BioRPJ3
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This is a biographical presentation in series, about my father Late artist Prof. R.P.Joshi covering his contribution for art education,landscape paintings,portrait,still life and textile design and colour since 1942 till his death in 1987.
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This presentation aims to provide a holistic biography of the artist's late father, Prof. R.P. Joshi, including details of his artistic works and career as an art teacher. The artist's late mother, Indumati, was a classical singer, knitting artist, and loving mother who helped create a close emotional bond within the family. This effort expresses gratitude to the artist's parents on behalf of the entire family and shares biographical information, paintings, textile designs, and views on art education of the late Prof. R.P. Joshi.
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This presentation aims to provide a holistic biography of the artist's late father, Prof. R.P. Joshi, including details of his artistic works and career as an art teacher. The artist's late mother, Indumati, was a classical singer, knitting artist, and loving mother who helped create a close emotional bond within the family. This effort expresses gratitude to the artist's parents on behalf of the entire family and shares biographical information, paintings, textile designs, and views on art education of the late Prof. R.P. Joshi.
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This document provides information about the artist Yayoi Kusama and her unique artworks. It discusses how she developed a practice that incorporates different styles like Surrealism and Pop Art. Key motifs in her work include intricate infinity net patterns inspired by her hallucinations, as well as pumpkin forms which have symbolic meaning for her. The document also describes an art lesson where children examined Kusama's works featuring the letter R and discussed colors, techniques, and subjects like mushrooms. They also had opportunities for creative expression by drawing and writing stories inspired by her paintings.
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BioRPJ5
This is a biographical presentation in series, about my father Late artist Prof. R.P.Joshi covering his contribution for art education,landscape paintings,portrait,still life and textile design and colour since 1942 till his death in 1987.
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This summary provides biographical information about the author's late father, Prof. R.P. Joshi, who was an artist, art teacher, and family head who instilled an appreciation for art in his eight children. It also mentions the author's late mother, Indumati, who was a classical singer, knitting artist, and kindhearted mother who created strong emotional bonds within the family. The author expresses gratitude to their parents on behalf of the entire family and shares that their father wrote several articles on art and contributed to the art of woven textile design in addition to creating paintings.
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Contemporary Philippine arts include various major art forms such as visual arts, architecture, music, dance, film, theater, and literature. Visual arts encompass painting, photography, and sculpture and are created using different materials applied to surfaces like wood, canvas, and paper. Painting specifically refers to applying color on a flat surface and comes in various forms like easel painting, murals, telon painting for theaters, and decorative paintings on vehicles like calesa and jeepneys. Common themes in Philippine painting include genre scenes, historical events, landscapes, portraits, and religious subjects.
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A girl gets bored playing with her toys one morning and makes different things out of newspaper, including a little paper man. She takes the paper man to the park to play with her friends. The paper man tells the children stories, but his stories make them sad. He goes to a laundromat to erase the stories and is made blank. He goes back to the park and cannot speak until he goes to the countryside and soaks up colors, then returns with happy stories that do not make the children cry.
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The document provides definitions and descriptions of different genres and styles of painting including:
1. Battle painting focuses on depicting significant moments of war and conveying heroism.
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3. Seascape painting depicts scenes at sea.
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The document contrasts Chinese and European art styles through examples. In China, a painter disappeared into his own cave painting. Europeans feared depicting eyes realistically in case the subject came to life. A blacksmith used his painting skills to impress a painter's daughter. Chinese art requires viewers to actively participate mentally, while European art aims for perfect realism. The concept of landscape in Chinese art represents the Daoist view of yin and yang energies interacting in nature and in the void between them.
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Francisco Ibañez Talavera was born in Barcelona, Spain in 1936. He published his first pictures when he was 11 years old and has been a very talented artist since childhood. Ibañez is renowned for creating the popular comic book series "Mortadelo and Filemon", which is one of the most famous comic book series worldwide. He has also produced other funny comic books such as Rompetechos and Familia Trapisonda.
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This document summarizes four different mural artworks found in Malaysia and Singapore. The first mural features Masjid Salahuddin Abdul Aziz Shah in Shah Alam and depicts community members working together. The second shows a child peeking through greenery in Bangsar and was painted as a tribute to a street artist. The third depicts a Chinese opera singer with a partially skeletal face in Penang and quotes "Our Art is Dying" to raise concerns about declining culture. The fourth shows Bruce Lee kicking cats in Penang and was intended to raise awareness about treating stray animals kindly rather than emulating the depicted behavior.
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Sadie vining finalproject
The document discusses two African American artists, Archibald Motley Jr. and Varnette Honeywood, who used bright colors and depictions of everyday life in their paintings to convey positivity and hope despite oppression. Motley's paintings from the 1920s onward showed African American communities enjoying themselves through movement, dancing, and celebrations. Though times were difficult, the paintings highlighted happiness, love and community. Varnette Honeywood was inspired by Motley's approach of portraying positivity through color and ordinary scenes. The exhibition explores how these artists found and conveyed optimism even in hard times by focusing on people's daily lives and using vibrant hues.
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My kite project indofrench
The document lists the names of 14 people involved in a project called "My Kite project-INDOFRENCH". It repeats some names multiple times, including Yan Thomas listed 4 times, Devdatta D. Padekar listed 3 times, and Priya Pereira and Ranjan R. Joshi each listed twice. The document provides a list of participants for a project but does not include any other details.
1 updated 29th nov. 2019 1a practitioners of aesthetics in applied art in mah...
1. M.V. Dhurandhar was a pioneering Indian artist active from 1867-1944 who gained popularity through his realistic paintings depicting scenes from Indian epics, myths, legends, and daily life.
2. He made significant contributions to the fields of book illustration, calendar design, poster art, and was one of the first Indian artists to work successfully in both fine art and commercial/applied art.
3. Dhurandhar helped popularize Indian art among the masses through his prolific body of work which included thousands of drawings and illustrations in books, magazines, and lithographic prints.
From calligraphy syllabus 1977 to typo 2005 ranjan r. i. joshi a visual record
Reinterpreting History of Calligraphy into Typographic expression by Cambrian College of Applied Art & Technology - CANADA, Mumbai Campus under Ranjan R. I. Joshi sr. faculty graphic design.
6 calligraphy is the mother of typography by ranjan r. i. joshi -
My calligraphy syllabus introduced in 1977 helped shift the visual art paradigm in Maharashtra state by making calligraphy and typography easier for students to understand and practice. As a senior graphic design faculty working with international programs, this syllabus helped students learn typography application more easily. The document concludes a six-part series inspired by the 1977 calligraphy syllabus and its influence on teaching typography.
5 calligraphy is the mother of typography by ranjan r. i. joshi
The document discusses a 1977 calligraphy syllabus in Maharashtra, India that helped students better understand and practice typography. It shows plates from a student's calligraphy exercises that were used as a case study for a type structure and font creation assignment. The student named Kalaliel created a complete palette of letters for his font by hand without computer software. He tried to compose a dummy front page of a newspaper to get experience with type design methods.
4 calligraphy is the mother of typography by ranjan r. i. joshi
This document discusses the relationship between calligraphy and typography. It describes a calligraphy syllabus developed by Ranjan R. Joshi in 1977 that helped make typography easier for art students to understand and practice. The syllabus involved students doing memory drawings that would reveal letterforms within the drawings. Students would then trace these forms with a calligraphy nib. This innovative teaching method helped international graphic design students learn about applying typography. The document reflects on how this calligraphy-focused exercise unexpectedly revealed future possibilities for exploring both formal and informal calligraphy to create display type designs.
3 calligraphy is the mother of typography by ranjan r. i. joshi
Calligraphy is the mother of typography. The document discusses how the author's 1977 calligraphy syllabus for visual art students in Maharashtra, India helped make understanding and practicing typography easier. As a senior faculty member for international graphic design programs, the author's calligraphy training assisted students in better learning the application of typography. Examples of works from students Umman Tyebje through Siddhi Lahori are provided.
2 calligraphy is the mother of typography by ranjan r. i. joshi
Calligraphy is the mother of typography. The author's calligraphy syllabus introduced in 1977 caused a paradigm shift in visual art education in Maharashtra, India that made understanding and practicing typography easier for students. As a senior faculty in graphic design, the author's involvement in international programs from Canada and the UK benefited from this calligraphy syllabus, helping students more easily learn the application of typography. Examples of student work are presented in a series of parts.
1 calligraphy is the mother of typography by ranjan r. i. joshi
This is six part series on the extension of the Calligraphy Syllabus into Typography exercises, design by me in 1976 for Government of Maharashtra State.
Dev in italy
This document discusses an art exhibition of paintings by Devdatta Padekar held at the Florence Dance Center from March to April 2016. The exhibition included paintings capturing the Alps mountain range from Austria, France, and Switzerland. Keith Ferrone, the director of the dance center, connected some of Padekar's paintings to ballet performances choreographed by Marga Nativo. Nativo created two ballet pieces inspired by Padekar's classical style to be performed at the exhibition opening. The curator Daniela Pronesti interviewed Padekar about his artwork and relationship to Florence.
The indian constitution and freedom of expression...ranjan r.i.joshi
This short document discusses enjoying freedom within the frame of the Indian Constitution. It asks the reader to focus on the white space in the center of an image to see if anything appears. The document contains blank lines between the numbered lines of text.
Articles published in basoli by ranjan r. i. joshi nagpur-dr. channe
The document discusses an article published in 1987 by R.P. Joshi. It covered topics such as the economy, politics, education system and infrastructure development over the past few decades. The article provided an assessment of achievements and challenges faced by the country during that time period.
4 dhurandhar and applied art final article.
M.V. Dhurandhar was an Indian artist born in 1867 who helped establish classical applied art in India. In 2018, the National Gallery of Modern Art in Mumbai held an exhibition curating by Suhas Bahulkar to honor the 151st anniversary of Dhurandhar's birth. The exhibition displayed Dhurandhar's paintings, sketches, and other works that documented Indian culture and society over his 50-year career. As one of the first students and later a professor at the Sir J.J. School of Art in Mumbai, Dhurandhar helped develop the "Bombay School" of art through his blending of Indian traditions with Western academic styles introduced by the British. The exhibition and its catalog
1 updated 29th nov. 2019 1a practitioners of aesthetics in applied art in mah...
M. V. Dhurandhar was a pioneering Indian artist born in 1867 who gained popularity for his paintings depicting Indian epics, myths, legends, and historical scenes. He was a prominent teacher and administrator at the Sir J.J. School of Art in Mumbai from 1890 until his retirement in 1931. Dhurandhar documented Indian customs, rituals, and daily life through meticulous sketches and paintings, winning several prizes and honors for his work. He played a pivotal role in establishing applied art in India through his illustrations for books and other commercial applications.
9 aie and bhau family 9part
This presentation summarizes the biographical information of the presenter's late father, Prof. R.P. Joshi, and late mother, Indumati Joshi.
Prof. R.P. Joshi was an artist, art teacher, and head of an admirable family. He instilled an appreciation for art in his eight children. Indumati Joshi was a classical singer, knitting artist, and loving mother.
Examples of Prof. Joshi's woven textile designs and Indumati's hand knitting are shown. Prof. Joshi wrote articles on art from 1942 until his death in 1987. His views on art education remain relevant. The presentation aims to honor and express gratitude
6 biobhau6
This presentation aims to provide biographical information about the artist Late Prof. R.P. Joshi, including details of his career as an art teacher, father, and artist who created paintings and wrote articles on art from 1942 until his death in 1987. It also honors the speaker's late mother, Indumati, who was a classical singer, knitting artist, and loving mother who created strong emotional bonds within the family. The presentation seeks to express gratitude to both parents on behalf of the speaker's entire family.
BIOGRAPHY OF ARTIST R. P. JOSHI - 1
R.P. Joshi encouraged his six children to acquire diplomas of the following six branches of Sir J.J.School of Art compound, namely Architecture, Art Master, Printing Technology, Drawing and Painting, Commercial (Applied) Art and Sculpture and Modeling. R.P. Joshi was an artist, art educator and expert in child art education. He wrote several articles on art from 1942 until his death in 1987 covering topics like child art, color theory, art education and more. He contributed to research on color and co-authored a work on colors of costumes in India.
Aesthetics in Applied Art
1. M.V. Dhurandhar was a pioneering Indian artist active from 1867-1944 who gained popularity through realistic paintings depicting scenes from Indian epics, myths, legends, and daily life.
2. He made significant contributions to applied art in India through book illustrations, magazine covers, posters, and other commercial works. He was also an influential art educator.
3. Dhurandhar helped spread Indian art to the masses through large-scale works like calendars and railway posters, as well as his prolific illustrations for publications in multiple languages. He was honored for his important role in developing art education and connecting with the public.
BioRPJ4
This is a biographical presentation in series, about my father Late artist Prof. R.P.Joshi covering his contribution for art education,landscape paintings,portrait,still life and textile design and colour since 1942 till his death in 1987.
More from Ranjan Joshi (20)
1 updated 29th nov. 2019 1a practitioners of aesthetics in applied art in mah...
1 updated 29th nov. 2019 1a practitioners of aesthetics in applied art in mah...
From calligraphy syllabus 1977 to typo 2005 ranjan r. i. joshi a visual record
From calligraphy syllabus 1977 to typo 2005 ranjan r. i. joshi a visual record
6 calligraphy is the mother of typography by ranjan r. i. joshi -
6 calligraphy is the mother of typography by ranjan r. i. joshi -
5 calligraphy is the mother of typography by ranjan r. i. joshi
5 calligraphy is the mother of typography by ranjan r. i. joshi
4 calligraphy is the mother of typography by ranjan r. i. joshi
4 calligraphy is the mother of typography by ranjan r. i. joshi
3 calligraphy is the mother of typography by ranjan r. i. joshi
3 calligraphy is the mother of typography by ranjan r. i. joshi
2 calligraphy is the mother of typography by ranjan r. i. joshi
2 calligraphy is the mother of typography by ranjan r. i. joshi
1 calligraphy is the mother of typography by ranjan r. i. joshi
1 calligraphy is the mother of typography by ranjan r. i. joshi
The indian constitution and freedom of expression...ranjan r.i.joshi
The indian constitution and freedom of expression...ranjan r.i.joshi
Articles published in basoli by ranjan r. i. joshi nagpur-dr. channe
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BioRPJ3
- 1. This series of presentation is intend to cover the holistic biographical information and works of fine art of my father late Prof. R.P.JOSHI. He was an artist, art teacher, a father with excellent values and adorable family head. He created new identity for us imbibing art sensitivity in his eight children. My mother late INDUMATI a gifted vocal classical singer, inborn knitting craft artist and the ultimate lovable, kind hearted mother who created emotional bodings for the entire family. This is an effort to express the gratitude towards them on behalf of my entire family. My father wrote several articles on art since 1942 till his death in 1987. His contribution to art of woven textile design is also covered besides paintings. His views expressed through articles on art education gives good insights in today's context. It is my pleasure to share this all with readers on my rivcomm.blogspot.com BHAUAIE biographical information of my father and mother 3 This part will cover his still life and from : 1955 to 1967 1
- 2. 2 R.P.Joshi was known for his water colour still life. Here are few from : 1955 to 1967. He use to follow a technique in which ground white paper surface was untouched wherever highlight in the compositions is required. The still life mostly painted in approx. 20 x 30 inches sizes.
- 3. 3
- 4. 4 This is painted in square size around 30 x 30 inches. Spontaneity and flow of water colours was his signature technique.
- 5. 5
- 6. 6 20” x 30” water colours.
- 8. 8 This still life painted during : 1955 to 1967. From the collection Chetan D. Joshi-Dubai.
- 9. 9 Published in Magazine - Shashi-1955
- 10. 10 This is painted in oil paint with thick colour application. The size is around 12” x 15”. Influence of impressionism is visible.
- 11. 11 Continued from previous page, Published in Magazine - Shashi-1955
- 12. 12 This is painted in square size around 30 x 30 inches. Spontaneity and flow of water colours was his signature technique.
- 13. 13
- 14. 14 This is painted in water colours. Size approx. 30” X 40” One of the best still life now in the collection of Sir J.J.Institute of Applied Art.
- 15. 15
- 16. 16 २०डिसेंबर१९६५
- 17. 17
- 18. 18
- 19. 19
- 20. 20 This is painted in the size around 20 x 30 inches. Spontaneity and flow of water colours was his signature technique.
- 21. 21 This is painted in the size around 20 x 30 inches. Spontaneity and flow of water colours was his signature technique.
- 22. 22 This is painted in the size around 20 x 30 inches. Spontaneity and flow of water colours was his signature technique.
- 23. 23 This is painted in the size around 20 x 30 inches. Spontaneity and flow of water colours was his signature technique.
- 24. 24 This is painted in the size around 20 x 30 inches. Spontaneity and flow of water colours was his signature technique.
- 25. 25
- 26. 26 This is painted in the size around 20 x 30 inches. Spontaneity and flow of water colours was his signature technique.
- 27. 27
- 28. 28 This is painted in the size around 25 x 30 inches. Spontaneity and flow of water colours was his signature technique.
- 29. 29
- 30. 30 This is painted in the size around 20 x 30 inches. Spontaneity and flow of water colours was his signature technique.
- 31. 31
- 32. 32
- 33. 33
- 34. 34
- 35. 35 This is painted in the size around 20 x 30 inches. Spontaneity and flow of water colours was his signature technique.