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ID: 871-2020
PROGRAM: TEXTILE DESIGNING
SEMESTER: 02
DUE DATE: 2021
JUNE
21
RENAISSANCE, ROCOCO, BAROQUE
CLOTHING
PRINTS
1
HISTORY OF ART AND CULTURE
RENAISSANCE:
CLOTHING:
Gown, kirtle, and chemise
• Long gown, usually with sleeves, worn over a kirtle or under gown, with a linen chemise or
smock worn next to the skin.
• The sleeves were made detachable and were heavily ornamented. The long Waisted silhouette of
the previous period was replaced by a high- Waisted style with fullness over the belly, often confined by
a belt.
The wide, shallow scooped neckline was replaced by a V neck, often cut low enough to reveal
the decorated front of the kirtle beneath Women's outer clothing generally consisted of a
loose or fitted gown worn over a kirtle or petticoat.
• An alternative to the gown was a short jacket or a doublet cut with a high neckline.
• Gown, kirtle and petticoat
• The basic costume of men in this period consisted
• shirt
• doublet
• Hose with some sort of over gown.
• chaperon
• Braise or breeches
• Hose
Men's fashionable clothing consisted of a linen shirt with collar or ruff and matching wrist ruffs,
which were laundered with starch to be kept stiff and bright.
2
3
HISTORY OF ART AND CULTURE
–
• Over the shirt men wore a doublet with long sleeves sewn or laced in place. Doublets were
stiff, heavy garments, and were often reinforced with boning.
• Jerkin
• Hose, in variety of styles, were worn with a codpiece early in the period.
• Venetians were semi-fitted hose reaching just below the knee.
Children in Renaissance were considered simply small adults, and their dress reflected this.
Children were dressed in clothing very similar to their parents, and both young boys and
girls
Wore dresses during infancy and toddlerhood.
For young boys, this aided the mother in toilet training and care giving. When boys were
old enough (usually around the age of seven, when they could start helping their fathers)
they were
"Breeched," or put into their first pair of breeches, or hose.
This practice continued up until the 19th century in the Western World, and portraiture of
young children is often difficult to gender without tell-tale props such as swords or hats.
4
HISTORY OF ART AND CULTURE
PRINTS:
The Renaissance color palette also featured realgar and among the blues azurite,
ultramarine and indigo. The greens were verdigris, green earth and malachite; the
yellows were Naples yellow, orpiment, and lead-tin
yellow. Renaissance browns were obtained from umber.
A reverent revival of Classical Greek/Roman art forms and styles.
The mastery of illusionistic painting techniques, maximizing 'depth' in a picture, including:
linear perspective, foreshortening and, later, quadrature; and .The naturalistic realism of
its faces.
The prints were colorful, bold, simple, and symmetrical. The most famous motif was
pomegranate pattern.
ROCOCO:
CLOTHING:
Men's fashion did not change much during the whole era. The just au corps, waistcoats and
breeches that had been introduced during the late baroque era were worn throughout,
changing only slightly in shape. The coat skirts, for example, grew fuller until around 1740,
then diminished and were cut away in front from around 1760. The waistcoat
below became ever shorter until.
5
HISTORY OF ART AND CULTURE
A flowing gown, that became popular towards the end of King Louis. This gown had the
features of a bodice with large pleats flowing down the back to the ground over a rounded
petticoat.
The color palette was rich, dark fabrics accompanied by elaborate, heavy design features.
After the death of Louis the clothing styles began to change.
The fashion took a turn to a lighter, more frivolous style, transitioning from the baroque
period to the well-known style of Rococo
The later period was known for their pastel colors, more revealing frocks, and the plethora
of frills, ruffles, bows, and lace as trims. Shortly after the typical women's Rococo gown
was introduced, robe à la Francoise.
A gown with a tight bodice that had a low cut neckline, usually with a large ribbon bows
down the center front, wide panniers, and was lavishly trimmed in large amounts of lace,
ribbon, and flowers
PRINTS:
It is characterized by lightness, elegance, and an exuberant use of curving natural forms in
ornamentation. The word Rococo is derived from the French word rocaille, which denoted
the shell-covered rock work that was used to decorate artificial grottoes
6
HISTORY OF ART AND CULTURE
Characterized by elaborate ornamentation, asymmetrical values, pastel color palette, and
curved or serpentine lines. Rococo art works often depict themes of love, classical myths,
youth, and playfulness.
Rococo color scheme is characterized by azure blue, soft pink, white, ivory, cream and gold
and they all complement each other, being soft, airy and feminine.
BAROQUE:
CLOTHING:
During the early Baroque, women wore long gowns with a low neckline, lace collars for
decoration, and virago sleeves. Elaborate patterns and dark colors were popular.
During this period a new silhouettes for women was developing extremely wide panniers
were worn to formal occasion waist were tightly constricted by corsets provided contrasts
to the wide skirts plunging became common skirts usually open at the front displaying an
underskirt or petticoats. Pagoda sleeves arose about halfway through the 18th century,
which were tight from shoulder to elbow and ended with flared lace and ribbons.
There were a few main types of dresses worn during this period.
The Watteau gown had a loose back which became part of the full skirt and a tight bodice.
Men’s clothing adopted a militaristic look they wore a decorative piece coat waistcoat and
7
HISTORY OF ART AND CULTURE
breeches usually lavishly embroidered or displaying patterned fabric. Lace jabots were still
worn tied around the neck. Breeches usually stopped at the knee with white stocking.
PRINTS:
In the Baroque period, artists liked to use rich and vibrant colors for their color palette.
The artists used mostly deep red, greens, and blues for the Caravaggio painting and deep
and luminous in earth tones. The rich color was used to show the texture and surface of the
object like gold, silk, and velvet.
Some of the qualities most frequently associated with the Baroque are grandeur, sensuous
richness, drama, dynamism, movement, tension, emotional exuberance, and a tendency to
blur distinctions between the various arts.
Floral prints represented texture like a velvet and silk, show royalty.
8
HISTORY OF ART AND CULTURE
Thank you

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clothing and prints of renaissance, baroque and rococo time period

  • 1. SUBMITTED TO: your teacher name SUBMITTED BY: your name ID: 871-2020 PROGRAM: TEXTILE DESIGNING SEMESTER: 02 DUE DATE: 2021 JUNE 21 RENAISSANCE, ROCOCO, BAROQUE CLOTHING PRINTS
  • 2. 1 HISTORY OF ART AND CULTURE RENAISSANCE: CLOTHING: Gown, kirtle, and chemise • Long gown, usually with sleeves, worn over a kirtle or under gown, with a linen chemise or smock worn next to the skin. • The sleeves were made detachable and were heavily ornamented. The long Waisted silhouette of the previous period was replaced by a high- Waisted style with fullness over the belly, often confined by a belt. The wide, shallow scooped neckline was replaced by a V neck, often cut low enough to reveal the decorated front of the kirtle beneath Women's outer clothing generally consisted of a loose or fitted gown worn over a kirtle or petticoat. • An alternative to the gown was a short jacket or a doublet cut with a high neckline. • Gown, kirtle and petticoat • The basic costume of men in this period consisted • shirt • doublet • Hose with some sort of over gown. • chaperon • Braise or breeches • Hose Men's fashionable clothing consisted of a linen shirt with collar or ruff and matching wrist ruffs, which were laundered with starch to be kept stiff and bright.
  • 3. 2
  • 4. 3 HISTORY OF ART AND CULTURE – • Over the shirt men wore a doublet with long sleeves sewn or laced in place. Doublets were stiff, heavy garments, and were often reinforced with boning. • Jerkin • Hose, in variety of styles, were worn with a codpiece early in the period. • Venetians were semi-fitted hose reaching just below the knee. Children in Renaissance were considered simply small adults, and their dress reflected this. Children were dressed in clothing very similar to their parents, and both young boys and girls Wore dresses during infancy and toddlerhood. For young boys, this aided the mother in toilet training and care giving. When boys were old enough (usually around the age of seven, when they could start helping their fathers) they were "Breeched," or put into their first pair of breeches, or hose. This practice continued up until the 19th century in the Western World, and portraiture of young children is often difficult to gender without tell-tale props such as swords or hats.
  • 5. 4 HISTORY OF ART AND CULTURE PRINTS: The Renaissance color palette also featured realgar and among the blues azurite, ultramarine and indigo. The greens were verdigris, green earth and malachite; the yellows were Naples yellow, orpiment, and lead-tin yellow. Renaissance browns were obtained from umber. A reverent revival of Classical Greek/Roman art forms and styles. The mastery of illusionistic painting techniques, maximizing 'depth' in a picture, including: linear perspective, foreshortening and, later, quadrature; and .The naturalistic realism of its faces. The prints were colorful, bold, simple, and symmetrical. The most famous motif was pomegranate pattern. ROCOCO: CLOTHING: Men's fashion did not change much during the whole era. The just au corps, waistcoats and breeches that had been introduced during the late baroque era were worn throughout, changing only slightly in shape. The coat skirts, for example, grew fuller until around 1740, then diminished and were cut away in front from around 1760. The waistcoat below became ever shorter until.
  • 6. 5 HISTORY OF ART AND CULTURE A flowing gown, that became popular towards the end of King Louis. This gown had the features of a bodice with large pleats flowing down the back to the ground over a rounded petticoat. The color palette was rich, dark fabrics accompanied by elaborate, heavy design features. After the death of Louis the clothing styles began to change. The fashion took a turn to a lighter, more frivolous style, transitioning from the baroque period to the well-known style of Rococo The later period was known for their pastel colors, more revealing frocks, and the plethora of frills, ruffles, bows, and lace as trims. Shortly after the typical women's Rococo gown was introduced, robe à la Francoise. A gown with a tight bodice that had a low cut neckline, usually with a large ribbon bows down the center front, wide panniers, and was lavishly trimmed in large amounts of lace, ribbon, and flowers PRINTS: It is characterized by lightness, elegance, and an exuberant use of curving natural forms in ornamentation. The word Rococo is derived from the French word rocaille, which denoted the shell-covered rock work that was used to decorate artificial grottoes
  • 7. 6 HISTORY OF ART AND CULTURE Characterized by elaborate ornamentation, asymmetrical values, pastel color palette, and curved or serpentine lines. Rococo art works often depict themes of love, classical myths, youth, and playfulness. Rococo color scheme is characterized by azure blue, soft pink, white, ivory, cream and gold and they all complement each other, being soft, airy and feminine. BAROQUE: CLOTHING: During the early Baroque, women wore long gowns with a low neckline, lace collars for decoration, and virago sleeves. Elaborate patterns and dark colors were popular. During this period a new silhouettes for women was developing extremely wide panniers were worn to formal occasion waist were tightly constricted by corsets provided contrasts to the wide skirts plunging became common skirts usually open at the front displaying an underskirt or petticoats. Pagoda sleeves arose about halfway through the 18th century, which were tight from shoulder to elbow and ended with flared lace and ribbons. There were a few main types of dresses worn during this period. The Watteau gown had a loose back which became part of the full skirt and a tight bodice. Men’s clothing adopted a militaristic look they wore a decorative piece coat waistcoat and
  • 8. 7 HISTORY OF ART AND CULTURE breeches usually lavishly embroidered or displaying patterned fabric. Lace jabots were still worn tied around the neck. Breeches usually stopped at the knee with white stocking. PRINTS: In the Baroque period, artists liked to use rich and vibrant colors for their color palette. The artists used mostly deep red, greens, and blues for the Caravaggio painting and deep and luminous in earth tones. The rich color was used to show the texture and surface of the object like gold, silk, and velvet. Some of the qualities most frequently associated with the Baroque are grandeur, sensuous richness, drama, dynamism, movement, tension, emotional exuberance, and a tendency to blur distinctions between the various arts. Floral prints represented texture like a velvet and silk, show royalty.
  • 9. 8 HISTORY OF ART AND CULTURE Thank you