions.
This document provides an overview of traditional folk dances from different regions of the Philippines. It discusses dances from Luzon like the Cariñosa, Banga, and Pandanggo sa Ilaw. Dances from the Visayas region highlighted include Tinikling, Kuratsa, and Mazurka Bohalana. Mindanao dances described are Itik-itik, Singkil, and Kandingan. The document explains the origins and movements associated with many of these dances, which were often performed during festivals or celebrations to commemorate important events. Traditional Philippine folk dances help preserve cultural heritage as they have been passed down through generations.
This document summarizes traditional folk dances from the different regions of the Philippines. It describes several iconic dances from Luzon, the Visayas, and Mindanao that developed from ancient rituals and traditions. These dances tell stories through their movements and represent cultural aspects like courtship, harvests, and nature. Traditional costumes and musical instruments accompany many of the folk dances that remain an important part of celebrations and festivals across the Philippines.
Region I - III: Ilocos Region, Cagayan Valley, Central LuzonKenn Pelayo
The document provides information about Region 1 (Ilocos Region) in the Philippines. Some key details:
- The region was originally inhabited by Negrito people, and later by Ilocanos, Pangasinans, and Tinguians.
- The Spanish arrived in the 16th century and established Christian missions and institutions. Vigan City became an important religious center.
- Ilocanos resisted Spanish rule and there were several insurrections, such as those led by Andres Malong and Diego Silang in the 18th century.
- The region experienced American colonial rule and Japanese occupation during World War 2 before being liberated.
- The region is known for
This document summarizes traditional folk dances from the different regions of the Philippines. It describes several iconic dances from Luzon, the Visayas, and Mindanao that developed from ancient rituals and traditions. These dances tell stories through their movements and represent cultural aspects like courtship, harvests, and nature. Traditional costumes and musical instruments accompany many of the folk dances that remain an important part of celebrations and festivals across the Philippines.
Week 1 no. 3 philippine representative texts and authors from each regionRiza Velasco
This document provides biographical information and summaries of notable works for several Filipino writers from different regions in the Philippines. It includes writers such as Miss Riza P. Velasco, the first known Ilokano poet and author of the epic Biag ni Lam-ang; Pedro Bucaneg, who wrote the short story "Waywaya" about pre-Hispanic society; and Francisco Balagtas, who wrote the famous epic Florante at Laura while imprisoned. Overall, the document highlights some of the most influential Filipino authors and samples of their literary contributions.
This document provides information on six Filipino artists who have been designated National Artists in different fields including music, dance, theater, literature, and visual arts. It summarizes their most significant contributions and examples of major works. Antonio Buenaventura and Jose Maceda researched and popularized Philippine folk music. Francisca Reyes Aquino and Ramon Obusan conducted extensive research on Philippine folk dances. Daisy Avellana and Rolando Tinio made notable achievements in Philippine theater through performances and productions. Literature National Artists include Francisco Arcellana and Edith Tiempo for their contributions to short stories and poems. Visual arts National Artists that demonstrated excellence in painting, murals, sculptures and illustrations are Fernando
This document provides information on six Filipino artists who have been designated National Artists of the Philippines in recognition of their significant contributions to their fields. It discusses Antonio Buenaventura and Jose Maceda in music, Francisca Reyes Aquino and Ramon Obusan in dance, Daisy Avellana and Rolando Tinio in theater, Francisco Arcellana and Edith Tiempo in literature, and Fernando Amorsolo, Carlos "Botong" Francisco, Guillermo Tolentino, Francisco Coching, and Victorio Edades in visual arts. For each artist, it highlights some of their major works and research that helped promote and popularize Philippine culture.
This document provides information on five National Artists from the Philippines and their contributions in different areas including music, dance, theater, literature, and visual arts. It discusses Antonio Buenaventura and Jose Maceda as National Artists for Music who researched and popularized Philippine folk songs and traditional music. For dance, it highlights Francisca Reyes Aquino and Ramon Obusan who studied various Philippine folk dances and ethnic dances. Daisy Avellana and Rolando Tinio are recognized for their significant works and performances in theater. Literature National Artists discussed are Francisco Arcellana and Edith Tiempo, known for their poems, short stories, and founding of a writer's workshop. The document also profiles painters
This document provides an overview of humanities and social sciences for quarter 1 of the 2022-2023 school year. It covers several time periods of Philippine art history, including contemporary arts, pre-colonial/ethnic arts, the Islamic era, Spanish era, American era, and Japanese era. For each period, it describes characteristics of the arts, significant events, and examples of famous artists and their works. The document aims to educate students on the evolution of Philippine arts and culture over time under different influences.
This document provides biographical information and summaries of notable works for several Filipino writers from different regions in the Philippines. Some of the writers included are Jose Rizal from Region IV-A, who wrote novels exposing issues in Philippine society; NVM Gonzalez from Region IV-B, known for works reflecting Philippine culture in English; Andres Bonifacio from the Cordillera Administrative Region, who founded the Katipunan movement and wrote poems advocating revolution; and Amador Daguio also from CAR, a poet, novelist and teacher known for his fiction and poems published before World War 2. The document highlights the contributions of important Filipino authors across the regions.
When the Spanish arrived in the Philippines in 1521, they introduced European musical influences that marked the beginning of cultivated music in the country. Some examples of Spanish-influenced secular vocal music that developed in the Lowlands of Luzon include harana (serenades), kumintang (war songs), kundiman (art songs), polka, and pandango (dances). These musical forms helped express feelings of love, history, and religion through both lyrics and instrumentation.
This document provides information on contemporary arts from the Cordillera Administrative Region (CAR) of the Philippines. It discusses the region's terrain, history, culture, dances, musical instruments, art venues, and notable artists. CAR is a mountainous landlocked region inhabited by ethnic groups like the Kalinga, Benguet, and Ifugao who practice traditions like animism, agriculture, and crafts like woodcarving, weaving and tattooing. Famous dances include the Banga pot dance and Ragragsakan dance which depicts women carrying loads. Musical instruments include the gangsa gong, diwdiw-as bamboo raft and nose flute. Notable art venues and artists showc
Lesson in Contemporary Arts in Senior High Schooljerseytadeo90
Region IX covers the Zamboanga Peninsula in the Philippines, including Zamboanga City and the provinces of Zamboanga del Norte, Zamboanga del Sur, and Zamboanga Sibugay. The region is known for vintas boats with colorful sails, mosques, and weaving, basketry, and metalwork arts. Cultural festivals include Hudyaka, Sibug-Sibug, Kinabayo, and Fiesta Pilar.
Region X covers northern Mindanao and is centered around Cagayan de Oro City. The region is known for handicrafts like baskets, potteries, and metal works,
This document compares different forms of arts across various regions in the Philippines, including literature, architecture, and sculpture. It provides examples of notable works, authors, architects, and sculptures from Ilocano, Hiligaynon, Cebuano, Tagalog, and other regional literatures. It also highlights significant architectural structures from Luzon, Visayas, and Mindanao like churches, mosques, universities, and heritage homes. Famous sculptures discussed include the Jose Rizal Monument, The Black Nazarene, People Power Monument, and Oblation. The document gives an overview of the rich cultural heritage expressed through various art forms across the regions of the Philippines.
The document provides information about the National Capital Region (NCR) and Region V in the Philippines. It discusses the history and population of the NCR, and describes some of the most famous places in the region like Intramuros and Manila Bay. It also profiles famous Tagalog writers from the NCR such as Andres Bonifacio, Emilio Jacinto, and Lualhati Bautista. The document then provides a brief history of Region V (Bicol Region) and discusses famous places, attractions, and writers from the region such as Merito B. Espinas and Bienvenido N. Santos.
The document provides information about the Central Luzon region of the Philippines. It is composed of 7 provinces: Aurora, Bataan, Bulacan, Nueva Ecija, Zambales, Pampanga, and Tarlac. The region is known as the "Rice Granary of the Philippines" as it produces much of the country's rice. Key festivals and tourist attractions are described for each province, including beaches, waterfalls, historical sites, and festivals celebrating local agriculture and culture. Traditional practices around birth, baptism, courtship, marriage, and death are also summarized for the region.
The document provides information about the Central Luzon region of the Philippines. It is composed of 7 provinces: Aurora, Bataan, Bulacan, Nueva Ecija, Zambales, Pampanga, and Tarlac. The region is known as the "Rice Granary of the Philippines" as it produces much of the country's rice. Key details are provided about the geography, economy, festivals, tourist attractions, and cultural practices of each province.
Eastern visayas literature (by group 1, 12- animation in 21st century)Cedric Dela Rojo
Provinces of eastern visayas NOTHERN SAMAR,
EASTERN SAMAR,
SAMAR,
SOUTHERN LEYTE
EASTERN LEYTE,
LEYTE,
BILIRAN,
Literature written in Waray and Cebuano by the writers in the region
Waray Literature that has been collected,recorded and documented by scholars and researcher
The document summarizes the history and development of traditional and early Philippine drama forms such as the duplo, karagatan, moro-moro, and cenakulo plays. It also discusses important street drama traditions like the Moriones festival and Ati-atihan festival. The document traces how drama evolved with the arrival of the Spanish, including the introduction of zarzuela musical plays. It notes that modern Philippine drama was rejuvenated with the establishment of Repertory Philippines in 1967.
Similar to Contemporary Arts of Ilocos Region (20)
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
-------------------------------------------------------------------------------
Find out more about ISO training and certification services
Training: ISO/IEC 27001 Information Security Management System - EN | PECB
ISO/IEC 42001 Artificial Intelligence Management System - EN | PECB
General Data Protection Regulation (GDPR) - Training Courses - EN | PECB
Webinars: https://pecb.com/webinars
Article: https://pecb.com/article
-------------------------------------------------------------------------------
For more information about PECB:
Website: https://pecb.com/
LinkedIn: https://www.linkedin.com/company/pecb/
Facebook: https://www.facebook.com/PECBInternational/
Slideshare: http://www.slideshare.net/PECBCERTIFICATION
How to Setup Warehouse & Location in Odoo 17 InventoryCeline George
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
4. TOURISTS SPOTS
• Given its historical value, the quality of his
factory, his urban scale and the conservation of its
monuments (one of the few places not affected by
war), Vigan has also been nominated as
a UNESCO World Heritage site. Despite being
significantly marketed for tourism, is quite an
experience traveling to the sleepy little streets
that seem to be frozen in time, whose cobbled
stone pavement resound to the clatter of horses'
hooves.
5. LIVELIHOOD OF ILOCANOS IN ILOCOS
THE PHILIPPINES MAKING OF BURNAY.
• The people of Vigan also exert great effort to
preserve the tradition of making “burnay”. Burnay is
unglazed earthen jars, an industry that dates back to
pre-colonial times when immigrants from China came
and settled in Vigan. Burnay jars have small openings,
and its earlier use were for tea drinking, storage for
water, rice grains and as container for salt, brown
sugar, local wine (basi) and bagoong (fermented fish).
6. MINERALS
• It is also rich in mineral resources
such as
• Limestone
• Copper
• Gold
• Chromite
• Iron
• Manganese
• silica
7. MUSIC AND ARTS
The Ilocanos have a handful of meaningful ethnic songs. These
songs narrate life stories of the native Ilocanos, which are mostly
about courtship, marriage, occupation and life.
Pamulinawen (Hardened Heart)—this is the most
popular Ilocano love song, which portrays a girl
who does not heed the pleading of her lover. It
compares the heart of a girl to a hardened flint.
8. ANOTHER FOLKSONG OF REGION
I
• Osi-osi—this ethnic song portrays the traditional ways of
courtship.
• Ayat ti Ina (Love of a Mother)—is a song that expresses
how a mother loves and takes care of her child.
• Duayya ni Ayat (Love’s Lullaby)—is a song that expresses a
man’s love for his lady. The man asks the lady to be
careful in changing her mind and choosing another man.
• Dinak Kad Dildilawen (Do Not Criticize Me)—is an Ilocano
song that expresses patriotism. This song conveys service
to love of country.
• Other popular ethnic songs are Agdamili (Pot Making),
which is an occupational song; andKanaganan, which is a
9. NATIVE ILOCANO DANCES
The Ilocano ethnic dances are mostly
performed during rituals and celebrations.
• Manang Biday—it is a courtship dance usually
performed by young people.
• Manang Biday is an ethnic song in Ilocos. This
song implies the courtship of a young maiden
named in Manang Biday
10. OASIWAS DANCE
-A dance in which an oil lamp is balanced on the dancer's
head as he swings around lighted lamps wrapped in porous
cloth or fishnet. The name of the dance comes from
the Pangasinense word for swinging.
-The dance is performed by fishermen of Lingayen when
celebrating a good catch. It is accompanied by waltz-like
11. KURATSA PASUQUIÑA
• it is a dance during birthday parties and
festivities.
• The Kuratsa is a Filipino traditional Dance of
Courtship where the male approaches and
courts a lady in a form of a dance. It depicts
12. ILOCANA A NASUDI (CHASTE
ILOCANO)
• it is a dance that portrays a chaste and
virtuous Ilocana. This dance may be
performed by four pairs.
13. RABONG (BAMBOO SHOOT)
• it is a dance glorifying the bamboo shoot as a delicacy
of the Ilocanos. In Rabong, the participants sing the
lyrics themselves.
• Vintareña—it is a dance performed by one or two couples
in social gatherings like baptismal, wedding, birthday, or
thanksgiving parties.
• Surtido Norte (Assorted Dances from the North)—this
dance is a combination of different Ilocano dance steps
14. FESTIVALS IN ILOCOS REGION
• Pamulinawen festival- Laoag City February 10 Our Lady
of Peace Pamulinawen is the name of a woman made
popular in the classic Ilocano song titled... Pamulinawen.
• Pamulinawen is a Filipino folk song (in the Ilocano
language) that tells about courting a girl with a heart of
stone. Pamulinawen is her name.
15. PINAKBET FESTIVAL
• Sta. Maria, Ilocos Sur, April 23. it features
street dances and cooking competitions and
honours the Sta. Maria’s farmers’ industry and
their housewives’ cooking skills. Pinakbet
came from the contracted Ilokano word
'pinakebbet' which means "shrunk" or
"shriveled."
16. BANGUS FESTIVAL
The Bangus Festival is the brainchild of former
Dagupan mayor Benjamin Lim, seeking to promote the
city as the Bangus (milkfish) Capital of the World. 2003
saw the festival featured in the Guiness Book of World
Records when it secured the record for Longest
Barbeque in the World (later taken by the town of
Bayambang, Pangasinan in 2014).
17. OTHER FESTIVALS
BAC-BACARRA FESTIVAL • • • • Bacarra, Ilocos Norte
Farmers Festival, November 30. The legendary word
“bac-bacarra” is a specie of freshwater fish abundant in
the river during the 15th century which gave birth to
the town’s name .
GULING-GULING FESTIVAL • • • • Paoay, Ilocos Norte
Guling-Guling Martes May aims to commemorate the
16th century old practice of the Spanish friars for the
religious sector to interact with its parishioners. It has
always been celebrated on the Tuesday before Ash
Wednesday
• EMPANADA FESTIVAL • Batac, Ilocos Norte • December
8 - 30 • BATAC EMPANADA is made of savory filling of
grated green papaya, mongo, longganisa and egg. The
18. • Sigay Festival • January 15 to
February 2 • Binmaley, Pangasinan • It
serves as the main highlight of the
fiesta celebration of Binmaley town,
the “Seafood Capital of the North.” •
Sigay is a Pangasinan dialect word
which means to harvest.
19. VISUAL ARTS
• Visual Arts" is a modern but imprecise umbrella term for a
broad category of art which includes a number of artistic
disciplines from various sub-categories. Ilocano Heroes - Juan
Luna, The Great Filipino Painter.
-
• Juan Luna was a patriot, but he was more known as the great
Filipino painter if not the greatest. He was born on October 23,
1857 in Badoc, Ilocos Norte.
20. • While pursuing this course he took painting lessons at
the Academia de Dibujo y Pintura of Fr. Agustin Saiz.
• -Later in 1877 he left for Barcelona for advanced painting lessons
as he was encouraged by Don Lorenzo Guerrero, his first painting
tutor.
• in Rome, Luna worked on the Spoliarium. It was said that the
scene in this painting was based on the situation of the Filipinos
under the Spanish government. He entered it at the National
Exposition of Fine Arts in 1884 where he won one of the three gold
medals. Because of his growing fame, he received several
government commissions. With these commissions that he
produced his many great canvases like the Peuple et Rois, Espa
21. • While in Manila, he finished some Philippine scenes. Early in
1896, he again departed, this time for Japan. He returned a
few weeks after the Cry of Balintawak. On the evening of
September 16, 1896, he was arrested and confined for
complicity in the Katipunan revolt and imprisoned at Fort
Santiago.
• Juan Luna - an Ilocano pride. His genius in painting showed
the Ilocano artistry and his love of the country.
"Parisian Life", also know as "Interim d'un Café" was painted in 1892. It
won a silver medal at the St. Louis Exposition (World Fair) held in 1904.
22. • In Rome, Luna was exposed to the immortal works of
the Renaissance. In here he painted his "Daphne e Cleo" where he
received a silver palette from the Liceo Artistico de Manila. He
exhibited several works at the National Exposition of Fine Arts in
1881 where he received silver medal with "The Death of Cleopatra.
23. -LITERATURE OF ILOCOS
REGION-
BIAG NI LAM-ANG
(LIFE OF LAM-ANG)
• This is an epic poem from Ilokano people from ilocos region.It is
believed that it was recited and written iloko originally thru the
priceless efforts of various poets, and believed that it was passed on
through the generations. It was transcribed around 1640 by blind
ilokano bard named Pedro Bucaceng(1592 –1640). Mr. Bucaceng
inspite of he’s blindness was considered as the “Father of Ilokano
Literature”.
• “The moral lesson on the story of Biag Ni Lam Ang is that you must
persevere through the trials of life. Strength and bravery are major
theme throughout the story and play into the moral lesson.
24. • Pedro Bukaneg (March 1592 – c. 1630) was
a Filipino poet. Blind since birth, he is the
acknowledged author of the Ilocano epic Biag ni
Lam-ang (Life of Lam-ang). He is considered the
"Father of Ilocano literature." A street inside
the Cultural Center of the Philippines (CCP)
complex in Pasay City, Philippines is named in
his honor. His surname is lent to
the Bukanegan, the Ilocano equivalent of
25. Isabelo de los Reyes y Florentino, also known as Don Belong (July 7,
1864 – October 10, 1938), was a prominent Filipino politician, writer and
labor activist in the 19th and 20th centuries. He was the original founder
of the Aglipayan Church, an independent Philippine national church. For
his writings and activism with labor unions, he was called the "Father of
Filipino Socialism".
• Ang Singsing nang Dalagang Marmol ("The Ring of the Marble
Maiden"), contemporarily rendered as Ang Singsing ng
Dalagang Marmol in the Tagalog language, is a historical
novel written by Filipino novelist, scholar, and labor
leader Isabelo Florentino de los Reyes (also known as Isabelo
26. Carlos Bulosan was born to Ilocano parents in the Philippines
in Binalonan, Pangasinan
• (November 24, 1913[1] – September 11, 1956) was
an English-language Filipino novelist and poet who spent
most of his life in the United States. His best-known work
today is the semi-autobiographical America Is in the Heart,
but he first gained fame for his 1943 essay on The Freedom
from Want.
27. • Leona Florentino (born Leona Josefa
Florentina,[1] 19 April 1849 - 4 October 1884) was a
Filipino poet in the Spanish and Ilocano languages.
She is considered as the "mother of Philippine
women's literature" and the "bridge from oral to
literary tradition".[2]
28. ARCHITECTURE, DESIGN AND
ALLIED ARTS–
• COLONIAL ARCHITECTURE IN THE PHILIPPINES ILOCOS
Some of the most notable examples of colonial architecture
in the Philippines are located in the provinces of Ilocos, Luzon,
north of the archipelago. It is a pleasure to visit Ilocos, because of
its idyllic scenery and its rich culture and history, expressed in
villages of clean and tidy streets that contrast with the chaotic
traffic jams in Manila.
29. • One of the most conspicuous examples of the so-called earthquake
baroque architecture in the Philippines, which is the Church of San
Agustin in Paoay (1704-1894), declared a World Heritage Site by
UNESCO .
• Built of coral blocks and stucco-plastered bricks, the
architecture is a unique combination of Gothic, Baroque
and Oriental. Construction of the church was started in
1704 and completed in 1894. A few meters away is the
coralstone belltower which served as observation post of
the “Katipuneros” during the Philippine Revolution,
30. • Bell Tower
• Adjacent to the facade is a three-storey coral bell
tower constructed separately from the church building on the
right side resembling a pagoda. It was in 1793 when the
cornerstone of the bell tower was laid. It stands at some
distance from the church as a protection against earthquake.
It served as observational post for Filipino
revolutionaries against the Spaniards in 1898 and by
Filipino guerrillas against Japanese soldiers during World War
II. According to historians, the bell tower also served as a
status symbol for the locals. It is said that the bell would ring
more loudly and more times during the wedding of a
prominent clan that it would during the wedding of the poor.
31. VIGAN
• The charming town of Vigan
in Ilocos Sur, is the best
preserved example of Spanish
colonial architecture in Asia.
Its streets laid out in a
gridiron pattern, according to
the Laws of the Indies,
housing a collection of well
preserved colonial buildings,
with white walls and
picturesque balconies
• Vigan was an important
32. • Vigan, an ancient port located on an island near the Abra River, was
born in 1574 as a strategic point of trade with China. The population,
Chinese and Filipino, also expressed their mixture in the architectural
styles, made of wood and sloping roofs, inspired by the bahay kubo, the
traditional Filipino house.
• Vigan is one of the most beautiful towns/cities in the Philippines. It is
also one of the richest in terms of historical and cultural heritage.
33. Meanwhile, the Spanish
preferred coral stone
architecture, called bahay na
bato, combined with elements
of wood, mostly in the balconies
balconies and shutters.
• Sometimes the first floor was
made of stone upon which a
wooden second floor was built.
built.
34. GAWAD SA MANLILIKHANG BAYAN
• Magdalena Gamayo, Abel Weaving – Pinili, Ilocos Norte,
2012
• Weaving since she was 16, Magdalena Gamayo or “Lola
Magdalena” is a master weaver who not only weaves
traditional Ilocano textile but also designs new patterns. One
of her designs employs a difficult weaving technique
called pinilian meaning partially. The weave produces a
unique pattern that resembles a string of flowers thus its
name, inubon a sabong. This aided in her nomination to the
GAMABA award in 2012.
35. LAST SUPPER SCULPTURES CARVING ON
WALL, VIGAN, ILOCOS SUR, PHILIPPINES
• The Last Supper is the final meal that, in the
Gospel accounts,Jesus shared with
his Apostles in Jerusalem before his crucifixion. The
Last Supper is commemorated by Christians especially
on Maundy Thursday. The Last Supper provides the
scriptural basis for the Eucharist, also known as "Holy
Communion" or "The Lord's Supper".
Literature is a group of works of art made up of words. Most are written, but some are passed on by word of mouth.
Most of the earliest works were epic poems. Epic poems are long stories or myths about adventures.
Example of Literature in Ilocos Region