This ppt will be helpful for gaining the basic knowledge of Indian traditional textile from various states and regions. I will definitely try to add more slides in it.
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usefull for all home science students and for all competitive exams like NET/JRF for other knowledge visit our you tube channel anita singh clothing and textile classes
This presentation highlights the glorious Mughal Era(1526-1748) costume,textile, ornament and it's impact on today's fashion.Detail description about of men's clothing ,women's clothings with accessories that affected the fashion world with it's richness and intricacy.
This presentation highlights the glorious Mughal Era(1526-1748) costume,textile, ornament and it's impact on today's fashion.Detail description about of men's clothing ,women's clothings with accessories that affected the fashion world with it's richness and intricacy.
The slides narrate briefly about the finest sarees woven in various handloom clusters across the country. It talks about Banarasi, Kanchipuram, Kota, Uppada and Patola Sarees. And, also look into our beautiful collections of saree.
PRESENTATION ON BALUCHARI SAREE OF WEST BENGALAARTI WADHWA
THERE IS THIS SAYING ABOUT BALUCHARI SAREE "Makur tane kabbyo gaatha baluchari juri kotha";MEANING: weaving poetry and lore with the shuttle, the baluchari is beyond compare. (AND I COMPLETELY AGREE).
The Baluchari Sari has also been granted the status of Geographical indication in India.
Baluchari sarees are preferred for their soft and luxurious hand feel, the richness of the silks used, their fine weave and stylish looks.
The Baluchari sari has won the Presidential award on two occasions for its weaving style and has been prominently displayed in international trade fairs.
HOPE MY SLIDE WILL HELP YOU UNDERSTAND THIS PARTICULAR TEXTILE OF INDIA
Handlooms have their undisputed niche in the world of fabrics. Handlooms are dedicated weaves , a fine display of art and craftsmanship. Neither are sarees identical, nor patterns blindly replicated, no design cliché nor motifs repeated is the special characteristic of Indian handloom sarees
All the information on textile crafts of West Bengal. Segregation of crafts according to the districts of West Bengal and origins and significance in the culture. Provided with a Textile Map.
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Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
The Legacy of Breton In A New Age by Master Terrance LindallBBaez1
Brave Destiny 2003 for the Future for Technocratic Surrealmageddon Destiny for Andre Breton Legacy in Agenda 21 Technocratic Great Reset for Prison Planet Earth Galactica! The Prophecy of the Surreal Blasphemous Desires from the Paradise Lost Governments!
thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
2. INDEX
1. OBJECTIVES
2. REGIONAL SPECIALITY MAP
3. PAITHANI OF MAHARASHTRA
4. GHARCHOLA SAREE
5. KOTA DORIA
6. ODISA IKAT
7. BAGRU PRINTS
8. POCHAMPALLI
9. KASHMIR CARPETS
3. OBJECCTIVES
• To introduce Indian regional traditional textiles
• To study details of them
• To give them a new life in fashion world as they
are replaced by western culture
• To raise the importance of Indian tradition
• To create impact on international fashion trends
5. PAITHANI OF MAHARASHTRA
• Paithani saree took its name from a place called
Paithan.
• This saree is made of silk with an ornamented zari
pallav and border.
• Traditional vines and flowers, shapes of fruits and
stylized forms of birds are used as motifs in this
saree.
• No mechanical means like the jacquard or jala are
used to create the designs in Paithani sarees.
• It also needs lots of hard work and expertise to
make this fine fabric.
• So, price of this painstaking workman ship is
always high.
• Nearly a month's time is spent in completing a
piece of simple Paithani saree, and from five to nine
months is spent to complete its more elaborate
(brocade) version.
6. GHARCHOLA OF GUJRAT
• Gharchola (also known as Ghatchola and Gharcholu) from Gujarat is woven on
Cotton or Silk fabric in large checks of using Silk and Zari threads.
• This is further colored in Bandhani or tie & dye technique.
• These checkered patterns are filled with small golden motifs of peacocks, lotus,
human figures, and floral designs.
• A typical Gharchola is made in Red color, embellished with yellow and white
dots, and is 5.5 metres in length & 46 inches in width.
• This saree makes a wedding or any other ritual for that matter, a scenic and
picturesque occasion.
7. KOTA DORIA OF RAJSTHAN
• Kota doria or Kota doriya or 120i is
one of many types of saree garments
made at Kota, Rajasthan and its
nearby area.
• 'Doria' means thread.
• Sarees are made of pure cotton and
silk and have square like patterns
known as khats on them.
• Kota Doria is woven on a traditional
pit loom in such a fashion that it
produces square checks pattern on the
fabric.
• They smear onion juice and rice paste
with a lot of care into the yarn making
the yarn so strong that no additional
finishing is needed.
• Kota sarees are popularly known as
'Masuria' in Kota and Kotadoria
outside the state.
8. ODISA IKAT
• Odisa ikat is a kind of ikat, a resist dying
technique, originating from Indian state of Odisa.
• Also known as "Bandha of Odisha", it is a
geaographycally tagged product of Odisha since
2007.
• It is made through a process of tie-dying the warp
and weft threads to create the design on the loom
prior to weaving.
• The fabric gives a striking curvilinear appearance.
• Sarees made out of this fabric feature bands of
brocade in the borders and also at the ends, called
anchal or pallu.
• Its forms are purposefully feathered, giving the
edges a "hazy and fragile" appearance.
• Ikat's equivalent usage in Malay language is
mengikat, which means "to tie or to bind".
9. BAGRU PRINT OF RAJASTHAN
• The Sanganer and Bagru prints are very similar.
The prints of Bagru are mostly red and black and
blue.
• Bagru prints are characterized by circular
designs, as well as linear and floral patterns.
• In both the Sanganer and Bagru prints, the
colors are picked carefully.
• Each has a separate significance.
• For instance, red is the color of love, yellow of
spring, indigo of Lord Krishna, and saffron of the
yogi (seer).
• The wooden blocks that are used are made of
teak wood.
• Traditionally, vegetable dyes made of madder,
pomegranate rind, indigo, and turmeric are used.
• These have now been largely replaced by
chemical dyes. Often, the fabric is dyed before it is
printed.
10. POCHAMPALLY OF TELANGANA
• Pochampally Saree or Pochampalli Ikat is a saree
made in Telangana state, India.
• They are popular for their traditional geometric
patterns in ikat style of dyeing.
• The Indian government's official air carrier, Air
India air hostesses wear specially designed
pochampally silk sarees.
• The weaving survives in a few villages like
Pochampally, Koyalgudam, Chowtuppala, Srirpuram,
Bhubangiri, Chuigottala and Galteppala and few
villages around them mostly in Nalgonda district.
• Pochampally Ikat uniqueness lies in the transfer of
intricate design and colouring onto warp and weft
threads first and then weave them together globally
known as double ikat textiles.
• The fabric is cotton, silk and sico – a mix of exquisite
silk and cotton.
• Increasingly, the colours themselves are from
natural sources and their blends.
11. KASHMIR CARPETS
• Kashmir rugs or carpets have intricate
designs that are primarily oriental, floral style
in a range of colors, sizes and quality.
• Kashmir carpets are handmade, hand-
knotted, and are primarily made in pure wool,
pure silk and occasionally wool and silk
blends.
• Rugs from Kashmir are traditionally made
in oriental, floral designs that typically involve
the significant and culturally important motifs
such as the paisley, chinar tree, (the oriental
plane) and tree-of-life.
• It is often said in Kashmir folklore that a
home is incomplete without a soul - a Kashmir
carpet, which is told to "bring the entire
house together" into a unified whole.