1) The document discusses clothing styles and print motifs during the Renaissance, Rococo, and Baroque periods of art history.
2) During the Renaissance, men and women wore gowns, kirtles, chemises, and other layered clothing. Prints from this period featured colorful patterns like pomegranates.
3) Rococo fashion featured lighter, more ornate styles for both men and women after Louis XIV's death. Prints emphasized natural forms, shells, and pastel colors.
4) Baroque clothing showed influences from the military with elaborate fabrics and patterns. Prints from this period used rich colors like red, green, and blue to depict textures in portraits and floral motifs.
how did fashion in India evolve? in this presentation i have covered costume history of India.
Reach Me at priyalthakkar96@gmail.com
Also Check rainbowmonkey.in for my work
how did fashion in India evolve? in this presentation i have covered costume history of India.
Reach Me at priyalthakkar96@gmail.com
Also Check rainbowmonkey.in for my work
This ppt will be helpful for gaining the basic knowledge of Indian traditional textile from various states and regions. I will definitely try to add more slides in it.
Artisan with careful hand, foot and eye coordination embarks on the journey of weaving each thread that binds elements of life into one golden fabric. The process is long, as sometimes only about 2-3” of border gets woven in a day depending on the complexity of the design. The whole family of the weaver is involved, sharing varied responsibilities pertaining to the weaving process... Not only their livelihood but it is their life & mode of self-expression.
This presentation highlights the glorious Mughal Era(1526-1748) costume,textile, ornament and it's impact on today's fashion.Detail description about of men's clothing ,women's clothings with accessories that affected the fashion world with it's richness and intricacy.
Ancient egyptian fashion priyanka singhMUKESH PANT
Egyptian Fashion has amazing dressing sense and is not oldfashioned even today. A lot can be adapted from the old civilization. Designs today can be motivated by their attire.
My style of designing - IF YOU DONT KNOW WHERE YOU COME FROM, YOU CANT DECIDE WHERE YOU ARE HEADING
The elegance, grace, classiness, style, exquisiteness, sophistication, traditional and many more similar adjectives define Kanjivaram silk sarees from the South region of India.
This ppt will be helpful for gaining the basic knowledge of Indian traditional textile from various states and regions. I will definitely try to add more slides in it.
Artisan with careful hand, foot and eye coordination embarks on the journey of weaving each thread that binds elements of life into one golden fabric. The process is long, as sometimes only about 2-3” of border gets woven in a day depending on the complexity of the design. The whole family of the weaver is involved, sharing varied responsibilities pertaining to the weaving process... Not only their livelihood but it is their life & mode of self-expression.
This presentation highlights the glorious Mughal Era(1526-1748) costume,textile, ornament and it's impact on today's fashion.Detail description about of men's clothing ,women's clothings with accessories that affected the fashion world with it's richness and intricacy.
Ancient egyptian fashion priyanka singhMUKESH PANT
Egyptian Fashion has amazing dressing sense and is not oldfashioned even today. A lot can be adapted from the old civilization. Designs today can be motivated by their attire.
My style of designing - IF YOU DONT KNOW WHERE YOU COME FROM, YOU CANT DECIDE WHERE YOU ARE HEADING
The elegance, grace, classiness, style, exquisiteness, sophistication, traditional and many more similar adjectives define Kanjivaram silk sarees from the South region of India.
Arcuri 1
Arcuri 9
Malia Arcuri
Marie Aja-Herrera
FASH 247-02
May 10, 2020FASH Test 3
17th and 18th Century
During the 17th century France, England, and Spain continued to rule Europe; The late 16th century was all about a mannerist style, however, that soon morphed into a Baroque style and quickly spread like wildfire throughout Europe. During this time, early puritan settlers had just made it to America and set up roots in New England; Places such as Holland had developed a prosperous middle class and England relied on the aristocracy as they had in the past. At the time textile machinery was gradually evolving and a new loom was introduced.
In the 17th century fashion plates were being produced in Paris, these plates are similar to a modern-day fashion magazine (picture Vogue painted on a large plate with a caption) and have helped historians set the scene for what garments and everyday life may have looked like back then. When it comes to men’s costumes not much shifted from the early 16th century to the 17th century, however, they began wearing cravats which were scarf like pieces that separates the shirts and were worn in place of collars. Instead of doublets which were very popular among men in earlier centuries they began wearing surouts and justacorps; these jackets had straight sleeves with cuffs and buttons down the front and the main difference was the fact that they covered the breeches completely. Breeches during the 17th century became slimmer and less full then other years and stopped right at the knee. Men’s wigs also grew much larger and were often worn in the natural colors they came in. Some things that stayed the same were shoes, men still preferred shoes over boots.
Women’s costume during the 17th century saw no major changes as well; The necklines became squarer and less reveling and corsets became visible. Corsets became visible at the front of the bodice and formed a V at the waist, since they were visible it meant they became heavily decorated and elaborate. A new dress cut also appeared at this time, the bodice and skirt were cut together in one length from shoulder to hem; this became known as Mantua and historians believe it to have evolved from middle-eastern robes. The final garment was very full both in the front and back and was always worn over a corset and overskirt. If women were to wear it to a formal event then the skirt was pleated and belted in the back, often skirts were pulled to the back and fastened to have a draped effect on the body.
Fig. 1 & 2. Mantua style dress (Maker unknown. Mantua, 1708. Silk and metal. New York: Metropolitan Museum of Art, 1991.6.1a, b. Purchase, Rogers Fund, Isabel Shults Fund and Irene Lewisohn Bequest, 1991. Source: The Met)
We saw a change in the shape of women’s shoes during this time, they became more pointed, heels became higher, and the shoes became narrower. The design became more decorated and elaborate and leather became used more and more. Pantof.
the effect of French Revolution by comparing the differences of Costumes & Accessories worn by Men & women between the beginning & the end of 18th century in England.
The fashion of England before the French Revolution(early 18th century)
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clothing and prints of renaissance, baroque and rococo time period
1. SUBMITTED TO: your teacher name
SUBMITTED BY: your name
ID: 871-2020
PROGRAM: TEXTILE DESIGNING
SEMESTER: 02
DUE DATE: 2021
JUNE
21
RENAISSANCE, ROCOCO, BAROQUE
CLOTHING
PRINTS
2. 1
HISTORY OF ART AND CULTURE
RENAISSANCE:
CLOTHING:
Gown, kirtle, and chemise
• Long gown, usually with sleeves, worn over a kirtle or under gown, with a linen chemise or
smock worn next to the skin.
• The sleeves were made detachable and were heavily ornamented. The long Waisted silhouette of
the previous period was replaced by a high- Waisted style with fullness over the belly, often confined by
a belt.
The wide, shallow scooped neckline was replaced by a V neck, often cut low enough to reveal
the decorated front of the kirtle beneath Women's outer clothing generally consisted of a
loose or fitted gown worn over a kirtle or petticoat.
• An alternative to the gown was a short jacket or a doublet cut with a high neckline.
• Gown, kirtle and petticoat
• The basic costume of men in this period consisted
• shirt
• doublet
• Hose with some sort of over gown.
• chaperon
• Braise or breeches
• Hose
Men's fashionable clothing consisted of a linen shirt with collar or ruff and matching wrist ruffs,
which were laundered with starch to be kept stiff and bright.
4. 3
HISTORY OF ART AND CULTURE
–
• Over the shirt men wore a doublet with long sleeves sewn or laced in place. Doublets were
stiff, heavy garments, and were often reinforced with boning.
• Jerkin
• Hose, in variety of styles, were worn with a codpiece early in the period.
• Venetians were semi-fitted hose reaching just below the knee.
Children in Renaissance were considered simply small adults, and their dress reflected this.
Children were dressed in clothing very similar to their parents, and both young boys and
girls
Wore dresses during infancy and toddlerhood.
For young boys, this aided the mother in toilet training and care giving. When boys were
old enough (usually around the age of seven, when they could start helping their fathers)
they were
"Breeched," or put into their first pair of breeches, or hose.
This practice continued up until the 19th century in the Western World, and portraiture of
young children is often difficult to gender without tell-tale props such as swords or hats.
5. 4
HISTORY OF ART AND CULTURE
PRINTS:
The Renaissance color palette also featured realgar and among the blues azurite,
ultramarine and indigo. The greens were verdigris, green earth and malachite; the
yellows were Naples yellow, orpiment, and lead-tin
yellow. Renaissance browns were obtained from umber.
A reverent revival of Classical Greek/Roman art forms and styles.
The mastery of illusionistic painting techniques, maximizing 'depth' in a picture, including:
linear perspective, foreshortening and, later, quadrature; and .The naturalistic realism of
its faces.
The prints were colorful, bold, simple, and symmetrical. The most famous motif was
pomegranate pattern.
ROCOCO:
CLOTHING:
Men's fashion did not change much during the whole era. The just au corps, waistcoats and
breeches that had been introduced during the late baroque era were worn throughout,
changing only slightly in shape. The coat skirts, for example, grew fuller until around 1740,
then diminished and were cut away in front from around 1760. The waistcoat
below became ever shorter until.
6. 5
HISTORY OF ART AND CULTURE
A flowing gown, that became popular towards the end of King Louis. This gown had the
features of a bodice with large pleats flowing down the back to the ground over a rounded
petticoat.
The color palette was rich, dark fabrics accompanied by elaborate, heavy design features.
After the death of Louis the clothing styles began to change.
The fashion took a turn to a lighter, more frivolous style, transitioning from the baroque
period to the well-known style of Rococo
The later period was known for their pastel colors, more revealing frocks, and the plethora
of frills, ruffles, bows, and lace as trims. Shortly after the typical women's Rococo gown
was introduced, robe à la Francoise.
A gown with a tight bodice that had a low cut neckline, usually with a large ribbon bows
down the center front, wide panniers, and was lavishly trimmed in large amounts of lace,
ribbon, and flowers
PRINTS:
It is characterized by lightness, elegance, and an exuberant use of curving natural forms in
ornamentation. The word Rococo is derived from the French word rocaille, which denoted
the shell-covered rock work that was used to decorate artificial grottoes
7. 6
HISTORY OF ART AND CULTURE
Characterized by elaborate ornamentation, asymmetrical values, pastel color palette, and
curved or serpentine lines. Rococo art works often depict themes of love, classical myths,
youth, and playfulness.
Rococo color scheme is characterized by azure blue, soft pink, white, ivory, cream and gold
and they all complement each other, being soft, airy and feminine.
BAROQUE:
CLOTHING:
During the early Baroque, women wore long gowns with a low neckline, lace collars for
decoration, and virago sleeves. Elaborate patterns and dark colors were popular.
During this period a new silhouettes for women was developing extremely wide panniers
were worn to formal occasion waist were tightly constricted by corsets provided contrasts
to the wide skirts plunging became common skirts usually open at the front displaying an
underskirt or petticoats. Pagoda sleeves arose about halfway through the 18th century,
which were tight from shoulder to elbow and ended with flared lace and ribbons.
There were a few main types of dresses worn during this period.
The Watteau gown had a loose back which became part of the full skirt and a tight bodice.
Men’s clothing adopted a militaristic look they wore a decorative piece coat waistcoat and
8. 7
HISTORY OF ART AND CULTURE
breeches usually lavishly embroidered or displaying patterned fabric. Lace jabots were still
worn tied around the neck. Breeches usually stopped at the knee with white stocking.
PRINTS:
In the Baroque period, artists liked to use rich and vibrant colors for their color palette.
The artists used mostly deep red, greens, and blues for the Caravaggio painting and deep
and luminous in earth tones. The rich color was used to show the texture and surface of the
object like gold, silk, and velvet.
Some of the qualities most frequently associated with the Baroque are grandeur, sensuous
richness, drama, dynamism, movement, tension, emotional exuberance, and a tendency to
blur distinctions between the various arts.
Floral prints represented texture like a velvet and silk, show royalty.