Bruno and the filmmaker faced problems with audio quality due to limited computer processing power, which forced them to record in compressed formats. All sound effects also had to be added in post-production due to weather conditions during filming. To improve audio, they added effects like reverb to make dialogue more believable, but it still sounded amateurish. Going forward, they will improve by recording more audio on set rather than relying on post and doing more acoustic planning for locations.
The filmmaker used a shoulder rig for higher shots and a spider rig for lower angles to get stable shots. Color grading, masking, and compositing green screen footage were important editing techniques used to distinguish between heaven and reality scenes.
Bir sosyal psikoloji teorisi olan ve Eylem Kimlikleme olarak da bilinen Eylem Etiketleme Kuramı'nın reklamcılık perspektifinden değerlendirilmesi.
Action Identification Theory and Advertising.
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Presented at ACCU Oxford (14th September 2015)
Functional C++? As opposed to what — dysfunctional? Well, kind of, yeah. Sure, in C++ the principal unit of composition is called a function, but that doesn't mean it's a functional language. And the idea of restricting mutability of state gets a nod with const, but it's a nod not a hug. And the STL shows influences of functional programming, although it falls short of being compositional. And, yes, sure, C++11 has lambdas, but then again, these days, who doesn't? Lambda calculus was invented in the 1930s.
This talk looks at how to express functional programming ideas in (post)modern C++ in a way that can be considered idiomatic to C++, rather than trying to use the power of overloading and meta-programming to pretend C++ is Haskell or Lisp. In short, immutability beyond const and into shared and persistent data structures, concurrency beyond threading and locks, and thinking about functions as transformations and units of composition rather than actions.
Introduction to cost managerial accountingVaradraj Bapat
Cost Accounting.
Cost Accounting Objectives.
Cost Accounting advantages.
what is cost?
Cost Classification:
By elements
By function
As direct and indirect
By variability
By controllability
By normality
By relevance
Elements of cost.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
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An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
Francesca Gottschalk - How can education support child empowerment.pptxEduSkills OECD
Francesca Gottschalk from the OECD’s Centre for Educational Research and Innovation presents at the Ask an Expert Webinar: How can education support child empowerment?
2. PROBLEMS FACEDWITH AUDIO
Me and my sound guy, Bruno Gillick faced a lot of problems with audio:
The sound and the audio quality were hindered by the fact that neither Bruno or I
had powerful enough computers to be able to cope high quality audio.This meant
that we were forced to record into a compressed format, which hindered audio
quality.This is not really noticeable through normal speakers, but in a large
surround sound speaker system, the cracks would begin to show. Another one of
the main problems with the audio was that all the sound had to be done in post
production, which meant trying to recreate every noise with household items and
then finding the best way to mic them, then trying to sync them up to the video on
scene - a hugely tedious job which was not very gratifying, as nothing seemed to
work.The reason I decided to do sound in post was weather conditions, in terms of
dialogue, we only had one word that needed to be said, so it was more practical to
do it using ADR, but the results were not believable.
3. RESOLVINGTHE PROBLEMS
To fix the problem of badADR we added a lot of post production effects, such as
reverb and other such effects, this in its turn lead to the sound becoming more
believable, but still sounding rather amateurish.
In the future we could improve the audio by micing more on set, rather than
leaving it to post production, and us doing a little more acoustic research into the
location for the film before shooting it, so the audio can sound good.
4. THE SCORE
the music attempts to follow the film, Bruno did unfortunately have to rely on
playing instruments himself, record them to the pace of the film, and then add
effects.This lead to a more indy sound scape, rather than the percussion driven
one that we are so used to in a Hans Zimmer world.This is just a matter of
personal preference.
for A2 Bruno will be capable of generating entire orchestras using synths and
therefore my A2 piece will have a traditional cinematic score to it.
6. MY CAMERA RIG
For hardware, I used my morphing shoulder rig, this was incredibly useful, as it
enabled me to get stable shots. And when i required a low angled shot, for scenes
such as 'waking up in reality', it would morph into a spider rig, which means that i
could get low angled shots without having to lie down.
Shoulder rig for
the higher shots
Spider rig for lower shots
7. CAMERA
For cameras I used my Nikon D3500, I used this camera due to
the fact that it was my own. I have had experience with editing
with it, so i know its quality, framing and general feel so, it is also
compatible with all the other software (and hardware) i use. So
there was no way of me running into unexpected errors.
8. CINEMATOGRAPHY
In terms of cinematography, in reality, I used two red top lights,
combined with a hazer and reflector.The reflector meant that i
could take the edge of the light, to create a darker lit screen.The
haze gave the alleyway a dark, windy atmosphere. Also it meant
that you could see the individual beams of light.
9. HEAVEN
For the long shot of 'heaven', I used a pop up green screen, this
was really useful as when compositing oneself into green scene
footage, one needs to match the lighting of the footage that
you are adding yourself into. Since 'heaven' was out doors, it
would have been impractical to mimic outdoor lighting in a
studio, and taking the studio green screen outside was
impractical, therefore my pop-up green screen was useful
because of its portability and speed, setting up the studio would
have taken half and hour, and longer with the lights, whereas
the pop up took a second.This was a more effective use of my
time.
11. SOFTWARE
Software wise, I used Adobe Premier Pro and After
Effects. Premier was use for editing the footage, After
Effects was used for colour grading and compositing the
effects.The reason I used Adobe instead of Final Cut,
was the interlinking between the two programs. Adobe
gives me more control over individual clips, and I can
send that directly to Premier Pro without having to
export it.This massively sped up the editing process.
12. EDITS
Firstly, I wanted to mimic depth of
field, to do this I used the masking
tool in After Effects. Here I would
mask out my subject, frame by
frame, and then add a blur to the
background.This brought my
subject into the foreground, and
served to hide the background, to
maintain the illusion that one was
in a heavenly place.
BEFOREAND AFTER
13. Colour grading was very important, as it was the main
tool I used to highlight the contrast between heaven
and reality.The main tool for this was 'photo filter',
which meant i could change how 'warm' or 'cold' my clip
was. For the rest, i would just change the brightness and
contrast, add vignetting which darkens the edges. On
top of this, I added a 'letter box effect', this served to
create a cinematic wide screen feel, by cropping out the
top and bottom. This extra cropping meant that i could
adjust framing in post production.
14. Finally to pull off my long shot of heaven, I used keylight ( to remove the
green from the green screen) and then masked around that to prevent it
from removing green from anywhere else. I then used rotoscoping, which
is a program that automatically masks out a subject frame by frame, on the
parts of the actor that weren't covered by the green screen. Once i had had
added my background to the composition I used colour grading to match
subject to the background, added lens flairs, to create a sense of realism,
and used a light plugin to simulate light rays from the sun, which the birds
would then block out.The birds were royalty free stock footage, added by
me.